Search Results
Your search for courses · during 25FA, 26WI, 26SP · meeting requirements for LA, Literary/Artistic Analysis · returned 120 results
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ARBC 135 Imagining Arab Worlds 6 credits
In this course we will study representations of the environments and landscapes of the modern Arab world, with particular focus upon five distinct but connected types of places– city, country, mountain, desert, and sea– and their entanglement with various myths of nationhood and peoplehood. Through study of Arab fiction and film and in conversation with history, spatial theory, and ecocriticism, we will think about how environment has shaped those societies, and how members of those societies have made claims of their own about and upon their surroundings.
In translation, no Arabic required. All course readings will be in English.
ARBC 135 is cross listed with MEST 135.
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ARBC 135.01 Winter 2026
- Faculty:Zaki Haidar 🏫 👤
- Size:30
- M, WLanguage & Dining Center 335 1:50pm-3:00pm
- FLanguage & Dining Center 335 2:20pm-3:20pm
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ARBC 185 The Creation of Classical Arabic Literature 6 credits
In this course we will explore the emergence of Arabic literature in one of the most exciting and important periods in the history of Islam and the Arab world; a time in which pre-Islamic Arabian lore was combined with translated Persian wisdom literature and Greek scientific and philosophical writings to form the canon of learning of the new emerged Arab-Islamic empire. We will explore some of the different literary genres that emerged in the New Arab courts and urban centers: from wine and love poetry, historical and humorous anecdotes, to the Thousand and One Nights, and discuss the socio-historical forces and institutions that shaped them. All readings are in English. No Arabic knowledge required.
ARBC 185 is cross listed with MEST 185.
In Translation.
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ARBC 185.01 Fall 2025
- Faculty:Yaron Klein 🏫 👤
- Size:30
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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ARBC 387 The One Thousand and One Nights 6 credits
This course is an exploration of the world of the Thousand and One Nights, the most renowned Arabic literary work of all time. The marvelous tales spun by Shahrazad have captured and excited the imagination of readers and listeners–both Arab and non-Arab–for centuries. In class, we will read in Arabic, selections from the Nights, and engage some of the scholarly debates surrounding this timeless work. We will discuss the question of its origin in folklore and popular culture and the mystery of its “authorship,” as well as the winding tale of its reception, adaptation and translation. Readings and class discussions will be in both Arabic and English.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed the following course(s): ARBC 206 with a grade C- or better.
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ARBC 387.01 Spring 2026
- Faculty:Yaron Klein 🏫 👤
- Size:15
- M, WLanguage & Dining Center 202 1:50pm-3:00pm
- FLanguage & Dining Center 202 2:20pm-3:20pm
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ARTH 101 Introduction to Art History I 6 credits
An introduction to the art and architecture of various geographical areas around the world from antiquity through the “Middle Ages.” The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, sacred spaces, images of the gods, imperial portraiture, and domestic decoration.
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ARTH 101.01 Winter 2026
- Faculty:Johnathan Hardy 🏫 👤
- Size:30
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 102 Introduction to Art History II 6 credits
An introduction to the art and architecture of various geographical areas around the world from the fifteenth century through the present. The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, humanist and Reformation redefinitions of art in the Italian and Northern Renaissance, realism, modernity and tradition, the tension between self-expression and the art market, and the use of art for political purposes.
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ARTH 102.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 120 Art and Archaeology of Ancient Egypt and West Asia 6 credits
This course will provide students with foundational knowledge in the art, architecture and archaeology of Egypt, East Africa, Asia Minor, Mesopotamia, Iran and Central Asia from the Neolithic through Late Antiquity (ca. 7,000 B.C.E. – 650 C.E.). Students will gain an understanding of the relationship between the visual material and the social, intellectual, political and religious contexts in which it developed and functioned. In this regard, students will also gain an understanding of the evolution of, and exchanges and differences among, the visual cultures of these time periods and regions. It will also expose them to the preconditions for contemporary geopolitics in the region.
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ARTH 120.01 Spring 2026
- Faculty:Johnathan Hardy 🏫 👤
- Size:25
- M, WBoliou 161 12:30pm-1:40pm
- FBoliou 161 1:10pm-2:10pm
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ARTH 166 Chinese Art and Culture 6 credits
This course will survey art and architecture in China from its prehistoric beginnings to the end of the nineteenth century. It will examine various types of visual art forms within their social, political and cultural contexts. Major themes that will also be explored include: the role of ritual in the production and use of art, the relationship between the court and secular elite and art, and theories about creativity and expression.
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ARTH 166.01 Fall 2025
- Faculty:Kathleen Ryor 🏫 👤
- Size:25
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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ARTH 205 Invisible From Space: Representing Ecosystems 6 credits
Since NASA's "Whole Earth" photographs emerged in the late 1960s, people have struggled with humanity's place in the cosmos and our interconnection with all life on our "blue marble." How can we comprehend the whole while valuing each component of this complex system? In the U.S., Romantic landscapes and frontier imagery continue influencing perception despite tensions with vast scales of space, time, data, history, and non-human perspectives. These challenges of seeing our planet and ourselves have inspired diverse creative responses across photography, new media, mapping, alternative archiving, theater, music, data visualization, and other interdisciplinary approaches.
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ARTH 205.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTH 207 Cultivating the Future: “Growing” Together 6 credits
Artists have long explored the dual themes of plant cultivation and knowledge cultivation. What explains this connection between horticulture and pedagogy in art? This course examines these interconnections, beginning with early modernist art circles and following their influence on developments like Black Mountain College and Joseph Beuys's Free International University. We then explore contemporary artists who employ permaculture gardens, traditional ecological knowledge, ecofeminist principles, guerrilla plantings, and foraging as tools to foster new social, political, and spiritual understandings. Through these practices, artists cultivate not just plants but future-oriented ways of knowing and being in the world.
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ARTH 207.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 235 Revival, Revelation, and Re-animation: The Art of Europe’s “Renaissance” 6 credits
This course examines European artistic production in Italy, Spain, France, Germany, and the Netherlands from the fourteenth to the sixteenth century. The aim of the course is to introduce diverse forms of artistic production, as well as to analyze the religious, social, and political role of art in the period. While attending to the specificities of workshop practices, production techniques, materials, content, and form of the objects under discussion, the course also interrogates the ways in which these objects are and, at times, are not representative of the “Renaissance.”
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 235.01 Spring 2026
- Faculty:Jessica Keating 🏫 👤
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 240 Art Since 1945 6 credits
Art from abstract expressionism to the present, with particular focus on issues such as the modernist artist-hero; the emergence of alternative or non-traditional media; the influence of the women’s movement and the gay/lesbian liberation movement on contemporary art; and postmodern theory and practice.
- Spring 2026
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 240.01 Spring 2026
- Faculty:Vanessa Reubendale 🏫
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTH 245 Modern Architecture 6 credits
This course will trace major trends in western architecture from the dawn of the Industrial Revolution to the dawn of the Cold War, concentrating especially on the decades from the 1870s through 1950s. We will discuss technological developments and stylistic issues in different cultural and political contexts, such as Chicago after the Great Fire and Berlin after the Great War. We will consider critiques of modern material culture, from the Arts & Crafts movement to Soviet Constructivism, analyze styles from Art Nouveau to Art Deco, and consider new building typologies such as train stations, department stores, and skyscraping office buildings.
- Winter 2026
- LA, Literary/Artistic Analysis
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ARTH 245.01 Winter 2026
- Faculty:Baird Jarman 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
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ARTH 260 Planning Utopia: Ideal Cities in Theory and Practice 6 credits
This course will survey the history of ideal plans for the built urban environment. Particular attention will be given to examples from about 1850 to the present. Projects chosen by students will greatly influence the course content, but subjects likely to receive sustained attention include: Renaissance ideal cities, conceptions of public and private space, civic rituals, the industrial city, Baron Haussmann’s renovations of Paris, suburbanization, the Garden City movement, zoning legislation, Le Corbusier’s Ville Contemporaine, Frank Lloyd Wright’s Broadacre City, New Urbanism and urban renewal, and planned capitals such as Brasília, Canberra, Chandigarh, and Washington, D.C.
- Spring 2026
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 260.01 Spring 2026
- Faculty:Baird Jarman 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
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ARTH 266 Arts of the Japanese Tea Ceremony 6 credits
This course will examine the history and aesthetics of the tea ceremony in Japan (chanoyu). It will focus on the types of objects produced for use in the Japanese tea ceremony from the fifteenth century through the present. Themes to be explored include: the relationship of social status and politics to the development of chanoyu; the religious dimensions of the tea ceremony; gender roles of tea practitioners; nationalist appropriation of the tea ceremony and its relationship to the mingei movement in the twentieth century; and the international promotion of the Japanese tea ceremony post-WWII. Requires concurrent registration in ARTS 236.
