BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Carleton College//Calendar Events//EN
NAME:Carleton College: Humanities Center Events
X-WR-CALNAME:Carleton College: Humanities Center Events
TIMEZONE-ID:America/Chicago
X-WR-TIMEZONE:America/Chicago
REFRESH-INTERVAL;VALUE=DURATION:PT6H
X-PUBLISHED-TTL:PT6H
BEGIN:VEVENT
UID:es52furasd9j43k0errnik7o2g
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261020T163000
DTEND:20261020T180000
SUMMARY:The Frank G. and Jean M. Chesley Lectureship in Environmental Stud
 ies by Dr. Jessica Hernandez: Fresh Roots\, Rising Waters: Indigenous Scie
 nce as the Blueprint for Climate Justice
TRANSP:TRANSPARENT
LOCATION:Olin 149
DESCRIPTION:<div class="elementor-element elementor-element-2090f57f eleme
 ntor-widget__width-initial elementor-widget elementor-widget-theme-post-co
 ntent" data-id="2090f57f" data-element_type="widget" data-e-type="widget" 
 data-widget_type="theme-post-content.default">\n<div class="elementor-widg
 et-container">\n<div dir="ltr">For generations\, Indigenous science has be
 en dismissed as folklore rather than recognized as rigorous\, land-based k
 nowledge accumulated through direct relationship with ecosystems. Dr. Jess
 ica Hernandez (Maya Ch'orti' &amp\; Binnizá) draws on her work as founder
  of Earth Daughters and author of <em>Fresh Banana Leaves</em> and <em>
 Growing Papaya Trees</em> to reframe the climate conversation: colonialism
  didn't just displace Indigenous peoples from their lands\, it displaced t
 heir knowledge systems from the institutions now scrambling to solve the c
 risis those systems could have prevented. This keynote traces the throughl
 ine from ecological healing to climate displacement\, and makes the case t
 hat climate justice is inseparable from Indigenous sovereignty\; over land
 \, over research\, and over the frameworks we use to define what counts as
  science.</div>\n</div>\n</div>\n\nView this event on the Carleton College
  website:\nhttps://www.carleton.edu/_c/ut2U
ORGANIZER;CN="Environmental Studies":mailto:6f79fpli726ta90o93g2pcmhfo@gro
 up.calendar.google.com
STATUS:CONFIRMED
CREATED:20260616T161719
END:VEVENT
BEGIN:VEVENT
UID:7jl1ch9hf89g4mk5i6odnbarrk
SEQUENCE:1
DTSTAMP:20261016T000715
DTSTART:20261021T140000
DTEND:20261021T153000
SUMMARY:Medieval Instruments--A Meet and Greet with Kate McWilliams of Unp
 rofitable Instruments
TRANSP:TRANSPARENT
LOCATION:Music Resources Center
DESCRIPTION:Kate McWilliams\, musicologist and maker of medieval musical i
 nstruments\, will introduce a range of wind and stringed instruments with 
 opportunities for the audience to try some out.\n\nView this event on the 
 Carleton College website:\nhttps://www.carleton.edu/_c/uul6
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260908T213536
END:VEVENT
BEGIN:VEVENT
UID:j8ln7p4j3maons646lcma6adts
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261022T120000
DTEND:20261022T130000
SUMMARY:Lunch Talk: Jake Henke\, U of MN\, "Islands of Crabs and Seas of P
 earls: Merchants and Monks in the Late Antique Persian Gulf"
TRANSP:TRANSPARENT
LOCATION:LDC 104
DESCRIPTION:Jake Henke will present on his current research into the natur
 e of trade in the Persian Gulf in Late Antiquity and its intersections wit
 h monastic communities in the area.\n\nPizza and refreshments will be serv
 ed.\n\nView this event on the Carleton College website:\nhttps://www.carle
 ton.edu/_c/utWz
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260602T170232
END:VEVENT
BEGIN:VEVENT
UID:lqmt6bvpuo1rmhusmvo1sc7vek
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261023T190000
DTEND:20261023T220000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\n<a href="https://www.carleton.edu/thea
 ter-dance/department-overview/events/ticket-reservations/">Reserve Tickets
