Search Results
Your search for courses · during 2023-24 · tagged with AMSTPCC · returned 30 results
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AMST 100 Walt Whitman’s New York City 6 credits
“O City / Behold me! Incarnate me as I have incarnated you!” An investigation of the burgeoning metropolitan city where the young Walter Whitman became a poet in the 1850s. Combining historical inquiry into the lives of nineteenth-century citizens of Brooklyn and Manhattan with analysis of Whitman’s varied journalistic writings and utterly original poetry, we will reconstruct how Whitman found his muse and his distinctively modern subject in the geography, demographics, markets, politics, and erotics of New York.
Held for new first year students
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AMST 142 U.S. Latinx Identity and Representation: Cultures of Belonging 6 credits
Popular culture and mass media serve as key sites of identity formation. In this course we will examine U.S. Latinx identity formation by focusing on three case studies: Selena Quintanilla, the singer; telenovelas; and the Disney films Coco and Encanto. These case studies will help us explore how transnationalism, intergenerational knowledge and trauma, and civic and cultural belonging contribute to the shaping of U.S. Latinx collective identities. We will attend to the particular processes of production and reception as we study how audiences engage with cultural producers both in private and in public (notably on social media).
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AMST 142.00 Winter 2024
- Faculty:Adriana Estill 🏫 👤
- Size:25
- M, WWeitz Center 132 11:10am-12:20pm
- FWeitz Center 132 12:00pm-1:00pm
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AMST 225 Beauty and Race in America 6 credits
In this class we consider the construction of American beauty historically, examining the way whiteness intersects with beauty to produce a dominant model that marginalizes women of color. We study how communities of color follow, refuse, or revise these beauty ideals through literature. We explore events like the beauty pageant, material culture such as cosmetics, places like the beauty salon, and body work like cosmetic surgery to understand how beauty is produced and negotiated.
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AMST 225.00 Spring 2024
- Faculty:Adriana Estill 🏫 👤
- Size:25
- T, THLeighton 236 10:10am-11:55am
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AMST 250 Asian American Reckonings 3 credits
As both targets of racism and beneficiaries of privilege, Asian Americans defy easy categorization. In a timely intervention, Cathy Park Hong, in her 2020 essay collection Minor Feelings, undertakes an “Asian American Reckoning.” Following Hong’s lead, this five-week course will reckon with Asian America in its most vexing aspects. Through an exploration of memoir, cultural criticism, poetry, fiction, and film/media, we will think hard about questions of privilege and discrimination, interracial politics, settler colonialism, and transnational ties. Grappling with the past and looking towards the future, this course asks: What does it mean to be Asian American?
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AMST 260 Sexuality in American Film since 1945 3 credits
This five-week class uses feature-length films to examine debates around sexuality in the United States since the end of World War II. Designed to allow students to develop both a deeper understanding of modern American gender & sexual history as well as a fuller appreciation for film as a rich, historically-contingent artform. Explores a number of themes, including but not limited to: sexual identity, gender identity, censorship, racial politics and racism, class anxieties, cultural production, trans experiences, and representation. Will include films like Some Like it Hot (1959), The Graduate (1967), Philadelphia (1993), and Tangerine (2015).
2nd 5 weeks
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AMST 260.00 Fall 2023
- Faculty:Christopher Elias 🏫 👤
- Size:25
- M, WHasenstab 109 1:50pm-3:00pm
- FHasenstab 109 2:20pm-3:20pm
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ARTH 247 Architecture Since 1950 6 credits
This course begins by considering the international triumph of architecture’s Modern Movement as seen in key works by Mies van der Rohe, Le Corbusier and their followers. Soon after modernism’s rise, however, architects began to question the movement’s tenets and the role that architecture as a discipline plays in the fashioning of society. This course will examine the central actors in this backlash from Britain, France, Italy, Japan, the United States and elsewhere before exploring the architectural debates surrounding definitions of postmodernism. The course will conclude by considering the impact of both modernism and postmodernism on contemporary architectural practice.
- Fall 2023
- Literary/Artistic Analysis
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ARTH 247.00 Fall 2023
- Faculty:Ross Elfline 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.00 Fall 2023
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 9:50am-11:00am
- FWeitz Center 132 9:40am-10:40am
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CAMS 225 Film Noir: The Dark Side of the American Dream 6 credits
After Americans grasped the enormity of the Depression and World War II, the glossy fantasies of 1930s cinema seemed hollow indeed. During the 1940s, the movies, our true national pastime, took a nosedive into pessimism. The result? A collection of exceptional films populated with tough guys and dangerous women lurking in the shadows of nasty urban landscapes. This course focuses on classic American noir as well as neo-noir from a variety of perspectives, including mode and genre, visual style and narrative structure, postwar culture and politics, and race, gender, and sexuality. Requirements include two screenings per week and several short papers.
