Search Results
Your search for courses · during 25FA · meeting requirements for LA, Literary/Artistic Analysis · returned 42 results
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ARBC 185 The Creation of Classical Arabic Literature 6 credits
In this course we will explore the emergence of Arabic literature in one of the most exciting and important periods in the history of Islam and the Arab world; a time in which pre-Islamic Arabian lore was combined with translated Persian wisdom literature and Greek scientific and philosophical writings to form the canon of learning of the new emerged Arab-Islamic empire. We will explore some of the different literary genres that emerged in the New Arab courts and urban centers: from wine and love poetry, historical and humorous anecdotes, to the Thousand and One Nights, and discuss the socio-historical forces and institutions that shaped them. All readings are in English. No Arabic knowledge required.
ARBC 185 is cross listed with MEST 185.
In Translation.
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ARBC 185.01 Fall 2025
- Faculty:Yaron Klein 🏫 👤
- Size:30
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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ARTH 166 Chinese Art and Culture 6 credits
This course will survey art and architecture in China from its prehistoric beginnings to the end of the nineteenth century. It will examine various types of visual art forms within their social, political and cultural contexts. Major themes that will also be explored include: the role of ritual in the production and use of art, the relationship between the court and secular elite and art, and theories about creativity and expression.
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ARTH 166.01 Fall 2025
- Faculty:Kathleen Ryor 🏫 👤
- Size:25
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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ARTH 205 Invisible From Space: Representing Ecosystems 6 credits
Since NASA's "Whole Earth" photographs emerged in the late 1960s, people have struggled with humanity's place in the cosmos and our interconnection with all life on our "blue marble." How can we comprehend the whole while valuing each component of this complex system? In the U.S., Romantic landscapes and frontier imagery continue influencing perception despite tensions with vast scales of space, time, data, history, and non-human perspectives. These challenges of seeing our planet and ourselves have inspired diverse creative responses across photography, new media, mapping, alternative archiving, theater, music, data visualization, and other interdisciplinary approaches.
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ARTH 205.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTH 207 Cultivating the Future: “Growing” Together 6 credits
Artists have long explored the dual themes of plant cultivation and knowledge cultivation. What explains this connection between horticulture and pedagogy in art? This course examines these interconnections, beginning with early modernist art circles and following their influence on developments like Black Mountain College and Joseph Beuys's Free International University. We then explore contemporary artists who employ permaculture gardens, traditional ecological knowledge, ecofeminist principles, guerrilla plantings, and foraging as tools to foster new social, political, and spiritual understandings. Through these practices, artists cultivate not just plants but future-oriented ways of knowing and being in the world.
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ARTH 207.01 Fall 2025
- Faculty:David Bailey 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 266 Arts of the Japanese Tea Ceremony 6 credits
This course will examine the history and aesthetics of the tea ceremony in Japan (chanoyu). It will focus on the types of objects produced for use in the Japanese tea ceremony from the fifteenth century through the present. Themes to be explored include: the relationship of social status and politics to the development of chanoyu; the religious dimensions of the tea ceremony; gender roles of tea practitioners; nationalist appropriation of the tea ceremony and its relationship to the mingei movement in the twentieth century; and the international promotion of the Japanese tea ceremony post-WWII. Requires concurrent registration in ARTS 236.
Extra Time Required
Requires concurrent registration in ARTS 236.
Waitlist Information: If you would like to waitlist for a ARTS 236 section, you will need to UNCHECK the box for ARTH 266 section, prior to completing the waitlist process. If you are offered a seat in ARTS 236, you will be able to register for ARTH 266 at the same time.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
- ARTS 236: Ceramics: Vessels for Tea
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ARTH 266.01 Fall 2025
- Faculty:Kathleen Ryor 🏫 👤
- Size:14
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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Extra Time Required,
Requires concurrent registration in ARTS 236
Four seats held for Art and Art History majors until the day after rising junior priority registration.
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CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week.
Sophomore Priority. Extra Time required for screenings
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CAMS 110.01 Fall 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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Sophomore Priority.