 </a>\n\nView this event on the Carleton College website:\nhttps://www.carl
 eton.edu/_c/uupY
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T194637
END:VEVENT
BEGIN:VEVENT
UID:veulbnlmgl9fbk15a28lu70rus
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261024T190000
DTEND:20261024T220000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\n<a href="https://www.carleton.edu/thea
 ter-dance/department-overview/events/ticket-reservations/">Reserve Tickets
 </a>\n\nView this event on the Carleton College website:\nhttps://www.carl
 eton.edu/_c/uupZ
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T194929
END:VEVENT
BEGIN:VEVENT
UID:75pbv0c9rlm99hcrcp1abkdj14
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261025T140000
DTEND:20261025T170000
SUMMARY:Fall Term Theater Production: Passion Play by Sarah Ruhl
TRANSP:TRANSPARENT
LOCATION:Weitz Center Theater
DESCRIPTION:<em>Passion Play</em> dramatizes a community of players rehear
 sing their annual staging of the Easter Passion in three different eras: 1
 575 Northern England\, just before Queen Elizabeth outlaws the ritual\; 19
 34 Oberammergau\, Bavaria\, as Hitler is rising to power\; and Spearfish\,
  South Dakota\, from the time of Vietnam through Reagan's presidency. In e
 ach period\, the players grapple with the transformative nature of art\, a
 nd politics are never far in the background.\n\nContent Warning: This prod
 uction contains depictions of suicide\, sexual assault\, Nazi symbols\, pr
 op guns\, and sounds of gunfire.\n\n<a href="https://www.carleton.edu/thea
 ter-dance/department-overview/events/ticket-reservations/">Reserve Tickets
 </a>\n\nView this event on the Carleton College website:\nhttps://www.carl
 eton.edu/_c/uup0
ORGANIZER;CN="Theater & Dance":mailto:91kn70ukmr11dc6mpfv5ddb68c@group.cal
 endar.google.com
STATUS:CONFIRMED
CREATED:20260828T195031
END:VEVENT
BEGIN:VEVENT
UID:a4vjaavvbk00qqj9v78tgjvf1g
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261029T170000
DTEND:20261029T180000
SUMMARY:Paying for the Public Life: Charles W. Moore and the Public Realm
TRANSP:TRANSPARENT
LOCATION:Boliou 104
DESCRIPTION:<em>This talk is part of the Edwin L. Weisl Jr. Lecture Series
  sponsored by the Robert Lehman Foundation</em>\n\nArchitectural historian
  and activist\, Patricia Morton will give a talk that focuses on writings 
 and buildings by Charles W. Moore\, a prominent Postmodern architect\, who
  asserted that “you have to pay for the public life” in a famous 1965 
 essay. Looking at several of Moore’s projects from the 1960s and 1970s\,
  the talk will investigate what Moore meant by “paying” for the public
  realm\, his advocacy for Disneyland as a public space\, and the ways he u
 nderstood “the public” in various contexts\, including a public housin
 g project and student housing at a public university\n\n<hr />\n\nPatricia
  A. Morton is Associate Professor in the Media and Cultural Studies Depart
 ment at the University of California\, Riverside.\n\nShe is author of <em
 >Hybrid Modernities: Architecture and Representation at the 1931 Internati
 onal Colonial Exposition in Paris </em>(MIT Press). Her current project\,
  <em>Paying for the Public Lif</em>e\, focuses on work by architect Charl
 es W. Moore and changes to the public realm in the 1960s.\n\nView this eve
 nt on the Carleton College website:\nhttps://www.carleton.edu/_c/uueA
ORGANIZER;CN="Art & Art History":mailto:8ckv8vtit6m6sj5p1qnvn5qq14@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260824T170146
END:VEVENT
BEGIN:VEVENT
UID:erioke1sbctoasojp4drj1o83c
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261029T170000
DTEND:20261029T181500
SUMMARY:The Migration to Abyssinia and the Ethiopic Quran\, A Talk by Dr. 
