Search Results
Your search for courses · during 26SP · tagged with EUST Transnational Support · returned 24 results
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AFST 330 Black Europe 6 credits
This course examines the history and experiences of people of African descent and black cultures in Europe. Beginning with early contacts between Africa and Europe, we examine the migration and settlement of African people and culture, and the politics and meaning of their identities and presence in Europe. Adopting a comparative perspective, we consider how blackness has been constructed in various countries through popular culture, nationalism, immigration policy, and other social institutions. We further consider how religious, gender, and immigrant identities inform notions of blackness. We conclude by examining contemporary Black European social movements.
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AFST 330.01 Spring 2026
- Faculty:Daniel Williams 🏫 👤
- Size:15
- T, THLeighton 236 3:10pm-4:55pm
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 102.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫 👤
- Size:25
- T, THBoliou 104 1:15pm-3:00pm
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ARTH 235 Revival, Revelation, and Re-animation: The Art of Europe’s “Renaissance” 6 credits
This course examines European artistic production in Italy, Spain, France, Germany, and the Netherlands from the fourteenth to the sixteenth century. The aim of the course is to introduce diverse forms of artistic production, as well as to analyze the religious, social, and political role of art in the period. While attending to the specificities of workshop practices, production techniques, materials, content, and form of the objects under discussion, the course also interrogates the ways in which these objects are and, at times, are not representative of the “Renaissance.”
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 235.01 Spring 2026
- Faculty:Jessica Keating 🏫 👤
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 240 Art Since 1945 6 credits
Art from abstract expressionism to the present, with particular focus on issues such as the modernist artist-hero; the emergence of alternative or non-traditional media; the influence of the women’s movement and the gay/lesbian liberation movement on contemporary art; and postmodern theory and practice.
- Spring 2026
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 240.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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CAMS 211 Film History II 6 credits
This course charts the continued rise and development of cinema 1948-1968, focusing on monuments of world cinema and their industrial, cultural, aesthetic and political contexts. Topics include postwar Hollywood, melodrama, authorship, film style, labor strikes, runaway production, censorship, communist paranoia and the blacklist, film noir, Italian neorealism, widescreen aesthetics, the French New Wave, art cinema, Fellini, Bergman, the Polish School, the Czech New Wave, Japanese and Indian cinema, political filmmaking in the Third World, and the New Hollywood Cinema. Requirements include class attendance and participation, readings, evening film screenings, and various written assignments and exams.
Extra Time Required: Evening Screenings.
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CAMS 211.01 Spring 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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CCST 230 Worlds of Jewish Memory 6 credits
Transmitting Jewish memory from one generation to the next has always been a treasured practice across the Jewish world. How have pivotal environments for Jews lived on in Jewish collective memory? How do they continue to speak through film, art, photography, music, architecture, museum/ memorial/ summer camp design, prayer, cuisine, and more? We'll compare dynamics of remembering and memorializing several Jewish worlds: ancient Egypt, medieval Spain, early modern Germany, pre- through post-Holocaust Europe and Russia, colonial into contemporary New York City, 1950s Algeria, and pre-State into contemporary Israel. Research projects can include family history explored through scholarship on cross-cultural memory.
CCST 230 is equivalent to MELA 230.
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CCST 230.01 Spring 2026
- Faculty:Stacy Beckwith 🏫 👤
- Size:25
- M, WLanguage & Dining Center 244 1:50pm-3:00pm
- FLanguage & Dining Center 244 2:20pm-3:20pm
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ENGL 219 Global Shakespeare 3 credits
Shakespeare’s plays have been reimagined and repurposed all over the world, performed on seven continents, and translated into over 100 languages. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. No prior experience with Shakespeare is necessary.
