BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Carleton College//Calendar Events//EN
NAME:Carleton College: Humanities Center Events
X-WR-CALNAME:Carleton College: Humanities Center Events
TIMEZONE-ID:America/Chicago
X-WR-TIMEZONE:America/Chicago
REFRESH-INTERVAL;VALUE=DURATION:PT6H
X-PUBLISHED-TTL:PT6H
BEGIN:VEVENT
UID:kna1e0u2g32ca9qprip7dhj5ro
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261008T160000
DTEND:20261008T173000
SUMMARY:Dream of the Red Chamber and the Female Readers' Responsive Poetry
  in the Nineteenth Century -  Ann Waltner\, Professor of History\, Univers
 ity of Minnesota
TRANSP:TRANSPARENT
LOCATION:LDC 104
DESCRIPTION:The Dr. Walter H. Judd Lectureship in Asian Studies fall talk 
 is presented by Ann Waltner\, Professor of History\, University of Minneso
 ta\, titled "<em>Dream of the Red Chamber and the Female Readers' Responsi
 ve Poetry in the Nineteenth Century."</em>\n\nThe Dream of the Red Chamber
  (or The Story of the Stone) stands as one of China’s Four Great Classic
 al Novels. Long before its official publication in 1791\, it captured the 
 imagination of readers—and sparked a rich tradition of literary commenta
 ry. Join us for a talk exploring this monumental work and the vibrant poet
 ry written by young female readers who engaged with it throughout the 19th
  century.\n\nThis event is sponsored by The Dr. Walter H. Judd Lectureship
  in Asian Studies and organized by the Department of Asian Languages &amp\
 ; Literatures.\n\nView this event on the Carleton College website:\nhttps:
 //www.carleton.edu/_c/uuh4
ORGANIZER;CN="Asian Languages & Literatures Events":mailto:skcpmiavor6qol1
 6m8vnq9cod0@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260907T162519
END:VEVENT
BEGIN:VEVENT
UID:0pvrq5gts7953fs5l80ldoa8b0
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261009T105000
DTEND:20261009T115000
SUMMARY:Convocation with Valeria Luiselli |  Beginnings and Endings\, or H
 ow to Reimagine Time.
TRANSP:TRANSPARENT
LOCATION:Skinner Memorial Chapel
DESCRIPTION:Valeria Luiselli was born in Mexico City and grew up in South 
 Korea\, South Africa and India. An acclaimed Mexican writer of both fictio
 n and nonfiction\, she is the author of the essays <a>Tell Me How It Ends
  and </a><a>Sidewalks</a><a>\; the sonic essay </a><a>Echoes From the B
 orderlands\;</a><a> </a>and the novels <a>Faces in the Crowd</a>\, <a>T
 he Story of My Teeth</a>\, <a>Lost Children Archive</a><a>\, </a><a>and
  </a><a>Beginning Middle End.</a>\n\nShe is the recipient of a 2019 MacAr
 thur Fellowship and the winner of Dublin Literary Award\, two Los Angeles 
 Times Book Prizes\, The Carnegie Medal\, an American Book Award\,  and ha
 s been nominated for the National Book Critics Circle Award\, the Kirkus P
 rize\, and the Booker Prize. She has been the recipient of a Bearing Witne
 ss Fellowship from the Art for Justice Fund\, a Guggenheim Fellowship and 
 the Vilcek Prize. Her work has appeared in The New Yorker\, The New York T
 imes\, Granta\, and McSweeney's\, among other publications\, and has been 
 translated into more than thirty languages. Her ongoing project in sound-s
 capes and oral histories\, Echoes From the Borderlands\, has been featured
  at the <a>DIA Chelsea</a> and the <a>Harvard Art Lab\, among other plac
 es.</a>\n\nView this event on the Carleton College website:\nhttps://www.c
 arleton.edu/_c/uun0
ORGANIZER;CN="Convocations":mailto:g8h62604doarbi9ihcipmnhd04@group.calend
 ar.google.com
STATUS:CONFIRMED
CREATED:20260806T162200
END:VEVENT
BEGIN:VEVENT
UID:k2eqj3copmei2g2rj9l7mhju1c
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261013T171500
DTEND:20261013T184500
SUMMARY:Fall 2026 Lefler Lecture: Dr. Rashauna Johnson  Bittersweet Homes:
  Placemaking in a Parish Haunted by History
TRANSP:TRANSPARENT
LOCATION:Leighton Hall 305
