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Your search for courses · tagged with MARS Supporting · returned 41 results
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ARCN 112 Archaeology of Native North America 6 credits
When did humans first migrate to North America? How long have people lived in Minnesota? This course will examine the material culture of Indigenous peoples throughout the North American continent above Mexico, from c. 20,000 years ago to present. Cultural groups include the Inuit, Iroquois, ancient Puebloans, Cahokia, Great Plains villages, and Pacific Northwest (Kumash) peoples. We will study Indigenous oral histories, genetic data, linguistics, material remains, and ethnohistorical accounts to examine migration, trade, and contact, with an emphasis on decolonization and Indigenous archaeologies.
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ARCN 222 Experimental Archaeology and Experiential History and Lab 6 credits
This course offers an experiential approach to crafts, technologies, and other material practices in premodern societies. Through hands-on activities and collaborations with local craftspeople, farmers, and other experts, this course will examine and test a variety of hypotheses about how people in the past lived their lives. How did prehistoric people produce stone tools, pottery, and metal? How did ancient Greeks and Romans feed and clothe themselves? How did medieval Europeans build their homes and bury their dead? Students will answer these questions and more by actively participating in a range of experimental archaeology and experiential history projects. Lab required.
- Spring 2025
- LS, Science with Lab
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Student has completed any of the following course(s): One Archaeology Pertinent (tagged ARCN Pertinent) course with a grade of C- or better.
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ARCN 246 Archaeological Methods & Lab 6 credits
As a field that is truly interdisciplinary, archaeology uses a wide range of methods to study the past. This course provides a hands-on introduction to the entire archaeological process through classroom, field, and laboratory components. Students will participate in background research concerning local places of historical or archaeological interest; landscape surveying and mapping in GIS; excavation; the recording, analysis, and interpretation of artifacts; and the publication of results. This course involves real archaeological fieldwork, and students will have an opportunity to contribute to the history of the local community while learning archaeological methods applicable all over the world.
Sophomore priority
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ARTH 100.02 Witches, Monsters and Demons 6 credits
Between 1300 and 1600 depictions of witches, monsters, and demons moved from the margins of medieval manuscripts and the nooks of church architecture to the center of altarpieces and heart of princely collections. Although this diabolical imagery was extremely diverse, it came from one place: the mind of the Renaissance artist. This course examines how images that came from within were devised and fashioned into works of art. It considers why fantastical imagery that showcased the artist’s imagination was so highly valued during the Renaissance–a period typically associated with the rebirth of classical antiquity. Finally, it explores the connection between illusions, visions, dreams, and other visual phenomena that highlighted the potential malfunction of the mind, and artistic creation. Some of the artists discussed include, but are not limited to, Hieronymus Bosch, Michelangelo, and Leonardo da Vinci.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1 IS, International Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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ARTH 101 Introduction to Art History I 6 credits
An introduction to the art and architecture of various geographical areas around the world from antiquity through the “Middle Ages.” The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, sacred spaces, images of the gods, imperial portraiture, and domestic decoration.
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 225 The Naked and the Nude: A History 6 credits
Why did the naked human body become a central subject of Western art? What makes the representation of an unclad body "beautiful," and what makes it "erotic"? What types of bodies been portrayed in the history of art and what types of bodies have not? Who has been succesful in censoring the nude? Who been less succesful? These questions form the basis of this course which examines the history of the nude from antiquity to the present day.
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CLAS 134 “Nothing stays the same”: Embracing Change in Ovid’s Metamorphoses 6 credits
We are immersed in such a fast-paced, constantly changing world, that we have no choice but to keep up with it and be as adaptable as possible. This makes us the perfect audience for Ovid’s Metamorphoses. The Latin poet guides his readers through endless stories of gods, heroes and heroines, whose transformations have inspired artists for centuries. This course will investigate how characters cope with the changeable nature of human and divine relationships. By looking closely at their mythical sagas and fleeting romances, we will explore how each character is, like us, suspended between old and new.
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2025
- LA, Literary/Artistic Analysis
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ENGL 203 Other Worlds of Medieval English Literature 6 credits
When medieval writers imagined worlds beyond their own, what did they see? This course will examine depictions of the afterlife, the East, and magical realms of the imagination. We will read romances, saints' lives, and a masterpiece of pseudo-travel literature that influenced both Shakespeare and Columbus, alongside contemporary theories of post-colonialism, gender and race. We will visit the lands of the dead and the undead, and compare gruesome punishments and heavenly rewards. We will encounter dog-headed men, Amazons, cannibals, armies devoured by hippopotami, and roasted geese that fly onto waiting dinner tables. Be prepared. Readings in Middle English and in modern translations.