Extra time, requires concurrent registration in ARTS 236
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
- ARTS 236: Ceramics: Vessels for Tea
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ARTH 266.01 Fall 2025
- Faculty:Kathleen Ryor 🏫 👤
- Size:14
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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Extra Time Required,
Requires concurrent registration in ARTS 236
Four seats held for Art and Art History majors until the day after rising junior priority registration.
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ARTH 298 The History of Art History 6 credits
An intensive study of the nature of art history as an intellectual discipline and of the approaches scholars have taken to various art historical problems. Attention as well to principles of current art historical research and writing. Recommended for juniors who have declared art history as a major or a minor.
- Spring 2026
- LA, Literary/Artistic Analysis
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ARTH 298.01 Spring 2026
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WLibrary 305 1:50pm-3:00pm
- FLibrary 305 2:20pm-3:20pm
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ARTH 324 The Sexuality of Jesus Christ 6 credits
Why did Renaissance artists produce hundreds of paintings of the Christ Child touching his genitals or presenting his genitals to someone, for instance his mother the Virgin Mary, inside the picture? Why did images of the dead Christ emphasize or exaggerate Jesus’s genitalia? And why were these phallic features of Renaissance religious painting not openly discussed and debated in art historical scholarship until 1983? These questions are at the heart of this course. In order to answer them we will examine the art critic Leo Steinberg’s groundbreaking book, The Sexuality of Christ in Renaissance Art and in Modern Oblivion (1983) and the dramatic responses Steinberg’s book engendered.
- Winter 2026
- LA, Literary/Artistic Analysis
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ARTH 324.01 Winter 2026
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week.
Sophomore Priority. Extra Time required for screenings
- Fall 2025, Winter 2026, Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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CAMS 110.01 Fall 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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Sophomore Priority.
Extra Time Required: Evening screenings
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CAMS 110.01 Winter 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- M, WWeitz Center 132 1:50pm-3:00pm
- FWeitz Center 132 2:20pm-3:20pm
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Sophomore Priority.
Extra Time Required: For screenings
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CAMS 110.01 Spring 2026
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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Sophomore Priority.
Extra Time Required: For screenings
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CAMS 210 Film History I 6 credits
This course surveys the first half-century of cinema history, focusing on film structure and style as well as transformations in technology, industry and society. Topics include series photography, the nickelodeon boom, local movie-going, Italian super-spectacles, early African American cinema, women film pioneers, abstraction and surrealism, German Expressionism, Soviet silent cinema, Chaplin and Keaton, the advent of sound and color technologies, the Production Code, the American Studio System, Britain and early Hitchcock, Popular Front cinema in France, and early Japanese cinema. Assignments aim to develop skills in close analysis and working with primary sources in researching and writing film history.
Extra Time Evening Screenings
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CAMS 210.01 Winter 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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CAMS 211 Film History II 6 credits
This course charts the continued rise and development of cinema 1948-1968, focusing on monuments of world cinema and their industrial, cultural, aesthetic and political contexts. Topics include postwar Hollywood, melodrama, authorship, film style, labor strikes, runaway production, censorship, communist paranoia and the blacklist, film noir, Italian neorealism, widescreen aesthetics, the French New Wave, art cinema, Fellini, Bergman, the Polish School, the Czech New Wave, Japanese and Indian cinema, political filmmaking in the Third World, and the New Hollywood Cinema. Requirements include class attendance and participation, readings, evening film screenings, and various written assignments and exams.
Extra Time required. Evening Screenings.
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CAMS 211.01 Spring 2026
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 11:10am-12:20pm
- FWeitz Center 132 12:00pm-1:00pm
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Extra Time Required: Evening screenings
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CAMS 216 American Cinema of the 1970s 6 credits
American cinema from 1967-1979 saw the reconfiguration of outdated modes of representation in the wake of the Hollywood studio system and an alignment of new aesthetic forms with radical political and social perspectives. This course examines the film industry’s identity crisis through the cultural, stylistic, and technological changes that accompanied the era. The course seeks to demonstrate that these changes in cinematic practices reflected an agenda of revitalizing American cinema as a site for social commentary and cultural change.
Extra time
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CAMS 216.01 Winter 2026
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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CAMS 225 Film Noir: The Dark Side of the American Dream 6 credits
After Americans grasped the enormity of the Depression and World War II, the glossy fantasies of 1930s cinema seemed hollow indeed. During the 1940s, the movies, our true national pastime, took a nosedive into pessimism. The result? A collection of exceptional films populated with tough guys and dangerous women lurking in the shadows of nasty urban landscapes. This course focuses on classic American noir as well as neo-noir from a variety of perspectives, including mode and genre, visual style and narrative structure, postwar culture and politics, and race, gender, and sexuality. Requirements include two screenings per week and several short papers.
Extra Time required. Evening Screenings.
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CAMS 225.01 Fall 2025
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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Extra Time Required: Evening screenings
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CAMS 231 Film, Literature, and Culture in Mumbai and Seoul Program: Korean Cinema 3 credits
In recent decades, Korean cinema has emerged from the shadow of Japanese and Hong Kong cinema to become a globally significant and influential force. In this class students will study the history and aesthetics of Korean cinema, its global circulation, and its place in the imagining, representation and critique of Korean identity.
2nd Five Weeks
Extra Time Required
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul | New Media OCS Program
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Film, Literature and Culture in Mumbai and Seoul program.
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CAMS 233 Film, Literature, and Culture in Mumbai and Seoul Program: K-Drama 3 credits
The mass appeal of Korean television dramas, or K-Drama, now radiates well beyond the borders of the Korean peninsula. Korean dramas are among the most popular offerings on streaming networks around the world. In this class students will learn about the history, social contexts and major genres of these forms of popular culture and the interplay of their popularity in Korea and beyond.
2nd Five Weeks
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Film, Literature and Culture in Mumbai and Seoul program.
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CAMS 246 Documentary Studies 6 credits
This course explores the relevance and influence of documentary films by closely examining the aesthetic concerns and ethical implications inherent in these productions. We study these works both as artistic undertakings and as documents produced within a specific time, culture, and ideology. Central to our understanding of the form are issues of technology, methodology, and ethics, which are examined thematically as well as chronologically. The course offers an overview of the major historical movements in documentary film along more recent works; it combines screenings, readings, and discussions with the goal of preparing students to both understand and analyze documentary films.
Extra Time Required, weekly evening in-person screenings Tuesdays
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CAMS 246.01 Winter 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:25
- T, THWeitz Center 133 10:10am-11:55am
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CAMS 295 Cinema in Chile and Argentina — Storytelling in Context 6 credits
This course offers a broad historical and cultural overview of Chile and Argentina through a study of fiction and documentary films. It examines significant political and cultural developments including New Latin American Cinema, cinematic diasporas, dictatorship and the return of democracy, commercial consolidation of film industries, and recent films targeting international audiences. The goals of the class are to provide cinematic and culture histories from the 1960s through the present, to equip students with critical and cultural approaches for interpreting and analyzing cinematic practices, and to prepare students for the December OCS study trip to Santiago and Buenos Aires.
Open only to participants in Carleton OCS CAMS Cinema and Storytelling in Chile and Argentina Winter Break Program
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis CX, Cultural/Literature
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Student is a member of the OCS Cinema and Storytelling in Chile and Argentina winter program.
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CAMS 295.01 Fall 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm
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CAMS 320 Sound Studies Seminar 6 credits
This course presents the broader field of Sound Studies, its debates and issues. Drawing on a diverse set of interdisciplinary perspectives, the seminar explores the range of academic work on sound to examine the relationship between sound and listening, sound and perception, sound and memory, and sound and modern thought. Topics addressed include but are not limited to sound technologies and industries, acoustic perception, sound and image relations, sound in media, philosophies of listening, sound semiotics, speech and communication, voice and subject formation, sound art, the social history of noise, and hearing cultures.
- Spring 2026
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): CAMS 110 with a grade of C- or better.
