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Your search for courses · during 2025-26 · tagged with ENGL Historical Era 1 · returned 4 results
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ENGL 214 Revenge Tragedy 3 credits
Madness, murder, conspiracy, poison, incest, rape, ghosts, and lots of blood: the fashion for revenge tragedy in Elizabethan and Jacobean England led to the creation of some of the most brilliant, violent, funny, and deeply strange plays in the history of the language. Authors may include Cary, Chapman, Ford, Marston, Middleton, Kyd, Tourneur, and Webster.
- First Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 216 Milton and Modernity 6 credits
John Milton wrote what is perhaps the most influential, and arguably greatest, poem in the English language. In this work (Paradise Lost), and indeed throughout his corpus, Milton engaged his literary predecessors extensively, yet he also anticipated modern concerns in striking ways. We will read his major works (“Lycidas,” the sonnets, Paradise Lost, and Paradise Regained), as well as prose selections, attending to his use of sources, and to the ways Milton presages debates over free speech and book banning, Darwinism, the multiverse, and AI.
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ENGL 219 Global Shakespeare 3 credits
Shakespeare’s plays have been reimagined and repurposed all over the world, performed on seven continents, and translated into over 100 languages. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. No prior experience with Shakespeare is necessary.
Second 5 weeks
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework will be adjusted accordingly. Non English majors should register for English 144.
Non English majors should register for English 144.