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ENGL 209 Project Course 6 credits
This interdisciplinary course, taught in conjunction with a full-scale Carleton Players production, will explore one of Shakespeare’s greatest and most complex works, Twelfth Night. We will investigate the play’s historical, social, and theatrical contexts as we try to understand not only the world that produced the play, but the world that came out of it. How should what we learn of the past inform a modern production? How can performance offer interpretive arguments about the play’s meanings? Mixing embodied and experiential learning, individual and group projects may involve dramaturgy, stagecraft, literary analysis, music, and research in Special Collections.
- Spring 2025
- ARP, Arts Practice IS, International Studies
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Non English majors should register for English 144.
Non English majors should register for English 144.
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HIST 100.03 Migration and Mobility in the Medieval North 6 credits
Why did barbarians invade? Traders trade? Pilgrims travel? Vikings raid? Medieval Europe is sometimes caricatured as a world of small villages and strong traditions that saw little change between the cultural high-water marks of Rome and the Renaissance. In fact, this was a period of dynamic innovation, during which Europeans met many familiar challenges–environmental change, religious and cultural conflict, social and political competition–by traveling or migrating to seek new opportunities. This course will examine mobility and migration in northern Europe, and students will be introduced to diverse methodological approaches to their study by exploring historical and literary sources, archaeological evidence and scientific techniques involving DNA and isotopic analyses.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1 IS, International Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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HIST 201 Rome Program: Building Power and Piety in Medieval Italy, CE 300-1150 6 credits
Through site visits, on-site projects, and readings, this course explores the ways in which individuals and communities attempted to give physical and visual form to their religious beliefs and political ambitions through their use of materials, iconography, topography, and architecture. We will also examine how the material legacies of imperial Rome, Byzantium, and early Christianity served as both resources for and constraints on the political, cultural, and religious evolution of the Italian peninsula and especially Rome and its environs from late antiquity through the twelfth century. Among the principal themes will be the development of the cult of saints, the development of the papal power and authority, Christianization, reform, pilgrimage, and monasticism.
Open only to participants in Carleton OCS Rome Program
- Spring 2025
- HI, Humanistic Inquiry IS, International Studies
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Acceptance in the Carleton OCS History in Rome Program.
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HIST 206 Rome Program: The Eternal City in Time: Structure, Change, and Identity 6 credits
This course will explore the lived experience of the city of Rome in the twelfth-sixteenth centuries. Students will study buildings, urban forms, surviving artifacts, and textual and other visual evidence to understand how politics, power, and religion (both Christianity and Judaism) mapped onto city spaces. How did urban challenges and opportunities shape daily life? How did the memory of the past influence the present? How did the rural world affect the city and vice versa? Students will work on projects closely tied to the urban fabric.
OCS Rome Program
- Spring 2025
- HI, Humanistic Inquiry IS, International Studies
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Acceptance in the Carleton OCS History in Rome Program.
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HIST 231 Mapping the World Before Mercator 6 credits
This course will explore early maps primarily in medieval and early modern Europe. After an introduction to the rhetoric of maps and world cartography, we will examine the functions and forms of medieval European and Islamic maps and then look closely at the continuities and transformations in map-making during the period of European exploration. The focus of the course will be on understanding each map within its own cultural context and how maps can be used to answer historical questions. We will work closely with the maps in Gould Library Special Collections to expand campus awareness of the collection.
Extra time is required for a one-time map show in the library which we will schedule at the beginning of term.
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HIST 233 The Byzantine World and Its Neighbors, 750-ca. 1453 6 credits
The Byzantine world (eighth-fifteenth centuries) was a zone of fascinating tensions, exchanges, and encounters. Through a wide variety of written and visual evidence, we will examine key features of its history and culture: the nature of government; piety and religious controversy; art and music; the evolving relations with the Latin West, Armenia, the Slavic North and West, and the Dar al-Islam (the Abbasids and Seljuk and Ottoman Turks); gender; economic life; and social relations.Extra Time for special events and a group project (ecumenical council).
Extra Time for special events and a group project (ecumenical council).
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HIST 245 Ireland: Land, Conflict and Memory 6 credits
This course explores the history of Ireland from Medieval times through the Great Famine, ending with a look at the Partition of Ireland in 1920. We examine themes of religious and cultural conflict and explore a series of English political and military interventions. Throughout the course, we will analyze views of the Irish landscape, landholding patterns, and health and welfare issues. Finally, we explore the contested nature of history and memory as the class discusses monuments and memory production in Irish public spaces.