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CAMS 320.01 Spring 2026
- Faculty:Jay Beck 🏫 👤
- Size:15
- M, WWeitz Center 133 1:50pm-3:35pm
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CCST 220 East/West in Israeli, Palestinian Fiction & Film 6 credits
As a crossroads of diverse perspectives in such a multicultural, but fraught Middle Eastern environment, Israeli and Palestinian fiction and film offer significant opportunities for comparative, cross-cultural learning. We will focus on how mental pictures of home, self, and other have been created, perpetuated, and/or challenged in local fiction since the 1940s and in film since the 1950s. Including authors and film directors of Middle Eastern, North African, and Ethiopian Jewish heritage alongside Palestinian artists will allow us to explore community, inter-generation, and gender-relevant responses to locally popular projections of post/colonial history and national life in Israel/ Palestine.
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CCST 220.01 Winter 2026
- Faculty:Stacy Beckwith 🏫 👤
- Size:25
- M, WWeitz Center 133 11:10am-12:20pm
- FWeitz Center 133 12:00pm-1:00pm
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One 200 or 300 Level course with a LA – Literary/Artistic Analysis course tag with a grade of C- or better.
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CCST 245.01 Winter 2026
- Faculty:Seth Peabody 🏫 👤
- Size:20
- M, WHasenstab 105 12:30pm-1:40pm
- FHasenstab 105 1:10pm-2:10pm
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CHIN 350 Reading Chinese Comics 6 credits
This course selects a range of popular comics as primary reading materials. Through these multimodal materials, students will gain important cultural and historical knowledge about China, expand vocabulary on a variety of cultural and societal topics, and most importantly, develop proficiency in producing descriptions and third-person narratives, both orally and in writing.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): CHIN 206 with a grade of C- or better or received a score of 300 on the Carleton Chinese Placement exam.
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CHIN 350.01 Fall 2025
- Faculty:Lin Deng 🏫 👤
- Size:25
- M, WHasenstab 109 12:30pm-1:40pm
- FHasenstab 109 1:10pm-2:10pm
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CHIN 360 Classical Chinese 6 credits
This course introduces to students the essentials of classical Chinese through a close reading of authentic materials. A wide range of genres, including prose, poems, idioms, and short stories, will be introduced to enrich students’ understanding of various writing conventions and styles. The historical, cultural, and literary forces that shape these cultural works also will be examined.
- Spring 2026
- LA, Literary/Artistic Analysis LP Language Requirement
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Student has completed any of the following course(s): CHIN 206 with a grade of C- or better or received a score of 300 on the Carleton Chinese Placement exam.
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CHIN 360.01 Spring 2026
- Faculty:Lei Yang 🏫 👤
- Size:20
- M, WLanguage & Dining Center 202 11:10am-12:20pm
- FLanguage & Dining Center 202 12:00pm-1:00pm
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CLAS 111 Greece at a Crossroads: History, Landscape, and Material Culture Program: Myth and Reception 6 credits
This course aims to familiarize students with important Greek mythological stories and figures as represented in Greek literature and art. During the course students will be introduced to select methods of studying and interpreting myths and will explore how myths helped the Greeks organize their understanding of the world and approach issues and problems that affected the lives of individuals and communities. Students will study the way in which myths have been received, interpreted, re-imagined, and rendered into artwork, theatrical performances, opera, and dance pieces in modern times and will discuss their relevance today.
Requires participation in OCS Program: Greece at a Crossroads: History, Landscape, and Material Culture
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Greece at a Crossroads program.
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CLAS 112 The Epic in Classical Antiquity: Texts, Contexts, and Intertexts 6 credits
It would be difficult to overstate the importance of the early Greek epics for the classical world and the western literary tradition that emerged from that world. This course will study closely both the Iliad and the Odyssey, as well as Hesiod’s Theogony, and then consider a range of works that draw upon these epics for their creator’s own purposes, including Virgil’s own epic, the Aeneid. By exploring the reception and influence of ancient epic, we will develop an appreciation for intertextuality and the dynamics of reading in general as it applies to generations of readers, including our own.
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CLAS 112.01 Winter 2026
- Faculty:Chico Zimmerman 🏫 👤
- Size:30
- M, WLanguage & Dining Center 104 1:50pm-3:00pm
- FLanguage & Dining Center 104 2:20pm-3:20pm
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CLAS 116 Greek Drama in Performance 6 credits
What is drama? When and where were the first systematic theatrical performances put on? What can Athenian tragedies and comedies teach us about the classical world and today’s societies? This course will explore the always-relevant world of Ancient Greek theater, its history and development, through the works of Aeschylus, Sophocles, Euripides, and Aristophanes. We will decode the structure and content of Greek tragedies and comedies, ponder their place in the Athenian society and the modern world, and investigate the role of both ancient and contemporary productions in addressing critical questions on the construction and performance of individual and communal identities.
- Spring 2026
- LA, Literary/Artistic Analysis
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CLAS 116.01 Spring 2026
- Faculty:Cecilia Cozzi 🏫 👤
- Size:30
- M, WLeighton 402 1:50pm-3:00pm
- FLeighton 402 2:20pm-3:20pm
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CLAS 121 Meeting an Anti-Hero: Philoctetes 6 credits
Among Greek heroes, Achilles or Odysseus easily come to mind, while Philoctetes remains largely unknown. However, the story of this hero, who was abandoned by his comrades on the island of Lemnos at the eve of the Trojan War due to his foul-smelling wound, is one of resilience, rebirth and salvation. Through his complicated journey between betrayal and friendship, we will explore works from both Greek epic and tragedy, understanding how ancient myth can help us navigate conversations in the present times, from the burden of toxic masculinity to the importance of mental health.
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CLAS 121.01 Winter 2026
- Faculty:Cecilia Cozzi 🏫 👤
- Size:30
- T, THWeitz Center 136 3:10pm-4:55pm
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CLAS 133 A Day in the Life of Classical Athens 6 credits
The course will allow us to explore different facets of Athens, the most famous city of Greece, during the Classical Era (5th century BCE), the time of Socrates and of the Parthenon: from tragedy to philosophy, from art to history, we will pretend to be a citizen living in Athens and see how it differs from our own modern experience.
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CLAS 133.01 Fall 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- M, WLanguage & Dining Center 104 12:30pm-1:40pm
- FLanguage & Dining Center 104 1:10pm-2:10pm
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DANC 270 Performance As Ceremony 6 credits
This course re-frames Dance history and practice through the lens of “performance as ceremony,” foregrounding embodied knowledge as a site of cultural memory, resistance, and futurity. Students will examine Indigenous, Africanist, Latinx, and Asian modernisms, centering choreographers, performers, and theorists who challenge dominant narratives and the legacies of cultural appropriation. With particular attention to Indigenous contemporary performance and its cultural and historical contexts, students will engage in seminar discussions, embodied research, and site-based performance practices. Indigenous guest artist/scholar visits, and attendance at performances will be part of the class.
Extra Time Required: 1-2 field trips to performances in the Twin Cities
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DANC 270.01 Winter 2026
- Faculty:Judith Howard 🏫 👤
- Size:25
- T, THWeitz Center 165 1:15pm-3:00pm
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Extra Time Required: 1-2 field trips to performances in the Twin Cities
Taught by Judith Howard, in collaboration with Indigenous artist-scholar in residence Sam Aros-Mitchell (enrolled member of the Texas Band of Yaqui Indians).
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ENGL 112 Introduction to the Novel 6 credits
This course explores the history and form of the British novel, tracing its development from a strange, sensational experiment in the eighteenth century to a dominant literary genre today. Among the questions that we will consider: What is a novel? What makes it such a popular form of entertainment? How does the novel participate in ongoing conversations about family, sex, class, race, and nation? How did a genre once considered a source of moral corruption become a legitimate literary form? Authors include: Daniel Defoe, Jane Austen, Charlotte Bronte, Bram Stoker, Virginia Woolf, and Jackie Kay.
- Winter 2026, Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 115 The Art of Storytelling 6 credits
Jorge Luis Borges is quoted as saying that “unlike the novel, a short story may be, for all purposes, essential.” This course focuses attention primarily on the short story as an enduring form. We will read short stories drawn from different literary traditions and from various parts of the world. Stories to be read include those by Aksenov, Atwood, Beckett, Borges, Camus, Cheever, Cisneros, Farah, Fuentes, Gordimer, Ishiguro, Kundera, Mahfouz, Marquez, Moravia, Nabokov, Narayan, Pritchett, Rushdie, Trevor, Welty, and Xue.
