Search Results
Your search for courses · during 24WI · meeting requirements for Literary / Artistic Analysis · returned 46 results
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ARTH 101 Introduction to Art History I 6 credits
An introduction to the art and architecture of various geographical areas around the world from antiquity through the “Middle Ages.” The course will provide foundational skills (tools of analysis and interpretation) as well as general, historical understanding. It will focus on a select number of major developments in a range of media and cultures, emphasizing the way that works of art function both as aesthetic and material objects and as cultural artifacts and forces. Issues include, for example, sacred spaces, images of the gods, imperial portraiture, and domestic decoration.
- Winter 2024
- International Studies Literary/Artistic Analysis
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ARTH 101.00 Winter 2024
- Faculty:Jennifer Awes Freeman 🏫 👤
- Size:30
- T, THBoliou 161 10:10am-11:55am
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ARTH 165 Japanese Art and Culture 6 credits
This course will survey art and architecture in Japan from its prehistoric beginnings until the early twentieth century, and explore the relationship between indigenous art forms and the foreign (Korean, Chinese, European) concepts, art forms and techniques that influenced Japanese culture, as well as the social political and religious contexts for artistic production.
- Winter 2024
- International Studies Literary/Artistic Analysis
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ARTH 165.00 Winter 2024
- Faculty:Kathleen Ryor 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
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ARTH 203 Intersectional Medieval Art 6 credits
Grounded in critical race theory, intersectionality, and queer theory, this class draws on a range of visual and textual sources to trace the histories, experiences, and representations of marginalized identities in the medieval world. We will consider gender, sexuality, and race in the context of Jewish, Christian, and Islamic cultures during the Middle Ages. This class will examine topics including transgender saints, demonic possession, and the so-called “monstrous races.” In contrast to misconceptions of a homogenous white Christian past, the reality of medieval Europe was diverse and complex, as reflected in its visual and material culture.
- Winter 2024
- International Studies Literary/Artistic Analysis
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ARTH 203.00 Winter 2024
- Faculty:Jennifer Awes Freeman 🏫 👤
- Size:25
- T, THBoliou 161 1:15pm-3:00pm
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ARTH 262 Architectural Studies in Europe Program: Community-Engaged Design 3 credits
In recent years, architects and urban planners have increasingly moved away from the total-design methods that often typified the Modern Movement of architecture in which the master planner oversaw every aspect of design “from the teaspoon to the city.” In its place, many designers have engaged local resources and forms of knowledge rooted in communities as the basis for architecture and urban planning schemes. This course considers case studies in community-based design practices by looking at both the products of such labor as well as the distinct processes that empowered residents to refashion their own surroundings from the ground up.
Requires participation in OCS Program: Architectural Studies in Europe
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in Architectural Studies in Europe program
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ARTH 263 Architectural Studies in Europe Program: Prehistory to Postmodernism 6 credits
This course surveys the history of European architecture while emphasizing firsthand encounters with actual structures. Students visit outstanding examples of major transnational styles–including Greek, Roman, Byzantine, Moorish, Romanesque, Gothic, Renaissance, Baroque, Neoclassical and Modernist buildings–along with regionally specific styles, such as Spanish Plateresque, English Tudor and Catalan Modernisme. Cultural and technological changes affecting architectural practices are emphasized along with architectural theory, ranging from Renaissance treatises to Modernist manifestos. Students also visit buildings that resist easy classification and that raise topics such as spatial appropriation, stylistic hybridity, and political symbolism.
Requires participation in OCS Program: Architectural Studies in Europe
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in OCS Architectural Studies Program
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ARTH 265 Architectural Studies in Europe Program: Urban Planning in Europe 3 credits
This course uses metropolitan areas visited during the program as case studies in the history and contemporary practice of urban planning. Students will explore cities with the program director and with local architects and historians—as well as in groups on their own. Specific topics include the use of major international events, such as Olympic Games and World’s Fairs, as large-scale planning opportunities, the development of municipal housing programs, the reduction of automobile traffic and mass transit initiatives, the adaptive reuse of former industrial districts, the use of cultural institutions as civic anchors, and more.
Requires participation in OCS Program: Architectural Studies in Europe
- Winter 2024
- Literary/Artistic Analysis
- Participation in OCS Architectural Studies Program
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ARTH 321 Arts of the Chinese Scholar’s Studio 6 credits
During the sixteenth and seventeenth centuries in China, unprecedented economic development and urbanization expanded the number of educated elite who used their wealth to both display their status and distinguish themselves as cultural leaders. As a result, this period experienced a boom in estate and garden building, art collecting and luxury consumption. This course will examine a wide range of objects from painting and calligraphy to furniture and ceramics within the context of domestic architecture of the late Ming dynasty. It will also examine the role of taste and social class in determining the style of art and architecture.