DESCRIPTION:<strong>Bittersweet Homes: Placemaking in a Parish Haunted by 
 History</strong>\n\nThis talk uses archival research and family memories t
 o illuminate the lives and times of select figures who died and\, critical
 ly\, also lived in the long arc of King Cotton. Drawing on select moments 
 in the history of the author's maternal grandmother's birthplace\, Louisia
 na's Feliciana Parishes\, it meditates on the deeply contingent experience
 s of 19th-Century "development" and "progress" and the ways those divergen
 t experiences - and the memories to which they gave rise - haunt us all.\n
 \nRashauna Johnson is a historian of the 19th-century African diaspora\, w
 ith an emphasis on slavery and emancipation in the US South and Atlantic W
 orld. She is especially interested in the limits and possibilities of arch
 ival histories of enslaved and freed people and the worlds in which they l
 abored and lived. Johnson teaches courses on race\, slavery\, and nation\;
  methodologies of slavery studies\; and the 19th-century US.\n\nJohnson is
  the author of <a href="https://www.cambridge.org/core/books/slaverys-met
 ropolis/40469AB30465025FFBE1C4E959A55083" target="_blank" rel="noopener"><
 em>Slavery’s Metropolis: Unfree Labor in New Orleans during the Age of R
 evolutions</em></a> (Cambridge UP\, 2016\; paperback 2018)\, which was aw
 arded the 2016 Williams Prize for the best book in Louisiana history and t
 he 2018 H. L. Mitchell Award by the Southern Historical Association for th
 e best book on the southern working class. <em>Slavery's Metropolis </em
 >was also named a finalist for the 2016 Berkshire Conference of Women's Hi
 storians Book Prize\, honorable mention for the Urban History Association'
 s Kenneth Jackson Award\, and a finalist for the 2017 Frederick Douglass B
 ook Prize. Her second book\, <a href="https://www.cambridge.org/us/unive
 rsitypress/subjects/history/african-american-histor/sweet-home-feliciana-f
 amily-slavery-and-hauntings-history?format=HB&amp\;isbn=9781009668323"><em
 >Sweet Home Feliciana: Family\, Slavery\, and the Hauntings of History</em
 ></a> (Cambridge University Press\, 2026)\, uses her grandmother’s birt
 hplace in rural Louisiana as a prism to illuminate foundational\, if fraug
 ht\, aspects of US history including colonialism\, slavery\, war\, citizen
 ship and unfinished freedom. That project has been supported by the Hutch
 ins Center for African &amp\; African American Research at Harvard Univers
 ity\, the Mellon Scholars Post-Doctoral Fellowship in African American Hi
 story at the Library Company of Philadelphia\, and The Gilder Lehrman Inst
 itute of American History. She is a co-editor of the <em>Cambridge Histo
 ry of the African Diaspora\, Volume Two: Slave Trades\, Dispersals\, and P
 rocesses of Commodification </em>(forthcoming 2027).\n\nView this event o
 n the Carleton College website:\nhttps://www.carleton.edu/_c/uufg
ORGANIZER;CN="History":mailto:13j4s2le5qmt8ia3lrh1m7345o@group.calendar.go
 ogle.com
STATUS:CONFIRMED
CREATED:20260511T212444
END:VEVENT
BEGIN:VEVENT
UID:es52furasd9j43k0errnik7o2g
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261020T163000
DTEND:20261020T180000
SUMMARY:The Frank G. and Jean M. Chesley Lectureship in Environmental Stud
 ies by Dr. Jessica Hernandez: Fresh Roots\, Rising Waters: Indigenous Scie
 nce as the Blueprint for Climate Justice
TRANSP:TRANSPARENT
LOCATION:Olin 149
DESCRIPTION:<div class="elementor-element elementor-element-2090f57f eleme
 ntor-widget__width-initial elementor-widget elementor-widget-theme-post-co
 ntent" data-id="2090f57f" data-element_type="widget" data-e-type="widget" 
 data-widget_type="theme-post-content.default">\n<div class="elementor-widg
 et-container">\n<div dir="ltr">For generations\, Indigenous science has be
