Search Results
Your search for courses · during 24FA, 25WI, 25SP · tagged with DGAH Critical Ethical Reflection · returned 15 results
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ARTH 250 The Coded Gaze: AI and Art History 6 credits
Artificial Intelligence (AI) can support or subvert human intelligence and it affects art and art history already today. This course will connect existing discourses in art history and the history of photography to recent AI questions and themes, demonstrating that many topics, which appear novel, have in fact a long and complex history. We will focus on questions of ethics that affect both AI and art history, including ownership of images, surveillance, and the representation of race and gender, while also exploring possible uses of AI in art history, e.g. the detection of forgeries, and the curation of AI artworks.
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ARTH 250.00 Winter 2025
- Faculty:Mira Xenia Schwerda 🏫
- Size:25
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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ARTS 339 Advanced Photography 6 credits
In this course students explore photography as a means of understanding and interacting with both the world and the inner self. We will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Advanced students will focus on developing a concise body of work independently through two self-directed longer projects. Instruction includes: use of large format cameras with a hand meter, film scanning, and strobe lighting. Students will learn to develop a portfolio as an ongoing process that requires informed and critical decision making to assemble a body of work. Collectively we will critique, analyze, give feedback on work and discuss readings that are pertinent to the production of images in contemporary times.
Seats held for Art and Art History majors.
- Spring 2025
- ARP, Arts Practice
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Student has completed any of the following course(s): ARTS 139 or ARTS 142 or ARTS 244 or ARTS 245 with grade of C- or better.
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ARTS 339.00 Spring 2025
- Faculty:Xavier Tavera Castro 🏫 👤
- Size:15
- M, WBoliou 130 12:30pm-3:00pm
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Four spots reserved for Studio Art or Art History majors until registration begins for students who have not declared a major.
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CAMS 187 Cult Television and Fan Cultures 6 credits
This course focuses on the history, production, and consumption of cult television. The beginning of the seminar will be focused on critically examining a number of theoretical approaches to the study of genre and fandom. Building on these approaches, the remainder of the course will focus on cult television case studies from the last eight decades. We will draw on recent scholarship to explore how cult television functions textually, industrially, and culturally. Additionally, we will study fan communities on the Internet and consider how fansites, webisodes, and sites like YouTube and Netflix transform television genres.
Extra time for evening screenings
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CAMS 187.00 Spring 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- T, THWeitz Center 132 3:10pm-4:55pm
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CAMS 214 Film History III 6 credits
This course is designed to introduce students to recent film history, 1970-present, and the multiple permutations of cinema around the globe. The course charts the development of national cinemas since the 1970s while considering the effects of media consolidation and digital convergence. Moreover, the course examines how global cinemas have reacted to and dealt with the formal influence and economic domination of Hollywood on international audiences. Class lectures, screenings, and discussions will consider how cinema has changed from a primarily national phenomenon to a transnational form in the twenty-first century.
Extra Time required for evening Screenings.
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CAMS 214.00 Spring 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm
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CAMS 330 Cinema Studies Seminar 6 credits
The purpose of this seminar is guide students in developing and consolidating their conceptual understanding of theories central to the field of cinema studies. Emphasis is on close reading and discussion of classical and contemporary theories ranging from Eisenstein, Kracauer, Balazs, Bazin and Barthes to theories of authorship, genre and ideology and trends in contemporary theory influenced by psychoanalysis, phenomenology and cognitive studies.
- Fall 2024
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): CAMS 110 with a grade of C- or better.
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CAMS 330.00 Fall 2024
- Faculty:Carol Donelan 🏫 👤
- Size:15
- M, WWeitz Center 132 1:50pm-3:35pm
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One 200 or 300 Level course with a LA – Literary/Artistic Analysis course tag with a grade of C- or better.
