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Academic Catalog 2025-26

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Your search for courses · during 2023-24 · tagged with ARTHPERT · returned 4 results

  • ARTH 288 Curatorial Seminar 6 credits

    Organize an exhibition, and get grounded in curatorial practice and theory, with this small team-based seminar. The exhibition, a collaboration with the Hillstrom Museum at Gustavus Adolphus College, with some input from the Flaten Art Museum at St. Olaf, will feature American art works organized around themes identified by students and collection curators. This seminar offers a unique opportunity to work directly with art works and to contribute to multiple aspects of an exhibition and related programs.

    Extra Time Required

    • Spring 2017, Fall 2018, Winter 2022
    • Literary/Artistic Analysis
    • Any one Art History course or instructor permission

    • ARTH  288.00 Spring 2017

    • Faculty:Laurel Bradley 🏫 👤
    • T, THWeitz Center 008 10:10am-11:55am
    • ARTH  288.00 Fall 2018

    • Faculty: Staff
    • Size:12
    • M, WWeitz Center 008 1:50pm-3:00pm
    • FWeitz Center 008 2:20pm-3:20pm
    • ARTH  288.00 Winter 2022

    • Faculty:Sara Cluggish 🏫 👤
    • Size:12
    • T, THWeitz Center 233 3:10pm-4:55pm
  • CLAS 124 Roman Archaeology and Art 6 credits

    The material worlds of the ancient Romans loom large in our cultural imagination. No other civilization has made as direct a contribution to our own political system or to its physical vestiges of power and authority. From the architecture of the state to visual narratives of propaganda, Roman influence is ubiquitous in the monuments of western civilization. But what were the origins of the Romans? Their innovations? Their technical, artistic, and ideological achievements? How are they relevant today? This course explores these questions and more through the archaeology of the eternal city and beyond.

    • Winter 2020, Winter 2022, Winter 2024
    • Humanistic Inquiry International Studies
    • Archaeology Pertinent Art History Pertinent MARS Supporting MARS Core Course CLAS Civ Archaeological Analy
    • CLAS  124.00 Winter 2020

    • Faculty:Alex Knodell 🏫 👤
    • Size:30
    • M, WAnderson Hall 121 1:50pm-3:00pm
    • FAnderson Hall 121 2:20pm-3:20pm
    • CLAS  124.00 Winter 2022

    • Faculty:Alex Knodell 🏫 👤
    • Size:30
    • M, WLanguage & Dining Center 104 11:10am-12:20pm
    • FLanguage & Dining Center 104 12:00pm-1:00pm
    • CLAS  124.00 Winter 2024

    • Faculty: Staff
    • Size:30
    • M, WLeighton 330 12:30pm-1:40pm
    • FLeighton 330 1:10pm-2:10pm
  • HIST 236 The Worlds of Hildegard of Bingen 6 credits

    Author, composer, artist, abbess, Hildegard of Bingen (1098-1179) used words, images and sound to share unique mystical experiences with her community and the broader world. At the same time, developments in Christian-Jewish relations, church-state relations, and the arts made the Holy Roman Empire a dynamic environment for religious, cultural, and political innovation. Through close examination of Hildegard’s works (writings, images, and music) and her contemporaries informed by current scholarship, we will investigate this period of creativity, conflict, and possibility, especially for women. Extra time relates to a collaboration with the early music ensemble Sequentia and work with Carleton Special Collections.

    Extra time relates to a collaboration with the early music ensemble Sequentia and work with Carleton Special Collections

    • Fall 2023
    • Humanistic Inquiry International Studies Writing Requirement
    • MARS Core Course HIST Ancient & Medvl EUST transnatl supporting crs Art History Pertinent MARS Supporting German Pertinent Course GWSS Elective GWSS Additional Credits RELG Pertinent Course
    • HIST  236.00 Fall 2023

    • Faculty:William North 🏫 👤
    • Size:25
    • M, WWeitz Center 132 1:50pm-3:00pm
    • FWeitz Center 132 2:20pm-3:20pm
  • HIST 332 Image Makers and Breakers in the Premodern World 6 credits

    What roles do images play in premodern societies? What are these images thought to be and to do? Why, at particular moments, have certain groups attempted to do away with images either completely or in specific settings? How do images create and threaten communities and how is the management of the visual integrated with and shaped by other values, structures, and objectives? This course will examine these and related questions by looking in depth at image-making and veneration and their opponents in a range of case studies (from the medieval west, Byzantium, Muslim lands, and Protestant Europe) and by examining theoretical discussions of images, vision, and cognition from the fourth through sixteenth centuries. This course is discussion intensive and each student will develop a research project on a topic of their own design.

    • Fall 2021
    • Humanistic Inquiry International Studies Writing Requirement
    • Previous history course or instructor consent

    • HIST Ancient & Medvl RELG Pertinent Course MARS Core Course MARS Supporting EUST transnatl supporting crs Art History Pertinent History Pre-Modern MARS Capstone
    • HIST  332.00 Fall 2021

    • Faculty:William North 🏫 👤
    • Size:15
    • T, THLibrary 344 10:10am-11:55am

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2025–26 Academic Catalog

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Registrar: Theresa Rodriguez
Email: registrar@carleton.edu
Phone: 507-222-4094
Academic Catalog 2025-26 pages maintained by Maria Reverman
This page was last updated on 7 May 2026
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