Search Results
Your search for courses · during 25WI · meeting requirements for LA, Literary/Artistic Analysis · returned 41 results
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ARBC 310 Advanced Media Arabic 6 credits
Readings of excerpts from the Arabic press and listening to news editions, commentaries and other radio and TV programs from across the Arab world. Emphasis is on vocabulary expansion, text comprehension strategies, and further development of reading and listening comprehension. Class includes oral discussions and regular written assignments in Arabic.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): ARBC 206 or equivalent with a grade of C- or received a score of 206 on the Carleton Arabic Placement exam.
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ARBC 310.00 Winter 2025
- Faculty:Zaki Haidar 🏫 👤
- Size:15
- M, WLanguage & Dining Center 205 1:50pm-3:00pm
- FLanguage & Dining Center 205 2:20pm-3:20pm
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 102.00 Winter 2025
- Faculty:Mira Xenia Schwerda 🏫
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 160 American Art to 1940 6 credits
Concentration on painting of the colonial period (especially portraiture) and nineteenth century (especially landscape and scenes of everyday life) with an introduction to the modernism of the early twentieth century. The course will include analysis of the ways art shapes and reflects cultural attitudes such as those concerning race and gender.
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ARTH 160.00 Winter 2025
- Faculty:Baird Jarman 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
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ARTH 225 The Naked and the Nude: A History 6 credits
Why did the naked human body become a central subject of Western art? What makes the representation of an unclad body "beautiful," and what makes it "erotic"? What types of bodies been portrayed in the history of art and what types of bodies have not? Who has been succesful in censoring the nude? Who been less succesful? These questions form the basis of this course which examines the history of the nude from antiquity to the present day.
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ARTH 225.00 Winter 2025
- Faculty:Jessica Keating 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 250 The Coded Gaze: AI and Art History 6 credits
Artificial Intelligence (AI) can support or subvert human intelligence and it affects art and art history already today. This course will connect existing discourses in art history and the history of photography to recent AI questions and themes, demonstrating that many topics, which appear novel, have in fact a long and complex history. We will focus on questions of ethics that affect both AI and art history, including ownership of images, surveillance, and the representation of race and gender, while also exploring possible uses of AI in art history, e.g. the detection of forgeries, and the curation of AI artworks.
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ARTH 250.00 Winter 2025
- Faculty:Mira Xenia Schwerda 🏫
- Size:25
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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ARTH 341 Art and Democracy 6 credits
What does it mean to say that a work of art is “democratic?” For whom is art made? And who can lay claim to the title “artist?” These questions animate contemporary art production as artists grapple with the problems of broadening access to their works and making them more socially relevant. In this course we will consider the challenges involved in making art for a sometimes ill-defined “public.” Topics to be discussed include: activist performance art, feminism, public sculpture, the Culture Wars, queer visual culture, and the recent rise of social practice art.
Extra time
- Winter 2025
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis
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Student has completed any two courses in ARTH with grades of C- or better.
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ARTH 341.00 Winter 2025
- Faculty:Ross Elfline 🏫 👤
- Size:15
- T, THBoliou 161 10:10am-11:55am
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CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week.
Sophomore Priority. Extra Time required for screenings
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CAMS 110.00 Winter 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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CAMS 236 Israeli Society in Israeli Cinema 6 credits
This course will introduce students to the global kaleidoscope that is Israeli society today. Since the 1980s the Israeli public has increasingly engaged with its multicultural character, particularly through films and documentaries that broaden national conversation. Our approach to exploring the emerging reflection of Israel's diversity in its cinema will be thematic. We will study films that foreground religious-secular, Israeli-Palestinian, gender, sexual orientation, and family dynamics, as well as Western-Middle Eastern Jewish relations, foreign workers or refugees in Israel, army and society, and Holocaust memory. With critical insights from the professor's interviews with several directors and Israeli film scholars. Conducted in English, all films subtitled. Evening film screenings.
In Translation. Extra Time required for Evening Screenings.