Extra Time required. Evening Screenings.
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CAMS 225.00 Spring 2024
- Faculty:Carol Donelan 🏫 👤
- Size:25
- M, WWeitz Center 132 1:50pm-3:00pm
- FWeitz Center 132 2:20pm-3:20pm
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CAMS 270 Nonfiction 6 credits
This course addresses nonfiction media as both art form and historical practice by exploring the expressive, rhetorical, and political possibilities of nonfiction production. A focus on relationships between form and content and between makers, subjects, and viewers will inform our approach. Throughout the course we will pay special attention to the ethical concerns that arise from making media about others’ lives. We will engage with diverse modes of nonfiction production including essayistic, experimental, and participatory forms and create community videos in partnership with Carleton’s Center for Community and Civic Engagement and local organizations. The class culminates in the production of a significant independent nonfiction media project.
Extra Time
- Fall 2023
- Arts Practice Intercultural Domestic Studies
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Cinema and Media Studies 111 or instructor consent
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CAMS 270.00 Fall 2023
- Faculty:Laska Jimsen 🏫 👤
- Size:15
- T, THWeitz Center 133 10:10am-11:55am
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CAMS 340 Television Studies Seminar 6 credits
This seminar aims to develop students into savvy critical theorists of television, knowledgeable about the field, and capable of challenging previous scholarship to invent new paradigms. The first half of the course surveys texts foundational to television studies while the second half focuses primarily on television theory and criticism produced over the last two decades. Television Studies covers a spectrum of approaches to thinking and writing critically about television, including: semiotics; ideological critique; cultural studies; genre and narrative theories; audience studies; production studies; and scholarship positioning post-network television within the contexts of media convergence and digital media.
- Spring 2024
- Literary/Artistic Analysis
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Cinema and Media Studies 110 or instructor permission
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CAMS 340.00 Spring 2024
- Faculty:Candace Moore 🏫 👤
- Size:15
- T, THWeitz Center 132 10:10am-11:55am
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DANC 254 Jazz Dance: Roots and Grooves 3 credits
This course positions jazz and related social dance styles as forms with African diasporic roots and American branches. Composed of 60% in-class movement investigation and 40% both in-class and out of class reading, viewing, writing, and creating, Jazz Dance: Roots and Grooves will ask students to invest in how the elements of groove, improvisation and interaction unite different approaches to jazz and make it a form that appreciates the past, centers the present and innovates for the future. Some dance experience recommended.
- Winter 2024
- Arts Practice
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DANC 254.00 Winter 2024
- Faculty:Erinn Liebhard 🏫 👤
- Size:25
- M, WWeitz Center 165 9:50am-11:00am
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ENGL 228 Banned. Censored. Reviled. 6 credits
What makes a work of art dangerous? While present-day attacks on books, libraries, and schools feel unprecedented, writers and artists have always had to fight efforts to suppress their work, often at great personal and societal cost. We will study literature, films, graphic novels, images, music, and other materials that have been challenged and attacked as offensive, taboo, or transgressive, and also explore strategies of resistance to censorship.
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ENGL 230 Studies in African American Literature: From the 1950s to the Present 6 credits
We will explore developments in African American literature since the 1950s with a focus on literary expression in the Civil Rights Era; on the Black Arts Movement; on the new wave of feminist/womanist writing; and on the experimental and futuristic fictions of the twenty-first century. Authors to be read include Ralph Ellison, James Baldwin, Lorraine Hansberry, Malcolm X, Audre Lorde, Amiri Baraka, Ishmael Reed, Alice Walker, August Wilson, Charles Johnson, Ntozake Shange, Gloria Naylor, Suzan-Lori Parks, Kevin Young, and Tracy Smith.
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ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
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ENGL 236 American Nature Writing 6 credits
A study of the environmental imagination in American literature. We will explore the relationship between literature and the natural sciences and examine questions of style, narrative, and representation in the light of larger social, ethical, and political concerns about the environment. Authors read will include Thoreau, Muir, Jeffers, Abbey, and Leopold. Students will write a creative Natural History essay as part of the course requirements.