 Hamza Zafer\, Senior Lecturer in African Studies\, Princeton University
TRANSP:TRANSPARENT
LOCATION:Leighton 305
DESCRIPTION:View this event on the Carleton College website:\nhttps://www.
 carleton.edu/_c/uubk
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260806T025425
END:VEVENT
BEGIN:VEVENT
UID:u3p21agv6c5anhjjaraijbebfk
SEQUENCE:1
DTSTAMP:20261016T000715
DTSTART:20261029T203000
DTEND:20261029T223000
SUMMARY:Night Owls with Agnes Callard (Chicago)
TRANSP:TRANSPARENT
LOCATION:The Athenaeum
DESCRIPTION:NEW EARLIER START SO OUR NOT FULLY NOCTURNAL OWLS CAN SLEEP!\n
 \nJoin us for the second Night Owls at Carleton. We are thrilled to have P
 rof. <a href="https://philosophy.uchicago.edu/faculty/a-callard">Agnes Cal
 lard</a>  -- the originator of Night Owls at the University of Chicago --
  join us. Prof. Callard is an extraordinary philosopher who has written tw
 o books (including the <span class="a-text-bold a-text-italic">New York Ti
 mes Book Review</span><span class="a-text-bold"> Editors' Choice</span> <
 em><a href="https://www.amazon.com/Open-Socrates-Case-Philosophical-Life/d
 p/1631498460">Open Socrates</a></em>) and regularly publishes in venues su
 ch as the New York Times and The Atlantic.\n\nTonight's topic: Being yours
 elf. Most people\, most of the time\, keep parts of themselves hidden from
  others (you should see how Prof. Groll behaves around his dog. Actually\,
  you probably shouldn't.). Is that a shame? Is the ideal to always be full
 y oneself -- never hiding any aspects of oneself -- all the time? Or does 
 it make sense -- even under ideal circumstances -- to have parts of one's 
 identity that are for some people\, but not others? How open and honest sh
 ould we be with (all) others? Come share your thoughts\, yourself (all in 
 or in part) and some pizza (on us). This time\, there might be swag for an
 yone that takes part in the conversation!\n\nView this event on the Carlet
 on College website:\nhttps://www.carleton.edu/_c/uuqu
ORGANIZER;CN="Humanities Center":mailto:k73j67gu67k2rvuvvoi4kh8ctc@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260909T202445
END:VEVENT
BEGIN:VEVENT
UID:6g2isd33qitek52mqv8e67rk88
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261030T153000
DTEND:20261030T153000
SUMMARY:Humanities Coffee Klatsch
TRANSP:TRANSPARENT
LOCATION:LTC library (Weitz 146)
DESCRIPTION:<div id=":b8b" class="Am aiL aO9 Al editable LW-avf tS-tW tS-t
 Y" role="textbox" aria-label="Message Body" aria-controls=":bau" aria-expa
 nded="false">\n<h3>Humanities Coffee Klatsch is a chance for faculty and s
 taff to end the week* engaged in casual discussion with peers about some t
 opic of humanistic interest.</h3>\n<div>\n\nThis Coffee Klatsch will be de
 voted to <a href="https://www.nytimes.com/2026/10/08/science/mathematician
 s-respond-openai-release.html" target="_blank" rel="noopener" data-safered
 irecturl="https://www.google.com/url?q=https://www.nytimes.com/2026/10/08/
 science/mathematicians-respond-openai-release.html&amp\;source=gmail&amp\;
 ust=1792079668167000&amp\;usg=AOvVaw1_PqikhBXNhiPB9OP6bvQK">the spectacula
 r and existential-angst-<wbr />inducing math accomplishments ("accomplishm
 ents"?) of OpenAI's frontier model.</a>\n\nJoin us for discussion with som
 e of our Math colleagues to learn how they're thinking about this news and
  what the development of AI means for *all* disciplines: What is the conne
 ction between looking for answers and getting them? Between knowing result
 s and understanding them? We'll consider these questions and more in an in
 formal setting while enjoying coffee and snacks (if you can stomach them!)