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CAMS 236.00 Winter 2025
- Faculty:Stacy Beckwith 🏫 👤
- Size:25
- M, WWeitz Center 132 9:50am-11:00am
- FWeitz Center 132 9:40am-10:40am
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CAMS 258 Feminist and Queer Film Theory 6 credits
The focus of this course is on spectatorship—feminist, lesbian, queer, transgender. The seminar interrogates arguments about representation and the viewer’s relationship to the moving image in terms of identification, desire, masquerade, fantasy, power, time, and embodied experience. The course first explores the founding essays of psychoanalytic feminist film theory, putting these ideas into dialogue with mainstream cinema. Second, we consider the aesthetic, narrative, and theoretical interventions posed by feminist filmmakers working in contradistinction to Hollywood. Third, “queering” contemporary media, we survey challenges and revisions to feminist film theory presented by considerations of race and ethnicity, transgender experience, and queerness.
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CAMS 258.00 Winter 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- T, THWeitz Center 133 3:10pm-4:55pm
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One 200 or 300 Level course with a LA – Literary/Artistic Analysis course tag with a grade of C- or better.
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CCST 245.00 Winter 2025
- Faculty:Chloe Vaughn 🏫
- Size:20
- M, WLibrary 344 12:30pm-1:40pm
- FLibrary 344 1:10pm-2:10pm
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CHIN 240 Chinese Cinema in Translation 6 credits
This course introduces to students the drastic transformation of Chinese society, culture, and politics over the past three decades through the camera lens. We will examine representative films from Mainland China, Hong Kong, and Taiwan. Particular attention will be paid to the entangled relationship between art, commerce, and politics, as well as the role digital technologies and international communities play in reshaping the contemporary cultural landscape in China. This class requires no prior knowledge of Chinese language, literature, or culture.
Extra time for film screenings
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CHIN 240.00 Winter 2025
- Faculty:Shaohua Guo 🏫 👤
- Size:25
- T, THLanguage & Dining Center 104 10:10am-11:55am
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Extra Time required for film screenings
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CLAS 134 “Nothing stays the same”: Embracing Change in Ovid’s Metamorphoses 6 credits
We are immersed in such a fast-paced, constantly changing world, that we have no choice but to keep up with it and be as adaptable as possible. This makes us the perfect audience for Ovid’s Metamorphoses. The Latin poet guides his readers through endless stories of gods, heroes and heroines, whose transformations have inspired artists for centuries. This course will investigate how characters cope with the changeable nature of human and divine relationships. By looking closely at their mythical sagas and fleeting romances, we will explore how each character is, like us, suspended between old and new.
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CLAS 134.00 Winter 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- T, THWeitz Center 133 10:10am-11:55am
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CLAS 135 Ancient World in Popular Culture 6 credits
From fantasy novels, like Percy Jackson, to superhero films (Wonder Woman) to viral hashtags on social-media, the ancient world has a constant presence in our modern world. Greco-Roman history, myths, stories, and literature are still actively used, but also misused, within the framework of “western” and global culture. In this course, we will discuss how Classical antiquity has been received, interpreted, or appropriated in the twenty-first century through different popular media, such as movies, TV shows, comic books, video games, and social-media, in order to gain a better understanding of what the ancient world can tell us about the modern.
- Winter 2025
- LA, Literary/Artistic Analysis
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CLAS 135.00 Winter 2025
- Faculty:Anastasia Pantazopoulou 🏫
- Size:30
- T, THLanguage & Dining Center 104 1:15pm-3:00pm
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DANC 211 Cultures of Dance 6 credits
In this class we will look at dance from a global viewpoint, investigating forms, styles and contexts through various lenses (feminist, ethnographic, Africanist). We will examine and broaden the definition of dance and situate it within the discourse of “performance,” recognizing the larger meaning of “performance” to include all bodily movements, acts and gestures, whether onstage or off. We will ask questions about the performance of culture and ethnography, race and gender in the various dance cultures presented. Reading, writing, moving, discussing, and viewing live performance will shape class inquiry. No prior dance experience needed.
Extra time for two live performances
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Not open to students that have completed DANC 115 with a grade of C- or better.
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DANC 211.00 Winter 2025
- Faculty:Judith Howard 🏫 👤
- Size:25
- M, WWeitz Center 168 1:50pm-3:00pm
- FWeitz Center 168 2:20pm-3:20pm
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DGAH 120 Interactive Digital Narratives: Theory and Practice 6 credits
Contemporary forms of interactive digital narrative, ranging from electronic literature to games, demonstrate the affordances of the computer as a site of storytelling. Working from the prehistory of Oulipian constrained writing through to early hypertext experiments of authors such as Shelley Jackson to contemporary games such as Kentucky Route Zero, we will develop an understanding of both the history and current trends in born-digital literary experimentation and practice. Through the lens of these digital texts, we will explore the potential for reimagining the "book" through new interfaces, interactions, and technologies. No knowledge of code is necessary.