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
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ENGL 131 Speculative Fiction 6 credits
This course uses "speculative fiction" as umbrella term for categories and (sub)genres that include science fiction, fantasy, mystery, and horror. Deviation from the norm is our norm. You will have to teach your eyes to hear, and your ears to see. Above all, your multisensory engagement should allow for a reality check: does speculative fiction replicate or repudiate known stereotypes of women and blacks, in particular? What do you find (un)appealing about speculative fiction? We will read a variety of short fiction from the DARK MATTER anthology as well as longer narratives by Octavia Butler and Nalo Hopkinson.
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ENGL 141 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework adjusted accordingly. Declared or prospective English majors should register for ENGL 244.
Declared or prospective English majors should register for English 244.
- Winter 2026
- LA, Literary/Artistic Analysis
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ENGL 149 Tolkien and Herbert 6 credits
This course will study the works of J.R.R. Tolkien and Frank Herbert, with an emphasis on their best-known texts, Lord of the Rings and Dune. These books are often cited as the highest achievements in their respective genres (fantasy and science fiction), and share intriguing similarities, including the One Ring and Spice/Mélange, the perils of power, environmental concerns, blockbuster film treatments, and obsessive world-building. We will also consider secondary works by each author, including Tolkien’s The Silmarillion, selections from his letters, and Herbert’s Dune Messiah, the sequel to Dune. Critical approaches will include ecocriticism, postcolonialism, and Bloom’s anxiety of influence.
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ENGL 214 Revenge Tragedy 3 credits
Madness, murder, conspiracy, poison, incest, rape, ghosts, and lots of blood: the fashion for revenge tragedy in Elizabethan and Jacobean England led to the creation of some of the most brilliant, violent, funny, and deeply strange plays in the history of the language. Authors may include Cary, Chapman, Ford, Marston, Middleton, Kyd, Tourneur, and Webster.
- First Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 216 Milton and Modernity 6 credits
John Milton wrote what is perhaps the most influential, and arguably greatest, poem in the English language. In this work (Paradise Lost), and indeed throughout his corpus, Milton engaged his literary predecessors extensively, yet he also anticipated modern concerns in striking ways. We will read his major works (“Lycidas,” the sonnets, Paradise Lost, and Paradise Regained), as well as prose selections, attending to his use of sources, and to the ways Milton presages debates over free speech and book banning, Darwinism, the multiverse, and AI.
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ENGL 218 The Gothic Spirit 6 credits
The eighteenth and early nineteenth century saw the rise of the Gothic, a genre populated by brooding hero-villains, vulnerable virgins, mad monks, ghosts, and monsters. In this course, we will examine the conventions and concerns of the Gothic, addressing its preoccupation with terror, transgression, sex, otherness, and the supernatural. As we situate this genre within its literary and historical context, we will consider its relationship to realism and Romanticism, and we will explore how it reflects the political and cultural anxieties of its age. Authors include Horace Walpole, Ann Radcliffe, Matthew Lewis, Jane Austen, Mary Shelley, and Emily Bronte.
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ENGL 219 Global Shakespeare 3 credits
Shakespeare’s plays have been reimagined and repurposed all over the world, performed on seven continents, and translated into over 100 languages. The course explores how issues of globalization, nationalism, translation (both cultural and linguistic), and (de)colonization inform our understanding of these wonderfully varied adaptations and appropriations. We will examine the social, political, and aesthetic implications of a range of international stage, film, and literary versions as we consider how other cultures respond to the hegemonic original. No prior experience with Shakespeare is necessary.
Second 5 weeks
- Second Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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ENGL 222 The Art of Jane Austen 6 credits
All of Jane Austen's fiction will be read; the works she did not complete or choose to publish during her lifetime will be studied in an attempt to understand the art of her mature comic masterpieces, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion.
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ENGL 223 American Transcendentalism 6 credits
Attempts to discern the nineteenth-century Zeitgeist come down, Emerson says, to a “practical question of the conduct of life. How shall I live?” This interdisciplinary course will investigate the works of the American Transcendentalist movement in its restless discontent with the conventional, its eclectic search for better ways of thinking and living. We will engage major works of Emerson, Thoreau, Fuller, and Whitman alongside documents of the scientific, religious, and political changes that shaped their era and provoked their responses.
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ENGL 224 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
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ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
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ENGL 241 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare's career, covering all genres and periods, this course explores the nature of Shakespeare's genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft ("page to stage"). By tackling the complexities of prosody, of textual transmission, and of Shakespeare's highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Offered at both the 100 and 200 levels, coursework will be adjusted accordingly. Non English majors should register for English 144.
Non English majors should register for English 144.
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ENGL 245 Bollywood Nation 6 credits
This course will serve as an introduction to Bollywood or popular Hindi cinema from India. We will trace the history of this cinema and analyze its formal components. We will watch and discuss some of the most celebrated and popular films of the last 60 years with particular emphasis on urban thrillers and social dramas.
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ENGL 246 Film, Literature, and Culture in Mumbai and Seoul Program: Beyond Bollywood 3 credits
While the output of the popular Hindi film industry of Mumbai, also known as Bollywood, has global reach and renown, other genres of films produced in Mumbai are not as well-known or studied. In this course, students will encounter independent feature films, documentaries and short films that will expand their understanding of the larger world of Hindi cinema in particular, and Indian cinema more broadly.
First Five Weeks
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul, 5 week course
- First Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Film, Literature and Culture in Mumbai and Seoul program.
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ENGL 247 The American West 6 credits
Wallace Stegner once described the West as "the geography of hope" in the American imagination. Despite various dystopian urban pressures, the region still conjures up images of wide vistas and sunburned optimism. We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same area. We will explore how writers such as Twain, Cather, Stegner and Cormac McCarthy have dealt with the geographical diversity and multi-ethnic history of the West. Weekly film showings will include The Searchers, McCabe and Mrs. Miller, Unforgiven, and Lone Star. Extra Time Required, evening screenings.
Extra Time Required, Evening Screening
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ENGL 248 Visions of California 6 credits
An interdisciplinary exploration of the ways in which California has been imagined in literature, art, film and popular culture from pre-contact to the present. We will explore the state both as a place (or rather, a mosaic of places) and as a continuing metaphor–whether of promise or disintegration–for the rest of the country. Authors read will include Muir, Steinbeck, Chandler, West, and Didion. Weekly film showings will include Sunset Boulevard, Chinatown and Blade Runner.
Extra Time required.
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ENGL 256 Excavating Histories: Archival Research Methods 6 credits
This course will introduce the fundamentals of working with special collections and archives, including ethical best practices and methods of research and interpretation. Drawing on interdisciplinary scholarship, we will explore questions such as: What constitutes an archive? What motivates people to create and seek out archives? Whose lives and histories have been privileged in the cultivation of archives, and what is being done to address these disparities? What are the limits of archiving as a means of redress? Course work will include in-person visits to collections at Carleton and beyond, as well as research in digitized collections nationwide.
Extra Time Required: Off-campus site visits to meet with community partners.
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ENGL 256.01 Fall 2025
- Faculty:Emily Coccia 🏫 👤
- Size:25
- M, WLibrary 344 9:50am-11:00am
- FLibrary 344 9:40am-10:40am
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ENGL 257 Fandom and the Queer Digital Commons 6 credits
In this introduction to fan studies, students will engage with foundational and emerging scholarship, as well as popular media that represent key sites in the development of modern fandom. A famously “undisciplined” discipline, fan studies draws on a variety of intellectual traditions, and we will read broadly to consider what fandom includes, where its politics emerge, and how to engage as ethical researchers. This course foregrounds modern queer fan cultures to explore the shifting relationship between creators and audiences and the tensions within fan communities. Television and films from the 1960s to the present will serve as weekly case studies.
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ENGL 272 Film, Literature, and Culture in Mumbai and Seoul Program: Representing Mumbai 3 credits
In Mumbai we will read a range of poems, short stories, novels and non-fiction that take Mumbai/Bombay as their setting and discuss the ways in which the heterogeneous cosmopolitanisms of the city are both represented and re-articulated in writing on the city. While our focus will be on Mumbai/Bombay, the course will also function as an introduction to twentieth century and contemporary Indian writing.
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul
First Five Weeks
- First Five Weeks, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Film, Literature and Culture in Mumbai and Seoul program.
