Search Results
Your search for courses · during 2023-24 · tagged with AFSTLA · returned 8 results
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CAMS 219 African Cinema: A Quest for Identity and Self-Definition 6 credits
Born as a response to the colonial gaze and discourse, African cinema has been a deliberate effort to affirm and express an African personality and consciousness. Focusing on the film production from West and Southern Africa since the early fifties, this course will entail a discussion of major themes such as colonialism, nationalism and independence, and the analysis of African symbolisms, world-views, and their links to narrative techniques. In this overview, particular attention will be given to the films of Ousmane Sembène, Souleymane Cissé, Mweze Ngangura, Zola Maseko, Oliver Schmitz, Abderrahmane Sissako and many others.
Extra Time
- Spring 2024
- International Studies Literary/Artistic Analysis
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CAMS 219.00 Spring 2024
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 231 9:50am-11:00am
- FWeitz Center 231 9:40am-10:40am
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ENGL 205 “Passing Strange”: Shakespeare’s Othello and its Modern Afterlives 3 credits
One of the most intimate and devastating plays in all dramatic literature has also continuously been at the center of societal debates around race, representation, and civil rights. Moving from Shakespeare’s Renaissance to important historical and civil rights figures like Ira Aldridge and Paul Robeson to reimaginings by contemporary artists, we will explore how Othello has served as a vehicle for social change. The class will be taught in conjunction with the campus visit of writer, actor, and anti-apartheid activist Bonisile John Kani, OIS, OBE, the first Black actor to play Othello in South Africa.
1st 5 weeks
- Spring 2024
- International Studies Literary/Artistic Analysis
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ENGL 230 Studies in African American Literature: From the 1950s to the Present 6 credits
We will explore developments in African American literature since the 1950s with a focus on literary expression in the Civil Rights Era; on the Black Arts Movement; on the new wave of feminist/womanist writing; and on the experimental and futuristic fictions of the twenty-first century. Authors to be read include Ralph Ellison, James Baldwin, Lorraine Hansberry, Malcolm X, Audre Lorde, Amiri Baraka, Ishmael Reed, Alice Walker, August Wilson, Charles Johnson, Ntozake Shange, Gloria Naylor, Suzan-Lori Parks, Kevin Young, and Tracy Smith.
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ENGL 238 African Literature in English 6 credits
This is a course on texts drawn from English-speaking Africa since the 1950’s. Authors to be read include Chinua Achebe, Ama Ata Aidoo, Ayi Kwei Armah, Buchi Emecheta, Bessie Head, Benjamin Kwakye, and Wole Soyinka.
- Spring 2024
- International Studies Literary/Artistic Analysis
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ENGL 352 Toni Morrison: Novelist 6 credits
Morrison exposes the limitations of the language of fiction, but refuses to be constrained by them. Her quirky, inimitable, and invariably memorable characters are fully committed to the protocols of the narratives that define them. She is fearless in her choice of subject matter and boundless in her thematic range. And the novelistic site becomes a stage for Morrison’s virtuoso performances. It is to her well-crafted novels that we turn our attention in this course.
- Fall 2023
- Intercultural Domestic Studies Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other 6 credit English course or instructor permission
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FREN 308 France and the African Imagination 6 credits
This course will look at the presence of France and its capital Paris in the imaginary landscape of a number of prominent African writers, filmmakers and musicians such as Bernard Dadié (Côte d’ Ivoire), Ousmane Sembène (Senegal), Calixthe Beyala (Cameroun), Alain Mabanckou (Congo-Brazzaville), Salif Keïta (Mali) and others. The history of Franco-African relations will be used as a background for our analysis of these works. Conducted in French.
- Fall 2023
- International Studies Literary/Artistic Analysis
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One French course beyond French 204
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FREN 308.00 Fall 2023
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WLanguage & Dining Center 202 9:50am-11:00am
- FLanguage & Dining Center 202 9:40am-10:40am
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MUSC 126 America’s Music 6 credits
A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.
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MUSC 126.00 Winter 2024
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 140 Ethnomusicology and the World’s Music 6 credits
This course introduces the discipline of ethnomusicology and its history, theory, methods, and contemporary critiques. Centering the social and cultural analysis of music, the course explores case studies of global popular, vernacular, and classical musics. We will expand our skills as listeners while also considering key issues, such as the “world music” market; ethnographic methods; gesture, dance, and embodiment; copyright and repatriation; the role of media forms and AI technologies; and the politics of representation. No musical experience necessary.
Sophomore Priority
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MUSC 140.00 Spring 2024
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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Sophomore Priority
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