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HIST 251 Japan and Europe: Worlds Apart? 6 credits
This course examines Japanese and European history from c. 1500 to 1900, tracking the disparate ways in which these regions changed over this time period and highlighting their entanglement. We will focus on three modules, each centered on the era when European global expansion was at its peak and when Japan was isolationist. We will explore developments in regional and global trade networks and state and financial institutions, in addition to news networks, the world of publishing, and the social world of intellectual exchange. Finally, the course compares changing views and practices in the fields of science and medicine.
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HIST 274 The Andes Under Inca & Spanish Rule 6 credits
This course examines imperial rule in the Andes under both Inca and Spanish rule. Indigenous intermediaries will be highlighted throughout, including the ethnic lords (kurakas) who mediated the competing interests of their communities and the state, as well as the indigenous and mestizo writers who drew from Andean and European traditions to craft a new kind of history of the Andes and the Inca dynasty. Visions of the Inca past and the strategies of survival developed by ethnic lords and communities during Spanish rule will inform our study of the Great Andean Rebellion, which foreshadowed the Latin American wars of independence by a generation.
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LATN 237 Amor, Furor, Ira: The Epics of Vergil and Ovid 6 credits
Two superlative Latin poets; two radically different epic poems. In this course we will read selections from the Aeneid and the Metamorphoses, focusing in particular on each poet's depiction of powerful emotions and their consequences.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): LATN 204 – Intermediate Latin Prose and Poetry with a grade of C- or better or equivalent.
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LTAM 230 Ancient People of the Andes 6 credits
Who were the first settlers of South America? Was Caral the first city on earth? Who made the Nazca Lines? How did the Inka build Machu Picchu? Which societies flourished or collapsed in the Andean region of South America? This course will examine these questions using archaeology to understand the sociopolitical arrangements that existed among ancient Andean peoples prior to the arrival of the Spanish. Evidence used to explore these themes comes from a range of prehispanic societies, including the Chavin, Tiwanaku, Wari, Moche, Chimu, and Inka. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course or a 200-level ARCN course should register for LTAM 330; students who have not should register for LTAM 230.
Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course or a 200-level ARCN course should register for LTAM 330; students who have not should register for LTAM 230.
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LTAM 330 Ancient Peoples of the Andes 6 credits
Who were the first settlers of South America? Was Caral the first city on earth? Who made the Nazca Lines? How did the Inka build Machu Picchu? Which societies flourished or collapsed in the Andean region of South America? This course will examine these questions using archaeology to understand the sociopolitical arrangements that existed among ancient Andean peoples prior to the arrival of the Spanish. Evidence used to explore these themes comes from a range of prehispanic societies, including the Chavin, Tiwanaku, Wari, Moche, Chimu, and Inka. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly. Students who have previously taken any 200-level LTAM social science or humanities course or a 200-level ARCN course should register for LTAM 330; students who have not should register for LTAM 230.
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MUSC 194 Chamber Music 1 credits
Small group study and performance of instrumental and/or vocal chamber music from the western art music or non-western/folk repertory. Groups are usually formed by students prior to registration, and should consist of 3-8 musicians. Student groups are coached weekly by specialized music faculty, and participate in an end-of-term performance. Students must be registered, may not audit, and can register for only one group per term.
- Fall 2024
- ARP, Arts Practice
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Student has completed or is in the process of completing any of the following course(s): One Applied Music course with a grade of C- or better.
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PHIL 270 Ancient Greek Philosophy 6 credits
Is there a key to a happy and successful human life? If so, how do you acquire it? Plato and Aristotle thought the key was virtue and that your chances of obtaining it depend on the sort of life you lead. We’ll read texts from these authors that became foundational for the later history of philosophy, including the Apology, Gorgias, Symposium, and the Nicomachean Ethics, while situating the ancient understanding of virtue in the context of larger questions of metaphysics (the nature of being), psychology, and ethics.
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PHIL 272 Early Modern Philosophy: Seventeenth and Eighteenth Century Philosophy 6 credits
Our inquiry into seventeenth and eighteenth century philosophy is not limited to any geographic region: it is open to Indigenous philosophical traditions as well as those of Europe, the Americas, Africa, and Asia. We will cover selections from Anton Wilhelm Amo, Mulla Sadra, Sor Juana Inés de La Cruz, Im Yunjidang, Isaac Newton, Baruch Spinoza, Immanuel Kant, and more. The topics include, but are not limited to, the mind body distinction, divinity, love, freedom, virtue, and the good life. The final paper project for this course asks you to creatively connect philosophical concepts, themes, or problems from different units of the course.