- Winter 2025
- LA, Literary/Artistic Analysis
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DGAH 120.00 Winter 2025
- Faculty:Anastasia Salter 🏫
- Size:30
- T, THWeitz Center 138 10:10am-11:55am
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
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ENGL 135 Imperial Adventures 6 credits
Indiana Jones has a pedigree. In this class we will encounter some of his ancestors in stories, novels and comic books from the early decades of the twentieth century. The wilds of Afghanistan, the African forest, a prehistoric world in Patagonia, the opium dens of mysterious exotic London–these will be but some of our stops as we examine the structure and ideology and lasting legacy of the imperial adventure tale. Authors we will read include Arthur Conan Doyle, Edgar Rice Burroughs, Rudyard Kipling and H. Rider Haggard.
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2025
- LA, Literary/Artistic Analysis
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ENGL 213 Being Queer in Nineteenth-Century America 6 credits
What forms of community, gender identification, and desire were imagined as possible in the literature and life writing of nineteenth-century Americans? How did race and class shift the terms of what could be imagined, and how did these possibilities change with the sexual taxonomies developed by scientists? This course will explore these questions by reading American literary texts from 1799 to 1899 alongside shorter works of history and theory. We will consider not only the discourse around wealthy, white “romantic friendships,” but also the ways that poor and non-white bodies were deemed queer in conduct manuals and scientific texts.
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ENGL 215 Modern American Literature 6 credits
A survey of some of the central movements and texts in American literature, from World War I to the present. Topics covered will include modernism, the Harlem Renaissance, the Beat generation and postmodernism.
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ENGL 224 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Non English majors should register for English 144.
Non English majors should register for English 144.
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ENGL 245 Bollywood Nation 6 credits
This course will serve as an introduction to Bollywood or popular Hindi cinema from India. We will trace the history of this cinema and analyze its formal components. We will watch and discuss some of the most celebrated and popular films of the last 60 years with particular emphasis on urban thrillers and social dramas.
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ENGL 281 Reading Multicultural London 6 credits
A wide range of British writers have depicted London as a site of displacement, diaspora, community, and belonging. From the “Windrush Generation” in the 1950s to the present context of Brexit, this course will examine the depiction of multicultural London in fiction, film, and essay. Selected texts will reveal how diverse writers have been shaped by London and in turn shaped its narratives. Readings may include Samuel Selvon, Hanif Kureishi, Monica Ali, Zadie Smith, Andrea Levy, Kamala Shamsie, and Xiaolu Guo; and we will incorporate relevant museum exhibits and cultural events.
Requires participation in Carleton OCS London Program. For 2025 Winter Term offering, course completes IS not IDS.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 282 Living London Program: London Theater 6 credits
Students will attend productions (at least two per week) of classic and contemporary plays in a range of London venues both on and off the West End, and will do related reading. We will also travel to Stratford-upon-Avon for a three-day theater trip. Class discussions will focus on dramatic genres and themes, dramaturgy, acting styles, and design. Guest speakers may include actors, critics, and directors. Students will keep a theater journal and write several full reviews of plays.
Open only to participants in OCS Program: Living London
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 324 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Winter 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 381 Reading Multicultural London 6 credits
A wide range of British writers have depicted London as a site of displacement, diaspora, community, and belonging. From the “Windrush Generation” in the 1950s to the present context of Brexit, this course will examine the depiction of multicultural London in fiction, film, and essay. Selected texts will reveal how diverse writers have been shaped by London and in turn shaped its narratives. Readings may include Samuel Selvon, Hanif Kureishi, Monica Ali, Zadie Smith, Andrea Levy, Kamala Shamsie, and Xiaolu Guo; and we will incorporate relevant museum exhibits and cultural events.