Extra Time Required: Evening screenings
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 11:10am-12:20pm
- FWeitz Center 132 12:00pm-1:00pm
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Extra Time Required: Evening screenings
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CAMS 225 Film Noir: The Dark Side of the American Dream 6 credits
After Americans grasped the enormity of the Depression and World War II, the glossy fantasies of 1930s cinema seemed hollow indeed. During the 1940s, the movies, our true national pastime, took a nosedive into pessimism. The result? A collection of exceptional films populated with tough guys and dangerous women lurking in the shadows of nasty urban landscapes. This course focuses on classic American noir as well as neo-noir from a variety of perspectives, including mode and genre, visual style and narrative structure, postwar culture and politics, and race, gender, and sexuality. Requirements include two screenings per week and several short papers.
Extra Time required. Evening Screenings.
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CAMS 225.01 Fall 2025
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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Extra Time Required: Evening screenings
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CAMS 295 Cinema in Chile and Argentina — Storytelling in Context 6 credits
This course offers a broad historical and cultural overview of Chile and Argentina through a study of fiction and documentary films. It examines significant political and cultural developments including New Latin American Cinema, cinematic diasporas, dictatorship and the return of democracy, commercial consolidation of film industries, and recent films targeting international audiences. The goals of the class are to provide cinematic and culture histories from the 1960s through the present, to equip students with critical and cultural approaches for interpreting and analyzing cinematic practices, and to prepare students for the December OCS study trip to Santiago and Buenos Aires.
Open only to participants in Carleton OCS CAMS Cinema and Storytelling in Chile and Argentina Winter Break Program
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis CX, Cultural/Literature
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Student is a member of the OCS Cinema and Storytelling in Chile and Argentina winter program.
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CAMS 295.01 Fall 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm
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CHIN 350 Reading Chinese Comics 6 credits
This course selects a range of popular comics as primary reading materials. Through these multimodal materials, students will gain important cultural and historical knowledge about China, expand vocabulary on a variety of cultural and societal topics, and most importantly, develop proficiency in producing descriptions and third-person narratives, both orally and in writing.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): CHIN 206 with a grade of C- or better or received a score of 300 on the Carleton Chinese Placement exam.
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CHIN 350.01 Fall 2025
- Faculty:Lin Deng 🏫 👤
- Size:25
- M, WHasenstab 109 12:30pm-1:40pm
- FHasenstab 109 1:10pm-2:10pm
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CLAS 133 A Day in the Life of Classical Athens 6 credits
The course will allow us to explore different facets of Athens, the most famous city of Greece, during the Classical Era (5th century BCE), the time of Socrates and of the Parthenon: from tragedy to philosophy, from art to history, we will pretend to be a citizen living in Athens and see how it differs from our own modern experience.
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CLAS 133.01 Fall 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- M, WLanguage & Dining Center 104 12:30pm-1:40pm
- FLanguage & Dining Center 104 1:10pm-2:10pm
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
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ENGL 141 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 149 Tolkien and Herbert 6 credits
This course will study the works of J.R.R. Tolkien and Frank Herbert, with an emphasis on their best-known texts, Lord of the Rings and Dune. These books are often cited as the highest achievements in their respective genres (fantasy and science fiction), and share intriguing similarities, including the One Ring and Spice/Mélange, the perils of power, environmental concerns, blockbuster film treatments, and obsessive world-building. We will also consider secondary works by each author, including Tolkien’s The Silmarillion, selections from his letters, and Herbert’s Dune Messiah, the sequel to Dune. Critical approaches will include ecocriticism, postcolonialism, and Bloom’s anxiety of influence.
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ENGL 216 Milton and Modernity 6 credits
John Milton wrote what is perhaps the most influential, and arguably greatest, poem in the English language. In this work (Paradise Lost), and indeed throughout his corpus, Milton engaged his literary predecessors extensively, yet he also anticipated modern concerns in striking ways. We will read his major works (“Lycidas,” the sonnets, Paradise Lost, and Paradise Regained), as well as prose selections, attending to his use of sources, and to the ways Milton presages debates over free speech and book banning, Darwinism, the multiverse, and AI.