 en dismissed as folklore rather than recognized as rigorous\, land-based k
 nowledge accumulated through direct relationship with ecosystems. Dr. Jess
 ica Hernandez (Maya Ch'orti' &amp\; Binnizá) draws on her work as founder
  of Earth Daughters and author of <em>Fresh Banana Leaves</em> and <em>
 Growing Papaya Trees</em> to reframe the climate conversation: colonialism
  didn't just displace Indigenous peoples from their lands\, it displaced t
 heir knowledge systems from the institutions now scrambling to solve the c
 risis those systems could have prevented. This keynote traces the throughl
 ine from ecological healing to climate displacement\, and makes the case t
 hat climate justice is inseparable from Indigenous sovereignty\; over land
 \, over research\, and over the frameworks we use to define what counts as
  science.</div>\n</div>\n</div>\n\nView this event on the Carleton College
  website:\nhttps://www.carleton.edu/_c/ut2U
ORGANIZER;CN="Environmental Studies":mailto:6f79fpli726ta90o93g2pcmhfo@gro
 up.calendar.google.com
STATUS:CONFIRMED
CREATED:20260616T161719
END:VEVENT
BEGIN:VEVENT
UID:7jl1ch9hf89g4mk5i6odnbarrk
SEQUENCE:1
DTSTAMP:20261008T185811
DTSTART:20261021T140000
DTEND:20261021T153000
SUMMARY:Medieval Instruments--A Meet and Greet with Kate McWilliams of Unp
 rofitable Instruments
TRANSP:TRANSPARENT
LOCATION:Music Resources Center
DESCRIPTION:Kate McWilliams\, musicologist and maker of medieval musical i
 nstruments\, will introduce a range of wind and stringed instruments with 
 opportunities for the audience to try some out.\n\nView this event on the 
 Carleton College website:\nhttps://www.carleton.edu/_c/uul6
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260908T213536
END:VEVENT
BEGIN:VEVENT
UID:j8ln7p4j3maons646lcma6adts
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261022T120000
DTEND:20261022T130000
SUMMARY:Lunch Talk: Jake Henke\, U of MN\, "Islands of Crabs and Seas of P
 earls: Merchants and Monks in the Late Antique Persian Gulf"
TRANSP:TRANSPARENT
LOCATION:LDC 104
DESCRIPTION:Jake Henke will present on his current research into the natur
 e of trade in the Persian Gulf in Late Antiquity and its intersections wit
 h monastic communities in the area.\n\nPizza and refreshments will be serv
 ed.\n\nView this event on the Carleton College website:\nhttps://www.carle
 ton.edu/_c/utWz
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260602T170232
END:VEVENT
BEGIN:VEVENT
UID:lqmt6bvpuo1rmhusmvo1sc7vek
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261023T190000
DTEND:20261023T220000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\nView this event on the Carleton Colleg
 e website:\nhttps://www.carleton.edu/_c/uunW
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T194637
END:VEVENT
BEGIN:VEVENT
UID:veulbnlmgl9fbk15a28lu70rus
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261024T190000
DTEND:20261024T220000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\nView this event on the Carleton Colleg
 e website:\nhttps://www.carleton.edu/_c/uunX
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T194929
END:VEVENT
BEGIN:VEVENT
UID:75pbv0c9rlm99hcrcp1abkdj14
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261025T140000
DTEND:20261025T170000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\nView this event on the Carleton Colleg
 e website:\nhttps://www.carleton.edu/_c/uunY
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T195031
END:VEVENT
BEGIN:VEVENT
UID:a4vjaavvbk00qqj9v78tgjvf1g
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261029T170000
DTEND:20261029T180000
SUMMARY:Paying for the Public Life: Charles W. Moore and the Public Realm
TRANSP:TRANSPARENT
LOCATION:Boliou 104
DESCRIPTION:<em>This talk is part of the Edwin L. Weisl Jr. Lecture Series
  sponsored by the Robert Lehman Foundation</em>\n\nArchitectural historian
