Search Results
Your search for courses · during 25FA, 26WI, 26SP · tagged with CAMS Extra Departmental · returned 9 results
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ARTH 240 Art Since 1945 6 credits
Art from abstract expressionism to the present, with particular focus on issues such as the modernist artist-hero; the emergence of alternative or non-traditional media; the influence of the women’s movement and the gay/lesbian liberation movement on contemporary art; and postmodern theory and practice.
- Spring 2026
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 240.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫
- Size:25
- T, THBoliou 161 10:10am-11:55am
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CCST 220 East/West in Israeli, Palestinian Fiction & Film 6 credits
As a crossroads of diverse perspectives in such a multicultural, but fraught Middle Eastern environment, Israeli and Palestinian fiction and film offer significant opportunities for comparative, cross-cultural learning. We will focus on how mental pictures of home, self, and other have been created, perpetuated, and/or challenged in local fiction since the 1940s and in film since the 1950s. Including authors and film directors of Middle Eastern, North African, and Ethiopian Jewish heritage alongside Palestinian artists will allow us to explore community, inter-generation, and gender-relevant responses to locally popular projections of post/colonial history and national life in Israel/ Palestine.
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CCST 220.01 Winter 2026
- Faculty:Stacy Beckwith 🏫 👤
- Size:25
- M, WWeitz Center 133 11:10am-12:20pm
- FWeitz Center 133 12:00pm-1:00pm
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ENGL 245 Bollywood Nation 6 credits
This course will serve as an introduction to Bollywood or popular Hindi cinema from India. We will trace the history of this cinema and analyze its formal components. We will watch and discuss some of the most celebrated and popular films of the last 60 years with particular emphasis on urban thrillers and social dramas.
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ENGL 247 The American West 6 credits
Wallace Stegner once described the West as "the geography of hope" in the American imagination. Despite various dystopian urban pressures, the region still conjures up images of wide vistas and sunburned optimism. We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same area. We will explore how writers such as Twain, Cather, Stegner and Cormac McCarthy have dealt with the geographical diversity and multi-ethnic history of the West. Weekly film showings will include The Searchers, McCabe and Mrs. Miller, Unforgiven, and Lone Star. Extra Time Required, evening screenings.
Extra Time Required, Evening Screening
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ENGL 248 Visions of California 6 credits
An interdisciplinary exploration of the ways in which California has been imagined in literature, art, film and popular culture from pre-contact to the present. We will explore the state both as a place (or rather, a mosaic of places) and as a continuing metaphor–whether of promise or disintegration–for the rest of the country. Authors read will include Muir, Steinbeck, Chandler, West, and Didion. Weekly film showings will include Sunset Boulevard, Chinatown and Blade Runner.
Extra Time required.
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FREN 236 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (3 or 4) but ample opportunities will exist for everyone to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 236.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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FREN 336 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (three or four) but there will be ample opportunities for each person to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 336.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Required Extra Time
Extra Time
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MUSC 115.01 Fall 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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Required Extra Time
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MUSC 123 The American Film Musical 6 credits
A survey of film musicals from their beginnings in the 1920s to the present. The course will cover the definition and attributes of film musicals, how a film musical differs from a film with music, and then continue with a historical survey of various eras of musicals, such as early sound film musicals, the film musical at its zenith, the adaptation of Broadway musicals to the screen, and current postmodern musicals and animated musicals by Disney and Pixar. The course will also discuss how musicals convey evolving cultural attitudes of gender, race, ethnicity, and sexual orientation, as well as good vs. evil.
Extra Time
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MUSC 123.01 Spring 2026
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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