Second 5 weeks
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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EUST 249 The European Union from Constitution to Crisis 6 credits
It is difficult to overestimate the importance of the experience of war and conflict for the founding of the European Union. The enlargement of the EU to include the much of Eastern Europe has brought this kind of “History” once again to the fore of policy-making in Brussels and in Europe’s national capitals. It has also exposed the contradictions that have made a coherent European Foreign and Security Policy so difficult to achieve. In this course we will examine the history of the EU’s founding alongside an introduction to the history and politics of Eastern Europe, culminating in an examination of the ongoing war in Ukraine. We will benefit from multiple class visits by Ukraine scholar Prof Komarenko of Tarras Shevchenko University, Ukraine.
- Spring 2026
- IS, International Studies SI, Social Inquiry
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EUST 249.01 Spring 2026
- Faculty:Paul Petzschmann 🏫 👤
- Size:25
- M, WLeighton 330 9:50am-11:00am
- FLeighton 330 9:40am-10:40am
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FREN 259 French and Francophone Studies in Paris Program: Hybrid Paris 6 credits
Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Acceptance in the Carleton OCS French and Francophone Studies in Paris Program.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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FREN 359 French and Francophone Studies in Paris Program: Hybrid Paris 6 credits
Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Acceptance in the Carleton OCS French and Francophone Studies in Paris Program.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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GERM 265 German Studies in Austria Program: The Nation through Art: East-Central European Music, Literature, and Visual Arts 6 credits
How does art, in various forms, shape our understanding of a nation? What does it mean for a place to have a national language, music, painting, architecture, and so on? And what are the peculiarities of these questions in the context of Austria, which was once the center of a vast ethnically and culturally diverse empire? This class explores how art forms can both create and express national cultures while covering the history of East-Central Europe.
Open only to participants in OCS German Studies in Austria Program
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS German Studies in Austria program.
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GERM 322 German Studies in Austria Program: Remembering and Forgetting: Austrian Literature 6 credits
What stories are told about Austria and its history? What stories are forgotten, and why? In this course, we’ll learn about Austrian history, culture, and politics through the region's literature and cultural institutions. Through deep engagement with multimedia texts (novels, short stories, films, poems), students encounter Austrian cultural production and criticism while also strengthening German language skills. Site visits, museum trips, and excursions in Vienna and beyond complement our analysis.
Requires participation in OCS Program: German Studies in Austria
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS German Studies in Austria program.
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HIST 234 Constantinople, 1453: History, Experience, Narrative 6 credits
In the spring of 1453, the inhabitants of the city of Constantinople found themselves besieged and eventually conquered by the rising power of the Ottoman Turks. The density and variety of the surviving historical evidence offer a distinctive opportunity to explore and to understand the ways in which people, structures, interests, beliefs, and circumstances interacted to bring about this transformative event. The contemporary and, at times, eyewitness nature of the sources also pose profound questions about historical analysis, narrative, explanation, and story-telling. In this collaboration between the History department and the Theater program, we will develop our own historically informed narratives along with performances that do justice to the events' many facets and implications.
- Spring 2026
- HI, Humanistic Inquiry IS, International Studies
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HIST 234.01 Spring 2026
- Faculty:William North 🏫 👤
- Size:25
- M, WWeitz Center 132 12:30pm-1:40pm
- FWeitz Center 132 1:10pm-2:10pm
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HIST 244 The Enlightenment and Its Legacies 6 credits
The Enlightenment: praised for its role in promoting human rights, condemned for its role in underwriting colonialism; lauded for its cosmopolitanism, despised for its Eurocentrism… how should we understand the cultural and intellectual history of the Enlightenment, and what are its legacies? This course starts by examining essential Enlightenment texts by philosophes such as Montesquieu, Voltaire, Diderot, and Rousseau, and then the second half of the term focuses on unpacking the Enlightenment’s entanglements with modern ideas around topics such as religion, race, sex, gender, colonialism etc.
