Search Results
Your search for courses · during 2025-26 · tagged with AMST Production Consumption of Culture · returned 33 results
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AMST 100 Imagining America 6 credits
This course examines twentieth-century literature, film, and music in the U.S. to consider how newcomers first imagine this country and how, in turn, “America” sees them. We’ll trace how ideas of Americaness shift over time, reflecting on how understandings of citizenship, freedom, and rights depend on the variable meanings of race, gender, ethnicity, ability, and sexuality. We’ll pair our study of cultural expressions with readings in history, law, and sociology to better understand the complex ways in which “America” is perceived, written into existence, and contested.
Held for new first year students
- Fall 2025
- AI/WR1, Argument & Inquiry/WR1 IDS, Intercultural Domestic Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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AMST 225 Beauty and Race in America 6 credits
In this class we consider the construction of American beauty historically, examining the way whiteness intersects with beauty to produce a dominant model that marginalizes women of color. We study how communities of color follow, refuse, or revise these beauty ideals through literature. We explore events like the beauty pageant, material culture such as cosmetics, places like the beauty salon, and body work like cosmetic surgery to understand how beauty is produced and negotiated.
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ARTH 205 Invisible From Space: Representing Ecosystems 6 credits
Since NASA's "Whole Earth" photographs emerged in the late 1960s, people have struggled with humanity's place in the cosmos and our interconnection with all life on our "blue marble." How can we comprehend the whole while valuing each component of this complex system? In the U.S., Romantic landscapes and frontier imagery continue influencing perception despite tensions with vast scales of space, time, data, history, and non-human perspectives. These challenges of seeing our planet and ourselves have inspired diverse creative responses across photography, new media, mapping, alternative archiving, theater, music, data visualization, and other interdisciplinary approaches.
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ARTH 205.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTH 207 Cultivating the Future: “Growing” Together 6 credits
Artists have long explored the dual themes of plant cultivation and knowledge cultivation. What explains this connection between horticulture and pedagogy in art? This course examines these interconnections, beginning with early modernist art circles and following their influence on developments like Black Mountain College and Joseph Beuys's Free International University. We then explore contemporary artists who employ permaculture gardens, traditional ecological knowledge, ecofeminist principles, guerrilla plantings, and foraging as tools to foster new social, political, and spiritual understandings. Through these practices, artists cultivate not just plants but future-oriented ways of knowing and being in the world.
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ARTH 207.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 240 Art Since 1945 6 credits
Art from abstract expressionism to the present, with particular focus on issues such as the modernist artist-hero; the emergence of alternative or non-traditional media; the influence of the women’s movement and the gay/lesbian liberation movement on contemporary art; and postmodern theory and practice.
- Spring 2026
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 240.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫
- Size:25
- T, THBoliou 161 10:10am-11:55am
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 11:10am-12:20pm
- FWeitz Center 132 12:00pm-1:00pm
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Extra Time Required: Evening screenings
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CAMS 216 American Cinema of the 1970s 6 credits
American cinema from 1967-1979 saw the reconfiguration of outdated modes of representation in the wake of the Hollywood studio system and an alignment of new aesthetic forms with radical political and social perspectives. This course examines the film industry’s identity crisis through the cultural, stylistic, and technological changes that accompanied the era. The course seeks to demonstrate that these changes in cinematic practices reflected an agenda of revitalizing American cinema as a site for social commentary and cultural change.
Extra time
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CAMS 216.01 Winter 2026
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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CAMS 225 Film Noir: The Dark Side of the American Dream 6 credits
After Americans grasped the enormity of the Depression and World War II, the glossy fantasies of 1930s cinema seemed hollow indeed. During the 1940s, the movies, our true national pastime, took a nosedive into pessimism. The result? A collection of exceptional films populated with tough guys and dangerous women lurking in the shadows of nasty urban landscapes. This course focuses on classic American noir as well as neo-noir from a variety of perspectives, including mode and genre, visual style and narrative structure, postwar culture and politics, and race, gender, and sexuality. Requirements include two screenings per week and several short papers.
Extra Time required. Evening Screenings.
