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Your search for courses · during 25SP · tagged with DGAH Critical Ethical Reflection · returned 6 results
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ARTS 339 Advanced Photography 6 credits
In this course students explore photography as a means of understanding and interacting with both the world and the inner self. We will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Advanced students will focus on developing a concise body of work independently through two self-directed longer projects. Instruction includes: use of large format cameras with a hand meter, film scanning, and strobe lighting. Students will learn to develop a portfolio as an ongoing process that requires informed and critical decision making to assemble a body of work. Collectively we will critique, analyze, give feedback on work and discuss readings that are pertinent to the production of images in contemporary times.
X seats held for Art and Art History majors until the day after X priority registration.
- Spring 2025
- ARP, Arts Practice
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Student has completed any one of the following course(s): ARTS 139 or ARTS 142 or ARTS 244 or ARTS 245 with grade of C- or better.
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ARTS 339.00 Spring 2025
- Faculty: Xavier Tavera Castro 🏫 👤
- Size:15
- M, WBoliou 130 12:30pm-3:00pm
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Four spots reserved for Studio Art or Art History majors until registration begins for students who have not declared a major.
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CAMS 187 Cult Television and Fan Cultures 6 credits
This course focuses on the history, production, and consumption of cult television. The beginning of the seminar will be focused on critically examining a number of theoretical approaches to the study of genre and fandom. Building on these approaches, the remainder of the course will focus on cult television case studies from the last eight decades. We will draw on recent scholarship to explore how cult television functions textually, industrially, and culturally. Additionally, we will study fan communities on the Internet and consider how fansites, webisodes, and sites like YouTube and Netflix transform television genres.
Extra time for evening screenings
- Spring 2025
- LA, Literary/Artistic Analysis WR2, Writing Rich 2
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CAMS 187.00 Spring 2025
- Faculty: Candace Moore 🏫 👤
- Size:25
- T, THWeitz Center 132 3:10pm-4:55pm
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CAMS 214 Film History III 6 credits
This course is designed to introduce students to recent film history, 1970-present, and the multiple permutations of cinema around the globe. The course charts the development of national cinemas since the 1970s while considering the effects of media consolidation and digital convergence. Moreover, the course examines how global cinemas have reacted to and dealt with the formal influence and economic domination of Hollywood on international audiences. Class lectures, screenings, and discussions will consider how cinema has changed from a primarily national phenomenon to a transnational form in the twenty-first century.
Extra Time required for evening Screenings.
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CAMS 214.00 Spring 2025
- Faculty: Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm
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CGSC 330 Embodied Cognition 6 credits
This seminar will consider recent work in philosophy, cognitive science and linguistics critical of views of human cognition as “disembodied” and Cartesian. Philosophical sources of the early critiques of symbolic AI and “cartesianism” will be considered (Merleau-Ponty, Dewey), as will the enactive (Cuffari, Di Paolo, and De Jaegher) and ecological (Chemero, Cowley, Steffensen) critiques of language, and current work on embodied cognition by Eleanor Rosch, Hubert Dreyfus, John Haugeland, Andy Clark and Evan Thompson. The seminar will include materials relevant to students in philosophy, linguistics, psychology and cognitive science.
- Spring 2025
- HI, Humanistic Inquiry
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Student has completed any of the following course(s): CGSC 130 or CGSC 232/PSYC 232 with a grade of C- or better.
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CGSC 330.00 Spring 2025
- Faculty: Jay McKinney 🏫 👤
- Size:15
- T, THHulings 316 1:15pm-3:00pm
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EDUC 242 The Future is Now: Education and Technology in the 21st Century 6 credits
This course will examine the increasingly prominent role that technology is playing in education, inside and outside of schools. How is technology transforming teaching and learning? What are the potential costs and benefits of relying on technology to provide educational opportunities? Is technology re-wiring our brains? And who needs brains when we have Google and ChatGPT? This course will examine the following topics, among others: digital literacy, virtual reality, cyborgs and artificial intelligence.
- Spring 2025
- SI, Social Inquiry
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EDUC 242.00 Spring 2025
- Faculty: Jeff Snyder 🏫 👤
- Size:25
- M, WWillis 114 12:30pm-1:40pm
- FWillis 114 1:10pm-2:10pm
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MUSC 313 Video Game Music: History, Interpretation, Practice 6 credits
Over the decades, video game music has evolved from simple beeps and boops into a genre that has garnered millions of fans worldwide. This course traces the history of video game music aesthetics and technology. We will consider how it relates to a variety of musical traditions and engages with broader social issues. We will learn to listen for loops, styles, structures, and function in games via direct engagement with primary sources: the games themselves. The course culminates in the practical application of knowledge via a creative project.
Expected preparation: The ability to read music and a previous music course or instructor permission.
- Spring 2025
- LA, Literary/Artistic Analysis WR2, Writing Rich 2
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Student has completed any of the following course(s): One 100, 200, or 300 level MUSC course NOT including lesson or ensemble courses with a grade of C- or better.
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MUSC 313.00 Spring 2025
- Faculty: Brooke Okazaki 🏫 👤
- Size:15
- M, WWeitz Center 231 12:30pm-1:40pm
- FWeitz Center 231 1:10pm-2:10pm