  and activist\, Patricia Morton will give a talk that focuses on writings 
 and buildings by Charles W. Moore\, a prominent Postmodern architect\, who
  asserted that “you have to pay for the public life” in a famous 1965 
 essay. Looking at several of Moore’s projects from the 1960s and 1970s\,
  the talk will investigate what Moore meant by “paying” for the public
  realm\, his advocacy for Disneyland as a public space\, and the ways he u
 nderstood “the public” in various contexts\, including a public housin
 g project and student housing at a public university\n\n<hr />\n\nPatricia
  A. Morton is Associate Professor in the Media and Cultural Studies Depart
 ment at the University of California\, Riverside.\n\nShe is author of <em
 >Hybrid Modernities: Architecture and Representation at the 1931 Internati
 onal Colonial Exposition in Paris </em>(MIT Press). Her current project\,
  <em>Paying for the Public Lif</em>e\, focuses on work by architect Charl
 es W. Moore and changes to the public realm in the 1960s.\n\nView this eve
 nt on the Carleton College website:\nhttps://www.carleton.edu/_c/uueA
ORGANIZER;CN="Art & Art History":mailto:8ckv8vtit6m6sj5p1qnvn5qq14@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260824T170146
END:VEVENT
BEGIN:VEVENT
UID:erioke1sbctoasojp4drj1o83c
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261029T170000
DTEND:20261029T181500
SUMMARY:The Migration to Abyssinia and the Ethiopic Quran\, A Talk by Dr. 
 Hamza Zafer\, Senior Lecturer in African Studies\, Princeton University
TRANSP:TRANSPARENT
LOCATION:Leighton 305
DESCRIPTION:View this event on the Carleton College website:\nhttps://www.
 carleton.edu/_c/uubk
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260806T025425
END:VEVENT
BEGIN:VEVENT
UID:u3p21agv6c5anhjjaraijbebfk
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261029T210000
DTEND:20261029T230000
SUMMARY:Night Owls with Agnes Callard (Chicago)
TRANSP:TRANSPARENT
LOCATION:The Athenaeum
DESCRIPTION:Join us for the second Night Owls at Carleton. We are thrilled
  to have Prof. <a href="https://philosophy.uchicago.edu/faculty/a-callard"
 >Agnes Callard</a>  -- the originator of Night Owls at the University of 
 Chicago -- join us. Prof. Callard is an extraordinary philosopher who has 
 written two books (including the <span class="a-text-bold a-text-italic">N
 ew York Times Book Review</span><span class="a-text-bold"> Editors' Choic
 e</span> <em><a href="https://www.amazon.com/Open-Socrates-Case-Philosophi
 cal-Life/dp/1631498460">Open Socrates</a></em>) and regularly publishes in
  venues such as the New York Times and The Atlantic.\n\nTonight's topic: B
 eing yourself. Most people\, most of the time\, keep parts of themselves h
 idden from others (you should see how Prof. Groll behaves around his dog. 
 Actually\, you probably shouldn't.). Is that a shame? Is the ideal to alwa
 ys be fully oneself -- never hiding any aspects of oneself -- all the time
 ? Or does it make sense -- even under ideal circumstances -- to have parts
  of one's identity that are for some people\, but not others? How open and
  honest should we be with (all) others? Come share your thoughts\, yoursel
 f (all in or in part) and some pizza (on us). This time\, there might be s
 wag for anyone that takes part in the conversation!\n\nView this event on 
 the Carleton College website:\nhttps://www.carleton.edu/_c/uub0
ORGANIZER;CN="Humanities Center":mailto:k73j67gu67k2rvuvvoi4kh8ctc@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260909T202445
END:VEVENT
BEGIN:VEVENT
UID:u38e88i3lb3l5tldgcnvgodjks
SEQUENCE:1
DTSTAMP:20261008T185811
DTSTART:20261105T160000
DTEND:20261105T170000
SUMMARY:Reading *Trust* with Hernán Díaz
TRANSP:TRANSPARENT
LOCATION:TBD
DESCRIPTION:<p style="font-weight: 400"><a href="https://www.hernandiaz.ne
