Search Results
Your search for courses · during 25WI · tagged with MARS Supporting · returned 16 results
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 102.00 Winter 2025
- Faculty:Mira Xenia Schwerda 🏫
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 225 The Naked and the Nude: A History 6 credits
Why did the naked human body become a central subject of Western art? What makes the representation of an unclad body "beautiful," and what makes it "erotic"? What types of bodies been portrayed in the history of art and what types of bodies have not? Who has been succesful in censoring the nude? Who been less succesful? These questions form the basis of this course which examines the history of the nude from antiquity to the present day.
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ARTH 225.00 Winter 2025
- Faculty:Jessica Keating 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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CLAS 134 “Nothing stays the same”: Embracing Change in Ovid’s Metamorphoses 6 credits
We are immersed in such a fast-paced, constantly changing world, that we have no choice but to keep up with it and be as adaptable as possible. This makes us the perfect audience for Ovid’s Metamorphoses. The Latin poet guides his readers through endless stories of gods, heroes and heroines, whose transformations have inspired artists for centuries. This course will investigate how characters cope with the changeable nature of human and divine relationships. By looking closely at their mythical sagas and fleeting romances, we will explore how each character is, like us, suspended between old and new.
- Winter 2025
- LA, Literary/Artistic Analysis WR2, Writing Rich 2
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CLAS 134.00 Winter 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- T, THWeitz Center 133 10:10am-11:55am
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2025
- LA, Literary/Artistic Analysis
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Non English majors should register for English 144.
Non English majors should register for English 144.
- Winter 2025
- LA, Literary/Artistic Analysis WR2, Writing Rich 2
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HIST 233 The Byzantine World and Its Neighbors 750-ca. 1453 6 credits
The Byzantine world (eighth-fifteenth centuries) was a zone of fascinating tensions, exchanges, and encounters. Through a wide variety of written and visual evidence, we will examine key features of its history and culture: the nature of government; piety and religious controversy; art and music; the evolving relations with the Latin West, Armenia, the Slavic North and West, and the Dar al-Islam (the Abbasids and Seljuk and Ottoman Turks); gender; economic life; and social relations.Extra Time for special events and a group project (ecumenical council).
Extra Time for special events and a group project (ecumenical council).
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HIST 233.00 Winter 2025
- Faculty:William North 🏫 👤
- Size:30
- M, WLeighton 304 8:30am-9:40am
- FLeighton 304 8:30am-9:30am
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HIST 245 Ireland: Land, Conflict and Memory 6 credits
This course explores the history of Ireland from Medieval times through the Great Famine, ending with a look at the Partition of Ireland in 1920. We examine themes of religious and cultural conflict and explore a series of English political and military interventions. Throughout the course, we will analyze views of the Irish landscape, landholding patterns, and health and welfare issues. Finally, we explore the contested nature of history and memory as the class discusses monuments and memory production in Irish public spaces.
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HIST 245.00 Winter 2025
- Faculty:Susannah Ottaway 🏫 👤
- Size:25
- M, WLeighton 426 12:30pm-1:40pm
- FLeighton 426 1:10pm-2:10pm
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LATN 237 Amor, Furor, Ira: The Epics of Vergil and Ovid 6 credits
Two superlative Latin poets; two radically different epic poems. In this course we will read selections from the Aeneid and the Metamorphoses, focusing in particular on each poet's depiction of powerful emotions and their consequences.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): LATN 204 with a grade of C- or better or received a score of 205 on the Carleton Latin Placement exam.
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LATN 237.00 Winter 2025
- Faculty:Clara Hardy 🏫 👤
- Size:25
- M, WLibrary 344 11:10am-12:20pm
- FLibrary 344 12:00pm-1:00pm
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LTAM 230 Ancient People of the Andes 6 credits
Who were the first settlers of South America? Was Caral the first city on earth? Who made the Nazca Lines? How did the Inka build Machu Picchu? Which societies flourished or collapsed in the Andean region of South America? This course will examine these questions using archaeology to understand the sociopolitical arrangements that existed among ancient Andean peoples prior to the arrival of the Spanish. Evidence used to explore these themes comes from a range of prehispanic societies, including the Chavin, Tiwanaku, Wari, Moche, Chimu, and Inka. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course should register for LTAM 330; students who have not should register for LTAM 230.
Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course or a 200-level ARCN course should register for LTAM 330; students who have not should register for LTAM 230.
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LTAM 230.00 Winter 2025
- Faculty:Sarah Kennedy 🏫 👤
- Size:25
- T, THCMC 319 10:10am-11:55am
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Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course should register for LTAM 330; students who have not should register for LTAM 230.