Open only to students participating in OCS London Program
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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FREN 206 Francophone Emotions: Science and Culture 6 credits
Through texts, images and films coming from different continents, this class will present Francophone cultures and discuss the connections and tensions that have emerged between France and other French speaking countries. Focused on oral and written expression this class aims to strengthen students’ linguistic skills while introducing them to the academic discipline of French and Francophone studies. The theme will be school and education in the Francophone world.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 206.00 Winter 2025
- Faculty:Sandra Rousseau 🏫 👤
- Size:20
- M, WLanguage & Dining Center 202 9:50am-11:00am
- FLanguage & Dining Center 202 9:40am-10:40am
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FREN 253 The French Revolution, Then and Now 6 credits
From an ad campaign showing Kylie Jenner dressed as Marie Antoinette to the mascot for the Paris 2024 Summer Olympic and Paralympic Games, the French Revolution is alive today. What does this say about its legacy? This course first investigates the systemic inequalities that contributed to the storming of the Bastille. Through texts, films, and music, we will analyze the denunciation of these inequities and the consequent transatlantic engagement with Haiti and the U.S. We will finish by discussing whose rights were affirmed during the French Revolution, whose were denied, and how this continues to inform contemporary culture and society.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 253.00 Winter 2025
- Faculty:Katharine Hargrave 🏫 👤
- Size:25
- M, WHasenstab 105 11:10am-12:20pm
- FHasenstab 105 12:00pm-1:00pm
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JAPN 251 The Tale of Genji—A Thousand Years of Words and Images 6 credits
Considered by many as the world’s first novel, The Tale of Genji, written around 1000 CE, depicts the lives and struggles of the Heian aristocrats. This class will introduce students to the celebrated classic, theories on the work, and one-thousand-years of visual history. Unlike today’s solitary reading activities, the tale in premodernity was experienced as the combination of texts, images, and sounds. This course observes and discusses an intertwined history of words and images from premodernity to modernity, examining the dynamics between texts and images through the screen art, incense, manga, theater, and movies. All materials are in English.
In Translation
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JAPN 251.00 Winter 2025
- Faculty:Lingling Ma 🏫
- Size:25
- T, THLibrary 305 1:15pm-3:00pm
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JAPN 346 Advanced Japanese: Consumerist Culture in Contemporary Japan 6 credits
This course focuses on the consumerist culture in Japan. It will look at the contemporary Japanese short stories, movies, new media, and critical theories that focus on the overt consumption of material and immaterial commodities, such as food, fashion,and brands, in contemporary Japan. This course will help students develop reading andlistening skills, situated in the contemporary Japanese cultural context. Students will practice and integrate their Japanese through in-class discussion and written assignments.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): JAPN 206 with grade of C- or better.
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JAPN 346.00 Winter 2025
- Faculty:Lingling Ma 🏫
- Size:15
- M, WWeitz Center 231 1:50pm-3:00pm
- FWeitz Center 231 2:20pm-3:20pm
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LATN 237 Amor, Furor, Ira: The Epics of Vergil and Ovid 6 credits
Two superlative Latin poets; two radically different epic poems. In this course we will read selections from the Aeneid and the Metamorphoses, focusing in particular on each poet's depiction of powerful emotions and their consequences.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): LATN 204 with a grade of C- or better or received a score of 205 on the Carleton Latin Placement exam.
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LATN 237.00 Winter 2025
- Faculty:Clara Hardy 🏫 👤
- Size:25
- M, WLibrary 344 11:10am-12:20pm
- FLibrary 344 12:00pm-1:00pm
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MUSC 110 Theory I: The Principles of Harmony 6 credits
An introduction to the materials of western tonal music, with an emphasis on harmonic structure and syntax. It covers basic harmonic syntax (through secondary dominants), melodic phrase structure and cadences, and small musical forms, along with related theoretical concepts and vocabulary. Student work involves readings, analysis and composition exercises, and short essay assignments. Recommended Preparation: MUSC 101 or permission of instructor as assessed by a diagnostic exam administered at the start of the term.
- Winter 2025
- LA, Literary/Artistic Analysis
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MUSC 110.00 Winter 2025
- Faculty:Jeremy Tatar 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 140 Playlist Remix: The World in Your Headphones 6 credits
This course introduces the discipline of ethnomusicology and its history, theory, methods, and contemporary critiques. Centering the social and cultural analysis of music, the course explores case studies of global popular, vernacular, and classical musics. We will expand our skills as listeners while also considering key issues, such as the “world music” market; ethnographic methods; gesture, dance, and embodiment; copyright and repatriation; the role of media forms and AI technologies; and the politics of representation. No musical experience necessary.
