Search Results
Your search for courses · during 26WI · meeting requirements for LA, Literary/Artistic Analysis · returned 37 results
-
ARBC 135 Imagining Arab Worlds 6 credits
In this course we will study representations of the environments and landscapes of the modern Arab world, with particular focus upon five distinct but connected types of places– city, country, mountain, desert, and sea– and their entanglement with various myths of nationhood and peoplehood. Through study of Arab fiction and film and in conversation with history, spatial theory, and ecocriticism, we will think about how environment has shaped those societies, and how members of those societies have made claims of their own about and upon their surroundings.
In translation, no Arabic required. All course readings will be in English.
ARBC 135 is cross listed with MEST 135.
-
ARBC 135.01 Winter 2026
- Faculty:Zaki Haidar 🏫 👤
- Size:30
- M, WLanguage & Dining Center 335 1:50pm-3:00pm
- FLanguage & Dining Center 335 2:20pm-3:20pm
-
-
ARTH 101 Introduction to Art History I 6 credits
An introduction to the art and architecture of various geographical areas around the world from antiquity through the “Middle Ages.” The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, sacred spaces, images of the gods, imperial portraiture, and domestic decoration.
-
ARTH 101.01 Winter 2026
- Faculty:Johnathan Hardy 🏫 👤
- Size:30
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
-
-
ARTH 245 Modern Architecture 6 credits
This course will trace major trends in western architecture from the dawn of the Industrial Revolution to the dawn of the Cold War, concentrating especially on the decades from the 1870s through 1950s. We will discuss technological developments and stylistic issues in different cultural and political contexts, such as Chicago after the Great Fire and Berlin after the Great War. We will consider critiques of modern material culture, from the Arts & Crafts movement to Soviet Constructivism, analyze styles from Art Nouveau to Art Deco, and consider new building typologies such as train stations, department stores, and skyscraping office buildings.
- Winter 2026
- LA, Literary/Artistic Analysis
-
ARTH 245.01 Winter 2026
- Faculty:Baird Jarman 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
-
ARTH 324 The Sexuality of Jesus Christ 6 credits
Why did Renaissance artists produce hundreds of paintings of the Christ Child touching his genitals or presenting his genitals to someone, for instance his mother the Virgin Mary, inside the picture? Why did images of the dead Christ emphasize or exaggerate Jesus’s genitalia? And why were these phallic features of Renaissance religious painting not openly discussed and debated in art historical scholarship until 1983? These questions are at the heart of this course. In order to answer them we will examine the art critic Leo Steinberg’s groundbreaking book, The Sexuality of Christ in Renaissance Art and in Modern Oblivion (1983) and the dramatic responses Steinberg’s book engendered.
- Winter 2026
- LA, Literary/Artistic Analysis
-
ARTH 324.01 Winter 2026
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
-
CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week.
Sophomore Priority. Extra Time required for screenings
-
CAMS 110.01 Winter 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- M, WWeitz Center 132 1:50pm-3:00pm
- FWeitz Center 132 2:20pm-3:20pm
-
Sophomore Priority.
Extra Time Required: For screenings
-
-
CAMS 210 Film History I 6 credits
This course surveys the first half-century of cinema history, focusing on film structure and style as well as transformations in technology, industry and society. Topics include series photography, the nickelodeon boom, local movie-going, Italian super-spectacles, early African American cinema, women film pioneers, abstraction and surrealism, German Expressionism, Soviet silent cinema, Chaplin and Keaton, the advent of sound and color technologies, the Production Code, the American Studio System, Britain and early Hitchcock, Popular Front cinema in France, and early Japanese cinema. Assignments aim to develop skills in close analysis and working with primary sources in researching and writing film history.
Extra Time Evening Screenings
-
CAMS 210.01 Winter 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
-
-
CAMS 216 American Cinema of the 1970s 6 credits
American cinema from 1967-1979 saw the reconfiguration of outdated modes of representation in the wake of the Hollywood studio system and an alignment of new aesthetic forms with radical political and social perspectives. This course examines the film industry’s identity crisis through the cultural, stylistic, and technological changes that accompanied the era. The course seeks to demonstrate that these changes in cinematic practices reflected an agenda of revitalizing American cinema as a site for social commentary and cultural change.
