Search Results
Your search for courses · during 2023-24 · tagged with LITFORLANG · returned 18 results
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CLAS 116 Greek Drama in Performance 6 credits
What is drama? When and where were the first systematic theatrical performances put on? What can Athenian tragedies and comedies teach us about the classical world and today’s societies? This course will explore the always-relevant world of Ancient Greek theater, its history and development, through the works of Aeschylus, Sophocles, Euripides, and Aristophanes. We will decode the structure and content of Greek tragedies and comedies, ponder their place in the Athenian society and the modern world, and investigate the role of both ancient and contemporary productions in addressing critical questions on the construction and performance of individual and communal identities.
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CLAS 116.00 Fall 2023
- Faculty: Staff
- Size:30
- M, WLeighton 402 12:30pm-1:40pm
- FLeighton 402 1:10pm-2:10pm
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ENGL 115 The Art of Storytelling 6 credits
Jorge Luis Borges is quoted as saying that “unlike the novel, a short story may be, for all purposes, essential.” This course focuses attention primarily on the short story as an enduring form. We will read short stories drawn from different literary traditions and from various parts of the world. Stories to be read include those by Aksenov, Atwood, Beckett, Borges, Camus, Cheever, Cisneros, Farah, Fuentes, Gordimer, Ishiguro, Kundera, Mahfouz, Marquez, Moravia, Nabokov, Narayan, Pritchett, Rushdie, Trevor, Welty, and Xue.
- Spring 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
- Fall 2023, Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 222 The Art of Jane Austen 6 credits
All of Jane Austen’s fiction will be read; the works she did not complete or choose to publish during her lifetime will be studied in an attempt to understand the art of her mature comic masterpieces, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 229 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
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ENGL 236 American Nature Writing 6 credits
A study of the environmental imagination in American literature. We will explore the relationship between literature and the natural sciences and examine questions of style, narrative, and representation in the light of larger social, ethical, and political concerns about the environment. Authors read will include Thoreau, Muir, Jeffers, Abbey, and Leopold. Students will write a creative Natural History essay as part of the course requirements.
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ENGL 238 African Literature in English 6 credits
This is a course on texts drawn from English-speaking Africa since the 1950’s. Authors to be read include Chinua Achebe, Ama Ata Aidoo, Ayi Kwei Armah, Buchi Emecheta, Bessie Head, Benjamin Kwakye, and Wole Soyinka.
- Spring 2024
- International Studies Literary/Artistic Analysis
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ENGL 249 Modern Irish Literature: Poetry, Prose, and Politics 6 credits
What can and should be the role of literature in times of bitter political conflict? Caught in partisan strife, Irish writers have grappled personally and painfully with the question. We will read works by Joyce, Yeats, and Heaney, among others, and watch films (Bloody Sunday, Hunger) that confront the deep and ongoing divisions in Irish political life.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 319 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other six credit English course
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ENGL 323 Romanticism and Reform 6 credits
Mass protests, police brutality, reactionary politicians, imprisoned journalists, widespread unemployment, and disease were all features of the Romantic era in Britain as well as our own time. We will explore how its writers brilliantly advocate for empathy, liberty, and social justice in the midst of violence and upheaval. Readings will include works by Blake, Wordsworth, Coleridge, Byron, Keats, Percy and Mary Shelley, and their contemporaries.
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other 6 credit English course
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ENGL 327 Victorian Novel 6 credits
Puzzled about nineteenth century novels, Henry James asks, ‘But what do such large loose baggy monsters with their queer elements of the accidental and the arbitrary, artistically mean?” (“Preface,” Tragic Muse). What, indeed? These novels have defined the form of “the novel” for nearly 200 years. Through close reading, historic context, and visual studies, we will examine the prose, design, publication, and illustrations of Victorian editions, and consider how we (re)define and interpret the nineteenth century novel now. Students will create a photographic portrait project. Authors include George Eliot, Charles Dickens, Emily Bronte, Charlotte Bronte, Mary Seacole, and Lewis Carroll.