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RELG 100.01 The Historical Jesus and the Christ of Faith 6 credits
For nearly two thousand years, Christians have considered Jesus the unique, miracle-working Son of God who came to earth to save humanity from its sins. But does this picture hold up to historical scrutiny? Who do historians think Jesus was? This seminar introduces the tools of historical inquiry that scholars use to reconstruct Jesus's original message. It also surveys how Americans in different cultural contexts have imagined Jesus, from the liberating Christ of Black theology, to the eastern sage and hippie of the 1960s, to the rabbi who never intended a non-Jewish movement.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1 IDS, Intercultural Domestic Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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RELG 100.02 The Qur’an as Literature 6 credits
The Qur'an is best known as the sacred text of Islam, but it is also one of the most widely read, dynamic, and influential texts in human history. It is not every text that can compel people to regard it as divine revelation. In fact, Muslims consider the Qur'an's literary composition a miracle. This course explores the literary style and structure of the Qur'an through close reading of its English translation. It also introduces students to the history of the Qur'an and its significance in Muslims' everyday lives. No background knowledge is assumed; nor is this an introduction to Islam.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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RELG 120 Introduction to Judaism 6 credits
What is Judaism? Who are Jewish people? What are Jewish texts, practices, ideas? What ripples have Jewish people, texts, practices, and ideas caused beyond their sphere? These questions will animate our study as we touch on specific points in over three millennia of history. We will immerse ourselves in Jewish texts, historic events, and cultural moments, trying to understand them on their own terms. At the same time, we will analyze them using key concepts such as ‘tradition,’ ‘culture,’ ‘power,’ and ‘diaspora.’ We will explore how ‘Jewishness’ has been constructed by different stakeholders, each claiming the authority to define it.
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RELG 121 Introduction to Christianity 6 credits
This course will trace the history of Christianity from its origins in the villages of Palestine, to its emergence as the official religion of the Roman Empire, and through its evolution and expansion as the world’s largest religion. The course will focus on events, persons, and ideas that have had the greatest impact on the history of Christianity, and examine how this tradition has evolved in different ways in response to different needs, cultures, and tensions–political and otherwise–around the world. This is an introductory course. No familiarity with the Bible, Christianity, or the academic study of religion is presupposed.
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RELG 122 Introduction to Islam 6 credits
This course is a general introduction to Islam as a prophetic religious tradition. It explores the different ways Muslims have interpreted and put into practice the prophetic message of Muhammad through analyses of varying theological, legal, political, mystical, and literary writings as well as through Muslims’ lived histories. These analyses aim for students to develop a framework for explaining the sources and vocabularies through which historically specific human experiences and understandings of the world have been signified as Islamic. The course will focus primarily on the early and modern periods of Islamic history.
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RELG 155 Hinduism: An Introduction 6 credits
Hinduism is the world’s third-largest religion (or, as some prefer, “way of life”), with about 1.2 billion followers. It is also one of its oldest, with roots dating back at least 3500 years. “Hinduism,” however, is a loosely defined, even contested term, designating the wide variety of beliefs and practices of the majority of the people of South Asia. This survey course introduces students to this great variety, including social structures (such as the caste system), rituals and scriptures, mythologies and epics, philosophies, life practices, politics, poetry, sex, gender, Bollywood, and—lest we forget—some 330 million gods and goddesses.
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RELG 233 Gender and Power in the Catholic Church 6 credits
How does power flow and concentrate in the Catholic Church? What are the gendered aspects of the Church’s structure, history, and theology? Through readings, discussions, and analysis of current media, students will develop the ability to critically and empathetically interpret issues of gender, sexuality, and power in the Catholic Church, especially as these issues appear in official Vatican texts. Topics include: God, suffering, sacraments, salvation, damnation, celibacy, homosexuality, the family, saints, the ordination of women as priests, feminist theologies, canon law, the censuring of “heretical” theologians, Catholic hospital policy, and the clerical sex abuse crisis.