Extra time
-
CAMS 216.01 Winter 2026
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
-
-
CAMS 246 Documentary Studies 6 credits
This course explores the relevance and influence of documentary films by closely examining the aesthetic concerns and ethical implications inherent in these productions. We study these works both as artistic undertakings and as documents produced within a specific time, culture, and ideology. Central to our understanding of the form are issues of technology, methodology, and ethics, which are examined thematically as well as chronologically. The course offers an overview of the major historical movements in documentary film along more recent works; it combines screenings, readings, and discussions with the goal of preparing students to both understand and analyze documentary films.
Extra Time Required, weekly evening in-person screenings Tuesdays
-
CAMS 246.01 Winter 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:25
- T, THWeitz Center 133 10:10am-11:55am
-
-
CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
-
Student has completed any of the following course(s): One 200 or 300 Level course with a LA – Literary/Artistic Analysis course tag with a grade of C- or better.
-
CCST 245.01 Winter 2026
- Faculty:Seth Peabody 🏫 👤
- Size:20
- M, WHasenstab 105 12:30pm-1:40pm
- FHasenstab 105 1:10pm-2:10pm
-
CLAS 112 The Epic in Classical Antiquity: Texts, Contexts, and Intertexts 6 credits
It would be difficult to overstate the importance of the early Greek epics for the classical world and the western literary tradition that emerged from that world. This course will study closely both the Iliad and the Odyssey, as well as Hesiod’s Theogony, and then consider a range of works that draw upon these epics for their creator’s own purposes, including Virgil’s own epic, the Aeneid. By exploring the reception and influence of ancient epic, we will develop an appreciation for intertextuality and the dynamics of reading in general as it applies to generations of readers, including our own.
-
CLAS 112.01 Winter 2026
- Faculty:Chico Zimmerman 🏫 👤
- Size:30
- M, WLanguage & Dining Center 104 1:50pm-3:00pm
- FLanguage & Dining Center 104 2:20pm-3:20pm
-
-
CLAS 121 Meeting an Anti-Hero: Philoctetes 6 credits
Among Greek heroes, Achilles or Odysseus easily come to mind, while Philoctetes remains largely unknown. However, the story of this hero, who was abandoned by his comrades on the island of Lemnos at the eve of the Trojan War due to his foul-smelling wound, is one of resilience, rebirth and salvation. Through his complicated journey between betrayal and friendship, we will explore works from both Greek epic and tragedy, understanding how ancient myth can help us navigate conversations in the present times, from the burden of toxic masculinity to the importance of mental health.
-
CLAS 121.01 Winter 2026
- Faculty:Cecilia Cozzi 🏫 👤
- Size:30
- T, THWeitz Center 136 3:10pm-4:55pm
-
-
ENGL 112 Introduction to the Novel 6 credits
This course explores the history and form of the British novel, tracing its development from a strange, sensational experiment in the eighteenth century to a dominant literary genre today. Among the questions that we will consider: What is a novel? What makes it such a popular form of entertainment? How does the novel participate in ongoing conversations about family, sex, class, race, and nation? How did a genre once considered a source of moral corruption become a legitimate literary form? Authors include: Daniel Defoe, Jane Austen, Charlotte Bronte, Bram Stoker, Virginia Woolf, and Jackie Kay.
-
ENGL 131 Speculative Fiction 6 credits
This course uses "speculative fiction" as umbrella term for categories and (sub)genres that include science fiction, fantasy, mystery, and horror. Deviation from the norm is our norm. You will have to teach your eyes to hear, and your ears to see. Above all, your multisensory engagement should allow for a reality check: does speculative fiction replicate or repudiate known stereotypes of women and blacks, in particular? What do you find (un)appealing about speculative fiction? We will read a variety of short fiction from the DARK MATTER anthology as well as longer narratives by Octavia Butler and Nalo Hopkinson.
-
ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework adjusted accordingly. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2026
- LA, Literary/Artistic Analysis
-
ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
-
ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework will be adjusted accordingly. Non English majors should register for English 144.
Non English majors should register for English 144.
-
ENGL 245 Bollywood Nation 6 credits
This course will serve as an introduction to Bollywood or popular Hindi cinema from India. We will trace the history of this cinema and analyze its formal components. We will watch and discuss some of the most celebrated and popular films of the last 60 years with particular emphasis on urban thrillers and social dramas.
-
ENGL 281 London Lives 6 credits
London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia. We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Requires participation in Carleton OCS London Program. Extra time
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
-
Acceptance in the Carleton OCS Living London Program.
