Posts tagged with “Academics” (All posts)
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Carleton presents the 2019 Mellon Professorship Lecture: “Just What *IS* Musical Tempo?”
6 March 2019Justin London, Carleton’s Andrew W. Mellon Professor of Music, Cognitive Science and the Humanities, will discuss the complex nature of musical tempo perception along with topics in interdisciplinary research.
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The appearance coincides with the new Perlman Museum exhibit, “Glimpses of Eternity: Icons in the Orthodox World.”
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Three students were awarded Gold Medals at the 2017 New York Chinese Instruments International Competition in New York City.
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Considered one of the foremost players and teachers of the fortepiano, Bilson will perform in concert and also present a master class at nearby St. Olaf College.
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Carleton presents Spirit of Nature, featuring the world’s top performers of traditional Chinese music
21 October 2016The appearance includes a lecture and demonstration of traditional instruments, along with a mesmerizing concert performance.
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The language of popular music topic of Carleton lecture
21 October 2016Colorado English professor Adam Bradley presents, “The Poetry of Pop.”
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A concert “must:” Carleton presents new works by groundbreaking artists Mazzariello, Melville, and Mobius Percussion
11 September 2016The evening of eclectic new music combines keys, drums, voice, and electronics.
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Modern Music
23 May 2016An addition to the Weitz Center for Creativity brings the music department under one roof with other creative disciplines, ensuring endless possibilities for collaboration
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The artists’ unique approach to their craft navigates a rich musical landscape in idiosyncratic and singular ways, blurring lines between the traditional and the avant garde, between the composer and the performer.
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London serves as guest editor for musicology magazine
1 February 2016Justin London, Professor of Music, served as guest editor of a special issue of Empirical Musicology Review (vol. 10, no. 4, 2015). The issue is dedicated to “Musical Rhythm Across Cultures,” and it includes an article on the nuances of performance timing in Balkan percussion music by Daniel Goldberg ’08. EMR is an open-source journal with a public peer review process, where each target article is accompanied by several commentaries.
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