Search Results
Your search for courses · during 2023-24 · tagged with FREN XDept Elective · returned 7 results
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ARTH 236 Baroque Art 6 credits
This course examines European artistic production in Italy, Spain, France, and the Netherlands from the end of the sixteenth century through the seventeenth century. The aim of the course is to interrogate how religious revolution and reformation, scientific discoveries, and political transformations brought about a proliferation of remarkably varied types of artistic production that permeated and altered the sacred, political, and private spheres. The class will examine in depth select works of painting, sculpture, prints, and drawings, by Caravaggio, Bernini, Poussin, Velázquez, Rubens, and Rembrandt, among many others.
- Spring 2024
- International Studies Literary/Artistic Analysis
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ARTH 236.00 Spring 2024
- Faculty:Jessica Keating 🏫 👤
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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CAMS 219 African Cinema: A Quest for Identity and Self-Definition 6 credits
Born as a response to the colonial gaze and discourse, African cinema has been a deliberate effort to affirm and express an African personality and consciousness. Focusing on the film production from West and Southern Africa since the early fifties, this course will entail a discussion of major themes such as colonialism, nationalism and independence, and the analysis of African symbolisms, world-views, and their links to narrative techniques. In this overview, particular attention will be given to the films of Ousmane Sembène, Souleymane Cissé, Mweze Ngangura, Zola Maseko, Oliver Schmitz, Abderrahmane Sissako and many others.
Extra Time
- Spring 2024
- International Studies Literary/Artistic Analysis
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CAMS 219.00 Spring 2024
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 231 9:50am-11:00am
- FWeitz Center 231 9:40am-10:40am
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
Formerly LCST 245
- Winter 2024
- International Studies Literary/Artistic Analysis Writing Requirement
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At least one 200- or 300-level course in Literary/Artistic Analysis (in any language) or instructor permission
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CCST 245.00 Winter 2024
- Faculty:Seth Peabody 🏫 👤
- Size:25
- M, WWillis 114 12:30pm-1:40pm
- FWillis 114 1:10pm-2:10pm
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HIST 139 Foundations of Modern Europe 6 credits
Witch hunts, religious reforms, economic transformation, global expansion… all of these phenomena exemplify the dynamic centuries c. 1500-1750, known as the early modern period in Europe. This course surveys the history of Western Europe from the Renaissance and Reformation through the era of the Scientific Revolution and Enlightenment. We compare the development of states and societies across Western Europe in the larger context of expanding global trade and exchange with the Americas, Africa, South Asia and Japan.
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HIST 139.00 Winter 2024
- Faculty:Susannah Ottaway 🏫 👤
- Size:30
- M, WLeighton 402 9:50am-11:00am
- FLeighton 402 9:40am-10:40am
- FLeighton 301 9:40am-10:40am
- FLeighton 301 1:10pm-2:10pm
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HIST 243 The Peasants are Revolting! Society and Politics in the Making of Modern France 6 credits
Political propaganda of the French Revolutionary period tells a simple story of downtrodden peasants exploited by callous nobles, but what exactly was the relationship between the political transformations of France from the Renaissance through the French Revolution and the social, religious, and cultural tensions that characterized the era? This course explores the connections and conflicts between popular and elite culture as we survey French history from the sixteenth through early nineteenth centuries, making comparisons to social and political developments in other European countries along the way.
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POSC 352 Political Theory of Alexis de Tocqueville 6 credits
This course will be devoted to close study of Tocqueville’s Democracy in America, which has plausibly been described as the best book ever written about democracy and the best book every written about America. Tocqueville uncovers the myriad ways in which equality, including especially the passion for equality, determines the character and the possibilities of modern humanity. Tocqueville thereby provides a political education that is also an education toward self-knowledge.
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POSC 352.00 Fall 2023
- Faculty:Barbara Allen 🏫 👤
- Size:15
- T, THHasenstab 109 10:10am-11:55am
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SOAN 395 Ethnography of Reproduction 6 credits
Using ethnographies, this seminar explores the meanings of reproductive beliefs and practices in comparative perspective, particularly the relation between human and social reproduction. It focuses on (but is not limited to) ethnographic examples from the United States/Canada and from sub-Saharan Africa (societies with relatively low fertility and high utilization of technology and societies with mostly high fertility and low utilization of technology). Topics examined include pregnancy and birth as rites of passage and sites of racialization; abortion; biological vs. social motherhood; maternal morality; stratified reproduction in reproductive technologies and carework; love and sexual economies. Expected preparation: Sociology/Anthropology 110 or SOAN 111 or GWSS 110, and an additional SOAN course, or instructor permission.
- Winter 2024
- International Studies Social Inquiry Writing Requirement
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SOAN 395.00 Winter 2024
- Faculty:Pamela Feldman-Savelsberg 🏫 👤
- Size:15
- T, THLeighton 202 1:15pm-3:00pm