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ENGL 332 Faulkner, Hemingway, and Fitzgerald 6 credits
An intensive study of the novels and short fiction of William Faulkner, Ernest Hemingway, and F. Scott Fitzgerald. The course will focus on the ethos of experimentation and the “homemade” quality of these innovative stylists who shaped the course of American modernism. Works read will be primarily from the twenties and thirties and will include The Sound and the Fury, In Our Time, Light in August, The Great Gatsby, The Sun Also Rises, and Go Down, Moses.
- Spring 2024
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one additional 6 credit English course
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ENGL 352 Toni Morrison: Novelist 6 credits
Morrison exposes the limitations of the language of fiction, but refuses to be constrained by them. Her quirky, inimitable, and invariably memorable characters are fully committed to the protocols of the narratives that define them. She is fearless in her choice of subject matter and boundless in her thematic range. And the novelistic site becomes a stage for Morrison’s virtuoso performances. It is to her well-crafted novels that we turn our attention in this course.
- Fall 2023
- Intercultural Domestic Studies Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other 6 credit English course or instructor permission
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ENTS 307 Wilderness Field Studies: Grand Canyon 6 credits
This course is the second half of a two-course sequence focused on the study of wilderness in American society and culture. The course will begin with an Off-Campus Studies program at Grand Canyon National Park, where we will learn about the natural and human history of the Grand Canyon region, examine contemporary issues facing the park, meet with officials from the National Park Service and other local experts, conduct research, and experience the park through hiking and camping. The course will culminate in spring term with the completion and presentation of a major research project.
HIST 306 required previous winter term, Extra Time
- Spring 2024
- Humanistic Inquiry Intercultural Domestic Studies Writing Requirement
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History 306 and Acceptance in Wilderness Studies at the Grand Canyon OCS program
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ENTS 307.00 Spring 2024
- Faculty:George Vrtis 🏫 👤
- Size:12
- T, THLibrary 344 10:10am-11:55am
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HIST 122 U.S. Women’s History to 1877 6 credits
Gender, race, and class shaped women’s participation in the arenas of work, family life, culture, and politics in the United States from the colonial period to the late nineteenth century. We will examine diverse women’s experiences of colonization, industrialization, slavery and Reconstruction, religion, sexuality and reproduction, and social reform. Readings will include both primary and secondary sources, as well as historiographic articles outlining major frameworks and debates in the field of women’s history.
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HIST 122.00 Fall 2023
- Faculty:Annette Igra 🏫 👤
- Size:30
- T, THLeighton 402 10:10am-11:55am
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HIST 220 From Blackface to Blaxploitation: Black History and/in Film 6 credits
This course focuses on the representation of African American history in popular US-American movies. It will introduce students to the field of visual history, using cinema as a primary source. Through films from the twentieth and twenty-first centuries, the seminar will analyze African American history, (pop-)cultural depictions, and memory culture. We will discuss subjects, narrative arcs, stylistic choices, production design, performative and film industry practices, and historical receptions of movies. The topics include slavery, racial segregation and white supremacy, the Black Freedom Movement, controversies and conflicts in Black communities, Black LGBTQIA+ history, ghettoization and police brutality, Black feminism, and Afrofuturism.
- Spring 2024
- Humanistic Inquiry Intercultural Domestic Studies
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HIST 220.00 Spring 2024
- Faculty:Rebecca Brueckmann 🏫 👤
- Size:25
- T, THLeighton 426 10:10am-11:55am
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HIST 226 U.S. Consumer Culture 6 credits
In the period after 1880, the growth of a mass consumer society recast issues of identity, gender, race, class, family, and political life. We will explore the development of consumer culture through such topics as advertising and mass media, the body and sexuality, consumerist politics in the labor movement, and the response to the Americanization of consumption abroad. We will read contemporary critics such as Thorstein Veblen, as well as historians engaged in weighing the possibilities of abundance against the growth of corporate power.
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HIST 226.00 Fall 2023
- Faculty:Annette Igra 🏫 👤
- Size:25
- T, THLeighton 202 3:10pm-4:55pm
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HIST 306 American Wilderness 6 credits
To many Americans, wild lands are among the nation’s most treasured places. Yellowstone, Yosemite, Mount Rainier, Joshua Tree, Grand Canyon – the names alone stir the heart, the mind, and the imagination. But where do those thoughts and feelings come from, and how have they both reflected and shaped American culture, society, and nature over the last three centuries? These are the central issues and questions that we will pursue in this seminar and in its companion course, ENTS 307 Wilderness Field Studies: Grand Canyon (which includes an Off-Campus Studies program at Grand Canyon National Park).
