Search Results
Your search for courses · during 24FA, 24FA, 24FA, 25WI, 25WI, 25WI, 25SP, 25SP, 25SP · tagged with MARS Core Course · returned 20 results
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ARCN 246 Archaeological Methods & Lab 6 credits
As a field that is truly interdisciplinary, archaeology uses a wide range of methods to study the past. This course provides a hands-on introduction to the entire archaeological process through classroom, field, and laboratory components. Students will participate in background research concerning local places of historical or archaeological interest; landscape surveying and mapping in GIS; excavation; the recording, analysis, and interpretation of artifacts; and the publication of results. This course involves real archaeological fieldwork, and students will have an opportunity to contribute to the history of the local community while learning archaeological methods applicable all over the world.
Sophomore priority
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ARCN 246.01 Fall 2024
- Faculty:Sarah Kennedy 🏫 👤
- Size:12
- TAnderson Hall 121 10:10am-11:55am
- TAnderson Hall 121 1:00pm-5:00pm
- TAnderson Hall 122 10:10am-11:55am
- TAnderson Hall 122 1:00pm-5:00pm
- THAnderson Hall 121 1:15pm-3:00pm
- THAnderson Hall 122 1:15pm-3:00pm
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ARCN 246.02 Fall 2024
- Faculty:Sarah Kennedy 🏫 👤
- Size:12
- TAnderson Hall 121 10:10am-11:55am
- TAnderson Hall 122 10:10am-11:55am
- THAnderson Hall 121 8:00am-12:00pm
- THAnderson Hall 121 1:15pm-3:00pm
- THAnderson Hall 122 8:00am-12:00pm
- THAnderson Hall 122 1:15pm-3:00pm
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ARTH 100.02 Witches, Monsters and Demons 6 credits
Between 1300 and 1600 depictions of witches, monsters, and demons moved from the margins of medieval manuscripts and the nooks of church architecture to the center of altarpieces and heart of princely collections. Although this diabolical imagery was extremely diverse, it came from one place: the mind of the Renaissance artist. This course examines how images that came from within were devised and fashioned into works of art. It considers why fantastical imagery that showcased the artist’s imagination was so highly valued during the Renaissance–a period typically associated with the rebirth of classical antiquity. Finally, it explores the connection between illusions, visions, dreams, and other visual phenomena that highlighted the potential malfunction of the mind, and artistic creation. Some of the artists discussed include, but are not limited to, Hieronymus Bosch, Michelangelo, and Leonardo da Vinci.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1 IS, International Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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ARTH 100.02 Fall 2024
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WBoliou 140 1:50pm-3:00pm
- FBoliou 140 2:20pm-3:20pm
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ARTH 101 Introduction to Art History I 6 credits
An introduction to the art and architecture of various geographical areas around the world from antiquity through the “Middle Ages.” The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, sacred spaces, images of the gods, imperial portraiture, and domestic decoration.
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ARTH 101.00 Fall 2024
- Faculty:Jessica Keating 🏫 👤
- Size:30
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 102.00 Winter 2025
- Faculty:Mira Xenia Schwerda 🏫 👤
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 225 The Naked and the Nude: A History 6 credits
Why did the naked human body become a central subject of Western art? What makes the representation of an unclad body "beautiful," and what makes it "erotic"? What types of bodies been portrayed in the history of art and what types of bodies have not? Who has been succesful in censoring the nude? Who been less succesful? These questions form the basis of this course which examines the history of the nude from antiquity to the present day.
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ARTH 225.00 Winter 2025
- Faculty:Jessica Keating 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:45pm
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2025
- LA, Literary/Artistic Analysis
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ENGL 203 Other Worlds of Medieval English Literature 6 credits
When medieval writers imagined worlds beyond their own, what did they see? This course will examine depictions of the afterlife, the East, and magical realms of the imagination. We will read romances, saints' lives, and a masterpiece of pseudo-travel literature that influenced both Shakespeare and Columbus, alongside contemporary theories of post-colonialism, gender and race. We will visit the lands of the dead and the undead, and compare gruesome punishments and heavenly rewards. We will encounter dog-headed men, Amazons, cannibals, armies devoured by hippopotami, and roasted geese that fly onto waiting dinner tables. Be prepared. Readings in Middle English and in modern translations.
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Non English majors should register for English 144.
Non English majors should register for English 144.