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ENGL 281 London Lives 6 credits
London has been a vibrant, multi-ethnic nurturing ground of creative lives and communities for over two millennia. We will explore the city as home and inspiration for the creators of brilliant art, architecture, fiction, and film, looking at how the city shaped their lives and works. Visits will include field trips to Dickens’s Spitalfields, Woolf’s Bloomsbury, and Ali’s Brick Lane, among others. Students will also have the opportunity to study a London writer, artist, or creator of their choice. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Requires participation in Carleton OCS London Program. Extra time
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 282 Living London Program: London Theater 6 credits
Students will attend productions (at least two per week) of classic and contemporary plays in a range of London venues both on and off the West End, and will do related reading. We will also travel to Stratford-upon-Avon for a three-day theater trip. Class discussions will focus on dramatic genres and themes, dramaturgy, acting styles, and design. Guest speakers may include actors, critics, and directors. Students will keep a theater journal and write several full reviews of plays.
Open only to participants in OCS Program: Living London
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Acceptance in the Carleton OCS Living London Program.
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ENGL 295 Critical Methods 6 credits
Required of students majoring in English, this course explores practical and theoretical issues in literary analysis and contemporary criticism.
Not open to first year students.
- Fall 2025, Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 319 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen.
- Winter 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 324 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 344 Reading Queerly 6 credits
What might it mean to cultivate a queer relationship to reading? Is it a question of identity? That is, does a queer critic read queerly? Might it be a matter of argument? Is reading against the grain inherently queer? Or could it be that queer reading is defined by an affective relationship to the text? We will explore a range of multimedia primary sources and foundational works of queer literary criticism, considering how reading emerged as a privileged site for articulating and embodying queerness. Primary sources range from Henry James and Shakespeare to David Bowie, Prince, and Taylor Swift.
- Spring 2026
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One ENGL Foundations course with a grade of C- or better.
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ENGL 359 Contemporary World Literature 6 credits
Our focus is on contemporary writers. Specifically, we will privilege genre-bending fiction published within the last two decades in which we encounter a continuum, not a line of demarcation, between us and them, insider and outsider, here and there, then and now, femaleness and maleness, North and South, the local and the global. Authors to be read include Zinzi Clemmons, Teju Cole, Esi Edugyan, Mohsin Hamid, Tommy Orange, Zadie Smith, and Colson Whitehead.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 395 The Writings of Virginia Woolf 6 credits
Virginia Woolf is regarded as one of the chief modernist writers, as well as one of the twentieth-century's most important feminist thinkers. She revolutionized the novel and the concept of time in fiction, as well as ideas of gender and sexuality. She, along with other members of the Bloomsbury Group, was also a critic of World War I and the build-up to World War II. In this course we will read the majority of her novels, as well as selected essays, diary entries, and letters. Articles by literary critics will offer various contexts for our discussions. Some works included: Mrs. Dalloway, To the Lighthouse, Orlando, and "A Room of One's Own."
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student must have completed any of the following course(s): ENGL 295 and one 300 level ENGL course with grade of C- or better. Not open to students who have taken ENGL 353.
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ENGL 395 The Romantic Mode 6 credits
In literary study, Romanticism is frequently presented as an historical period, an era beginning in the aftermath of the French Revolution and coming to an end in the development of 19th-C realism and 20th-C. modernism. Following recent Marxist reconfigurations, in this Advanced Seminar we will construe Romanticism as a mode of thought and expression released from period and never having come to an end at all. An interdisciplinary, international, and anti-capitalist approach to the topic with contributions from philosophy, painting, music, and politics, and with primary sources of literary art drawn from Shakespeare to the present.
Repeatable: Course is repeatable provided the topics are different.
- Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student must have completed any of the following course(s): ENGL 295 and one 300 level ENGL course with grade of C- or better.
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FREN 206 Francophone Emotions: Science and Culture 6 credits
Through texts, images, and films coming from different continents, this class will present how various French-speaking communities describe and represent emotions such as love, fear, or anger. Focused on oral and written expression this class aims to strengthen students’ linguistic skills while introducing them to the key themes of French and Francophone studies: colonialism, gender, class, art, and intellectual production. Most importantly, this class will highlight how the sciences and the humanities are interdependent and closely connected.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 206.01 Winter 2026
- Faculty:Sandra Rousseau 🏫 👤
- Size:25
- M, WLanguage & Dining Center 335 9:50am-11:00am
- FLanguage & Dining Center 335 9:40am-10:40am
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FREN 231 Paris: The Eras Tour 6 credits
American-born entertainer, civil rights activist, and spy for the French Resistance, Josephine Baker famously sang, "I have two loves, my country and Paris." What attracts people to Paris and does the reality live up to the fantasy? Explore the evolution of Paris from the Gallo-Roman period to the present through art, literature, music, and film. Learn about its visitors and residents, from individuals buried in the Catacombs to a Jewish student at the Sorbonne during the Nazi occupation, and analyze how lived experiences are shaped by the politics, culture, and infrastructure of the cities we call home. Conducted in French.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 231.01 Winter 2026
- Faculty:Katharine Hargrave 🏫 👤
- Size:25
- M, WHasenstab 105 11:10am-12:20pm
- FHasenstab 105 12:00pm-1:00pm
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FREN 236 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (3 or 4) but ample opportunities will exist for everyone to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 236.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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FREN 240 Imagining North Africa: Arabs, Berbers, and Beurs 6 credits
How have North African identities been represented in literature and film? How has the sustained presence of French language, and culture in the region shaped how North African authors and directors envision their relationship with their land, their languages, and their identities? This class is an introduction to literature and film from the Francophone Maghreb. Through careful and thoughtful analysis of canonical and contemporary sources, students will question how North African identities have evolved with and against French racial categories, and most importantly how they have transformed the aesthetics and politics of Francophone cultural productions.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 240.01 Spring 2026
- Faculty:Sandra Rousseau 🏫 👤
- Size:25
- M, WLanguage & Dining Center 345 9:50am-11:00am
- FLanguage & Dining Center 345 9:40am-10:40am
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FREN 254 French and Francophone Studies in Paris Program: French Art in Context 6 credits
Home of some of the finest and best known museums in the world, Paris has long been recognized as a center for artistic activity. Students will have the opportunity to study art from various periods on site, including Impressionism, Expressionism, and Surrealism. In-class lectures and discussions will be complemented by guided visits to the unparalleled collections of the Louvre, the Musée d’Orsay, the Centre Pompidou, local art galleries, and other appropriate destinations. Special attention will be paid to the program theme.
Requires participation in OCS Program: French and Francophone Studies in Paris
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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FREN 255 French and Francophone Studies in Paris Program: Islam in France: Historical Approaches and Current Debates 6 credits
In this course, students will explore the historical, cultural, social, and religious traces of Islam as they have been woven over time into the modern fabric of French society. Through images drawn from film, photography, television, and museum displays, they will discover the important role this cultural contact zone has played in the French experience. The course will take advantage of the resources of the city of Paris and will include excursions to museums as well as cultural and religious centers.
Requires participation in OCS Program: French and Francophone Studies in Paris
- Spring 2026
- LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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FREN 259 French and Francophone Studies in Paris Program: Hybrid Paris 6 credits
Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Requires participation in OCS Program: French and Francophone Studies in Paris
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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FREN 303 That’s Entertainment! 6 credits
Blaise Pascal wrote, “[t]he only thing that consoles us from our miseries is our diversion. And yet, it is the greatest of our miseries.” In other words, amusement is a way of avoiding one’s own unhappiness. Is the role of entertainment to escape reality? If so, what role do politics play in shaping the cultural scene? Read the queer fairy tales of Madame de Murat, listen to French podcasts currently topping charts, and discuss theatrical performances in Charleston’s French Quarter as you examine the interaction between politics and play from the Middle Ages to the present day. Conducted in French.
- Spring 2026
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 303.01 Spring 2026
- Faculty:Katharine Hargrave 🏫 👤
- Size:15
- M, WHasenstab 109 11:10am-12:20pm
- FHasenstab 109 12:00pm-1:00pm
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FREN 336 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (three or four) but there will be ample opportunities for each person to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 336.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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FREN 359 French and Francophone Studies in Paris Program: Hybrid Paris 6 credits
Through literature, cultural texts, and experiential learning in the city, this course will explore the development of both the "Frenchness" and the hybridity that constitute contemporary Paris. Immigrant cultures, notably North African, will also be highlighted. Plays, music, and visits to cultural sites will complement the readings. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Requires participation in OCS Program: French and Francophone Studies in Paris
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS French and Francophone Studies in Paris Program and student has completed any of the following course(s): FREN 204 or higher level course with a grade of C- or better.