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MUSC 140.00 Winter 2025
- Faculty:Melissa Scott 🏫
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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Sophomore Priority
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MUSC 215 Western Music and its Social Ecosystems, 1830-Present 6 credits
How does music shape society? What does it feel like to participate in musical life—as a creator, performer, listener, leader, fan, or critic? These questions will guide us as we study the history of Western music with an emphasis on social experience. We’ll explore music from the Romantic era to our contemporary moment, with our ears and eyes trained toward the repertoire’s civic and interpersonal meanings. Along the way, you’ll respond to current concert programming and curate playlists that speak to your communities on campus and beyond. Front of mind will be expansive themes of belonging and identity.
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MUSC 215.00 Winter 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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RUSS 242 Russian Short Story 6 credits
In their short prose masterpieces, just as in their famous novels, Russian writers showed formal excellence and bold insights into the big questions of life and death: What kind of life is worth living? What is true compassion and love? What is to be done about evil? We will read short stories by some of the greatest Russian writers, including Pushkin, Gogol, Tolstoy, Turgenev, Chekhov, Bunin, Nabokov, and Petrushevskaya, in the context of Russian culture and history. In English translation. No knowledge of Russian language or history is required.
In translation
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RUSS 242.00 Winter 2025
- Faculty:Victoria Thorstensson 🏫 👤
- Size:30
- M, WLibrary 344 1:50pm-3:00pm
- FLibrary 344 2:20pm-3:20pm
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SPAN 205 Conversation and Composition 6 credits
A course designed to develop the student’s oral and written mastery of Spanish. Advanced study of grammar. Compositions and conversations based on cultural and literary topics. There is also an audio-video component focused on current affairs.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis LP Language Requirement
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 205.00 Winter 2025
- Faculty:Humberto Huergo 🏫 👤
- Size:20
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 208.00 Winter 2025
- Faculty:Silvia López 🏫 👤
- Size:10
- Grading:S/CR/NC
- MLanguage & Dining Center 244 1:50pm-3:00pm
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SPAN 242 Introduction to Latin American Literature 6 credits
An introductory course to reading major texts in Spanish provides an historical survey of the literary movements within Latin American literature from the pre-Hispanic to the contemporary period. Recommended as a foundation course for further study. Not open to seniors.
Not open to seniors
- Winter 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Emmersion Placement exam AND does not have Senior Priority.
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SPAN 242.00 Winter 2025
- Faculty:Silvia López 🏫 👤
- Size:20
- M, WLanguage & Dining Center 205 12:30pm-1:40pm
- FLanguage & Dining Center 205 1:10pm-2:10pm
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SPAN 385 Riots, Rebellions & Revolutions in Latin America 6 credits
Latin American cultural history is one of agitation and turmoil. Since colonial times, Riots, Rebellions, and Revolutions are not only at the center of Latin America’s politics, but also its art, literature, and culture. Through a survey of a representative selection of canonical and non-canonical Latin American texts (including literary pieces, films, pamphlets, periodicals, photographs, among others), this course will examine the intersections between literature, politics of unrest, and intellectuals in Latin America. Students will gain an understanding of fundamental topics of Latin American cultural and political history, including colonialism, modernity, racism, and political resistance.
- Winter 2025
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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THEA 225 Theater History and Theory 6 credits
Throughout history, theatrical performance has been both a reflection of cultural values and a platform for envisioning social change. In this course, students will examine the theatre of the people: popular theatre, theatre that directly engages with the community in which it lives, and theatre that is woven into the rituals of the culture. This includes ancient Greek tragedy, medieval cycle plays, Yoruban Egungun Masquerade, commedia dell’arte, Japanese Kabuki, Elizabethan theatre, and American popular and grassroots performance. Class sessions will combine lecture, discussion, and performances of historical texts.
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THEA 225.00 Winter 2025
- Faculty:Jeanne Willcoxon 🏫 👤
- Size:25
- M, WWeitz Center 231 11:10am-12:20pm
- FWeitz Center 231 12:00pm-1:00pm
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