Search Results
Your search for courses · during 24FA, 25WI, 25SP · tagged with CAMS Extra Departmental · returned 12 results
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AMST 269 Woodstock Nation 6 credits
“If you remember the Sixties, you weren’t there.” We will test the truth of that popular adage by exploring the American youth counterculture of the 1960s, particularly the turbulent period of the late sixties. Using examples from literature, music, and film, we will examine the hope and idealism, the violence, confusion, wacky creativity, and social mores of this seminal decade in American culture. Topics explored will include the Beat Generation, the Vietnam War, Civil Rights, LSD, and the rise of environmentalism, feminism, and Black Power.
Extra time
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ARTH 172 Modern Art: 1890-1945 6 credits
This course explores developments in the visual arts, architecture, and theory in Europe and America between 1890 and 1945. The major Modernist artists and movements that sought to revolutionize vision, culture, and experience, from Symbolism to Surrealism, will be considered. The impact of World War I, the Great Depression, and the rise of fascism will be examined as well for their devastation of the Modernist dream of social-cultural renewal. Lectures will be integrated with discussions of artists’ theoretical writings and group manifestoes, such as those of the Futurists, Dadaists, Surrealists, Constructivists, and DeStijl, in addition to select secondary readings.
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ARTH 172.00 Fall 2024
- Faculty:Vanessa Reubendale 🏫
- Size:30
- T, THBoliou 104 1:15pm-3:00pm
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ARTH 240 Art Since 1945 6 credits
Art from abstract expressionism to the present, with particular focus on issues such as the modernist artist-hero; the emergence of alternative or non-traditional media; the influence of the women’s movement and the gay/lesbian liberation movement on contemporary art; and postmodern theory and practice.
- Fall 2024
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 240.00 Fall 2024
- Faculty:Vanessa Reubendale 🏫
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTS 339 Advanced Photography 6 credits
In this course students explore photography as a means of understanding and interacting with both the world and the inner self. We will emphasize a balance of technical skills, exploration of personal vision, and development of critical thinking and vocabulary relating to photography. Advanced students will focus on developing a concise body of work independently through two self-directed longer projects. Instruction includes: use of large format cameras with a hand meter, film scanning, and strobe lighting. Students will learn to develop a portfolio as an ongoing process that requires informed and critical decision making to assemble a body of work. Collectively we will critique, analyze, give feedback on work and discuss readings that are pertinent to the production of images in contemporary times.
Seats held for Art and Art History majors.
- Spring 2025
- ARP, Arts Practice
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Student has completed any of the following course(s): ARTS 139 or ARTS 142 or ARTS 244 or ARTS 245 with grade of C- or better.
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ARTS 339.00 Spring 2025
- Faculty:Xavier Tavera Castro 🏫 👤
- Size:15
- M, WBoliou 130 12:30pm-3:00pm
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Four spots reserved for Studio Art or Art History majors until registration begins for students who have not declared a major.
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One 200 or 300 Level course with a LA – Literary/Artistic Analysis course tag with a grade of C- or better.
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CCST 245.00 Winter 2025
- Faculty:Chloe Vaughn 🏫
- Size:20
- M, WLibrary 344 12:30pm-1:40pm
- FLibrary 344 1:10pm-2:10pm
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CHIN 240 Chinese Cinema in Translation 6 credits
This course introduces to students the drastic transformation of Chinese society, culture, and politics over the past three decades through the camera lens. We will examine representative films from Mainland China, Hong Kong, and Taiwan. Particular attention will be paid to the entangled relationship between art, commerce, and politics, as well as the role digital technologies and international communities play in reshaping the contemporary cultural landscape in China. This class requires no prior knowledge of Chinese language, literature, or culture.
Extra time for film screenings
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CHIN 240.00 Winter 2025
- Faculty:Shaohua Guo 🏫 👤
- Size:25
- T, THLanguage & Dining Center 104 10:10am-11:55am
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Extra Time required for film screenings
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CHIN 348 Advanced Chinese: The Mass Media 6 credits
This course introduces to students major milestones in the development of Chinese cinema since 1980, with additional materials including popular television shows and online materials. Emphasis will be on culturally appropriate language use, and on discussion of the social issues that are implicitly and explicitly addressed on the Chinese-language media. The course aims to increase students’ fluency in all four aspects of Chinese language learning (listening, speaking, reading, writing) and to deepen students’ understanding of China as a transitional society.
- Fall 2024
- LA, Literary/Artistic Analysis No Exploration
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Student has completed any of the following course(s): CHIN 206 with a grade of C- or better or received a score of 300 on the Carleton Chinese Placement exam.
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CHIN 348.00 Fall 2024
- Faculty:Shaohua Guo 🏫 👤
- Size:15
- M, WLanguage & Dining Center 202 9:50am-11:00am
- FLanguage & Dining Center 202 9:40am-10:40am
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ENGL 245 Bollywood Nation 6 credits
This course will serve as an introduction to Bollywood or popular Hindi cinema from India. We will trace the history of this cinema and analyze its formal components. We will watch and discuss some of the most celebrated and popular films of the last 60 years with particular emphasis on urban thrillers and social dramas.
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FREN 236 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques.
Extra Time Required: A few evening screenings (3 or 4) but ample opportunities will exist for everyone to screen the films at their leisure.
- Fall 2024
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 236.00 Fall 2024
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 231 1:50pm-3:00pm
- FWeitz Center 231 2:20pm-3:20pm
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GWSS 398 Race, Gender, and Sexuality in Popular Culture 6 credits
This capstone seminar reads representations of racial, gender, and sexual minorities in popular culture through the lenses of feminist, critical race, queer, and trans theories. Kimberlé Crenshaw coined the term “intersectionality” in the late 1980s to describe an approach to oppression that considered how structures of power act multiply on individuals based upon their interlocking racial, class, gender, sexual, and other identities. This seminar takes up the charge of intersectional analysis—rejecting essentialist theories of difference while exploring pluralities—to interpret diversity (or lack thereof) in forms of art and entertainment, focusing on film, TV, and digital media.
- Spring 2025
- WR2 Writing Requirement 2
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GWSS 398.00 Spring 2025
- Faculty:Candace Moore 🏫 👤
- Size:15
- T, THLeighton 426 10:10am-11:55am
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HIST 220 From Blackface to Blaxploitation: Black History and/in Film 6 credits
This course focuses on the representation of African American history in popular US-American movies. It will introduce students to the field of visual history, using cinema as a primary source. Through films from the twentieth and twenty-first centuries, the seminar will analyze African American history, (pop-)cultural depictions, and memory culture. We will discuss subjects, narrative arcs, stylistic choices, production design, performative and film industry practices, and historical receptions of movies. The topics include slavery, racial segregation and white supremacy, the Black Freedom Movement, controversies and conflicts in Black communities, Black LGBTQIA+ history, ghettoization and police brutality, Black feminism, and Afrofuturism.
Extra time
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HIST 220.00 Spring 2025
- Faculty:Rebecca Brueckmann 🏫 👤
- Size:25
- T, THLeighton 236 10:10am-11:55am
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POSC 204 Media and Electoral Politics: 2024 United States Election 6 credits
Our analysis of media influences on politics will draw from three fields of study: political psychology, political behavior and participation, and public opinion. Students will conduct a study of the effects of campaign ads and news using our multi-year data set of content analyzed election ads and news. We study a variety of quantitative and qualitative research methods to learn how political communication affects U.S. elections.
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POSC 204.00 Fall 2024
- Faculty:Barbara Allen 🏫 👤
- Size:28
- T, THHasenstab 002 1:15pm-3:00pm
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