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CAMS 225.01 Fall 2025
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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Extra Time Required: Evening screenings
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CAMS 270 Nonfiction 6 credits
This course addresses nonfiction media as both art form and historical practice by exploring the expressive, rhetorical, and political possibilities of nonfiction production. A focus on relationships between form and content and between makers, subjects, and viewers will inform our approach. Throughout the course we will pay special attention to the ethical concerns that arise from making media about others’ lives. We will engage with diverse modes of nonfiction production including essayistic, experimental, and participatory forms and create community videos in partnership with Carleton’s Center for Community and Civic Engagement and local organizations. The class culminates in the production of a significant independent nonfiction media project.
Extra Time
- Fall 2025
- ARP, Arts Practice IDS, Intercultural Domestic Studies
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Student has completed any of the following course(s): CAMS 111 with grade of C- or better.
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CAMS 270.01 Fall 2025
- Faculty:Rini Matea 🏫 👤
- Size:15
- T, THWeitz Center 133 10:10am-11:55am
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Extra Time Required:
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DANC 254 Jazz Dance: Roots and Grooves 3 credits
This course positions jazz and related social dance styles as forms with African diasporic roots and American branches. Composed of 60% in-class movement investigation and 40% both in-class and out of class reading, viewing, writing, and creating, Jazz Dance: Roots and Grooves will ask students to invest in how the elements of groove, improvisation and interaction unite different approaches to jazz and make it a form that appreciates the past, centers the present and innovates for the future. Some dance experience recommended.
- Winter 2026
- ARP, Arts Practice PE, Physical Education
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DANC 254.01 Winter 2026
- Faculty:Erinn Liebhard 🏫 👤
- Size:25
- M, WWeitz Center 165 9:50am-11:00am
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DANC 270 Performance As Ceremony 6 credits
This course re-frames Dance history and practice through the lens of “performance as ceremony,” foregrounding embodied knowledge as a site of cultural memory, resistance, and futurity. Students will examine Indigenous, Africanist, Latinx, and Asian modernisms, centering choreographers, performers, and theorists who challenge dominant narratives and the legacies of cultural appropriation. With particular attention to Indigenous contemporary performance and its cultural and historical contexts, students will engage in seminar discussions, embodied research, and site-based performance practices. Indigenous guest artist/scholar visits, and attendance at performances will be part of the class.
Extra Time Required: 1-2 field trips to performances in the Twin Cities
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DANC 270.01 Winter 2026
- Faculty:Judith Howard 🏫 👤
- Size:25
- T, THWeitz Center 165 1:15pm-3:00pm
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Extra Time Required: 1-2 field trips to performances in the Twin Cities
Taught by Judith Howard, in collaboration with Indigenous artist-scholar in residence Sam Aros-Mitchell (enrolled member of the Texas Band of Yaqui Indians).
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ECON 262 The Economics of Sports 6 credits
In recent years, the sports business in the United States has grown into a multibillion-dollar industry. Understanding the sports business from an economic viewpoint is the subject of this course. Topics will include player compensation, revenue-sharing, salary caps, free agency, tournaments, salary discrimination, professional franchise valuation, league competitiveness, college athletics, and the economics of sports stadiums and arenas.
- Fall 2025
- QRE, Quantitative Reasoning SI, Social Inquiry
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Student has completed any of the following course(s): ECON 110 with a grade of C- or better or received a score of 5 on the Macroeconomics AP exam and ECON 111 with a grade of C- or better or received a score of 5 on the Microeconomics AP exam OR has received a score of 6 or better on the Economics IB exam.
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ECON 262.01 Fall 2025
- Faculty:Mark Kanazawa 🏫 👤
- Size:25
- M, WWillis 211 11:10am-12:20pm
- FWillis 211 12:00pm-1:00pm
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ENGL 141 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 230 Studies in African American Literature: From the 1950s to the Present 6 credits
We will explore developments in African American literature since the 1950s with a focus on literary expression in the Civil Rights Era; on the Black Arts Movement; on the new wave of feminist/womanist writing; and on the experimental and futuristic fictions of the twenty-first century. Authors to be read include Ralph Ellison, James Baldwin, Lorraine Hansberry, Malcolm X, Audre Lorde, Amiri Baraka, Ishmael Reed, Alice Walker, August Wilson, Charles Johnson, Ntozake Shange, Gloria Naylor, Suzan-Lori Parks, Kevin Young, and Tracy Smith.
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ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
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ENGL 241 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 247 The American West 6 credits
Wallace Stegner once described the West as "the geography of hope" in the American imagination. Despite various dystopian urban pressures, the region still conjures up images of wide vistas and sunburned optimism. We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same area. We will explore how writers such as Twain, Cather, Stegner and Cormac McCarthy have dealt with the geographical diversity and multi-ethnic history of the West. Weekly film showings will include The Searchers, McCabe and Mrs. Miller, Unforgiven, and Lone Star. Extra Time Required, evening screenings.