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RELG 265 Religion and Violence: Hindus, Muslims, Jews 6 credits
Why do religious people do violence—in their words and deeds, against themselves and others? Is violence a distortion of real religion? Is it the inevitable result of certain beliefs? Or are these the wrong questions? This course considers several case studies of religious violence drawn from different traditions and time periods, including ancient paganism, early Christianity, Judaism, Islam, and so-called cults. Our approach will be historical, literary, and comparative. We will seek to understand how violence can be meaningful as a religious act, and how adherents of the same religious tradition can have widely diverse views on violence and nonviolence.
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RELG 278 Love of God in Islam 6 credits
As the chosen messenger of God's final revelation, Muslims consider Muhammad to be God's beloved par excellence. He is believed to have not only received God's words but to have also experienced the divine. For Muhammad's followers, love has been a central means of attaining experiential knowledge of God. The Islamic tradition, particularly in the form of Sufism, developed a highly sophisticated literature for understanding God through love. This course will trace and analyze the historical development of this literature and the practices associated with it from the Qur'an (600s) to Rumi (1200s).
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RELG 287 Many Marys 6 credits
The history of Christianity usually focuses on Jesus: the stories and doctrines that have revolved around him. This course will focus on Mary and the many ways she has contributed to the various lived traditions of Christianity. We will, for example, consider the mother of Jesus (Miriam, as she was first called) as she has figured in literature, art, apparition, and ritual practice around the world. We will also consider Mary Magdalene, her foil, who appears in popular discourse from the Gnostic gospels to The Da Vinci Code. Case studies, texts, images, and film will be our fare.
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SPAN 247 Madrid Program: Muslim Spain 6 credits
This course examines the Islamic influence in the Iberian Peninsula between the 8th and the 16th centuries. The theoretical sessions will cover different periods (emirate, caliphate, taifa kingdoms, Almoravid, Almohad, and Nasrid) focusing on material culture, including the Mosque of Cordoba, Medina Azahara, Toledo, and the Alhambra. The course also aims to offer a more current vision of how Spaniards have integrated (or rejected) this Islamic past into their own national identity. These topics will address debates that have emerged within Spanish historiography over the past years: Was it an invasion or a conquest? Coexistence, tolerance, or confrontation?
Acceptance in Carleton Madrid OCS Program
- Fall 2024
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Spanish Studies in Madrid Program and student has completed the following course(s): SPAN 205 – Conversation and Composition or a higher course with a grade of C- or better.
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SPAN 330 The Invention of the Modern Novel: Cervantes’ Don Quijote 6 credits
Among other things, Don Quijote is a "remake," an adaptation of several literary models popular at the time the picaresque novel, the chivalry novel, the sentimental novel, the Byzantine novel, the Italian novella, etc. This course will examine the ways in which Cervantes transformed these models to create what is considered by many the first "modern" novel in European history.
- Fall 2024
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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THEA 195 Acting Shakespeare 6 credits
Though widely read, Shakespeare’s plays were written to be performed. This acting class, designed for students with no prior experience with Shakespeare, will explore approaches to performance with an emphasis on the use of the First Folio. Students will create performances using Shakespeare’s approaches to rhetoric, imagery and structure while examining some of the plays’ principal themes. Video and audio recordings will be used to develop a critical perspective on acting Shakespeare with an emphasis on the differing demands of live and recorded performance.
- Winter 2025
- ARP, Arts Practice
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THEA 209 Project Course 6 credits
This interdisciplinary course, taught in conjunction with a full-scale Carleton Players production, will explore one of Shakespeare’s greatest and most complex works, Twelfth Night. We will investigate the play’s historical, social, and theatrical contexts as we try to understand not only the world that produced the play, but the world that came out of it. How should what we learn of the past inform a modern production? How can performance offer interpretive arguments about the play’s meanings? Mixing embodied and experiential learning, individual and group projects may involve dramaturgy, stagecraft, literary analysis, music, and research in Special Collections.
- Spring 2025
- ARP, Arts Practice IS, International Studies
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THEA 309 Project Course 6 credits
This interdisciplinary course, taught in conjunction with a full-scale Carleton Players production, will explore one of Shakespeare’s greatest and most complex works, Twelfth Night. We will investigate the play’s historical, social, and theatrical contexts as we try to understand not only the world that produced the play, but the world that came out of it. How should what we learn of the past inform a modern production? How can performance offer interpretive arguments about the play’s meanings? Taken at the 300 level, this course requires a major scholarly or creative term-long project.
Instructor consent required
- Spring 2025
- ARP, Arts Practice IS, International Studies
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This course requires permission from the instructor.
To request permission, click this link and fill out the request form.
Please note: the link will open in a new window. Once you have received permission from the instructor, you will be able to return to this page to register for the course.