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CCST 245.00 Winter 2025
- Faculty:Chloe Vaughn 🏫
- Size:20
- M, WLibrary 344 12:30pm-1:40pm
- FLibrary 344 1:10pm-2:10pm
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CGSC 330 Embodied Cognition 6 credits
This seminar will consider recent work in philosophy, cognitive science and linguistics critical of views of human cognition as “disembodied” and Cartesian. Philosophical sources of the early critiques of symbolic AI and “cartesianism” will be considered (Merleau-Ponty, Dewey), as will the enactive (Cuffari, Di Paolo, and De Jaegher) and ecological (Chemero, Cowley, Steffensen) critiques of language, and current work on embodied cognition by Eleanor Rosch, Hubert Dreyfus, John Haugeland, Andy Clark and Evan Thompson. The seminar will include materials relevant to students in philosophy, linguistics, psychology and cognitive science.
- Spring 2025
- HI, Humanistic Inquiry
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Student has completed any of the following course(s): CGSC 130 or CGSC/PSYC 232 with a grade of C- or better.
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CGSC 330.00 Spring 2025
- Faculty:Jay McKinney 🏫 👤
- Size:15
- T, THHulings 316 1:15pm-3:00pm
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CHIN 240 Chinese Cinema in Translation 6 credits
This course introduces to students the drastic transformation of Chinese society, culture, and politics over the past three decades through the camera lens. We will examine representative films from Mainland China, Hong Kong, and Taiwan. Particular attention will be paid to the entangled relationship between art, commerce, and politics, as well as the role digital technologies and international communities play in reshaping the contemporary cultural landscape in China. This class requires no prior knowledge of Chinese language, literature, or culture.
Extra time for film screenings
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CHIN 240.00 Winter 2025
- Faculty:Shaohua Guo 🏫 👤
- Size:25
- T, THLanguage & Dining Center 104 10:10am-11:55am
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Extra Time required for film screenings
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CS 314 Data Visualization 6 credits
Understanding the wealth of data that surrounds us can be challenging. Luckily, we have evolved incredible tools for finding patterns in large amounts of information: our eyes! Data visualization is concerned with taking information and turning it into pictures to better communicate patterns or discover new insights. It combines aspects of computer graphics, human-computer interaction, design, and perceptual psychology. In this course, we will learn the different ways in which data can be expressed visually and which methods work best for which tasks. Using this knowledge, we will critique existing visualizations as well as design and build new ones.
- Winter 2025
- FSR, Formal or Statistical Reasoning QRE, Quantitative Reasoning
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Student has completed any of the following course(s): CS 200 or CS 201 with a grade of C- or better or received a Carleton Computer Science 201 or better Requisite Equivalency.
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CS 314.00 Winter 2025
- Faculty:Bridger Herman 🏫
- Size:34
- M, WLeighton 304 12:30pm-1:40pm
- FLeighton 304 1:10pm-2:10pm
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CS 322 Natural Language Processing 6 credits
Computers are poor conversationalists, despite decades of attempts to change that fact. This course will provide an overview of the computational techniques developed in the attempt to enable computers to interpret and respond appropriately to ideas expressed using natural languages (such as English or French) as opposed to formal languages (such as C++ or Lisp). Topics in this course will include parsing, semantic analysis, machine translation, dialogue systems, and statistical methods in speech recognition.
- Fall 2024
- FSR, Formal or Statistical Reasoning QRE, Quantitative Reasoning
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Student has completed any of the following course(s): CS 200 with a grade of C- or better or CS 201 with a grade of C- or better or received a Carleton Computer Science 200 Requisite Equivalency AND CS 202 with a grade of C- or better or received a Carleton Computer Science 202 Requisite Equivalency or MATH 236 with a grade of C- or better or received a Carleton Math 236 Requisite Equivalency. MATH 236 will be accepted in lieu of CS 202.