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FREN 380 Comics: Sequence with Consequence 6 credits
In the Francophone world comics are known as the ninth art, a popular, legitimate–albeit contested–art form. What then differentiates this art form from others? How do comics create meaning? How do they tell stories? What stories do they tell? In this class we will develop a multilayered approach to comics by analyzing the form and content of texts, but also by questioning the place of comics in French, Algerian, and Québecois societies. Readings will include iconic texts (Asterix, Tintin), alternative comics (by Fabcaro, Louerrad, Ziadé), theoretical pieces on bandes dessinées, and conversations with working artists.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 380.01 Fall 2025
- Faculty:Sandra Rousseau 🏫 👤
- Size:20
- M, WHulings 120 11:10am-12:20pm
- FHulings 120 12:00pm-1:00pm
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GERM 150 German Music and Culture from Mozart to Rammstein 6 credits
What is “German”? Why are certain figures considered German and other identities are excluded–and how might we critically reconsider these categories through a study of “German” music? In this course, we survey significant developments in German-language culture, broadly defined, from the 1600s to the twenty-first century. Taught in English.
In Translation
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GERM 150.01 Spring 2026
- Faculty:Juliane Schicker 🏫 👤
- Size:30
- T, THWeitz Center 230 1:15pm-3:00pm
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GERM 216 German Short Prose 6 credits
The course introduces students to the joys and challenges of reading short German fictional and non-fictional texts of various genres from three centuries, including fairy tales, aphorisms, short stories, novellas, tweets, essays, and newspaper articles. We will read slowly and with an eye to grammar and vocabulary building, while also concentrating on developing an understanding of German cultural history. Texts and class discussions will be in German.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): GERM 204 with a grade of C- or better or received a score of 4 or better on the German Language and Culture AP exam or received a score of 6 or better on the German: Language B IB exam or received a score of 205 on the Carleton German Placement exam.
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GERM 264 German Studies in Austria Program: Theater and Opera in Vienna 6 credits
Vienna is full of world-class theater and opera that simply cannot be missed. In this class, you’ll learn about important dramas and their authors and then see the works performed live at theaters in the city–you’ll also get the chance to go backstage and tour several theaters up close! Informed by historical background and theoretical approaches, we’ll discuss the performances, their sociopolitical relevance, and situate them within various contexts.
Open only to participants in OCS German in Austria program.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS German Studies in Austria program.
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GERM 265 German Studies in Austria Program: The Nation through Art: East-Central European Music, Literature, and Visual Arts 6 credits
How does art, in various forms, shape our understanding of a nation? What does it mean for a place to have a national language, music, painting, architecture, and so on? And what are the peculiarities of these questions in the context of Austria, which was once the center of a vast ethnically and culturally diverse empire? This class explores how art forms can both create and express national cultures while covering the history of East-Central Europe.
Open only to participants in OCS German Studies in Austria Program
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS German Studies in Austria program.
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GERM 322 German Studies in Austria Program: Remembering and Forgetting: Austrian Literature 6 credits
What stories are told about Austria and its history? What stories are forgotten, and why? In this course, we’ll learn about Austrian history, culture, and politics through the region's literature and cultural institutions. Through deep engagement with multimedia texts (novels, short stories, films, poems), students encounter Austrian cultural production and criticism while also strengthening German language skills. Site visits, museum trips, and excursions in Vienna and beyond complement our analysis.
Requires participation in OCS Program: German Studies in Austria
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS German Studies in Austria program.
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GRK 230 Homer: The Odyssey 6 credits
Homer is perhaps the foundational poet of the western canon, and his work has been justly admired since its emergence out of the oral tradition of bardic recitation in the eighth century BCE. This course will sample key events and passages from the Odyssey, exploring the fascinating linguistic and metrical features of the epic dialect, as well as the major thematic elements of this timeless story of homecoming.
- Spring 2026
- LA, Literary/Artistic Analysis
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Acceptance in the Carleton OCS Greece at a Crossroads program.
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GWSS 111 Queer and Trans Memoir 6 credits
From Audre Lorde’s biomythography detailing black lesbian life in 1950s Harlem, to Alison Bechdel’s tragicomic comic books, Chelsea Manning’s whistleblower tell-all, or Carmen Maria Machado’s experimental memoir about same sex domestic abuse, LGBTQ+ autobiographical works provide us with richly subjective, historically situated insights into the lived experiences of queer and trans individuals. Interdisciplinary in scope, this course considers a variety of LGBTQ+ takes and twists on the memoir genre, including photo diaries; video selfies; illustrated works; self-ethnographies; life-as-art performances; stand-up specials; auto theoretical works; and literary or lyrical forms centering on the personal.
- Fall 2025
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Not open to students who have previously taken GWSS 100 – Queer Trans Memoir.
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GWSS 111.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WLeighton 236 1:50pm-3:00pm
- FLeighton 236 2:20pm-3:20pm
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JAPN 248 Literature and Beauty in Modern Japan 6 credits
This course introduces modern Japanese literature from the late 19th century to the 1960s, examining its evolution through the lens of “Beauty” as both an aesthetic and cultural concept. We will explore how literature emerged as a fine art, engaging with modern Western aesthetic theories to interrogate notions of “modernness” and its intersection with ethical concerns. In addition to studying major writers and works, we will analyze literature’s response to historical contexts, addressing themes such as class division, alienation, scientific progress, colonialism, urbanization, and war.
In Translation. No prior knowledge of Japanese language or culture is required.
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JAPN 248.01 Fall 2025
- Faculty:Chie Tokuyama 🏫 👤
- Size:25
- T, THLanguage & Dining Center 302 1:15pm-3:00pm
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JAPN 344 Japan Trends: Lifestyle, Society, and Culture 6 credits
In this advanced Japanese language course, we will explore a wide range of concepts, social media buzzwords, and cultural phenomena that constitute the fabric of everyday life in Japan today. From “geeks” and “idols” dominating the cultural scene to the “working poor” and “hikikomori,” who represent the precarity Japan faces in the contexts of economic, political and psychological crisis, the course delves into the aspects of key phenomena surrounding contemporary Japanese society. You will develop skills to read, analyze, summarize, and critique various texts written in Japanese, including newspaper articles, scholarly essays, literary texts, and films, while becoming familiar with historical contexts in which these keywords emerged and are used.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): JAPN 206 with a grade of C- or better or received a score of 206 on the Carleton Japanese Placement exam.
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JAPN 344.01 Winter 2026
- Faculty:Chie Tokuyama 🏫 👤
- Size:25
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
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JAPN 355 Advanced Reading: Contemporary Japanese Prose 6 credits
This course explores various aspects of contemporary Japanese culture and society through an intensive reading of a variety of texts written in Japanese. Students become familiar with diverse genres of writing and formality of styles by analyzing authentic materials, which include popular fiction, newspaper articles, and scholarly essays. The course aims to develop all aspects of communicative skills (reading, speaking, listening, and writing) in addition to enhancing academic skills such as close-reading, summarizing, and critiquing texts.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): JAPN 206 with a grade of C- or better or received a score of 206 on the Carleton Japanese Placement exam.
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JAPN 355.01 Fall 2025
- Faculty:Chie Tokuyama 🏫 👤
- Size:15
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
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LATN 232 Roman Republic in Code Red: Sallust to the Rescue 6 credits
The Roman Republic is in a deep crisis and there seems to be no coming back from it. Is there any recipe for salvation? Sallust tackles the challenge and offers his own interpretation on how to navigate these chaotic and tormented times. Will his advice be valuable even in the present time? We will find out together.
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LATN 232.01 Fall 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- M, WLanguage & Dining Center 104 11:10am-12:20pm
- FLanguage & Dining Center 104 12:00pm-1:00pm
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LATN 243 Medieval Latin 6 credits
This course offers students an introduction to post-classical Latin (250-1450) through readings in prose and poetry drawn from a variety of genres and periods. Students will also gain experience with medieval Latin paleography and codicology through occasional workshops in Special Collections.
- Winter 2026
- LA, Literary/Artistic Analysis LP Language Requirement
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Student has completed any of the following course(s): LATN 204 with a grade of C- or better or received a score of 205 on the Carleton Latin Placement exam.
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LATN 243.01 Winter 2026
- Faculty:William North 🏫 👤
- Size:25
- T, THLibrary 344 1:15pm-3:00pm
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MEST 135 Imagining Arab Worlds 6 credits
In this course we will study representations of the environments and landscapes of the modern Arab world, with particular focus upon five distinct but connected types of places– city, country, mountain, desert, and sea– and their entanglement with various myths of nationhood and peoplehood. Through study of Arab fiction and film and in conversation with history, spatial theory, and ecocriticism, we will think about how environment has shaped those societies, and how members of those societies have made claims of their own about and upon their surroundings.
