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Your search for courses · during 23FA · tagged with AMST Prdctn Consmptn Cult · returned 13 results
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AMST 100 Walt Whitman’s New York City 6 credits
“O City / Behold me! Incarnate me as I have incarnated you!” An investigation of the burgeoning metropolitan city where the young Walter Whitman became a poet in the 1850s. Combining historical inquiry into the lives of nineteenth-century citizens of Brooklyn and Manhattan with analysis of Whitman’s varied journalistic writings and utterly original poetry, we will reconstruct how Whitman found his muse and his distinctively modern subject in the geography, demographics, markets, politics, and erotics of New York.
Held for new first year students
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AMST 250 Asian American Reckonings 3 credits
As both targets of racism and beneficiaries of privilege, Asian Americans defy easy categorization. In a timely intervention, Cathy Park Hong, in her 2020 essay collection Minor Feelings, undertakes an “Asian American Reckoning.” Following Hong’s lead, this five-week course will reckon with Asian America in its most vexing aspects. Through an exploration of memoir, cultural criticism, poetry, fiction, and film/media, we will think hard about questions of privilege and discrimination, interracial politics, settler colonialism, and transnational ties. Grappling with the past and looking towards the future, this course asks: What does it mean to be Asian American?
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AMST 260 Sexuality in American Film since 1945 3 credits
This five-week class uses feature-length films to examine debates around sexuality in the United States since the end of World War II. Designed to allow students to develop both a deeper understanding of modern American gender & sexual history as well as a fuller appreciation for film as a rich, historically-contingent artform. Explores a number of themes, including but not limited to: sexual identity, gender identity, censorship, racial politics and racism, class anxieties, cultural production, trans experiences, and representation. Will include films like Some Like it Hot (1959), The Graduate (1967), Philadelphia (1993), and Tangerine (2015).
2nd 5 weeks
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AMST 260.00 Fall 2023
- Faculty:Christopher Elias 🏫 👤
- Size:25
- M, WHasenstab 109 1:50pm-3:00pm
- FHasenstab 109 2:20pm-3:20pm
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ARTH 247 Architecture Since 1950 6 credits
This course begins by considering the international triumph of architecture’s Modern Movement as seen in key works by Mies van der Rohe, Le Corbusier and their followers. Soon after modernism’s rise, however, architects began to question the movement’s tenets and the role that architecture as a discipline plays in the fashioning of society. This course will examine the central actors in this backlash from Britain, France, Italy, Japan, the United States and elsewhere before exploring the architectural debates surrounding definitions of postmodernism. The course will conclude by considering the impact of both modernism and postmodernism on contemporary architectural practice.
- Fall 2023
- Literary/Artistic Analysis
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ARTH 247.00 Fall 2023
- Faculty:Ross Elfline 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.00 Fall 2023
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 9:50am-11:00am
- FWeitz Center 132 9:40am-10:40am
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CAMS 270 Nonfiction 6 credits
This course addresses nonfiction media as both art form and historical practice by exploring the expressive, rhetorical, and political possibilities of nonfiction production. A focus on relationships between form and content and between makers, subjects, and viewers will inform our approach. Throughout the course we will pay special attention to the ethical concerns that arise from making media about others’ lives. We will engage with diverse modes of nonfiction production including essayistic, experimental, and participatory forms and create community videos in partnership with Carleton’s Center for Community and Civic Engagement and local organizations. The class culminates in the production of a significant independent nonfiction media project.
Extra Time
- Fall 2023
- Arts Practice Intercultural Domestic Studies
- Cinema and Media Studies 111 or instructor consent
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CAMS 270.00 Fall 2023
- Faculty:Laska Jimsen 🏫 👤
- Size:15
- T, THWeitz Center 133 10:10am-11:55am
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ENGL 228 Banned. Censored. Reviled. 6 credits
What makes a work of art dangerous? While present-day attacks on books, libraries, and schools feel unprecedented, writers and artists have always had to fight efforts to suppress their work, often at great personal and societal cost. We will study literature, films, graphic novels, images, music, and other materials that have been challenged and attacked as offensive, taboo, or transgressive, and also explore strategies of resistance to censorship.
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ENGL 236 American Nature Writing 6 credits
A study of the environmental imagination in American literature. We will explore the relationship between literature and the natural sciences and examine questions of style, narrative, and representation in the light of larger social, ethical, and political concerns about the environment. Authors read will include Thoreau, Muir, Jeffers, Abbey, and Leopold. Students will write a creative Natural History essay as part of the course requirements.
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ENGL 352 Toni Morrison: Novelist 6 credits
Morrison exposes the limitations of the language of fiction, but refuses to be constrained by them. Her quirky, inimitable, and invariably memorable characters are fully committed to the protocols of the narratives that define them. She is fearless in her choice of subject matter and boundless in her thematic range. And the novelistic site becomes a stage for Morrison’s virtuoso performances. It is to her well-crafted novels that we turn our attention in this course.
- Fall 2023
- Intercultural Domestic Studies Literary/Artistic Analysis Writing Requirement
- One English foundations course and one other 6 credit English course or instructor permission
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HIST 122 U.S. Women’s History to 1877 6 credits
Gender, race, and class shaped women’s participation in the arenas of work, family life, culture, and politics in the United States from the colonial period to the late nineteenth century. We will examine diverse women’s experiences of colonization, industrialization, slavery and Reconstruction, religion, sexuality and reproduction, and social reform. Readings will include both primary and secondary sources, as well as historiographic articles outlining major frameworks and debates in the field of women’s history.
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HIST 122.00 Fall 2023
- Faculty:Annette Igra 🏫 👤
- Size:30
- T, THLeighton 402 10:10am-11:55am
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HIST 226 U.S. Consumer Culture 6 credits
In the period after 1880, the growth of a mass consumer society recast issues of identity, gender, race, class, family, and political life. We will explore the development of consumer culture through such topics as advertising and mass media, the body and sexuality, consumerist politics in the labor movement, and the response to the Americanization of consumption abroad. We will read contemporary critics such as Thorstein Veblen, as well as historians engaged in weighing the possibilities of abundance against the growth of corporate power.
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HIST 226.00 Fall 2023
- Faculty:Annette Igra 🏫 👤
- Size:25
- T, THLeighton 202 3:10pm-4:55pm
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Extra Time
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MUSC 115.00 Fall 2023
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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PSYC 384 Psychology of Prejudice 6 credits
This seminar introduces students to major psychological theories and research on the development, perpetuation and reduction of prejudice. A social and historical approach to race, culture, ethnicity and race relations will provide a backdrop for examining psychological theory and research on prejudice formation and reduction. Major areas to be discussed are cognitive social learning, group conflict and contact hypothesis.
- Fall 2023
- Intercultural Domestic Studies Social Inquiry
- Psychology 110 or instructor permission. Psychology 256 or 258 recommended