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CS 322.00 Fall 2024
- Faculty:Eric Alexander 🏫 👤
- Size:34
- M, WLanguage & Dining Center 104 12:30pm-1:40pm
- FLanguage & Dining Center 104 1:10pm-2:10pm
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28 spots held for students in CS Match until 9:00 a.m. May 24
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CS 344 Human-Computer Interaction 6 credits
The field of human-computer interaction addresses two fundamental questions: how do people interact with technology, and how can technology enhance the human experience? In this course, we will explore technology through the lens of the end user: how can we design effective, aesthetically pleasing technology, particularly user interfaces, to satisfy user needs and improve the human condition? How do people react to technology and learn to use technology? What are the social, societal, health, and ethical implications of technology? The course will focus on design methodologies, techniques, and processes for developing, testing, and deploying user interfaces.
- Winter 2025
- FSR, Formal or Statistical Reasoning QRE, Quantitative Reasoning
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Student has completed any of the following course(s): CS 200 or CS 201 with a grade of C- or better or received a Carleton Computer Science 201 or better Requisite Equivalency.
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CS 344.00 Winter 2025
- Faculty:Jean Salac 🏫 👤
- Size:34
- M, WWeitz Center 235 9:50am-11:00am
- FWeitz Center 235 9:40am-10:40am
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DGAH 120 Interactive Digital Narratives: Theory and Practice 6 credits
Contemporary forms of interactive digital narrative, ranging from electronic literature to games, demonstrate the affordances of the computer as a site of storytelling. Working from the prehistory of Oulipian constrained writing through to early hypertext experiments of authors such as Shelley Jackson to contemporary games such as Kentucky Route Zero, we will develop an understanding of both the history and current trends in born-digital literary experimentation and practice. Through the lens of these digital texts, we will explore the potential for reimagining the "book" through new interfaces, interactions, and technologies. No knowledge of code is necessary.
- Winter 2025
- LA, Literary/Artistic Analysis
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DGAH 120.00 Winter 2025
- Faculty:Anastasia Salter 🏫
- Size:30
- T, THWeitz Center 138 10:10am-11:55am
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EDUC 242 The Future is Now: Education and Technology in the 21st Century 6 credits
This course will examine the increasingly prominent role that technology is playing in education, inside and outside of schools. How is technology transforming teaching and learning? What are the potential costs and benefits of relying on technology to provide educational opportunities? Is technology re-wiring our brains? And who needs brains when we have Google and ChatGPT? This course will examine the following topics, among others: digital literacy, virtual reality, cyborgs and artificial intelligence.
- Spring 2025
- SI, Social Inquiry
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EDUC 242.00 Spring 2025
- Faculty:Jeff Snyder 🏫 👤
- Size:25
- M, WWillis 114 12:30pm-1:40pm
- FWillis 114 1:10pm-2:10pm
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MUSC 313 Video Game Music: History, Interpretation, Practice 6 credits
Over the decades, video game music has evolved from simple beeps and boops into a genre that has garnered millions of fans worldwide. This course traces the history of video game music aesthetics and technology. We will consider how it relates to a variety of musical traditions and engages with broader social issues. We will learn to listen for loops, styles, structures, and function in games via direct engagement with primary sources: the games themselves. The course culminates in the practical application of knowledge via a creative project.
Expected preparation: The ability to read music and a previous music course or instructor permission.
- Spring 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One 100, 200, or 300 level MUSC course NOT including lesson or ensemble courses with a grade of C- or better.
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MUSC 313.00 Spring 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:15
- M, WWeitz Center 231 12:30pm-1:40pm
- FWeitz Center 231 1:10pm-2:10pm
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POSC 204 Media and Electoral Politics: 2024 United States Election 6 credits
Our analysis of media influences on politics will draw from three fields of study: political psychology, political behavior and participation, and public opinion. Students will conduct a study of the effects of campaign ads and news using our multi-year data set of content analyzed election ads and news. We study a variety of quantitative and qualitative research methods to learn how political communication affects U.S. elections.
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POSC 204.00 Fall 2024
- Faculty:Barbara Allen 🏫 👤
- Size:28
- T, THHasenstab 002 1:15pm-3:00pm
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