- Spring 2024
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one additional 6 credit English course or instructor consent
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ENGL 327.00 Spring 2024
- Faculty:Susan Jaret McKinstry 🏫 👤
- Size:15
- M, WWeitz Center 136 11:10am-12:20pm
- FWeitz Center 136 12:00pm-1:00pm
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ENGL 332 Faulkner, Hemingway, and Fitzgerald 6 credits
An intensive study of the novels and short fiction of William Faulkner, Ernest Hemingway, and F. Scott Fitzgerald. The course will focus on the ethos of experimentation and the “homemade” quality of these innovative stylists who shaped the course of American modernism. Works read will be primarily from the twenties and thirties and will include The Sound and the Fury, In Our Time, Light in August, The Great Gatsby, The Sun Also Rises, and Go Down, Moses.
- Spring 2024
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one additional 6 credit English course
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GRK 204 Intermediate Greek Prose and Poetry 6 credits
The goal for Intermediate Greek Prose and Poetry is to gain experience in the three major modes of Greek expression most often encountered “in the wild”—prose, poetry, and inscriptions—while exploring the notion of happiness and the good life. By combining all three modes into this one course, we hope both to create a suitable closure to the language sequence and to provide a reasonable foundation for further exploration of Greek literature and culture.
- Winter 2024
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Greek 103 with a grade of at least C-
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GRK 204.00 Winter 2024
- Faculty:Jake Morton 🏫 👤
- Size:25
- M, WLibrary 305 9:50am-11:00am
- FLibrary 305 9:40am-10:40am
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GRK 230 Homer: The Odyssey 6 credits
Homer is perhaps the foundational poet of the western canon, and his work has been justly admired since its emergence out of the oral tradition of bardic recitation in the eighth century BCE. This course will sample key events and passages from the Odyssey, exploring the fascinating linguistic and metrical features of the epic dialect, as well as the major thematic elements of this timeless story of homecoming.
- Spring 2024
- Literary/Artistic Analysis
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LATN 204 Intermediate Latin Prose and Poetry 6 credits
What are the “rules” of friendship? Would you do anything for a friend? Anything? The ancient Romans were no strangers to the often paradoxical demands of friendship and love. The goal for Intermediate Latin Prose and Poetry is to gain experience in the three major modes of Latin expression most often encountered “in the wild”—prose, poetry, and inscriptions—while exploring the notion of friendship. By combining all three modes into this one course, we hope both to create a suitable closure to the language sequence and to provide a reasonable foundation for further exploration of Roman literature and culture.
- Fall 2023
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Latin 103 with a grade of at least C- or placement
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LATN 204.00 Fall 2023
- Faculty:Chico Zimmerman 🏫 👤
- Size:25
- M, WWillis 114 11:10am-12:20pm
- FWillis 114 12:00pm-1:00pm
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RUSS 244 The Rise of the Russian Novel 6 credits
From the terse elegance of Pushkin to the psychological probing of Dostoevsky to the finely wrought realism of Tolstoy, this course examines the evolution of the genre over the course of the nineteenth century, ending with a glimpse of things to come on the eve of the Russian Revolution. Close textual analysis of the works will be combined with exploration of their historical and cultural context. No prior knowledge of Russian or Russian history is required.
In Translation
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RUSS 244.00 Fall 2023
- Faculty:Victoria Thorstensson 🏫 👤
- Size:40
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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THEA 242 Modern American Drama 6 credits
A study of significant American plays from the early twentieth century to the present, including playwrights such as Tennessee Williams, August Wilson, Alice Childress, Suzan Lori-Parks, and Lauren Yee. We will read plays from a theatrical lens, discussing them as blueprints for performance by examining their structure, characters, language, and theatricality. We will also discuss how these plays are in conversation with contextual historical events and notions of American identity.
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THEA 242.00 Spring 2024
- Faculty:David Wiles 🏫 👤
- Size:25
- T, THWeitz Center 230 10:10am-11:55am
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