-
ENGL 282 Living London Program: London Theater 6 credits
Students will attend productions (at least two per week) of classic and contemporary plays in a range of London venues both on and off the West End, and will do related reading. We will also travel to Stratford-upon-Avon for a three-day theater trip. Class discussions will focus on dramatic genres and themes, dramaturgy, acting styles, and design. Guest speakers may include actors, critics, and directors. Students will keep a theater journal and write several full reviews of plays.
Acceptance in the Carleton OCS Living London Program.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
-
Acceptance in the Carleton OCS Living London Program.
-
ENGL 319 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen.
- Winter 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
-
Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
-
FREN 206 Francophone Emotions: Science and Culture 6 credits
Through texts, images, and films coming from different continents, this class will present how various French-speaking communities describe and represent emotions such as love, fear, or anger. Focused on oral and written expression this class aims to strengthen students’ linguistic skills while introducing them to the key themes of French and Francophone studies: colonialism, gender, class, art, and intellectual production. Most importantly, this class will highlight how the sciences and the humanities are interdependent and closely connected.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
-
FREN 206.01 Winter 2026
- Faculty:Sandra Rousseau 🏫 👤
- Size:25
- M, WLanguage & Dining Center 335 9:50am-11:00am
- FLanguage & Dining Center 335 9:40am-10:40am
-
FREN 231 Paris: The Eras Tour 6 credits
American-born entertainer, civil rights activist, and spy for the French Resistance, Josephine Baker famously sang, "I have two loves, my country and Paris." What attracts people to Paris and does the reality live up to the fantasy? Explore the evolution of Paris from the Gallo-Roman period to the present through art, literature, music, and film. Learn about its visitors and residents, from individuals buried in the Catacombs to a Jewish student at the Sorbonne during the Nazi occupation, and analyze how lived experiences are shaped by the politics, culture, and infrastructure of the cities we call home. Conducted in French.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
-
FREN 231.01 Winter 2026
- Faculty:Katharine Hargrave 🏫 👤
- Size:25
- M, WHasenstab 105 11:10am-12:20pm
- FHasenstab 105 12:00pm-1:00pm
-
GERM 216 German Short Prose 6 credits
The course introduces students to the joys and challenges of reading short German fictional and non-fictional texts of various genres from three centuries, including fairy tales, aphorisms, short stories, novellas, tweets, essays, and newspaper articles. We will read slowly and with an eye to grammar and vocabulary building, while also concentrating on developing an understanding of German cultural history. Texts and class discussions will be in German.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): GERM 204 with a grade of C- or better or received a score of 4 or better on the German Language and Culture AP exam or received a score of 6 or better on the German: Language B IB exam or received a score of 205 on the Carleton German Placement exam.
-
JAPN 344 Japan Trends: Lifestyle, Society, and Culture 6 credits
In this advanced Japanese language course, we will explore a wide range of concepts, social media buzzwords, and cultural phenomena that constitute the fabric of everyday life in Japan today. From “geeks” and “idols” dominating the cultural scene to the “working poor” and “hikikomori,” who represent the precarity Japan faces in the contexts of economic, political and psychological crisis, the course delves into the aspects of key phenomena surrounding contemporary Japanese society. You will develop skills to read, analyze, summarize, and critique various texts written in Japanese, including newspaper articles, scholarly essays, literary texts, and films, while becoming familiar with historical contexts in which these keywords emerged and are used.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): JAPN 206 with a grade of C- or better or received a score of 206 on the Carleton Japanese Placement exam.
-
JAPN 344.01 Winter 2026
- Faculty:Chie Tokuyama 🏫 👤
- Size:25
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
-
LATN 243 Medieval Latin 6 credits
This course offers students an introduction to post-classical Latin (250-1450) through readings in prose and poetry drawn from a variety of genres and periods. Students will also gain experience with medieval Latin paleography and codicology through occasional workshops in Special Collections.
- Winter 2026
- LA, Literary/Artistic Analysis LP Language Requirement
-
Student has completed any of the following course(s): LATN 204 with a grade of C- or better or received a score of 205 on the Carleton Latin Placement exam.