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ENGL 224 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
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ENGL 241 Latinx Voices in the Age of Trump 6 credits
The last few years have placed Latinx communities under siege and in the spotlight. The demands of the census and new policies around immigration mean that who counts as Latinx and why it matters has public visibility and meaning. Simultaneously, the last few years have seen an incredible growth of new literary voices and genres in the world of Latinx letters. From fictional and creative nonfiction accounts of detention camps, border crossings, and asylum court proceedings to lyrical wanderings in bilingualism to demands for greater attention to Afrolatinidad and the particular experiences of Black Latinxs–Latinx voices are rising. We will engage with current literary discussions in print, on social media, and in literary journals as we chart the shifting, developing terrain of Latinx literatures. Offered at both the 100 and 200 levels; coursework will be adjusted accordingly.
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ENGL 247 The American West 6 credits
Wallace Stegner once described the West as "the geography of hope" in the American imagination. Despite various dystopian urban pressures, the region still conjures up images of wide vistas and sunburned optimism. We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same area. We will explore how writers such as Twain, Cather, Stegner and Cormac McCarthy have dealt with the geographical diversity and multi-ethnic history of the West. Weekly film showings will include The Searchers, McCabe and Mrs. Miller, Unforgiven, and Lone Star. Extra Time Required, evening screenings.
Extra Time Required, Evening Screening
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ENGL 256 Excavating Histories: Archival Research Methods 6 credits
This course will introduce the fundamentals of working with special collections and archives, including ethical best practices and methods of research and interpretation. Drawing on interdisciplinary scholarship, we will explore questions such as: What constitutes an archive? What motivates people to create and seek out archives? Whose lives and histories have been privileged in the cultivation of archives, and what is being done to address these disparities? What are the limits of archiving as a means of redress? Course work will include in-person visits to collections at Carleton and beyond, as well as research in digitized collections nationwide.
Extra Time Required: Off-campus site visits to meet with community partners.
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ENGL 256.01 Fall 2025
- Faculty:Emily Coccia 🏫 👤
- Size:25
- M, WLibrary 344 9:50am-11:00am
- FLibrary 344 9:40am-10:40am
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ENGL 257 Fandom and the Queer Digital Commons 6 credits
In this introduction to fan studies, students will engage with foundational and emerging scholarship, as well as popular media that represent key sites in the development of modern fandom. A famously “undisciplined” discipline, fan studies draws on a variety of intellectual traditions, and we will read broadly to consider what fandom includes, where its politics emerge, and how to engage as ethical researchers. This course foregrounds modern queer fan cultures to explore the shifting relationship between creators and audiences and the tensions within fan communities. Television and films from the 1960s to the present will serve as weekly case studies.
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ENGL 295 Critical Methods 6 credits
Required of students majoring in English, this course explores practical and theoretical issues in literary analysis and contemporary criticism.
Not open to first year students.
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 324 Cruel Summer, 1816 6 credits
A circle of poets and writers, friends and lovers, spend the summer in Geneva sightseeing, arguing, telling ghost stories, reading and writing passionately together—and changing the course of literary history. We’ll explore the personal and artistic relations between Mary Shelley, Percy Bysshe Shelley, Lord Byron, and others, reading the works they wrote in conversation with each other including Frankenstein, “Prometheus,” and Prometheus Unbound, as well as studying diaries, manuscripts, biographical accounts, and films. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student has completed any of the following course(s): One English Foundations including (100) course with a grade of C- or better or received a score of 5 on the English Literature and Composition AP exam or received a grade of 6 or better on the English Language A: Literature IB exam AND 6 credits from English courses (100-399) not including Independent Studies and Comps with a grade of C- or better.
