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Academic Catalog 2025-26

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Your search for courses · during 25FA, 26WI, 26SP · tagged with THEA Literature Criticism History · returned 10 results

  • CLAS 116 Greek Drama in Performance 6 credits

    What is drama? When and where were the first systematic theatrical performances put on? What can Athenian tragedies and comedies teach us about the classical world and today’s societies? This course will explore the always-relevant world of Ancient Greek theater, its history and development, through the works of Aeschylus, Sophocles, Euripides, and Aristophanes. We will decode the structure and content of Greek tragedies and comedies, ponder their place in the Athenian society and the modern world, and investigate the role of both ancient and contemporary productions in addressing critical questions on the construction and performance of individual and communal identities.

    • Spring 2026
    • LA, Literary/Artistic Analysis
    • ACE Theoretical CL: 100 level ENGL Foreign Literature THEA Minor Acting CLAS Literary Analysis THEA Literature Criticism History
    • CLAS  116.01 Spring 2026

    • Faculty:Cecilia Cozzi 🏫 👤
    • Size:30
    • M, WLeighton 402 1:50pm-3:00pm
    • FLeighton 402 2:20pm-3:20pm
  • DANC 270 Performance As Ceremony 6 credits

    This course re-frames Dance history and practice through the lens of “performance as ceremony,” foregrounding embodied knowledge as a site of cultural memory, resistance, and futurity. Students will examine Indigenous, Africanist, Latinx, and Asian modernisms, centering choreographers, performers, and theorists who challenge dominant narratives and the legacies of cultural appropriation. With particular attention to Indigenous contemporary performance and its cultural and historical contexts, students will engage in seminar discussions, embodied research, and site-based performance practices. Indigenous guest artist/scholar visits, and attendance at performances will be part of the class.

    Extra Time Required: 1-2 field trips to performances in the Twin Cities

    • Winter 2026
    • IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • AMST Production Consumption of Culture AMST Race Ethnicity Indigeneity CL: 200 level DANC History Theory Literature GWSS Elective THEA Literature Criticism History
    • DANC  270.01 Winter 2026

    • Faculty:Judith Howard 🏫 👤
    • Size:25
    • T, THWeitz Center 165 1:15pm-3:00pm
    • Extra Time Required: 1-2 field trips to performances in the Twin Cities

      Taught by Judith Howard, in collaboration with Indigenous artist-scholar in residence Sam Aros-Mitchell (enrolled member of the Texas Band of Yaqui Indians).

  • ENGL 144 Shakespeare I 6 credits

    A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework adjusted accordingly. Declared or prospective English majors should register for ENGL 244.

    Declared or prospective English majors should register for English 244.

    • Winter 2026
    • LA, Literary/Artistic Analysis
    • CL: 100 level ENGL Foundation ENGL Tradition 1 EUST Country Specific MARS Core Course MARS Supporting THEA Minor Playwriting THEA Literature Criticism History
    • ENGL  144.01 Winter 2026

    • Faculty:Pierre Hecker 🏫 👤
    • Size:25
    • T, THLaird 205 10:10am-11:55am
  • ENGL 214 Revenge Tragedy 3 credits

    Madness, murder, conspiracy, poison, incest, rape, ghosts, and lots of blood: the fashion for revenge tragedy in Elizabethan and Jacobean England led to the creation of some of the most brilliant, violent, funny, and deeply strange plays in the history of the language. Authors may include Cary, Chapman, Ford, Marston, Middleton, Kyd, Tourneur, and Webster.

    • First Five Weeks, Spring 2026
    • IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • CL: 200 level ENGL Historical Era 1 ENGL Tradition 1 EUST Country Specific MARS Supporting THEA Minor Playwriting THEA Literature Criticism History
    • ENGL  214.01 First Five Weeks, Spring 2026

    • Faculty:Pierre Hecker 🏫 👤
    • Size:25
    • T, THLaird 205 3:10pm-4:55pm
    • First Five Weeks

  • ENGL 219 Global Shakespeare 3 credits

    Shakespeare’s plays have been reimagined and repurposed all over the world, performed on seven continents, and translated into over 100 languages. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. No prior experience with Shakespeare is necessary.