-
LATN 243.01 Winter 2026
- Faculty:William North 🏫 👤
- Size:25
- T, THLibrary 344 1:15pm-3:00pm
-
MEST 135 Imagining Arab Worlds 6 credits
In this course we will study representations of the environments and landscapes of the modern Arab world, with particular focus upon five distinct but connected types of places– city, country, mountain, desert, and sea– and their entanglement with various myths of nationhood and peoplehood. Through study of Arab fiction and film and in conversation with history, spatial theory, and ecocriticism, we will think about how environment has shaped those societies, and how members of those societies have made claims of their own about and upon their surroundings.
In translation, no Arabic required. All course readings will be in English.
ARBC 135 is cross listed with MEST 135.
-
MEST 135.01 Winter 2026
- Faculty:Zaki Haidar 🏫 👤
- Size:30
- M, WLanguage & Dining Center 335 1:50pm-3:00pm
- FLanguage & Dining Center 335 2:20pm-3:20pm
-
-
MUSC 110 Theory I: The Principles of Harmony 6 credits
An introduction to the materials of Western tonal music, with an emphasis on harmonic structure and syntax, voice leading, and musical analysis. We will cover foundational harmonic topics (including secondary dominants, modal mixture, and modulation), phrase structure and cadential analysis, and small musical forms. Student activities will involve regular analysis and part-writing assignments, readings and short essay responses, and composition exercises.
Recommended Preparation: MUSC 101 (Music Fundamentals) or an appropriate score on the Music Theory Placement exams on the music department website. Students with questions about placement are strongly encouraged to discuss with the instructor.
- Winter 2026
- LA, Literary/Artistic Analysis
-
MUSC 110.01 Winter 2026
- Faculty:Jeremy Tatar 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
-
MUSC 144 Music in the (NORTH)Field 6 credits
This course is your chance to become a local music interpreter! You’ll learn and practice the hands-on methods that ethnomusicologists use to better understand the relationships between music and society. We’ll analyze studies from music scholars around the world and debate common approaches and ethical considerations. Using Northfield as our own fieldwork site, our class will work to recover the sounds, people, and meanings behind the town of “Cows, Colleges, and Contentment.”
-
MUSC 144.01 Winter 2026
- Faculty:Sarah Lahasky 🏫 👤
- Size:30
- M, WWeitz Center 231 9:50am-11:00am
- FWeitz Center 231 9:40am-10:40am
-
-
MUSC 215 Western Music and its Social Ecosystems, 1830-Present 6 credits
How does music shape society? What does it feel like to participate in musical life—as a creator, performer, listener, leader, fan, or critic? These questions will guide us as we study the history of Western music with an emphasis on social experience. We’ll explore music from the Romantic era to our contemporary moment, with our ears and eyes trained toward the repertoire’s civic and interpersonal meanings. Along the way, you’ll respond to current concert programming and curate playlists that speak to your communities on campus and beyond. Front of mind will be expansive themes of belonging and identity.
-
MUSC 215.01 Winter 2026
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
-
-
MUSC 239 The Philosophy of Music 6 credits
What is Music, and what exactly is a “musical composition,” especially in the age of recorded music and sampling? Can music tell a story, express an emotion, or convey a proposition? And if music can do any of these things, how does it do it? Last but not least, how are we to judge the value of musical pieces and musical practices? Do we need to judge popular music differently from so-called “art” music? To address these questions we will listen to a wide range of musical examples, from Bach and Mozart to the Beatles and Jimi Hendrix, and we will read a wide range of writings about music, from Plato, Rousseau, and Kant to current philosophers, including Scruton, Kivy, Davies, Carroll, and Gracyk.
- Winter 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
-
Student has completed any of the following course(s): One MUSC 100, 200 or 300 Level Course not including Lesson or Ensemble courses OR one PHIL 100, 200, 300 Level Course not including Independent Studies with a grade of C- or better.
-
MUSC 239.01 Winter 2026
- Faculty:Justin London 🏫 👤
- Size:25
- T, THWeitz Center 231 10:10am-11:55am
-
MUSC 242 Tango: More Than a Dance 6 credits
This course explores the Argentine tango as a lens into over 100 years of global and cultural change. Tango is much more than a dance; It represents important moments related to migration, sexuality, nationalism, tourism, appropriation, and of course, music. We will trace its history from working-class neighborhoods of Buenos Aires to its adoption by Parisians in the early 20th century, to the worldwide phenomenon that we know it as today. You’ll have the opportunity to play tango charts in class and engage with tango communities in Minnesota. A working knowledge of western music notation is helpful, though not required.