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ENGL 395 The Writings of Virginia Woolf 6 credits
Virginia Woolf is regarded as one of the chief modernist writers, as well as one of the twentieth-century's most important feminist thinkers. She revolutionized the novel and the concept of time in fiction, as well as ideas of gender and sexuality. She, along with other members of the Bloomsbury Group, was also a critic of World War I and the build-up to World War II. In this course we will read the majority of her novels, as well as selected essays, diary entries, and letters. Articles by literary critics will offer various contexts for our discussions. Some works included: Mrs. Dalloway, To the Lighthouse, Orlando, and "A Room of One's Own."
- Fall 2025
- LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Student must have completed any of the following course(s): ENGL 295 and one 300 level ENGL course with grade of C- or better. Not open to students who have taken ENGL 353.
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FREN 236 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (3 or 4) but ample opportunities will exist for everyone to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): FREN 204 with a grade of C- or better or received a score of 4 or better on the French Language and Culture AP exam or received a score of 6 or better on the French: Language B IB exam or received a score of 205 on the Carleton French Placement exam. .
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FREN 236.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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FREN 336 Francophone Cinema and the African Experience 6 credits
Born as a response to the colonial gaze (ethnographic films, in particular) and ideological discourse, African cinema has been a determined effort to capture and affirm an African personality and consciousness. Focusing on film production from Francophone Africa and its diaspora over the past few decades, this course will address themes such as slavery, colonialism, and national identity, as well as the immigrant experience in France and in Quebec. It will provide an introduction to African symbolisms, world-views, and narrative techniques. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
Extra Time Required: A few evening screenings (three or four) but there will be ample opportunities for each person to screen the films at their leisure.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 336.01 Fall 2025
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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FREN 380 Comics: Sequence with Consequence 6 credits
In the Francophone world comics are known as the ninth art, a popular, legitimate–albeit contested–art form. What then differentiates this art form from others? How do comics create meaning? How do they tell stories? What stories do they tell? In this class we will develop a multilayered approach to comics by analyzing the form and content of texts, but also by questioning the place of comics in French, Algerian, and Québecois societies. Readings will include iconic texts (Asterix, Tintin), alternative comics (by Fabcaro, Louerrad, Ziadé), theoretical pieces on bandes dessinées, and conversations with working artists.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One 200 or 300 level FREN course excluding FREN 204 and Independent Studies with a grade of C- or better.
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FREN 380.01 Fall 2025
- Faculty:Sandra Rousseau 🏫 👤
- Size:20
- M, WHulings 120 11:10am-12:20pm
- FHulings 120 12:00pm-1:00pm
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GWSS 111 Queer and Trans Memoir 6 credits
From Audre Lorde’s biomythography detailing black lesbian life in 1950s Harlem, to Alison Bechdel’s tragicomic comic books, Chelsea Manning’s whistleblower tell-all, or Carmen Maria Machado’s experimental memoir about same sex domestic abuse, LGBTQ+ autobiographical works provide us with richly subjective, historically situated insights into the lived experiences of queer and trans individuals. Interdisciplinary in scope, this course considers a variety of LGBTQ+ takes and twists on the memoir genre, including photo diaries; video selfies; illustrated works; self-ethnographies; life-as-art performances; stand-up specials; auto theoretical works; and literary or lyrical forms centering on the personal.
- Fall 2025
- IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
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Not open to students who have previously taken GWSS 100 – Queer Trans Memoir.
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GWSS 111.01 Fall 2025
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WLeighton 236 1:50pm-3:00pm
- FLeighton 236 2:20pm-3:20pm
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JAPN 248 Literature and Beauty in Modern Japan 6 credits
This course introduces modern Japanese literature from the late 19th century to the 1960s, examining its evolution through the lens of “Beauty” as both an aesthetic and cultural concept. We will explore how literature emerged as a fine art, engaging with modern Western aesthetic theories to interrogate notions of “modernness” and its intersection with ethical concerns. In addition to studying major writers and works, we will analyze literature’s response to historical contexts, addressing themes such as class division, alienation, scientific progress, colonialism, urbanization, and war.
In Translation. No prior knowledge of Japanese language or culture is required.