    Second 5 weeks

    • Second Five Weeks, Spring 2026
    • IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • CL: 200 level ENGL Historical Era 1 ENGL Tradition 1 MARS Supporting EUST Transnational Support THEA Literature Criticism History
    • ENGL  219.01 Second Five Weeks, Spring 2026

    • Faculty:Pierre Hecker 🏫 👤
    • Size:25
    • T, THLaird 205 3:10pm-4:55pm
  • ENGL 244 Shakespeare I 6 credits

    A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework will be adjusted accordingly. Non English majors should register for English 144.

    Non English majors should register for English 144.

    • Winter 2026
    • LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • CL: 200 level ENGL Historical Era 1 ENGL Tradition 1 EUST Country Specific MARS Core Course MARS Supporting THEA Literature Criticism History
    • ENGL  244.01 Winter 2026

    • Faculty:Pierre Hecker 🏫 👤
    • Size:25
    • T, THLaird 205 10:10am-11:55am
  • ENGL 281 London Lives 6 credits

    London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia.   We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.

    Requires participation in Carleton OCS London Program. Extra time

    • Winter 2026
    • IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • Acceptance in the Carleton OCS Living London Program.

    • CL: 200 level ENGL Tradition 1 EUST Country Specific THEA Literature Criticism History
    • ENGL  281.07 Winter 2026

    • Faculty:Constance Walker 🏫 👤
    • Size:25
  • ENGL 282 Living London Program: London Theater 6 credits

    Students will attend productions (at least two per week) of classic and contemporary plays in a range of London venues both on and off the West End, and will do related reading. We will also travel to Stratford-upon-Avon for a three-day theater trip. Class discussions will focus on dramatic genres and themes, dramaturgy, acting styles, and design. Guest speakers may include actors, critics, and directors. Students will keep a theater journal and write several full reviews of plays.

    Open only to participants in OCS Program: Living London

    • Winter 2026
    • IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • Acceptance in the Carleton OCS Living London Program.

    • CL: 200 level EUST Country Specific THEA Pertinent Course THEA Literature Criticism History
    • ENGL  282.07 Winter 2026

    • Faculty:Constance Walker 🏫 👤
    • Size:25
  • ENGL 381 London Lives 6 credits

    London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia.   We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.

    Open only to students participating in OCS London Program

    • Winter 2026
    • IS, International Studies WR2 Writing Requirement 2
    • Acceptance in the Carleton OCS Living London Program.

    • CL: 300 level ENGL Tradition 1 EUST Country Specific THEA Literature Criticism History
    • ENGL  381.07 Winter 2026

    • Faculty:Constance Walker 🏫 👤
    • Size:25
  • HIST 234 Constantinople, 1453: History, Experience, Narrative 6 credits

    In the spring of 1453, the inhabitants of the city of Constantinople found themselves besieged and eventually conquered by the rising power of the Ottoman Turks. The density and variety of the surviving historical evidence offer a distinctive opportunity to explore and to understand the ways in which people, structures, interests, beliefs, and circumstances interacted to bring about this transformative event. The contemporary and, at times, eyewitness nature of the sources also pose profound questions about historical analysis, narrative, explanation, and story-telling. In this collaboration between the History department and the Theater program, we will develop our own historically informed narratives along with performances that do justice to the events' many facets and implications. 

    • Spring 2026
    • HI, Humanistic Inquiry IS, International Studies
    • CL: 200 level HIST Ancient & Medieval MARS Core Course MEST Supporting Group 1 EUST Transnational Support THEA Literature Criticism History
    • HIST  234.01 Spring 2026

    • Faculty:William North 🏫 👤
    • Size:25
    • M, WWillis 114 12:30pm-1:40pm
    • FWillis 114 1:10pm-2:10pm

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2025–26 Academic Catalog

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Registrar: Theresa Rodriguez
Email: registrar@carleton.edu
Phone: 507-222-4094
Academic Catalog 2025-26 pages maintained by Maria Reverman
This page was last updated on 10 September 2025
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507-222-4000

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