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HIST 150 Politics of Art in Early Imperial China 6 credits
Poetry has been playing an important role in politics from early China down to the present. Members of the educated elite have used this form of artistic expression to create political allegories in times of war and diplomacy. Students will learn the multiple roles that poet-censors played in early imperial China, with thematic attention given to issues of self and ethnic/gendered identity, internal exile and nostalgia, and competing religious orientations that eventually fostered the rise of Neo-Confucianism. Students will write a short biography of a poet by sampling her/his poems and poetics (all in translation) from the common reading pool.
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HIST 150.00 Winter 2025
- Faculty:Seungjoo Yoon 🏫 👤
- Size:30
- M, WLeighton 301 11:10am-12:20pm
- FLeighton 301 12:00pm-1:00pm
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HIST 201 Rome Program: Building Power and Piety in Medieval Italy, CE 300-1150 6 credits
Through site visits, on-site projects, and readings, this course explores the ways in which individuals and communities attempted to give physical and visual form to their religious beliefs and political ambitions through their use of materials, iconography, topography, and architecture. We will also examine how the material legacies of imperial Rome, Byzantium, and early Christianity served as both resources for and constraints on the political, cultural, and religious evolution of the Italian peninsula and especially Rome and its environs from late antiquity through the twelfth century. Among the principal themes will be the development of the cult of saints, the development of the papal power and authority, Christianization, reform, pilgrimage, and monasticism.
Open only to participants in Carleton OCS Rome Program
- Spring 2025
- HI, Humanistic Inquiry IS, International Studies
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Acceptance in the Carleton OCS History in Rome Program.
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HIST 206 Rome Program: The Eternal City in Time: Structure, Change, and Identity 6 credits
This course will explore the lived experience of the city of Rome in the twelfth-sixteenth centuries. Students will study buildings, urban forms, surviving artifacts, and textual and other visual evidence to understand how politics, power, and religion (both Christianity and Judaism) mapped onto city spaces. How did urban challenges and opportunities shape daily life? How did the memory of the past influence the present? How did the rural world affect the city and vice versa? Students will work on projects closely tied to the urban fabric.
OCS Rome Program
- Spring 2025
- HI, Humanistic Inquiry IS, International Studies
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Acceptance in the Carleton OCS History in Rome Program.
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HIST 231 Mapping the World Before Mercator 6 credits
This course will explore early maps primarily in medieval and early modern Europe. After an introduction to the rhetoric of maps and world cartography, we will examine the functions and forms of medieval European and Islamic maps and then look closely at the continuities and transformations in map-making during the period of European exploration. The focus of the course will be on understanding each map within its own cultural context and how maps can be used to answer historical questions. We will work closely with the maps in Gould Library Special Collections to expand campus awareness of the collection.
Extra time is required for a one-time map show in the library which we will schedule at the beginning of term.
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HIST 231.00 Fall 2024
- Faculty:Victoria Morse 🏫 👤
- Size:25
- M, WLeighton 426 1:50pm-3:00pm
- FLeighton 426 2:20pm-3:20pm
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HIST 233 The Byzantine World and Its Neighbors, 750-ca. 1453 6 credits
The Byzantine world (eighth-fifteenth centuries) was a zone of fascinating tensions, exchanges, and encounters. Through a wide variety of written and visual evidence, we will examine key features of its history and culture: the nature of government; piety and religious controversy; art and music; the evolving relations with the Latin West, Armenia, the Slavic North and West, and the Dar al-Islam (the Abbasids and Seljuk and Ottoman Turks); gender; economic life; and social relations.Extra Time for special events and a group project (ecumenical council).
Extra Time for special events and a group project (ecumenical council).
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HIST 233.00 Winter 2025
- Faculty:William North 🏫 👤
- Size:30
- M, WLeighton 304 8:30am-9:40am
- FLeighton 304 8:30am-9:30am
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HIST 245 Ireland: Land, Conflict and Memory 6 credits
This course explores the history of Ireland from Medieval times through the Great Famine, ending with a look at the Partition of Ireland in 1920. We examine themes of religious and cultural conflict and explore a series of English political and military interventions. Throughout the course, we will analyze views of the Irish landscape, landholding patterns, and health and welfare issues. Finally, we explore the contested nature of history and memory as the class discusses monuments and memory production in Irish public spaces.
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HIST 245.00 Winter 2025
- Faculty:Susannah Ottaway 🏫 👤
- Size:25
- M, WWeitz Center 231 12:30pm-1:40pm
- FWeitz Center 231 1:10pm-2:10pm
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RELG 100.01 The Historical Jesus and the Christ of Faith 6 credits
For nearly two thousand years, Christians have considered Jesus the unique, miracle-working Son of God who came to earth to save humanity from its sins. But does this picture hold up to historical scrutiny? Who do historians think Jesus was? This seminar introduces the tools of historical inquiry that scholars use to reconstruct Jesus's original message. It also surveys how Americans in different cultural contexts have imagined Jesus, from the liberating Christ of Black theology, to the eastern sage and hippie of the 1960s, to the rabbi who never intended a non-Jewish movement.