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LTAM 330 Ancient Peoples of the Andes 6 credits
Who were the first settlers of South America? Was Caral the first city on earth? Who made the Nazca Lines? How did the Inka build Machu Picchu? Which societies flourished or collapsed in the Andean region of South America? This course will examine these questions using archaeology to understand the sociopolitical arrangements that existed among ancient Andean peoples prior to the arrival of the Spanish. Evidence used to explore these themes comes from a range of prehispanic societies, including the Chavin, Tiwanaku, Wari, Moche, Chimu, and Inka. Expected preparation: Any 200 LTAM social science or humanities course.
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MUSC 194 Chamber Music 1 credits
Small group study and performance of instrumental and/or vocal chamber music from the western art music or non-western/folk repertory. Groups are usually formed by students prior to registration, and should consist of 3-8 musicians. Student groups are coached weekly by specialized music faculty, and participate in an end-of-term performance. Students must be registered, may not audit, and can register for only one group per term. Expected Preparation: Student has completed or is in the process of completing one Applied Music course with a grade of C- or better.
All students register in MUSC 194-00. Individual sections will be assigned during the drop/add period.
- Winter 2025
- ARP, Arts Practice
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PHIL 272 Early Modern Philosophy 6 credits
Our inquiry into seventeenth and eighteenth century philosophy is not limited to any geographic region: it is open to Indigenous philosophical traditions as well as those of Europe, the Americas, Africa, and Asia. We will cover selections from Anton Wilhelm Amo, Mulla Sadra, Sor Juana Inés de La Cruz, Im Yunjidang, Isaac Newton, Spinoza, Immanuel Kant, and more. The topics include, but are not limited to, the mind body distinction, divinity, love, freedom, virtue, and the good life. The final paper project for this course asks you to creatively connect philosophical concepts, themes, or problems from different units of the course.
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PHIL 272.00 Winter 2025
- Faculty:Hope Sample 🏫 👤
- Size:25
- T, THWeitz Center 230 10:10am-11:55am
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RELG 122 Introduction to Islam 6 credits
This course is a general introduction to Islam as a prophetic religious tradition. It explores the different ways Muslims have interpreted and put into practice the prophetic message of Muhammad through analyses of varying theological, legal, political, mystical, and literary writings as well as through Muslims’ lived histories. These analyses aim for students to develop a framework for explaining the sources and vocabularies through which historically specific human experiences and understandings of the world have been signified as Islamic. The course will focus primarily on the early and modern periods of Islamic history.
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RELG 122.00 Winter 2025
- Faculty:Kambiz GhaneaBassiri 🏫 👤
- Size:25
- M, WLeighton 303 11:10am-12:20pm
- FLeighton 303 12:00pm-1:00pm
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RELG 233 Gender and Power in the Catholic Church 6 credits
How does power flow and concentrate in the Catholic Church? What are the gendered aspects of the Church’s structure, history, and theology? Through readings, discussions, and analysis of current media, students will develop the ability to critically and empathetically interpret issues of gender, sexuality, and power in the Catholic Church, especially as these issues appear in official Vatican texts. Topics include: God, suffering, sacraments, salvation, damnation, celibacy, homosexuality, the family, saints, the ordination of women as priests, feminist theologies, canon law, the censuring of “heretical” theologians, Catholic hospital policy, and the clerical sex abuse crisis.
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RELG 233.00 Winter 2025
- Faculty:Sonja Anderson 🏫 👤
- Size:25
- M, WLeighton 330 11:10am-12:20pm
- FLeighton 330 12:00pm-1:00pm
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RELG 287 Many Marys 6 credits
Christianity, by its very name, focuses on Jesus. This course shifts the focus to Mary, his mother: her various manifestations and her contributions to the myriad experiences of peoples around the world. Race, gender, class, and feminist and liberation theologies come into play as Mary presents as: the Mother of God; queen of heaven; a Black madonna; a Mestiza madonna; an exceptional woman with her own chapter in the Qur'an; various goddesses in Haitian Vodoun, Hinduism, and Buddhism; a tattoo on the backs of U.S. prisoners–and so on. In addition to considering Miriam (her Jewish name) as she appears in literature, art, apparition, and ritual practice around the world, we will also consider Mary Magdalene, her foil, who appears in popular discourse from the Gnostic gospels to The Da Vinci Code.
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RELG 287.00 Winter 2025
- Faculty:Kristin Bloomer 🏫 👤
- Size:25
- T, THLeighton 301 3:10pm-4:55pm
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THEA 195 Acting Shakespeare 6 credits
Though widely read, Shakespeare’s plays were written to be performed. This acting class, designed for students with no prior experience with Shakespeare, will explore approaches to performance with an emphasis on the use of the First Folio. Students will create performances using Shakespeare’s approaches to rhetoric, imagery and structure while examining some of the plays’ principal themes. Video and audio recordings will be used to develop a critical perspective on acting Shakespeare with an emphasis on the differing demands of live and recorded performance.
- Winter 2025
- ARP, Arts Practice
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THEA 195.00 Winter 2025
- Faculty:David Wiles 🏫 👤
- Size:16
- T, THWeitz Center 172 1:15pm-3:00pm