- Winter 2024
- International Studies Literary/Artistic Analysis
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ARTH 321.00 Winter 2024
- Faculty:Kathleen Ryor 🏫 👤
- Size:15
- M, WBoliou 161 12:30pm-1:40pm
- FBoliou 161 1:10pm-2:10pm
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CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week. Extra time.
Sophomore Priority. Extra Time required for screenings
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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CAMS 110.00 Winter 2024
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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Sophomore Priority.
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CAMS 186 Film Genres 6 credits
In this course we survey four or more Hollywood film genres, including but not limited to the Western, musical, horror film, comedy, and science-fiction film. What criteria are used to place a film in a particular genre? What role do audiences and studios play in the creation and definition of film genres? Where do genres come from? How do genres change over time? What roles do genres play in the viewing experience? What are hybrid genres and subgenres? What can genres teach us about society? Assignments aim to develop skills in critical analysis, research and writing.
Sophomore Priority Extra Time, Evening screenings
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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CAMS 186.00 Winter 2024
Sophomore Priority - Faculty:Carol Donelan 🏫 👤
- Size:25
- M, WWeitz Center 132 1:50pm-3:00pm
- FWeitz Center 132 2:20pm-3:20pm
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Sophomore Priority.
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CAMS 211 Film History II 6 credits
This course charts the continued rise and development of cinema 1948-1968, focusing on monuments of world cinema and their industrial, cultural, aesthetic and political contexts. Topics include postwar Hollywood, melodrama, authorship, film style, labor strikes, runaway production, censorship, communist paranoia and the blacklist, film noir, Italian neorealism, widescreen aesthetics, the French New Wave, art cinema, Fellini, Bergman, the Polish School, the Czech New Wave, Japanese and Indian cinema, political filmmaking in the Third World, and the New Hollywood Cinema. Requirements include class attendance and participation, readings, evening film screenings, and various written assignments and exams.
Extra Time required. Evening Screenings.
- Winter 2024
- International Studies Literary/Artistic Analysis
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CAMS 211.00 Winter 2024
- Faculty:Andrew Vielkind 🏫 👤
- Size:25
- M, WWeitz Center 133 9:50am-11:00am
- FWeitz Center 133 9:40am-10:40am
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CAMS 228 Avant-Garde and Experimental Cinema 6 credits
This course examines the history and theory of avant-garde and experimental cinema practices from the 1920s to the present, focusing upon radical innovations in style and technique. The course places particular emphasis on the social and historical contexts that have shaped alternative and underground film movements. Attention will be paid not only to the influence of parallel modern art movements, but the ways in which filmmakers have challenged conventional means of production, exhibition, and distribution. Topics include city symphonies, abstraction, found footage, seriality, Surrealism, psychedelia, experimental documentaries, video art, essay films, feminist critiques, and the transition from analogue to digital. Requirements include class attendance and participation, readings, evening film screenings, and various written assignments.
Extra time, evening film screenings
- Winter 2024
- International Studies Literary/Artistic Analysis
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CAMS 228.00 Winter 2024
- Faculty:Andrew Vielkind 🏫 👤
- Size:25
- M, WWeitz Center 233 12:30pm-1:40pm
- FWeitz Center 233 1:10pm-2:10pm
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CAMS 231 Film, Literature, and Culture in Mumbai and Seoul Program: Korean Cinema 3 credits
In recent decades, Korean cinema has emerged from the shadow of Japanese and Hong Kong cinema to become a globally significant and influential force. In this class students will study the history and aesthetics of Korean cinema, its global circulation, and its place in the imagining, representation and critique of Korean identity.
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in the Film, Literature and Culture in Mumbai and Seoul OCS program
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CAMS 233 Film, Literature, and Culture in Mumbai and Seoul Program: K-Drama 3 credits
The mass appeal of Korean television dramas, or K-Drama, now radiates well beyond the borders of the Korean peninsula. Korean dramas are among the most popular offerings on streaming networks around the world. In this class students will learn about the history, social contexts and major genres of these forms of popular culture and the interplay of their popularity in Korea and beyond.
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in the Film, Literature and Culture in Mumbai and Seoul OCS program
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CCST 245 Meaning and Power: Introduction to Analytical Approaches in the Humanities 6 credits
How can it be that a single text means different things to different people at different times, and who or what controls those meanings? What is allowed to count as a “text” in the first place, and why? How might one understand texts differently, and can different forms of reading serve as resistance or activism within the social world? Together we will respond to these questions by developing skills in close reading and discussing diverse essays and ideas. We will also focus on advanced academic writing skills designed to prepare students for comps in their own humanities department.