 t/">Hernán Díaz</a>\, one of the most distinctive voices in contemporary
  American fiction\, will visit Carleton on November 4–5 as the special g
 uest of the Light Lectureship.</p>\n<p style="font-weight: 400">In anticip
 ation of his visit\, we invite faculty and staff to join a reading group d
 evoted to his Pulitzer Prize-winning novel <a href="https://www.hernandiaz
 .net/trust-novel"><em>Trust</em></a>\, culminating in a conversation with 
 Diaz himself.</p>\n<p style="font-weight: 400">Díaz’s first novel\, <e
 m>In the Distance</em>\, was a finalist for the Pulitzer Prize\; his secon
 d\, <em>Trust</em>\, won the 2023 Pulitzer Prize for Fiction.</p>\n<p sty
 le="font-weight: 400">Across these two remarkably different novels\, Díaz
  returns to some of the foundational myths of American culture — the fro
 ntier\, the self-made individual\, money\, power\, and the creation of eno
 rmous wealth — while radically reinventing the literary forms through wh
 ich those myths have traditionally been told. <em>In the Distance</em> re
 imagines the western from the perspective of a lost immigrant moving again
 st the great westward migration\; <em>Trust</em> takes apart the novel o
 f wealth and finance by telling the same story through four competing narr
 atives. In both\, Diaz inhabits recognizable American genres only to estra
 nge them from within\, asking who gets to tell the stories through which A
 merica imagines itself.</p>\n<p style="font-weight: 400">The reading group
  will meet once to discuss <em>Trust </em>(date/time TBD). On November 4\
 , Díaz will give a talk about his fiction and how he situates his work wi
 thin American literature. On November 5\, members of the group will have t
 he opportunity to discuss <em>Trust</em> with Díaz himself — a rare ch
 ance to continue our reading in conversation with the author.</p>\n<p styl
 e="font-weight: 400">The reading group is sponsored by the Department of S
 panish in collaboration with the Humanities Center. Copies of <em>Trust</e
 m> will be available for all participants interested in joining the group
 . If you would like to participate and receive a copy of the novel\, pleas
 e contact Jorge Brioso (<a href="mailto:jbrioso@carleton.edu">jbrioso@carl
 eton.edu</a>) and Dan Groll (<a href="mailto:dgroll@carleton.edu">dgroll@c
 arleton.edu</a>) by <strong>September 30</strong>.</p>\n\nView this event
  on the Carleton College website:\nhttps://www.carleton.edu/_c/uub8
ORGANIZER;CN="Humanities Center":mailto:k73j67gu67k2rvuvvoi4kh8ctc@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260906T154519
END:VEVENT
BEGIN:VEVENT
UID:dq6ubr8n3butv01lfq6hlurjtg
SEQUENCE:0
DTSTAMP:20261008T185811
DTSTART:20261105T190000
DTEND:20261105T203000
SUMMARY:Jazz Area Concert
TRANSP:TRANSPARENT
LOCATION:Kracum Performance Hall
DESCRIPTION:<span data-sheets-root="1">The Carleton Jazz Ensemble presents
  their fall concert!</span>\n\nView this event on the Carleton College web
 site:\nhttps://www.carleton.edu/_c/uua0
ORGANIZER;CN="Music Department":mailto:4hvg0t6h02sui82j4vqmmqbeag@group.ca
 lendar.google.com
STATUS:CONFIRMED
CREATED:20260908T171704
END:VEVENT
BEGIN:VEVENT
UID:8j96cpimv3os7ictkpkibmgvkk
SEQUENCE:3
DTSTAMP:20261008T185811
DTSTART:20270120T170000
DTEND:20270120T180000
SUMMARY:Book Celebration: Jessica Keating\, Impossible Nature – The Worl
 ds of Giuseppe Arcimboldo
TRANSP:TRANSPARENT
LOCATION:TBD
DESCRIPTION:A gathering to celebrate the publication of Professor Jessica 
 Keating's new book: <em>Impossible Nature. The World of Giuseppe Arcimbol
 do</em> (University of Chicago Press\, 2026).\n\nMore information coming s
 oon.\n\nView this event on the Carleton College website:\nhttps://www.carl
 eton.edu/_c/uubh
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260806T173039
END:VEVENT
END:VCALENDAR