Extra Time Required, Evening Screening
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ENGL 248 Visions of California 6 credits
An interdisciplinary exploration of the ways in which California has been imagined in literature, art, film and popular culture from pre-contact to the present. We will explore the state both as a place (or rather, a mosaic of places) and as a continuing metaphor–whether of promise or disintegration–for the rest of the country. Authors read will include Muir, Steinbeck, Chandler, West, and Didion. Weekly film showings will include Sunset Boulevard, Chinatown and Blade Runner.
Extra Time required.
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ENGL 253 Food Writing: History, Culture, Practice 6 credits
We are living in perhaps the height of what might be called the “foodie era” in the U.S. The cooking and presentation of food dominates Instagram and is one of the key draws of YouTube and various television and streaming networks; shows about chefs and food culture are likewise very popular. Yet a now less glamorous form with a much longer history persists: food writing. In this course we will track some important genres of food writing over the last 100 years or so. We will examine how not just food but cultural discourses about food and the world it circulates in are consumed and produced. We will read recipes and reviews; blogs and extracts from cookbooks, memoirs and biographies; texts on food history and policy; academic and popular feature writing. Simultaneously we will also produce food writing of our own in a number of genres.
- Winter 2026
- ARP, Arts Practice WR2 Writing Requirement 2
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GWSS 111 Queer and Trans Memoir 6 credits
From Audre Lorde’s biomythography detailing black lesbian life in 1950s Harlem, to Alison Bechdel’s tragicomic comic books, Chelsea Manning’s whistleblower tell-all, or Carmen Maria Machado’s experimental memoir about same sex domestic abuse, LGBTQ+ autobiographical works provide us with richly subjective, historically situated insights into the lived experiences of queer and trans individuals. Interdisciplinary in scope, this course considers a variety of LGBTQ+ takes and twists on the memoir genre, including photo diaries; video selfies; illustrated works; self-ethnographies; life-as-art performances; stand-up specials; auto theoretical works; and literary or lyrical forms centering on the personal.
- Fall 2025
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Not open to students who have previously taken GWSS 100 – Queer Trans Memoir.
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GWSS 111.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WLeighton 236 1:50pm-3:00pm
- FLeighton 236 2:20pm-3:20pm
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HIST 122 U.S. Women’s History to 1877 6 credits
Gender, race, and class shaped women’s participation in the arenas of work, family life, culture, and politics in the United States from the colonial period to the late nineteenth century. We will examine diverse women’s experiences of colonization, industrialization, slavery and Reconstruction, religion, sexuality and reproduction, and social reform. Readings will include both primary and secondary sources, as well as historiographic articles outlining major frameworks and debates in the field of women’s history.
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HIST 122.01 Winter 2026
- Faculty:Annette Igra 🏫 👤
- Size:30
- T, THLeighton 330 10:10am-11:55am
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HIST 216 History Beyond the Walls 6 credits
This course will examine the world of history outside the walls of academia. Looking at secondary-school education, museums, and public policy, we will explore the ways in which both general and specialized publics learn and think about history. A central component of the course will be a civic engagement project.
Extra Time Required.
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HIST 216.01 Winter 2026
- Faculty:Serena Zabin 🏫 👤
- Size:25
- M, WLeighton 236 1:50pm-3:00pm
- FLeighton 236 2:20pm-3:20pm
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HIST 226 U.S. Consumer Culture 6 credits
In the period after 1880, the growth of a mass consumer society recast issues of identity, gender, race, class, family, and political life. We will explore the development of consumer culture through such topics as advertising and mass media, the body and sexuality, consumerist politics in the labor movement, and the response to the Americanization of consumption abroad. We will read contemporary critics such as Thorstein Veblen, as well as historians engaged in weighing the possibilities of abundance against the growth of corporate power.
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HIST 226.01 Fall 2025
- Faculty:Annette Igra 🏫 👤
- Size:25
- T, THLeighton 330 3:10pm-4:55pm
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Required Extra Time
Extra Time
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MUSC 115.01 Fall 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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Required Extra Time
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MUSC 126 America’s Music 6 credits
A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.