 .\n\n</div>\n<div>\n\n*The HC hopes to run these a couple times a term\, a
 lthough we're starting with only one this term.\n\n</div>\n</div>\n&nbsp\;
 \n\nView this event on the Carleton College website:\nhttps://www.carleton
 .edu/_c/uuqU
ORGANIZER;CN="Humanities Center":mailto:k73j67gu67k2rvuvvoi4kh8ctc@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20261014T155601
END:VEVENT
BEGIN:VEVENT
UID:ove3pmbgfed6crbn0cmbm7b5o4
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261104T170000
DTEND:20261104T180000
SUMMARY:A Conversation with Hernán Díaz\, Winner of the 2023 Pulitzer Pr
 ize for Fiction: His Work and His Place in American Literature
TRANSP:TRANSPARENT
LOCATION:Olin 149
DESCRIPTION:<span style="font-weight: 400">Hernán Díaz\, winner of the 2
 023 Pulitzer Prize for Fiction for </span><i><span style="font-weight: 400
 ">Trust</span></i><span style="font-weight: 400"> and a Pulitzer finalist 
 for </span><i><span style="font-weight: 400">In the Distance</span></i><sp
 an style="font-weight: 400">\, will visit Carleton this November for two r
 elated events.</span>\n\n<span style="font-weight: 400">On Wednesday\, Nov
 ember 4\, from 5:00 to 6:00 p.m. in Olin 149\, Díaz will participate in a
  Light Lectureship public conversation\, open to the Carleton community\, 
 about his work and his place in—and perspective on—American literature
 . On Thursday\, November 5\, he will join a smaller reading group devoted 
 to </span><i><span style="font-weight: 400">Trust</span></i><span style="f
 ont-weight: 400">.</span>\n\n<span style="font-weight: 400">Born in Argent
 ina\, raised partly in Sweden\, and educated in Argentina\, London\, and t
 he United States\, Díaz writes in English from a perspective shaped by se
 veral languages and cultures. His three novels revisit central American na
 rratives from strikingly different angles.</span>\n\n<i><span style="font-
 weight: 400">In the Distance</span></i><span style="font-weight: 400"> tur
 ns the Western inside out. Its protagonist\, Håkan\, a young Swedish immi
 grant stranded in California\, travels eastward against the great westward
  movement of nineteenth-century expansion. Through the experience of the i
 mmigrant and outsider\, Díaz reimagines the myths of the frontier\, migra
 tion\, and American self-invention.</span>\n\n<i><span style="font-weight:
  400">Trust</span></i><span style="font-weight: 400"> moves from the front
 ier to Wall Street. Through four competing accounts of a financier and his
  wife\, the novel explores not only how wealth and financial power are cre
 ated\, but also who has the authority to tell their story—and how money 
 can shape memory\, representation\, and truth.</span>\n\n<span style="font
 -weight: 400">Díaz’s new novel\, </span><i><span style="font-weight: 40
 0">Ply</span></i><span style="font-weight: 400">\, turns toward the future
 . Set centuries from now in a world where the state has disappeared\, it c
 ombines speculative fiction\, science\, music\, and adventure to explore t
 echnology\, freedom\, and new possibilities for social life.</span>\n\n<sp
 an style="font-weight: 400">Together\, Díaz’s novels move from the nine
 teenth-century frontier\, through the world of modern finance\, toward an 
 imagined technological future—reconsidering the stories through which Am
 erica has understood its past\, organized its present\, and imagined what 
 might come next.</span>\n\nView this event on the Carleton College website
 :\nhttps://www.carleton.edu/_c/uupL
ORGANIZER;CN="Spanish":mailto:h918ecruebjd3u5pdqud3gf3sk@group.calendar.go
 ogle.com
STATUS:CONFIRMED
CREATED:20260909T140926
END:VEVENT
BEGIN:VEVENT
UID:u38e88i3lb3l5tldgcnvgodjks
SEQUENCE:1
DTSTAMP:20261016T000715
DTSTART:20261105T160000
DTEND:20261105T170000
SUMMARY:Reading *Trust* with Hernán Díaz
TRANSP:TRANSPARENT
LOCATION:TBD
DESCRIPTION:<p style="font-weight: 400"><a href="https://www.hernandiaz.ne