Formerly LCST 245
- Winter 2024
- International Studies Literary/Artistic Analysis Writing Requirement
- At least one 200- or 300-level course in Literary/Artistic Analysis (in any language) or instructor permission
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CCST 245.00 Winter 2024
- Faculty:Seth Peabody 🏫 👤
- Size:25
- M, WWillis 114 12:30pm-1:40pm
- FWillis 114 1:10pm-2:10pm
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CHIN 239 Digital China: Media, Culture, and Society 6 credits
This course invites students to critically examine digital media technologies in relation to social change, cultural innovation, and popular entertainment. Drawing on literature from media, literary, and cultural studies, the course engages in topics such as new media institutions, Internet businesses, global activism, gender and sexuality, and mobile applications. Special attention is paid to the implications that digital media bring forth within particular social and historical contexts, as well as the ways in which the Internet serves as the site for the negotiation of various political, economic, and cultural forces. In translation.
In translation
- Winter 2024
- International Studies Literary/Artistic Analysis
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CHIN 239.00 Winter 2024
- Faculty:Shaohua Guo 🏫 👤
- Size:25
- T, THLanguage & Dining Center 104 10:10am-11:55am
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CHIN 361 Advanced Chinese: Readings in Twentieth Century Literature 6 credits
Students will read, discuss, and write about major literary works from twentieth century China in order to both improve their language abilities and increase their understanding of the artistic and intellectual milieu in which the works were produced. Readings will include selections from modern and contemporary Chinese literature, including poetry, fiction, novels, and letters in the original Chinese.
- Winter 2024
- Literary/Artistic Analysis
- Chinese 206 or equivalent
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CHIN 361.00 Winter 2024
- Faculty:Lei Yang 🏫 👤
- Size:15
- M, WLanguage & Dining Center 242 1:50pm-3:00pm
- FLanguage & Dining Center 242 2:20pm-3:20pm
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CLAS 132 Fantasy and Science Fiction Then and Now 6 credits
When did science-fiction first appear in literature? The beginnings of modern fantasy and science-fiction are set around the 19th and 17th century respectively. However, fantasy and science-fiction stories and themes are already present in the Greco-Roman world. In this course, we will focus on one of the first fantasy and science-fiction works, Lucian’s True History, to trace the development of these genres in literature and cinema. Examining True History in parallel with works from Homer, Plato, Aristophanes, and Virgil as well as contemporary films, we will explore the influence of classical literature on the genres of fantasy and science-fiction.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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CLAS 132.00 Winter 2024
- Faculty:Anastasia Pantazopoulou 🏫 👤
- Size:30
- T, THLanguage & Dining Center 244 3:10pm-4:55pm
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ENGL 112 Introduction to the Novel 6 credits
This course explores the history and form of the British novel, tracing its development from a strange, sensational experiment in the eighteenth century to a dominant literary genre today. Among the questions that we will consider: What is a novel? What makes it such a popular form of entertainment? How does the novel participate in ongoing conversations about family, sex, class, race, and nation? How did a genre once considered a source of moral corruption become a legitimate literary form? Authors include: Daniel Defoe, Jane Austen, Charlotte Bronte, Bram Stoker, Virginia Woolf, and Jackie Kay.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 144 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare’s career, covering all genres and periods, this course explores the nature of Shakespeare’s genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft (“page to stage”). By tackling the complexities of prosody, of textual transmission, and of Shakespeare’s highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Note: Declared or prospective English majors should register for English 244.
Cross-listed with English 244
- Winter 2024
- Literary/Artistic Analysis
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ENGL 222 The Art of Jane Austen 6 credits
All of Jane Austen’s fiction will be read; the works she did not complete or choose to publish during her lifetime will be studied in an attempt to understand the art of her mature comic masterpieces, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 229 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 230 Studies in African American Literature: From the 1950s to the Present 6 credits
We will explore developments in African American literature since the 1950s with a focus on literary expression in the Civil Rights Era; on the Black Arts Movement; on the new wave of feminist/womanist writing; and on the experimental and futuristic fictions of the twenty-first century. Authors to be read include Ralph Ellison, James Baldwin, Lorraine Hansberry, Malcolm X, Audre Lorde, Amiri Baraka, Ishmael Reed, Alice Walker, August Wilson, Charles Johnson, Ntozake Shange, Gloria Naylor, Suzan-Lori Parks, Kevin Young, and Tracy Smith.
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ENGL 235 Asian American Literature 6 credits
This course is an introduction to major works and authors of fiction, drama, and poetry from about 1900 to the present. We will trace the development of Asian American literary traditions while exploring the rich diversity of recent voices in the field. Authors to be read include Carlos Bulosan, Sui Sin Far, Philip Kan Gotanda, Maxine Hong Kingston, Jhumpa Lahiri, Milton Murayama, Chang-rae Lee, Li-young Lee, and John Okada.
