Search Results
Your search for courses · during 25SP · tagged with CAMS Extra Departmental · returned 4 results
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AMST 269 Woodstock Nation 6 credits
“If you remember the Sixties, you weren’t there.” We will test the truth of that popular adage by exploring the American youth counterculture of the 1960s, particularly the turbulent period of the late sixties. Using examples from literature, music, and film, we will examine the hope and idealism, the violence, confusion, wacky creativity, and social mores of this seminal decade in American culture. Topics explored will include the Beat Generation, the Vietnam War, Civil Rights, LSD, and the rise of environmentalism, feminism, and Black Power.
Extra time
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ARTS 339 Advanced Photography 6 credits
In this course students explore photography as a means of understanding and interacting with both the world and the inner self. We will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Advanced students will focus on developing a concise body of work independently through two self-directed longer projects. Instruction includes: use of large format cameras with a hand meter, film scanning, and strobe lighting. Students will learn to develop a portfolio as an ongoing process that requires informed and critical decision making to assemble a body of work. Collectively we will critique, analyze, give feedback on work and discuss readings that are pertinent to the production of images in contemporary times.
X seats held for Art and Art History majors until the day after X priority registration.
- Spring 2025
- ARP, Arts Practice
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Student has completed any of the following course(s): ARTS 139 or ARTS 142 or ARTS 244 or ARTS 245 with grade of C- or better.
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ARTS 339.00 Spring 2025
- Faculty:Xavier Tavera Castro 🏫 👤
- Size:15
- M, WBoliou 130 12:30pm-3:00pm
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Four spots reserved for Studio Art or Art History majors until registration begins for students who have not declared a major.
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GWSS 398 Race, Gender, and Sexuality in Popular Culture 6 credits
This capstone seminar reads representations of racial, gender, and sexual minorities in popular culture through the lenses of feminist, critical race, queer, and trans theories. Kimberlé Crenshaw coined the term “intersectionality” in the late 1980s to describe an approach to oppression that considered how structures of power act multiply on individuals based upon their interlocking racial, class, gender, sexual, and other identities. This seminar takes up the charge of intersectional analysis—rejecting essentialist theories of difference while exploring pluralities—to interpret diversity (or lack thereof) in forms of art and entertainment, focusing on film, TV, and digital media.
- Spring 2025
- WR2, Writing Rich 2
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GWSS 398.00 Spring 2025
- Faculty:Candace Moore 🏫 👤
- Size:15
- T, THLeighton 426 10:10am-11:55am
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HIST 220 From Blackface to Blaxploitation: Black History and/in Film 6 credits
This course focuses on the representation of African American history in popular US-American movies. It will introduce students to the field of visual history, using cinema as a primary source. Through films from the twentieth and twenty-first centuries, the seminar will analyze African American history, (pop-)cultural depictions, and memory culture. We will discuss subjects, narrative arcs, stylistic choices, production design, performative and film industry practices, and historical receptions of movies. The topics include slavery, racial segregation and white supremacy, the Black Freedom Movement, controversies and conflicts in Black communities, Black LGBTQIA+ history, ghettoization and police brutality, Black feminism, and Afrofuturism.
Extra Time Required
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HIST 220.00 Spring 2025
- Faculty:Rebecca Brueckmann 🏫 👤
- Size:25
- T, THLeighton 236 10:10am-11:55am
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