 t/">Hernán Díaz</a>\, one of the most distinctive voices in contemporary
  American fiction\, will visit Carleton on November 4–5 as the special g
 uest of the Light Lectureship.</p>\n<p style="font-weight: 400">In anticip
 ation of his visit\, we invite faculty and staff to join a reading group d
 evoted to his Pulitzer Prize-winning novel <a href="https://www.hernandiaz
 .net/trust-novel"><em>Trust</em></a>\, culminating in a conversation with 
 Diaz himself.</p>\n<p style="font-weight: 400">Díaz’s first novel\, <e
 m>In the Distance</em>\, was a finalist for the Pulitzer Prize\; his secon
 d\, <em>Trust</em>\, won the 2023 Pulitzer Prize for Fiction.</p>\n<p sty
 le="font-weight: 400">Across these two remarkably different novels\, Díaz
  returns to some of the foundational myths of American culture — the fro
 ntier\, the self-made individual\, money\, power\, and the creation of eno
 rmous wealth — while radically reinventing the literary forms through wh
 ich those myths have traditionally been told. <em>In the Distance</em> re
 imagines the western from the perspective of a lost immigrant moving again
 st the great westward migration\; <em>Trust</em> takes apart the novel o
 f wealth and finance by telling the same story through four competing narr
 atives. In both\, Diaz inhabits recognizable American genres only to estra
 nge them from within\, asking who gets to tell the stories through which A
 merica imagines itself.</p>\n<p style="font-weight: 400">The reading group
  will meet once to discuss <em>Trust </em>(date/time TBD). On November 4\
 , Díaz will give a talk about his fiction and how he situates his work wi
 thin American literature. On November 5\, members of the group will have t
 he opportunity to discuss <em>Trust</em> with Díaz himself — a rare ch
 ance to continue our reading in conversation with the author.</p>\n<p styl
 e="font-weight: 400">The reading group is sponsored by the Department of S
 panish in collaboration with the Humanities Center. Copies of <em>Trust</e
 m> will be available for all participants interested in joining the group
 . If you would like to participate and receive a copy of the novel\, pleas
 e contact Jorge Brioso (<a href="mailto:jbrioso@carleton.edu">jbrioso@carl
 eton.edu</a>) and Dan Groll (<a href="mailto:dgroll@carleton.edu">dgroll@c
 arleton.edu</a>) by <strong>September 30</strong>.</p>\n\nView this event
  on the Carleton College website:\nhttps://www.carleton.edu/_c/uub8
ORGANIZER;CN="Humanities Center":mailto:k73j67gu67k2rvuvvoi4kh8ctc@group.c
 alendar.google.com
STATUS:CONFIRMED
CREATED:20260906T154519
END:VEVENT
BEGIN:VEVENT
UID:dq6ubr8n3butv01lfq6hlurjtg
SEQUENCE:0
DTSTAMP:20261016T000715
DTSTART:20261105T190000
DTEND:20261105T203000
SUMMARY:Jazz Area Concert
TRANSP:TRANSPARENT
LOCATION:Kracum Performance Hall
DESCRIPTION:<span data-sheets-root="1">The Carleton Jazz Ensemble presents
  their fall concert!</span>\n\nView this event on the Carleton College web
 site:\nhttps://www.carleton.edu/_c/uua0
ORGANIZER;CN="Music Department":mailto:4hvg0t6h02sui82j4vqmmqbeag@group.ca
 lendar.google.com
STATUS:CONFIRMED
CREATED:20260908T171704
END:VEVENT
BEGIN:VEVENT
UID:8j96cpimv3os7ictkpkibmgvkk
SEQUENCE:3
DTSTAMP:20261016T000715
DTSTART:20270120T170000
DTEND:20270120T180000
SUMMARY:Book Celebration: Jessica Keating\, Impossible Nature – The Worl
 ds of Giuseppe Arcimboldo
TRANSP:TRANSPARENT
LOCATION:TBD
DESCRIPTION:A gathering to celebrate the publication of Professor Jessica 
 Keating's new book: <em>Impossible Nature. The World of Giuseppe Arcimbol
 do</em> (University of Chicago Press\, 2026).\n\nMore information coming s
 oon.\n\nView this event on the Carleton College website:\nhttps://www.carl
 eton.edu/_c/uubh
ORGANIZER;CN="Medieval And Renaissance Studies":mailto:r746d34l1ahs4bu8kkp
 nmhoj4c@group.calendar.google.com
STATUS:CONFIRMED
CREATED:20260806T173039
END:VEVENT
END:VCALENDAR