Held for new first year students
- Fall 2024
- AI/WR1, Argument & Inquiry/WR1 IDS, Intercultural Domestic Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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RELG 100.01 Fall 2024
- Faculty:Sonja Anderson 🏫 👤
- Size:15
- M, WLeighton 301 11:10am-12:20pm
- FLeighton 301 12:00pm-1:00pm
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RELG 122 Introduction to Islam 6 credits
This course is a general introduction to Islam as a prophetic religious tradition. It explores the different ways Muslims have interpreted and put into practice the prophetic message of Muhammad through analyses of varying theological, legal, political, mystical, and literary writings as well as through Muslims’ lived histories. These analyses aim for students to develop a framework for explaining the sources and vocabularies through which historically specific human experiences and understandings of the world have been signified as Islamic. The course will focus primarily on the early and modern periods of Islamic history.
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RELG 122.00 Winter 2025
- Faculty:Kambiz GhaneaBassiri 🏫 👤
- Size:25
- M, WLeighton 303 11:10am-12:20pm
- FLeighton 303 12:00pm-1:00pm
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RELG 278 Love of God in Islam 6 credits
As the chosen messenger of God's final revelation, Muslims consider Muhammad to be God's beloved par excellence. He is believed to have not only received God's words but to have also experienced the divine. For Muhammad's followers, love has been a central means of attaining experiential knowledge of God. The Islamic tradition, particularly in the form of Sufism, developed a highly sophisticated literature for understanding God through love. This course will trace and analyze the historical development of this literature and the practices associated with it from the Qur'an (600s) to Rumi (1200s).
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RELG 278.00 Fall 2024
- Faculty:Kambiz GhaneaBassiri 🏫 👤
- Size:25
- M, WLibrary 344 12:30pm-1:40pm
- FLibrary 344 1:10pm-2:10pm
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RELG 282 Samurai: Ethics of Death and Loyalty 6 credits
This course explores the history of samurai since the emergence of warrior class in medieval times, to the modern developments of samurai ethics as the icon of Japanese national identity. Focusing on its connection with Japanese religion and culture, we will investigate the origins of the purported samurai ideals of loyalty, honor, self-sacrifice, and death. In addition to regular class sessions, there will be a weekly kyudo (Japanese archery) practice on Wednesday evening (7-9 pm), which will enable students to study samurai history in context through gaining first-hand experience in the ritualized practice of kyudo.
Extra Time for weekly kyudo (Japanese archery) practice on Wednesday evening (7-9 pm)
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RELG 282.00 Fall 2024
- Faculty:Asuka Sango 🏫 👤
- Size:15
- M, WLeighton 236 9:50am-11:00am
- FLeighton 236 9:40am-10:40am
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SPAN 247 Madrid Program: Muslim Spain 6 credits
This course examines the Islamic influence in the Iberian Peninsula between the 8th and the 16th centuries. The theoretical sessions will cover different periods (emirate, caliphate, taifa kingdoms, Almoravid, Almohad, and Nasrid) focusing on material culture, including the Mosque of Cordoba, Medina Azahara, Toledo, and the Alhambra. The course also aims to offer a more current vision of how Spaniards have integrated (or rejected) this Islamic past into their own national identity. These topics will address debates that have emerged within Spanish historiography over the past years: Was it an invasion or a conquest? Coexistence, tolerance, or confrontation?
Acceptance in Carleton Madrid OCS Program
- Fall 2024
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Spanish Studies in Madrid Program and student has completed the following course(s): SPAN 205 – Conversation and Composition or a higher course with a grade of C- or better.
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SPAN 330 The Invention of the Modern Novel: Cervantes’ Don Quijote 6 credits
Among other things, Don Quijote is a "remake," an adaptation of several literary models popular at the time the picaresque novel, the chivalry novel, the sentimental novel, the Byzantine novel, the Italian novella, etc. This course will examine the ways in which Cervantes transformed these models to create what is considered by many the first "modern" novel in European history.
- Fall 2024
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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SPAN 330.00 Fall 2024
- Faculty:Jorge Brioso 🏫 👤
- Size:25
- T, THLanguage & Dining Center 335 1:15pm-3:00pm