Search Results
Your search for courses · tagged with DGAH Cross Disc Collabortn · returned 9 results
-
ARCN 222 Experimental Archaeology and Experiential History and Lab 6 credits
This course offers an experiential approach to crafts, technologies, and other material practices in premodern societies. Through hands-on activities and collaborations with local craftspeople, farmers, and other experts, this course will examine and test a variety of hypotheses about how people in the past lived their lives. How did prehistoric people produce stone tools, pottery, and metal? How did ancient Greeks and Romans feed and clothe themselves? How did medieval Europeans build their homes and bury their dead? Students will answer these questions and more by actively participating in a range of experimental archaeology and experiential history projects. Lab required.
- Spring 2025
- LS, Science with Lab
-
Student has completed any of the following course(s): One Archaeology Pertinent (tagged ARCN Pertinent) course with a grade of C- or better.
-
ARTS 252 Metalsmithing: Ancient Technology- New Technologies 6 credits
This course focuses on lost wax casting, 3D modeling and printing, and stone setting as methods to create jewelry and small sculptural objects in bronze and silver. Specific instruction will be given in the proper use of tools, torches, and other equipment, wax carving, and general metalsmithing techniques. Through the use of 3D modeling software and 3D printing, new technologies will expedite traditional processes allowing for a broad range of metalworking possibilities.
Two seats held for Art and Art History majors until the day after junior priority registration.
- Spring 2025
- ARP, Arts Practice
-
Student has completed any of the following course(s): ARTS 151 – Metalsmithing with a grade of C- or better.
-
ASST 285 Mapping Japan, the Real and the Imagined 6 credits
From ancient to present times, Japan drew and redrew its borders, shape, and culture, imagining its place in this world and beyond, its cultural and racial identity. This course is a cartographic exploration of this complex and contested history. Cosmological mandalas, hell images, travel brochures, and military maps bring to light the imagined Japan—its religious vision, cartographic imagination, and political ambition—that dictated its geopolitical expansion abroad and the displacement of minority peoples “at home.” We will use a variety of textual and visual materials, including those in Carleton’s Rare Book and Map Collections.
-
DGAH 220 Creative Coding and Generative AI 6 credits
Generative AI tools such as ChatGPT and GitHub CoPilot are fundamentally reshaping programming practices and workflows, raising questions about the future of code and so-called "prompt engineering," or writing for the machine. This class will situate this moment of potential transformation in the history of literate programming and "natural language" coding using Inform 7, as well as current tools such as ml5.js, an accessible machine learning library. Students will engage this history and future of computational creativity through writing and re-writing code, both with and without generative AI interventions, for conversational bots, interactive fiction, and experimental games.
- Winter 2025
- FSR, Formal or Statistical Reasoning
-
Student has completed any of the following course(s): CS 111 – Introduction to Computer Science with a grade of C- or better or a score of 4 or better on the Computer Science A AP exam or equivalent.
-
HIST 206 Rome Program: The Eternal City in Time: Structure, Change, and Identity 6 credits
This course will explore the lived experience of the city of Rome in the twelfth-sixteenth centuries. Students will study buildings, urban forms, surviving artifacts, and textual and other visual evidence to understand how politics, power, and religion (both Christianity and Judaism) mapped onto city spaces. How did urban challenges and opportunities shape daily life? How did the memory of the past influence the present? How did the rural world affect the city and vice versa? Students will work on projects closely tied to the urban fabric.
OCS Rome Program
- Spring 2025
- HI, Humanistic Inquiry IS, International Studies
-
Acceptance in the Carleton OCS History in Rome Program.
-
HIST 231 Mapping the World Before Mercator 6 credits
This course will explore early maps primarily in medieval and early modern Europe. After an introduction to the rhetoric of maps and world cartography, we will examine the functions and forms of medieval European and Islamic maps and then look closely at the continuities and transformations in map-making during the period of European exploration. The focus of the course will be on understanding each map within its own cultural context and how maps can be used to answer historical questions. We will work closely with the maps in Gould Library Special Collections to expand campus awareness of the collection.
Extra time is required for a one-time map show in the library which we will schedule at the beginning of term.
-
HIST 245 Ireland: Land, Conflict and Memory 6 credits
This course explores the history of Ireland from Medieval times through the Great Famine, ending with a look at the Partition of Ireland in 1920. We examine themes of religious and cultural conflict and explore a series of English political and military interventions. Throughout the course, we will analyze views of the Irish landscape, landholding patterns, and health and welfare issues. Finally, we explore the contested nature of history and memory as the class discusses monuments and memory production in Irish public spaces.
-
MUSC 221 Electronic Music Composition 6 credits
This course focuses on creating new electronic music. We will use digital audio workstations for composition and production, grounding their use in the fundamentals of digital audio. We will listen extensively, in many genres of electronic music, applying this critical listening to our own work and our colleagues’ work. Frequent composition assignments build fundamental skills in melodic creation and development, drum programming, synthesis, and audio production. The course culminates in a term project, a stylistically unrestricted, substantial original composition.
- Spring 2025
- ARP, Arts Practice
-
Student has completed any of the following course(s): MUSC 108 – Intro to Music Technology or MUSC 110 – Theory I: Principles of Harmony with grade of C- or better.
-
THEA 234 Lighting Design for the Performing Arts 6 credits
An introduction to and practice in stage lighting for the performing arts. Coursework will cover the function of light in design; lighting equipment and technology; communication graphics through practical laboratory explorations. Application of principles for performance events and contemporary lighting problems will be studied through hands-on application.
- Winter 2025
- ARP, Arts Practice