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MUSC 126.01 Spring 2026
- Faculty:Andy Flory 🏫 👤
- Size:30
- M, WWeitz Center M215 9:50am-11:00am
- FWeitz Center M215 9:40am-10:40am
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MUSC 130 The History of Jazz 6 credits
A survey of jazz from its beginnings to the present day focusing on the performer/composers and their music.
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MUSC 130.01 Fall 2025
- Faculty:Andy Flory 🏫 👤
- Size:30
- T, THWeitz Center M215 10:10am-11:55am
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MUSC 341 Rock Lab and Lab 6 credits
This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.
During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.
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MUSC 341.01 Winter 2026
- Faculty:Andy Flory 🏫 👤
- M, WWeitz Center 148 9:50am-11:00am
- FWeitz Center 148 9:40am-10:40am
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MUSC 341 Rock Lab and Lab 6 credits
This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.
During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.
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MUSC 341.52 Winter 2026
- Faculty:Andy Flory 🏫 👤
- Size:8
- TWeitz Center M032 2:00pm-5:00pm
- TWeitz Center M038 2:00pm-5:00pm
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MUSC 341 Rock Lab and Lab 6 credits
This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.
During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.
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MUSC 341.53 Winter 2026
- Faculty:Andy Flory 🏫 👤
- Size:8
- WWeitz Center M032 2:00pm-5:00pm
- WWeitz Center M038 2:00pm-5:00pm
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PSYC 384 Psychology of Prejudice 6 credits
This seminar introduces students to major psychological theories and research on the development, perpetuation and reduction of prejudice. A social and historical approach to race, culture, ethnicity and race relations will provide a backdrop for examining psychological theory and research on prejudice formation and reduction. Major areas to be discussed are cognitive social learning, group conflict and contact hypothesis. Psychology 256 or 258 recommended preparation.
- Winter 2026
- IDS, Intercultural Domestic Studies SI, Social Inquiry
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Student has completed any of the following course(s): PSYC 110 with a grade of C- or better or received a score of 4 or better on the Psychology AP exam or received a score of 6 or better on the Psychology IB exam.
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PSYC 384.01 Winter 2026
- Faculty:Sharon Akimoto 🏫 👤
- Size:15
- T, THHulings 120 10:10am-11:55am
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RELG 286 Judaism in America 6 credits
With Jews and Jewishness front and center in American political contestations, it is increasingly urgent to understand formations of Judaism, past and present, in relation to normative concepts of the "American." This course will consider the ways that Judaism interacts with, is shaped by, and in turn shapes, America and Americanness. We will apply historical, anthropological, and theoretical lenses to explore the many aspects of what Jewishness means and has meant in this country.
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RELG 286.01 Winter 2026
- Faculty:Chumie Juni 🏫 👤
- Size:25
- M, WLeighton 330 9:50am-11:00am
- FLeighton 330 9:40am-10:40am
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SOAN 114 Modern Families: An Introduction to the Sociology of the Family 6 credits
What makes a family? How has the conception of kinship and the ‘normal’ family changed over the generations? In this introductory class, we examine these questions, drawing on a variety of course materials ranging from classic works in sociology to contemporary blogs on family life. The class focuses on diversity in family life, paying particular attention to the intersection between the family, race and ethnicity, and social class. We’ll examine these issues at the micro and macro level, incorporating texts that focus on individuals’ stories as well as demographics of the family.
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SOAN 114.01 Winter 2026
- Faculty:Liz Raleigh 🏫 👤
- Size:30
- M, WLeighton 426 8:30am-9:40am
- FLeighton 426 8:30am-9:30am
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SOAN 252 Growing Up in an Aging Society 6 credits
Both the U.S. and global populations are trending toward a world with far fewer young people than ever before. So, what does it mean to grow up in a rapidly aging society? This course explores age, aging, and its various intersections with demographic characteristics including gender, sexuality, race, and social class. We situate age and aging within the context of macro-structural, institutional, and micro-everyday realms. Some topics we will examine include: media depictions and stereotypes; interpersonal relationships and caregiving; the workplace and retirement; and both the perceptions and inevitable realities of an aging population.
The department strongly recommends that Sociology/Anthropology 110 or 111 be taken prior to enrolling in courses numbered 200 or above
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SOAN 252.01 Fall 2025
- Faculty:Annette Nierobisz 🏫 👤
- Size:25
- M, WWeitz Center 230 9:50am-11:00am
- FWeitz Center 230 9:40am-10:40am
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