One Day Apprentice: Harold Kyle ’98

14 May 2019
By John Noltner
Harold Kyle '98 at Boxcar Press

Harold Kyle ’98 discovered letterpress printing in “From Gutenberg to Gates,” a course art professor Fred Hagstrom cotaught with German professor Roger Paas that utilized the beautifully printed books in Gould Library’s Special Collections.

The oldest form of mechanical printing, letterpress involves inking raised type and making an impression on paper. The Gutenberg to Gates class took a field trip to the Campbell-Logan Binder, a hand bookbindery in Fridley, Minnesota. Two weeks later, Kyle was working there.

He bought his first press in 1998 and founded Boxcar Press in Minneapolis with Debbie Urbanski ’98, whom he met in a German class during their sophomore year. In 2001 Kyle and Urbanski (now married) moved to New York so Urbanski could complete a master of fine arts degree at Syracuse University. They found that Boxcar Press benefited from its proximity to New York City.

When Martha Stewart Weddings magazine featured Boxcar Press, the uptick in business led the couple to start Bella Figura, a division that specializes in wedding invitations. “After Martha Stewart Weddings, we felt like we could do the impossible,” says Kyle.

And they did. In an industry dominated by small shops, Boxcar is the largest letterpress operation in the country. More than 95 percent of its business is in high-end invitations and announcements. But it also serves as a wholesaler, selling printing plates, paper, and digital supplies to more than 10,000 letterpress printers around the world.

Kyle and Urbanski credit Carleton for their business success. “Even as an art student, I learned how to do math, use a spreadsheet, and write well,” Kyle says. “But I knew that in order to stay competitive, I needed to learn more.”

In 2015 he received a Lofgren Fellowship from Carleton and enrolled at the Massachusetts Institute of Technology’s Sloan School of Management to complete an MBA. “It was one of the best decisions I’ve made,” he says. “I thought of myself as an art major who had a business. The program made me realize I knew more about business than I’d been aware.”

While much of Boxcar’s growth has been online, Kyle and Urbanski opened a retail space on Manhattan’s Upper East Side in 2016. “People love our printing when they see it and feel it,” says Kyle. “Online venues don’t capture that quality.” The response to the store has been so positive that Boxcar is opening a second store in Brooklyn this spring.

Boxcar Press owner Harold Kyle ’98 reviews a print sample with press operator Will Cartagena.
9:01 a.m. | Boxcar Press owner Harold Kyle ’98 reviews a print sample with press operator Will Cartagena.
Kyle chooses paper for a new line of invitations that will be sold at the Brooklyn store. Paper mills in Germany and New England manufacture cotton paper especially for Boxcar, which also sells the paper to other printers.
10:23 a.m. | Kyle chooses paper for a new line of invitations that will be sold at the Brooklyn store. Paper mills in Germany and New England manufacture cotton paper especially for Boxcar, which also sells the paper to other printers.
Kyle and press operator Clayton Estey review a job for quality, detail, and vibrancy.
10:41 a.m. | Kyle and press operator Clayton Estey review a job for quality, detail, and vibrancy.
Designer Leslie Johnson and Kyle compare samples from two different printing processes—hot foil stamping and digital letterpress—to determine which one works best. Says Kyle: “Our mission starts with ‘Print beautifully.’ It’s an aesthetic mission that means that I, the business owner, will always follow the artists’ lead.”
11:07 a.m. | Designer Leslie Johnson and Kyle compare samples from two different printing processes—hot foil stamping and digital letterpress—to determine which one works best. Says Kyle: “Our mission starts with ‘Print beautifully.’ It’s an aesthetic mission that means that I, the business owner, will always follow the artists’ lead.”
Boxcar vice president Debbie Urbanski ’98 meets with Kyle over lunch to review designs for an ad.
12:24 p.m. | Boxcar vice president Debbie Urbanski ’98 meets with Kyle over lunch to review designs for an ad that will run in New York magazine. Urbanski no longer oversees Boxcar’s day-to-day operations (focusing instead on her writing career), but she is “still the guiding light for our branding and communications,” says Kyle. “She encourages us to set ourselves apart from other brands.”
Harold Kyle at Boxcar Press
2:28 p.m. | Boxcar Press started in the basement of Kyle’s house but now has more than 80 employees and 25 presses, which means Kyle is no longer running the presses. “I’m very engaged by managing the company—and our press operators do a better job than I ever did,” he says.
Harold Kyle prepares to drive to Brooklyn
4:16 p.m. | Kyle prepares to drive to Brooklyn, where he’ll do demolition, build shelves, fix walls, and build furniture for the new shop. “I sometimes have to roll up my sleeves,” he says. “I have big plans, but still need to manage costs.”
Harold Kyle '98 at Boxcar Press
5:11 p.m. | Boxcar Press occupies more than 30,000 square feet in a Syracuse building that used to manufacture farm equipment. The company’s presses were manufactured between 1956 and 2014, but most are from the late 1960s.
A family at the dinner table
5:47 p.m. | At dinner, the conversation often revolves around the family business. Jasper Kyle, 11, and Stella Urbanski, 8, have grown up at Boxcar Press.

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