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HIST 244.01 Spring 2026
- Faculty:Susannah Ottaway 🏫 👤
- Size:25
- M, WLeighton 202 12:30pm-1:40pm
- FLeighton 202 1:10pm-2:10pm
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HIST 247 The First World War as Global Phenomenon 6 credits
This course will explore the global context for this cataclysmic event, which provides the hinge from the nineteenth century into the twentieth. We will spend considerable time on the build-up to and causes of the conflict, with particular emphasis on the new imperialism, race-based ideologies, and the complex international struggles for global power. In addition to the fighting, we will devote a significant portion of the course to the home front and changes in society and culture during and after the war. For History majors, the field will be determined by the student's research project.
- Spring 2026
- HI, Humanistic Inquiry IS, International Studies
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HIST 247.01 Spring 2026
- Faculty:David Tompkins 🏫 👤
- Size:25
- M, WLeighton 304 9:50am-11:00am
- FLeighton 304 9:40am-10:40am
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HIST 287 From Alchemy to the Atom Bomb: The Scientific Revolution and the Making of the Modern World 6 credits
This course examines the growth of modern science since the Renaissance with an emphasis on the Scientific Revolution, the development of scientific methodology, and the emergence of new scientific disciplines. How might a history of science focused on scientific networks operating within society, rather than on individual scientists, change our understanding of “genius,” “progress,” and “scientific impartiality?” We will consider a range of scientific developments, treating science both as a body of knowledge and as a set of practices, and will gauge the extent to which our knowledge of the natural world is tied to who, when, and where such knowledge has been produced and circulated.
- Spring 2026
- HI, Humanistic Inquiry WR2 Writing Requirement 2
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HIST 287.01 Spring 2026
- Faculty:Antony Adler 🏫 👤
- Size:25
- M, WLeighton 236 9:50am-11:00am
- FLeighton 236 9:40am-10:40am
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HIST 341 The Russian Revolution and its Global Legacies 6 credits
The Russian revolution of 1917 was one of the seminal events of the twentieth century. It transformed much beyond Russia itself. This course will take stock of the event and its legacy. What was the Russian revolution? What was its place in the history of revolutions? How did it impact the world? How was it seen by those who made it and those who witnessed it? How have these evaluations changed over time? What sense can we make of it in the year of its centenary? The revolution was both an inspiration (to many revolutionary and national-liberation movements) and used as a tale of caution and admonition (by adversaries of the Soviet Union). The readings will put the Russian revolution in the broadest perspective of the twentieth century and its contested evaluations, from within the Soviet Union and beyond, from its immediate aftermath, through World War II, the Cold War, to the post-Soviet period. The course is aimed at all students interested in the history of the twentieth century and of the idea of the revolution.
- Spring 2026
- HI, Humanistic Inquiry IS, International Studies WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Modern European History course (with tag HIST Early Modern Europe) with a grade of C- or better.
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HIST 341.01 Spring 2026
- Faculty:Adeeb Khalid 🏫 👤
- Size:15
- T, THLeighton 202 10:10am-11:55am
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PHIL 272 Early Modern Philosophy 6 credits
This is a course in global early modern philosophy. We will study the work of American Revolution era enslaved poet Phillis Peters, née Wheatley. Peters offers an account of how imagination works in our perception, and a reconciliation of evil given the assumption of a loving creator. In addition, we will analyze the writings of Im Yunjidang and Gang Jeongildang, Korean Neo-Confucians who focused on living well. Finally, we will read Margaret Cavendish’s natural philosophy and reply to European experimental philosophy. Throughout the course we will raise methodological issues, such as how the genre of a contribution impacts disciplinary categorization.
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PHIL 272.01 Spring 2026
- Faculty:Hope Sample 🏫 👤
- Size:25
- T, THWeitz Center 233 10:10am-11:55am
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POSC 120 Democracy and Dictatorship 6 credits
An introduction to the array of different democratic and authoritarian political institutions in both developing and developed countries. We will also explore key issues in contemporary politics in countries around the world, such as nationalism and independence movements, revolution, regime change, state-making, and social movements.