In translation, no Arabic required. All course readings will be in English.
ARBC 135 is cross listed with MEST 135.
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MEST 135.01 Winter 2026
- Faculty:Zaki Haidar 🏫 👤
- Size:30
- M, WLanguage & Dining Center 335 1:50pm-3:00pm
- FLanguage & Dining Center 335 2:20pm-3:20pm
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MEST 185 The Creation of Classical Arabic Literature 6 credits
In this course we will explore the emergence of Arabic literature in one of the most exciting and important periods in the history of Islam and the Arab world; a time in which pre-Islamic Arabian lore was combined with translated Persian wisdom literature and Greek scientific and philosophical writings to form the canon of learning of the new emerged Arab-Islamic empire. We will explore some of the different literary genres that emerged in the New Arab courts and urban centers: from wine and love poetry, historical and humorous anecdotes, to the Thousand and One Nights, and discuss the socio-historical forces and institutions that shaped them. All readings are in English. No Arabic knowledge required.
ARBC 185 is cross listed with MEST 185.
In Translation.
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MEST 185.01 Fall 2025
- Faculty:Yaron Klein 🏫 👤
- Size:30
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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MUSC 110 Theory I: The Principles of Harmony 6 credits
An introduction to the materials of Western tonal music, with an emphasis on harmonic structure and syntax, voice leading, and musical analysis. We will cover foundational harmonic topics (including secondary dominants, modal mixture, and modulation), phrase structure and cadential analysis, and small musical forms. Student activities will involve regular analysis and part-writing assignments, readings and short essay responses, and composition exercises.
Recommended Preparation: MUSC 101 (Music Fundamentals) or an appropriate score on the Music Theory Placement exams on the music department website. Students with questions about placement are strongly encouraged to discuss with the instructor.
- Winter 2026
- LA, Literary/Artistic Analysis
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MUSC 110.01 Winter 2026
- Faculty:Jeremy Tatar 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Required Extra Time
Extra Time
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MUSC 115.01 Fall 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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Required Extra Time
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MUSC 123 The American Film Musical 6 credits
A survey of film musicals from their beginnings in the 1920s to the present. The course will cover the definition and attributes of film musicals, how a film musical differs from a film with music, and then continue with a historical survey of various eras of musicals, such as early sound film musicals, the film musical at its zenith, the adaptation of Broadway musicals to the screen, and current postmodern musicals and animated musicals by Disney and Pixar. The course will also discuss how musicals convey evolving cultural attitudes of gender, race, ethnicity, and sexual orientation, as well as good vs. evil.
Extra Time
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MUSC 123.01 Spring 2026
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 126 America’s Music 6 credits
A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.
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MUSC 126.01 Spring 2026
- Faculty:Andy Flory 🏫 👤
- Size:30
- M, WWeitz Center M215 9:50am-11:00am
- FWeitz Center M215 9:40am-10:40am
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MUSC 130 The History of Jazz 6 credits
A survey of jazz from its beginnings to the present day focusing on the performer/composers and their music.
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MUSC 130.01 Fall 2025
- Faculty:Andy Flory 🏫 👤
- Size:30
- T, THWeitz Center M215 10:10am-11:55am
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MUSC 140 Playlist Remix: The World in Your Headphones 6 credits
Tired of what Spotify has been serving up to you? In this class we’ll explore the sounds, stories, and social meaning of music from around the globe. We’ll consider how music connects to identity, politics, ritual, and resistance. We will ask: Can music be used as a weapon? Why does music bring people together? What ethical considerations should we take into account when consuming music from other parts of the word? By the end of the course, you’ll understand how people use music to tell their stories, fight for change, build community, and vibe to the beat of their favorite song.
Recommended Preparation: No prior music lessons or experience necessary. You do not need to be able to read music.
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MUSC 140.01 Fall 2025
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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MUSC 144 Music in the (NORTH)Field 6 credits
This course is your chance to become a local music interpreter! You’ll learn and practice the hands-on methods that ethnomusicologists use to better understand the relationships between music and society. We’ll analyze studies from music scholars around the world and debate common approaches and ethical considerations. Using Northfield as our own fieldwork site, our class will work to recover the sounds, people, and meanings behind the town of “Cows, Colleges, and Contentment.”
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MUSC 144.01 Winter 2026
- Faculty:Sarah Lahasky 🏫 👤
- Size:30
- M, WWeitz Center 231 9:50am-11:00am
- FWeitz Center 231 9:40am-10:40am
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MUSC 204 Theory II: Musical Structures 6 credits
An investigation into the nature of musical sounds and the way they are combined to form rhythms, melodies, harmonies, and form. Topics include the nature of musical pitch, the structure of musical scales and their influence on melody, what gives rise to a sense of tonality, the complexity of rhythmic patterns, and the architecture of musical form. Student work includes building a musical instrument, programming a drum machine, writing computer code to create harmonies and timbres, and an extended music analysis project using empirical methods.
- Spring 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): MUSC 110 with grade of C- or better.
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MUSC 204.01 Spring 2026
- Faculty:Jeremy Tatar 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 215 Western Music and its Social Ecosystems, 1830-Present 6 credits
How does music shape society? What does it feel like to participate in musical life—as a creator, performer, listener, leader, fan, or critic? These questions will guide us as we study the history of Western music with an emphasis on social experience. We’ll explore music from the Romantic era to our contemporary moment, with our ears and eyes trained toward the repertoire’s civic and interpersonal meanings. Along the way, you’ll respond to current concert programming and curate playlists that speak to your communities on campus and beyond. Front of mind will be expansive themes of belonging and identity.
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MUSC 215.01 Winter 2026
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 239 The Philosophy of Music 6 credits
What is Music, and what exactly is a “musical composition,” especially in the age of recorded music and sampling? Can music tell a story, express an emotion, or convey a proposition? And if music can do any of these things, how does it do it? Last but not least, how are we to judge the value of musical pieces and musical practices? Do we need to judge popular music differently from so-called “art” music? To address these questions we will listen to a wide range of musical examples, from Bach and Mozart to the Beatles and Jimi Hendrix, and we will read a wide range of writings about music, from Plato, Rousseau, and Kant to current philosophers, including Scruton, Kivy, Davies, Carroll, and Gracyk.
- Winter 2026
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One MUSC 100, 200 or 300 Level Course not including Lesson or Ensemble courses OR one PHIL 100, 200, 300 Level Course not including Independent Studies with a grade of C- or better.
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MUSC 239.01 Winter 2026
- Faculty:Justin London 🏫 👤
- Size:25
- T, THWeitz Center 231 10:10am-11:55am
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MUSC 241 Music of Latin America 6 credits
This course is designed to increase your awareness of musical styles in Latin America within particular social, economic, and political contexts. We will cover topics related to popular, folkloric, classical, and indigenous musics spanning from Mexico to South America’s Southern Cone. The course will include elements of performance and dance instruction in addition to a critical examination of lived experiences across the region. No previous musical experience is necessary.
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MUSC 241.01 Fall 2025
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- T, THWeitz Center 231 10:10am-11:55am
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MUSC 242 Tango: More Than a Dance 6 credits
This course explores the Argentine tango as a lens into over 100 years of global and cultural change. Tango is much more than a dance; It represents important moments related to migration, sexuality, nationalism, tourism, appropriation, and of course, music. We will trace its history from working-class neighborhoods of Buenos Aires to its adoption by Parisians in the early 20th century, to the worldwide phenomenon that we know it as today. You’ll have the opportunity to play tango charts in class and engage with tango communities in Minnesota. A working knowledge of western music notation is helpful, though not required.
Extra Time Required: Students will have the opportunity to attend tango music/dance events in the Twin Cities, which typically occur in the evening hours. However, there will always be an alternative assignment for students who have evening conflicts or wish to not leave campus.
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MUSC 242.01 Winter 2026
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- M, WWeitz Center 231 1:50pm-3:00pm
- FWeitz Center 231 2:20pm-3:20pm
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MUSC 308 Seminar in Music Analysis 6 credits
An introduction to advanced analytical techniques for Western Art Music, focusing particularly on the area of musical form. Drawing on a range of sources and styles, this course will also introduce students to theoretical approaches concerning compositional schemas, semiotics, and theories of rhythm and meter. Musical forms to be considered include binary, ternary, rondo, variations, fantasies, and sonata form. At its core, this course asks: “how does music get *big*?”