Spring Break OCS Program Course. ENTS 307 required for Spring Term registration.
- Winter 2024
- Humanistic Inquiry Intercultural Domestic Studies Writing Requirement
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Acceptance in Wilderness Studies at the Grand Canyon OCS program. History 205 is recommended but not required.
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HIST 306.00 Winter 2024
- Faculty:George Vrtis 🏫 👤
- Size:12
- T, THLibrary 344 10:10am-11:55am
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HIST 316 Presenting America’s Founding 6 credits
This course is the second half of a two-course sequence focused on the study of the founding of the United States in American public life. The course will begin with a two-week off-campus study program during winter break in Washington, D.C and Boston, where we will visit world-class museums and historical societies, meet with museum professionals, and learn about the goals and challenges of history museums, the secrets to successful exhibitions, and the work of museum curators and directors. The course will culminate in the winter term with the completion of an exhibit created in conjunction with one of the museums located on Boston’s Freedom Trail.
Participation in Winter Break History Program
- Winter 2024
- Humanistic Inquiry Intercultural Domestic Studies
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History 315
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HIST 316.00 Winter 2024
- Faculty:Serena Zabin 🏫 👤
- Size:25
- T, THLeighton 236 8:15am-10:00am
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Extra Time
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MUSC 115.00 Fall 2023
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 126 America’s Music 6 credits
A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.
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MUSC 126.00 Winter 2024
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 341 Rock Lab and Lab 6 credits
This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.
- Spring 2024
- Arts Practice Intercultural Domestic Studies
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MUSC 341.52 Spring 2024
- Faculty:Andy Flory 🏫 👤
- Size:8
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
- TWeitz Center M038 2:00pm-5:00pm
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MUSC 341.53 Spring 2024
- Faculty:Andy Flory 🏫 👤
- Size:8
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
- WWeitz Center M038 2:00pm-5:00pm
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PSYC 384 Psychology of Prejudice 6 credits
This seminar introduces students to major psychological theories and research on the development, perpetuation and reduction of prejudice. A social and historical approach to race, culture, ethnicity and race relations will provide a backdrop for examining psychological theory and research on prejudice formation and reduction. Major areas to be discussed are cognitive social learning, group conflict and contact hypothesis.
- Fall 2023
- Intercultural Domestic Studies Social Inquiry
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Psychology 110 or instructor permission. Psychology 256 or 258 recommended
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RELG 140 Religion and American Culture 6 credits
This course explores the colorful, contested history of religion in American culture. While surveying the main contours of religion in the United States from the colonial era to the present, the course concentrates on a series of historical moments that reveal tensions between a quest for a (Protestant) American consensus and an abiding religious and cultural pluralism.
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RELG 140.00 Winter 2024
- Faculty:Michael McNally 🏫 👤
- Size:25
- T, THLeighton 402 1:15pm-3:00pm
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RELG 267 Black Testimony: Art, Literature, Philosophy 6 credits
Throughout Black history, testimony–a discourse in which an individual uses personal stories to convey ideas of broader meaning–has played an essential role in Black religion, politics, and daily life. In this course, we will identify the significance, history, and particularities of Black people’s testimonies, and outline their presence and potential today. Remaining mindful of testimony’s religious dimensions will include particular attention to the role of religion and spirituality in the assigned materials. The syllabus may include testimonial art by Romare Bearden and Kenrick Lamar, writings by Angela Davis and Frederick Douglass, and films by Barry Jenkins.
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RELG 267.00 Spring 2024
- Faculty: Staff
- Size:25
- M, WLeighton 202 12:30pm-1:40pm
- FLeighton 202 1:10pm-2:10pm
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THEA 227 Theatre for Social Change 6 credits
This class is an examination of significant artists who use theatre as a tool for envisioning and enacting social change. We will study the justice-making strategies of a variety of artists, including Augusto Boal, Cherríe Moraga, Anna Deavere Smith, among many other contemporary artists whose work continues to shape American society. We will also examine influential methods of using theatre for social change, including documentary theatre, Theatre of the Oppressed, theatre for young audiences, and theatre in prisons. The class will include a number of guest artist visits from people making work in the field. The final project will be an original theatrical creation that uses the strategies studied in class to address a contemporary social issue.
Extra Time
- Spring 2024
- Arts Practice
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THEA 227.00 Spring 2024
- Faculty:Jeanne Willcoxon 🏫 👤
- Size:25
- M, WWeitz Center 172 1:50pm-3:00pm
- FWeitz Center 172 2:20pm-3:20pm