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JAPN 248.01 Fall 2025
- Faculty:Chie Tokuyama 🏫 👤
- Size:25
- T, THLanguage & Dining Center 302 1:15pm-3:00pm
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JAPN 355 Advanced Reading: Contemporary Japanese Prose 6 credits
This course explores various aspects of contemporary Japanese culture and society through an intensive reading of a variety of texts written in Japanese. Students become familiar with diverse genres of writing and formality of styles by analyzing authentic materials, which include popular fiction, newspaper articles, and scholarly essays. The course aims to develop all aspects of communicative skills (reading, speaking, listening, and writing) in addition to enhancing academic skills such as close-reading, summarizing, and critiquing texts.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): JAPN 206 with a grade of C- or better or received a score of 206 on the Carleton Japanese Placement exam.
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JAPN 355.01 Fall 2025
- Faculty:Chie Tokuyama 🏫 👤
- Size:15
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
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LATN 232 Roman Republic in Code Red: Sallust to the Rescue 6 credits
The Roman Republic is in a deep crisis and there seems to be no coming back from it. Is there any recipe for salvation? Sallust tackles the challenge and offers his own interpretation on how to navigate these chaotic and tormented times. Will his advice be valuable even in the present time? We will find out together.
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LATN 232.01 Fall 2025
- Faculty:Cecilia Cozzi 🏫 👤
- Size:25
- M, WLanguage & Dining Center 104 11:10am-12:20pm
- FLanguage & Dining Center 104 12:00pm-1:00pm
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MEST 185 The Creation of Classical Arabic Literature 6 credits
In this course we will explore the emergence of Arabic literature in one of the most exciting and important periods in the history of Islam and the Arab world; a time in which pre-Islamic Arabian lore was combined with translated Persian wisdom literature and Greek scientific and philosophical writings to form the canon of learning of the new emerged Arab-Islamic empire. We will explore some of the different literary genres that emerged in the New Arab courts and urban centers: from wine and love poetry, historical and humorous anecdotes, to the Thousand and One Nights, and discuss the socio-historical forces and institutions that shaped them. All readings are in English. No Arabic knowledge required.
ARBC 185 is cross listed with MEST 185.
In Translation.
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MEST 185.01 Fall 2025
- Faculty:Yaron Klein 🏫 👤
- Size:30
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Required Extra Time
Extra Time
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MUSC 115.01 Fall 2025
- Faculty:Brooke Okazaki 🏫 👤
- Size:30
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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Required Extra Time
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MUSC 130 The History of Jazz 6 credits
A survey of jazz from its beginnings to the present day focusing on the performer/composers and their music.
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MUSC 130.01 Fall 2025
- Faculty:Andy Flory 🏫 👤
- Size:30
- T, THWeitz Center M215 10:10am-11:55am
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MUSC 140 Playlist Remix: The World in Your Headphones 6 credits
Tired of what Spotify has been serving up to you? In this class we’ll explore the sounds, stories, and social meaning of music from around the globe. We’ll consider how music connects to identity, politics, ritual, and resistance. We will ask: Can music be used as a weapon? Why does music bring people together? What ethical considerations should we take into account when consuming music from other parts of the word? By the end of the course, you’ll understand how people use music to tell their stories, fight for change, build community, and vibe to the beat of their favorite song.
Recommended Preparation: No prior music lessons or experience necessary. You do not need to be able to read music.
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MUSC 140.01 Fall 2025
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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MUSC 241 Music of Latin America 6 credits
This course is designed to increase your awareness of musical styles in Latin America within particular social, economic, and political contexts. We will cover topics related to popular, folkloric, classical, and indigenous musics spanning from Mexico to South America’s Southern Cone. The course will include elements of performance and dance instruction in addition to a critical examination of lived experiences across the region. No previous musical experience is necessary.
