Search Results
Your search for courses · during 2023-24 · tagged with AMMU Soundtracks America · returned 6 results
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Extra Time
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MUSC 115.00 Fall 2023
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 140 Ethnomusicology and the World’s Music 6 credits
This course introduces the discipline of ethnomusicology and its history, theory, methods, and contemporary critiques. Centering the social and cultural analysis of music, the course explores case studies of global popular, vernacular, and classical musics. We will expand our skills as listeners while also considering key issues, such as the “world music” market; ethnographic methods; gesture, dance, and embodiment; copyright and repatriation; the role of media forms and AI technologies; and the politics of representation. No musical experience necessary.
Sophomore Priority
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MUSC 140.00 Spring 2024
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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Sophomore Priority
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MUSC 215 Western Music and its Social Ecosystems, 1830-Present 6 credits
How does music shape society? What does it feel like to participate in musical life—as a creator, performer, listener, leader, fan, or critic? These questions will guide us as we study the history of Western music with an emphasis on social experience. We’ll explore music from the Romantic era to our contemporary moment, with our ears and eyes trained toward the repertoire’s civic and interpersonal meanings. Along the way, you’ll respond to current concert programming and curate playlists that speak to your communities on campus and beyond. Front of mind will be expansive themes of belonging and identity.
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MUSC 215.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 9:50am-11:00am
- FWeitz Center 230 9:40am-10:40am
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MUSC 217 Opera: Stage, Screen, Recording 6 credits
Opera has something for everyone: drama, desire, politics, stagecraft, design. The medium sets life to music and reveals the music within people’s lives. In the spirit of exchange between art and reality, this course looks at the history of opera through a contemporary lens. Centering on a diverse collection of operas—and voices—from past to present, we’ll ask how modern sensibilities animate the music’s production and performance. We’ll bring concepts of relevance, risk, representation, and justice to bear on opera, with attention to media and technology. We’ll listen to recent operatic interpretations and discover how creatives are making opera new.
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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None, ability to read music is not necessary
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MUSC 217.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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MUSC 218 Improvisation: A Living History 6 credits
Jon Batiste told Forbes in 2019: “I think that you have to open your mind to really be comfortable improvising. It really starts in the mind.” We’ll embrace this mind-music connection by thinking flexibly and critically about improvisation in American music, and by improvising musically ourselves. Readings and discussion will engage Black studies, performance studies, gender studies, philosophy, and political theory. And we’ll build our creative practice with your instruments and voices. Throughout, we’ll keep alive to the ethics of improvisation and the term’s multiplicity of meanings, which call out for your interpretation. Expected preparation: participation in a music ensemble, registration in music lessons, or facility on a musical instrument (Western or non-Western) including voice
- Spring 2024
- Arts Practice
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MUSC 218.00 Spring 2024
- Faculty: Staff
- Size:20
- T, THWeitz Center 230 1:15pm-3:00pm
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MUSC 341 Rock Lab and Lab 6 credits
This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.
- Spring 2024
- Arts Practice Intercultural Domestic Studies
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MUSC 341.52 Spring 2024
- Faculty:Andy Flory 🏫 👤
- Size:8
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
- TWeitz Center M038 2:00pm-5:00pm
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MUSC 341.53 Spring 2024
- Faculty:Andy Flory 🏫 👤
- Size:8
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
- WWeitz Center M038 2:00pm-5:00pm