Extra Time Required: Students will have the opportunity to attend tango music/dance events in the Twin Cities, which typically occur in the evening hours. However, there will always be an alternative assignment for students who have evening conflicts or wish to not leave campus.
-
MUSC 242.01 Winter 2026
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- M, WWeitz Center 231 1:50pm-3:00pm
- FWeitz Center 231 2:20pm-3:20pm
-
-
RUSS 239 The Warped Soul of Putin’s Russia 6 credits
What is Russia’s problem? Why is the country famous for its great “soul” and culture waging a bloody war and becoming increasingly anti-Western? This course explores the cultural mythology that characterizes the state of contemporary Russian society and its “soul,” using critical approaches from trauma and memory studies, as well as theories of ressentiment and nostalgia. Authors to be studied include ideologues of Putin’s Russia (Surkov, Prilepin), its critics (Sorokin), and other writers, artists, and filmmakers who reflect, define, question, and challenge the direction in which country is moving and give it a cultural diagnosis. In English.
In translation
-
RUSS 239.01 Winter 2026
- Faculty:Victoria Thorstensson 🏫 👤
- Size:25
- M, WHasenstab 109 1:50pm-3:00pm
- FHasenstab 109 2:20pm-3:20pm
-
-
SPAN 205 Conversation and Composition 6 credits
A course designed to develop the student’s oral and written mastery of Spanish. Advanced study of grammar. Compositions and conversations based on cultural and literary topics. There is also an audio-video component focused on current affairs.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis LP Language Requirement
-
Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
-
SPAN 205.01 Winter 2026
- Faculty:Humberto Huergo 🏫 👤
- Size:20
- M, WLanguage & Dining Center 345 1:50pm-3:00pm
- FLanguage & Dining Center 345 2:20pm-3:20pm
-
SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
-
SPAN 208.01 Winter 2026
- Faculty:Jorge Brioso 🏫 👤
- Size:10
- Grading:S/CR/NC
- WLibrary 305 12:30pm-1:40pm
-
SPAN 255 Beyond the Verse: Spain’s Evolving Poetry 6 credits
This course provides students with a background in 20th- and 21st-century Spanish poetry. It explores selected works from Spain’s lyrical canon as well as more contemporary forms of poetry to identify and discuss themes, structure, rhythm, and metrics, as well as literary techniques. Furthermore, they will be able to identify, interpret, and analyze the movements, generations, styles, and themes of Spanish lyrical production as they learn about the history and social events that transformed the country. Some authors will include Lorca, Cernuda, Gil de Biedma, Fuertes among others.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): One SPAN numbered 204 or higher with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
-
SPAN 255.01 Winter 2026
- Faculty:David Delgado Lopez 🏫 👤
- Size:20
- M, WLanguage & Dining Center 302 12:30pm-1:40pm
- FLanguage & Dining Center 302 1:10pm-2:10pm
-
SPAN 360 Green Labyrinth: Storytelling and Sacred Plants 6 credits
Through films, short stories and novels, we analyze how plants like ayahuasca, peyote, and coca are at the intersection of exploitation, psychedelia, sacred practices and ecological awareness. We examine how the representations of plants in literature and cinema address biopiracy, colonialism, and the commodification of sacred plants. Also, we will study how indigenous communities preserve ancestral knowledge and resist environmental destruction. Students will critically reflect on the connections between storytelling, plant-based medicine, and contemporary environmental challenges in Latin America and beyond.
Extra Time Required: Film screenings and attending talks.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
-
SPAN 360.01 Winter 2026
- Faculty:Ingrid Luna 🏫 👤
- Size:25
- M, WBoliou 140 11:10am-12:20pm
- FBoliou 140 12:00pm-1:00pm
-
SPAN 376 Mexico City: The City as Protagonist 6 credits
This seminar will have Mexico City as protagonist, and will examine the construction of one of the largest urban centers of the world through fictional writing, cultural criticism, and visual/aural culture. We will critically engage the fictions of its past, the dystopias of its present, the assemblage of affects and images that give it continuity, but which also codify the ever-changing and contested view of its representation and meaning. From Carlos Fuentes to Sayak Valencia, in the company of Eisenstein and Cuarón, among others.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
-
Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
-
SPAN 376.01 Winter 2026
- Faculty:Silvia López 🏫 👤
- Size:25
- M, WLanguage & Dining Center 244 1:50pm-3:35pm