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MUSC 241.01 Fall 2025
- Faculty:Sarah Lahasky 🏫 👤
- Size:25
- T, THWeitz Center 231 10:10am-11:55am
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MUSC 308 Seminar in Music Analysis 6 credits
An introduction to advanced analytical techniques for Western Art Music, focusing particularly on the area of musical form. Drawing on a range of sources and styles, this course will also introduce students to theoretical approaches concerning compositional schemas, semiotics, and theories of rhythm and meter. Musical forms to be considered include binary, ternary, rondo, variations, fantasies, and sonata form. At its core, this course asks: “how does music get *big*?”
- Fall 2025
- LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): MUSC 110 with grade of C- or better.
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MUSC 308.01 Fall 2025
- Faculty:Jeremy Tatar 🏫 👤
- Size:15
- T, THWeitz Center 231 1:15pm-3:00pm
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RUSS 342 Post-Soviet Film 6 credits
This course focuses on the question of collective identity in post-Soviet cinema. Topics include the marginalization of “the other,” whether disabled, gay, hipster, migrant or elderly; the breaking down of the boundary between civil society and the criminal world; and the transformation of former “brothers” into outsiders. In light of current events in Ukraine, particular emphasis will be placed on films dealing with war. Conducted in Russian.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): RUSS 205 with a grade of C- or better or received a score of 205 on the Carleton Russian Placement exam.
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RUSS 342.01 Fall 2025
- Faculty:Anna Dotlibova 🏫 👤
- Size:15
- M, WLeighton 202 1:50pm-3:35pm
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SPAN 205 Conversation and Composition 6 credits
A course designed to develop the student’s oral and written mastery of Spanish. Advanced study of grammar. Compositions and conversations based on cultural and literary topics. There is also an audio-video component focused on current affairs.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis LP Language Requirement
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 205.01 Fall 2025
- Faculty:Jorge Brioso 🏫 👤
- Size:20
- T, THLanguage & Dining Center 104 1:15pm-3:00pm
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SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Placement exam.
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SPAN 208.01 Fall 2025
- Faculty:Jorge Brioso 🏫 👤
- Size:10
- Grading:S/CR/NC
- WLanguage & Dining Center 302 12:30pm-1:40pm
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SPAN 228 Madrid Program: Artivism and Society: Exploring the Impact of Creativity on Socio-Political and Economic Issues 3 credits
This course explores how art can address pressing socio-political and economic issues, focusing on its potential to support the building or transformation of societies. Students will examine the role of art understood as a communal activity that facilitates discussion on complex socio-political positions. They will study how art not only reflects society but also inspires change. Additionally, the course includes an overview of the history of art as a social practice in Spain, from 1939 to the present. We will visit museums and other art venues, including street art and public-art locations. When possible, we’ll attend screenings and performances.
Acceptance in Carleton Madrid OCS Program
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Acceptance in the Spanish Studies in Madrid Program and student has completed the following course(s): SPAN 205 or a higher course with a grade of C- or better.
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SPAN 242 Introduction to Latin American Literature 6 credits
An introductory course to reading major texts in Spanish provides an historical survey of the literary movements within Latin American literature from the pre-Hispanic to the contemporary period. Recommended as a foundation course for further study. Not open to seniors.
Not open to seniors
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): SPAN 204 with a grade of C- or better or received a score of 4 or better on the Spanish Literature AP exam or received a score of 4 or better on the Spanish Language AP exam or received a score of 6 or better on the Spanish IB exam or received a score of 205 on the Carleton Spanish Emmersion Placement exam AND does not have Senior Priority.
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SPAN 242.01 Fall 2025
- Faculty:Silvia López 🏫 👤
- Size:20
- M, WLanguage & Dining Center 205 1:50pm-3:00pm
- FLanguage & Dining Center 205 2:20pm-3:20pm
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SPAN 301 Greek and Christian Tragedy 6 credits
This course is a comparative study of classical and Christian tragedy from Sophocles to Valle Inclán and from Aristotle to Nietzsche. Classes alternate between lectures and group discussions. Course requisites include a midterm exam and a final paper. All readings are in Spanish, Sophocles and Aristotle included.
Extra time
- Fall 2025
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One SPAN course numbered 205 or higher excluding Independent Studies with a grade of C- or better.