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POSC 120.01 Spring 2026
- Faculty:Alfred Montero 🏫 👤
- Size:30
- M, WHasenstab 002 9:50am-11:00am
- FHasenstab 002 9:40am-10:40am
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POSC 244 The Politics of Eurovision 3 credits
At first glance, Eurovision, the decades-long, continent-wide singing contest, is nothing more than a mindless pop culture event. Dismissed as a celebration of (at best) mediocre music, Eurovision seems like it would be the last place to learn about serious politics. In this class, however, we will explore Eurovision as a place where art is deeply political and often engages in debates about gender and sexuality, race, the legacies of colonialism, war and revolution, nationalism, and democracy—not just within the context of the competition itself but how these discussions spill over into broader social and political dynamics.
5 weeks
- First Five Weeks, Spring 2026
- IS, International Studies SI, Social Inquiry
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POSC 244.01 First Five Weeks, Spring 2026
- Faculty:Dev Gupta 🏫 👤
- Size:25
- M, WHasenstab 105 12:30pm-1:40pm
- FHasenstab 105 1:10pm-2:10pm
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First 5 weeks
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POSC 257 Marx for the Twenty-First Century: Ecology, Technology, Dispossession 6 credits
This course introduces students to the work of Karl Marx by exploring parts of Capital volumes one, two and three as well as of the Grundrisse in tandem with twenty-first century discussions of carboniferous capitalism, digital labor and colonial dispossession. Using concepts of the “metabolic” relationship to nature, “original accumulation” and of Marx’s analysis of machines and technological obsolescence we will together chart a course through twenty-first century attempts to make Marx’s nineteenth century critique of industrial capitalism fruitful for an understanding of today’s world.
- Spring 2026
- IS, International Studies SI, Social Inquiry
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POSC 257.01 Spring 2026
- Faculty:Paul Petzschmann 🏫 👤
- Size:25
- M, WLeighton 304 12:30pm-1:40pm
- FLeighton 304 1:10pm-2:10pm
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POSC 284 War and Peace in Northern Ireland 6 credits
This class examines the decades-long conflict in Northern Ireland between Catholics and Protestants known as “The Troubles.” We will investigate the causes of violence in this region and explore the different phases of the conflict, including initial mobilization of peaceful protestors, radicalization into violent resistance, and de-escalation. We will also consider the international dimensions of the conflict and how groups forged transnational ties with diaspora groups and separatist movements around the world. Finally, we will explore the consequences of this conflict on present-day Northern Ireland’s politics and identify lessons from the peace process for other societies in conflict.
- Spring 2026
- IS, International Studies SI, Social Inquiry
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POSC 284.01 Spring 2026
- Faculty:Dev Gupta 🏫 👤
- Size:25
- M, WHasenstab 105 9:50am-11:00am
- FHasenstab 105 9:40am-10:40am
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POSC 352 Political Theory of Alexis de Tocqueville 6 credits
This course will be devoted to close study of Tocqueville’s Democracy in America, which has plausibly been described as the best book ever written about democracy and the best book every written about America. Tocqueville uncovers the myriad ways in which equality, including especially the passion for equality, determines the character and the possibilities of modern humanity. Tocqueville thereby provides a political education that is also an education toward self-knowledge.
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POSC 352.01 Spring 2026
- Faculty:Laurence Cooper 🏫 👤
- Size:15
- T, THHasenstab 109 1:15pm-3:00pm
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RELG 225 Faith and Doubt in the Modern World 6 credits
Is religion an illusion we create to explain what we don’t understand? An elaborate means to justify the violence we commit? A way to hold onto meaning in the face of radical doubt? This course explores how Western theologians and philosophers have grappled with the loss of traditional religious beliefs and categories. What is the appropriate response to losing one's religion? It turns out that few abandon it altogether, but instead find new ways of naming the sacred, whether in relation to existential courage, aesthetic experience, moral hope, prophetic insight, or passionate love.
- Spring 2026
- HI, Humanistic Inquiry WR2 Writing Requirement 2
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RELG 225.01 Spring 2026
- Faculty:Lori Pearson 🏫 👤
- Size:25
- T, THLeighton 402 1:15pm-3:00pm