- Fall 2025
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): MUSC 110 with grade of C- or better.
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MUSC 308.01 Fall 2025
- Faculty:Jeremy Tatar 🏫 👤
- Size:15
- T, THWeitz Center 231 1:15pm-3:00pm
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RUSS 239 The Warped Soul of Putin’s Russia 6 credits
What is Russia’s problem? Why is the country famous for its great “soul” and culture waging a bloody war and becoming increasingly anti-Western? This course explores the cultural mythology that characterizes the state of contemporary Russian society and its “soul,” using critical approaches from trauma and memory studies, as well as theories of ressentiment and nostalgia. Authors to be studied include ideologues of Putin’s Russia (Surkov, Prilepin), its critics (Sorokin), and other writers, artists, and filmmakers who reflect, define, question, and challenge the direction in which country is moving and give it a cultural diagnosis. In English.
In translation
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RUSS 239.01 Winter 2026
- Faculty:Victoria Thorstensson 🏫 👤
- Size:25
- M, WHasenstab 109 1:50pm-3:00pm
- FHasenstab 109 2:20pm-3:20pm
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RUSS 336 Who’s Pushkin? Whose Pushkin? 6 credits
Who was Pushkin? Reform-minded liberal, Russian patriot, proud descendant of African nobility, the Russian Shakespeare, all or none of the above? In the eyes of Russians, is he still—was he ever?— “our everything”? A study of Pushkin’s lyric poetry, his novel in verse Eugene Onegin and other works in the context of his contested legacy. Conducted in Russian.
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): RUSS 205 with a grade of C- or better.
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RUSS 336.01 Spring 2026
- Faculty:Laura Goering 🏫 👤
- Size:20
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
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RUSS 342 Post-Soviet Film 6 credits
This course focuses on the question of collective identity in post-Soviet cinema. Topics include the marginalization of “the other,” whether disabled, gay, hipster, migrant or elderly; the breaking down of the boundary between civil society and the criminal world; and the transformation of former “brothers” into outsiders. In light of current events in Ukraine, particular emphasis will be placed on films dealing with war. Conducted in Russian.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): RUSS 205 with a grade of C- or better or received a score of 205 on the Carleton Russian Placement exam.
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RUSS 342.01 Fall 2025
- Faculty:Anna Dotlibova 🏫 👤
- Size:15
- M, WLeighton 202 1:50pm-3:35pm
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SPAN 205 Conversation and Composition 6 credits
A course designed to develop the student’s oral and written mastery of Spanish. Advanced study of grammar. Compositions and conversations based on cultural and literary topics. There is also an audio-video component focused on current affairs.
- Fall 2025, Winter 2026, Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis LP Language Requirement
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 205.01 Fall 2025
- Faculty:Jorge Brioso 🏫 👤
- Size:20
- T, THLanguage & Dining Center 104 1:15pm-3:00pm
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SPAN 205.01 Winter 2026
- Faculty:Humberto Huergo 🏫 👤
- Size:20
- M, WLanguage & Dining Center 345 1:50pm-3:00pm
- FLanguage & Dining Center 345 2:20pm-3:20pm
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SPAN 205.01 Spring 2026
- Faculty:Ingrid Luna 🏫 👤
- Size:20
- M, WLanguage & Dining Center 302 1:50pm-3:00pm
- FLanguage & Dining Center 302 2:20pm-3:20pm
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SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Fall 2025, Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 208.01 Fall 2025
- Faculty:Jorge Brioso 🏫 👤
- Size:10
- Grading:S/CR/NC
- WLanguage & Dining Center 302 12:30pm-1:40pm
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SPAN 208.01 Winter 2026
- Faculty:Jorge Brioso 🏫 👤
- Size:10
- Grading:S/CR/NC
- WLibrary 305 12:30pm-1:40pm
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SPAN 228 Madrid Program: Artivism and Society: Exploring the Impact of Creativity on Socio-Political and Economic Issues 3 credits
This course explores how art can address pressing socio-political and economic issues, focusing on its potential to support the building or transformation of societies. Students will examine the role of art understood as a communal activity that facilitates discussion on complex socio-political positions. They will study how art not only reflects society but also inspires change. Additionally, the course includes an overview of the history of art as a social practice in Spain, from 1939 to the present. We will visit museums and other art venues, including street art and public-art locations. When possible, we’ll attend screenings and performances.
Acceptance in Carleton Madrid OCS Program
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Spanish Studies in Madrid Program and student has completed the following course(s): SPAN 205 or a higher course with a grade of C- or better.
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SPAN 242 Introduction to Latin American Literature 6 credits
An introductory course to reading major texts in Spanish provides an historical survey of the literary movements within Latin American literature from the pre-Hispanic to the contemporary period. Recommended as a foundation course for further study. Not open to seniors.
Not open to seniors
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Emmersion Placement exam AND does not have Senior Priority.
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SPAN 242.01 Fall 2025
- Faculty:Silvia López 🏫 👤
- Size:20
- M, WLanguage & Dining Center 205 1:50pm-3:00pm
- FLanguage & Dining Center 205 2:20pm-3:20pm
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SPAN 255 Beyond the Verse: Spain’s Evolving Poetry 6 credits
This course provides students with a background in 20th- and 21st-century Spanish poetry. It explores selected works from Spain’s lyrical canon as well as more contemporary forms of poetry to identify and discuss themes, structure, rhythm, and metrics, as well as literary techniques. Furthermore, they will be able to identify, interpret, and analyze the movements, generations, styles, and themes of Spanish lyrical production as they learn about the history and social events that transformed the country. Some authors will include Lorca, Cernuda, Gil de Biedma, Fuertes among others.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN numbered 204 or higher with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 255.01 Winter 2026
- Faculty:David Delgado Lopez 🏫 👤
- Size:20
- M, WLanguage & Dining Center 205 12:30pm-1:40pm
- FLanguage & Dining Center 205 1:10pm-2:10pm
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SPAN 301 Greek and Christian Tragedy 6 credits
This course is a comparative study of classical and Christian tragedy from Sophocles to Valle Inclán and from Aristotle to Nietzsche. Classes alternate between lectures and group discussions. Course requisites include a midterm exam and a final paper. All readings are in Spanish, Sophocles and Aristotle included.
Extra time
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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SPAN 360 Green Labyrinth: Storytelling and Sacred Plants 6 credits
Through films, short stories and novels, we analyze how plants like ayahuasca, peyote, and coca are at the intersection of exploitation, psychedelia, sacred practices and ecological awareness. We examine how the representations of plants in literature and cinema address biopiracy, colonialism, and the commodification of sacred plants. Also, we will study how indigenous communities preserve ancestral knowledge and resist environmental destruction. Students will critically reflect on the connections between storytelling, plant-based medicine, and contemporary environmental challenges in Latin America and beyond.
Extra Time Required: Film screenings and attending talks.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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SPAN 360.01 Winter 2026
- Faculty:Ingrid Luna 🏫 👤
- Size:25
- M, WBoliou 140 11:10am-12:20pm
- FBoliou 140 12:00pm-1:00pm
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SPAN 376 Mexico City: The City as Protagonist 6 credits
This seminar will have Mexico City as protagonist, and will examine the construction of one of the largest urban centers of the world through fictional writing, cultural criticism, and visual/aural culture. We will critically engage the fictions of its past, the dystopias of its present, the assemblage of affects and images that give it continuity, but which also codify the ever-changing and contested view of its representation and meaning. From Carlos Fuentes to Sayak Valencia, in the company of Eisenstein and Cuarón, among others.
- Winter 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.
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SPAN 376.01 Winter 2026
- Faculty:Silvia López 🏫 👤
- Size:25
- M, WLanguage & Dining Center 244 1:50pm-3:35pm
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THEA 225 Theater History and Theory 6 credits
Throughout history, theatrical performance has been both a reflection of cultural values and a platform for envisioning social change. In this course, students will examine the theatre of the people: popular theatre, theatre that directly engages with the community in which it lives, and theatre that is woven into the rituals of the culture. This includes ancient Greek tragedy, medieval cycle plays, Yoruban Egungun Masquerade, commedia dell’arte, Japanese Kabuki, Elizabethan theatre, and American popular and grassroots performance. Class sessions will combine lecture, discussion, and performances of historical texts.
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THEA 225.01 Spring 2026
- Faculty:Jeanne Willcoxon 🏫 👤
- Size:25
- M, WWeitz Center 231 11:10am-12:20pm
- FWeitz Center 231 12:00pm-1:00pm
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