Search Results
Your search for courses · during 2025-26 · tagged with ENGL Tradition 1 · returned 14 results
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ENGL 112 Introduction to the Novel 6 credits
This course explores the history and form of the British novel, tracing its development from a strange, sensational experiment in the eighteenth century to a dominant literary genre today. Among the questions that we will consider: What is a novel? What makes it such a popular form of entertainment? How does the novel participate in ongoing conversations about family, sex, class, race, and nation? How did a genre once considered a source of moral corruption become a legitimate literary form? Authors include: Daniel Defoe, Jane Austen, Charlotte Bronte, Bram Stoker, Virginia Woolf, and Jackie Kay.
- Winter 2026, Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework adjusted accordingly. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2026
- LA, Literary/Artistic Analysis
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ENGL 214 Revenge Tragedy 3 credits
Madness, murder, conspiracy, poison, incest, rape, ghosts, and lots of blood: the fashion for revenge tragedy in Elizabethan and Jacobean England led to the creation of some of the most brilliant, violent, funny, and deeply strange plays in the history of the language. Authors may include Cary, Chapman, Ford, Marston, Middleton, Kyd, Tourneur, and Webster.
- First Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 216 Milton and Modernity 6 credits
John Milton wrote what is perhaps the most influential, and arguably greatest, poem in the English language. In this work (Paradise Lost), and indeed throughout his corpus, Milton engaged his literary predecessors extensively, yet he also anticipated modern concerns in striking ways. We will read his major works (“Lycidas,” the sonnets, Paradise Lost, and Paradise Regained), as well as prose selections, attending to his use of sources, and to the ways Milton presages debates over free speech and book banning, Darwinism, the multiverse, and AI.
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ENGL 218 The Gothic Spirit 6 credits
The eighteenth and early nineteenth century saw the rise of the Gothic, a genre populated by brooding hero-villains, vulnerable virgins, mad monks, ghosts, and monsters. In this course, we will examine the conventions and concerns of the Gothic, addressing its preoccupation with terror, transgression, sex, otherness, and the supernatural. As we situate this genre within its literary and historical context, we will consider its relationship to realism and Romanticism, and we will explore how it reflects the political and cultural anxieties of its age. Authors include Horace Walpole, Ann Radcliffe, Matthew Lewis, Jane Austen, Mary Shelley, and Emily Bronte.
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ENGL 219 Global Shakespeare 3 credits
Shakespeare’s plays have been reimagined and repurposed all over the world, performed on seven continents, and translated into over 100 languages. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. No prior experience with Shakespeare is necessary.
Second 5 weeks
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 222 The Art of Jane Austen 6 credits
All of Jane Austen's fiction will be read; the works she did not complete or choose to publish during her lifetime will be studied in an attempt to understand the art of her mature comic masterpieces, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion.
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ENGL 224 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework will be adjusted accordingly. Non English majors should register for English 144.
Non English majors should register for English 144.
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ENGL 281 London Lives 6 credits
London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia.  We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Requires participation in Carleton OCS London Program. Extra time
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 319 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen.
- Winter 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 324 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 381 London Lives 6 credits
London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia.  We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Open only to students participating in OCS London Program
- Winter 2026
- IS, International Studies WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 395 The Writings of Virginia Woolf 6 credits
Virginia Woolf is regarded as one of the chief modernist writers, as well as one of the twentieth-century's most important feminist thinkers. She revolutionized the novel and the concept of time in fiction, as well as ideas of gender and sexuality. She, along with other members of the Bloomsbury Group, was also a critic of World War I and the build-up to World War II. In this course we will read the majority of her novels, as well as selected essays, diary entries, and letters. Articles by literary critics will offer various contexts for our discussions. Some works included:Â Mrs. Dalloway, To the Lighthouse, Orlando, and "A Room of One's Own."
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student must have completed any of the following course(s): ENGL 295 and one 300 level ENGL course with grade of C- or better. Not open to students who have taken ENGL 353.