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ENGL 244 Shakespeare I 6 credits
A chronological survey of the whole of Shakespeare’s career, covering all genres and periods, this course explores the nature of Shakespeare’s genius and the scope of his art. Particular attention is paid to the relationship between literature and stagecraft (“page to stage”). By tackling the complexities of prosody, of textual transmission, and of Shakespeare’s highly figurative and metaphorical language, the course will help you further develop your ability to think critically about literature. Note: non-majors should register for English 144.
Cross-listed with ENGL 144
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 246 Film, Literature, and Culture in Mumbai and Seoul Program: Beyond Bollywood 3 credits
While the output of the popular Hindi film industry of Mumbai, also known as Bollywood, has global reach and renown, other genres of films produced in Mumbai are not as well-known or studied. In this course, students will encounter independent feature films, documentaries and short films that will expand their understanding of the larger world of Hindi cinema in particular, and Indian cinema more broadly.
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul, 5 week course
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in the Film Literature and Culture in Mumbai and Seoul program
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ENGL 249 Modern Irish Literature: Poetry, Prose, and Politics 6 credits
What can and should be the role of literature in times of bitter political conflict? Caught in partisan strife, Irish writers have grappled personally and painfully with the question. We will read works by Joyce, Yeats, and Heaney, among others, and watch films (Bloody Sunday, Hunger) that confront the deep and ongoing divisions in Irish political life.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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ENGL 272 Film, Literature, and Culture in Mumbai and Seoul Program: Representing Mumbai 3 credits
In Mumbai we will read a range of poems, short stories, novels and non-fiction that take Mumbai/Bombay as their setting and discuss the ways in which the heterogeneous cosmopolitanisms of the city are both represented and re-articulated in writing on the city. While our focus will be on Mumbai/Bombay, the course will also function as an introduction to twentieth century and contemporary Indian writing.
Requires participation in OCS Program: Film, Literature, and Culture in Mumbai and Seoul
- Winter 2024
- International Studies Literary/Artistic Analysis
- Participation in OCS Mumbai/Seoul Program
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ENGL 295 Critical Methods 6 credits
Required of students majoring in English, this course explores practical and theoretical issues in literary analysis and contemporary criticism. Not open to first year students.
Not open to first year students.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
- One English Foundations course and one prior 6 credit English course
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ENGL 319 The Rise of the Novel 6 credits
This course traces the development of a sensational, morally dubious genre that emerged in the eighteenth-century: the novel. We will read some of the most entertaining, best-selling novels written during the first hundred years of the form, paying particular attention to the novel’s concern with courtship and marriage, writing and reading, the real and the fantastic. Among the questions we will ask: What is a novel? What distinguished the early novel from autobiography, history, travel narrative, and pornography? How did this genre come to be associated with women? How did early novelists respond to eighteenth-century debates about the dangers of reading fiction? Authors include Aphra Behn, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Laurence Sterne, and Jane Austen. Offered at both the 200 and 300 levels; coursework will be adjusted accordingly.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
- One English foundations course and one other six credit English course
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ENGL 353 The Writings of Virginia Woolf 6 credits
Virginia Woolf is regarded as one of the chief modernist writers, as well as one of the twentieth-century’s most important feminist thinkers. She revolutionized the novel and the concept of time in fiction, as well as ideas of gender and sexuality. She, along with other members of the Bloomsbury Group, was also a critic of World War I and the build-up to World War II. In this course we will read the majority of her novels, as well as selected essays, diary entries, and letters. Articles by literary critics will offer various contexts for our discussions. Some works included: Mrs. Dalloway, To the Lighthouse, Orlando, and “A Room of One’s Own.”
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
- One English foundations course and one other 6 credit English course or instructor consent
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ENGL 395 Murder 6 credits
From the ancient Greeks to the King James Bible to the modern serial killer novel, murder has always been a preeminent topic of intellectual and artistic investigation. Slaying our way across different genres and periods, we will explore why homicide has been the subject of such fierce attention from so many great minds. Prepare to drench yourselves in the blood of fiction and non-fiction works that may include: the Bible, Shakespeare, Poe, Thompson, Capote, Tey, McGinniss, Malcolm, Wilder, and Morris, as well as legal and other materials. Warning: not for the faint-hearted. Not open to students who took English 187, Murder.
Not open to students who have taken ENGL 187
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
- English 295 and one 300-level English course
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FREN 206 Contemporary French and Francophone Culture 6 credits
Through texts, images and films coming from different continents, this class will present Francophone cultures and discuss the connections and tensions that have emerged between France and other French speaking countries. Focused on oral and written expression this class aims to strengthen students’ linguistic skills while introducing them to the academic discipline of French and Francophone studies. The theme will be school and education in the Francophone world.
- Winter 2024
- International Studies Literary/Artistic Analysis
- French 204 or equivalent
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FREN 206.00 Winter 2024
- Faculty:Sandra Rousseau 🏫 👤
- Size:20
- M, WLanguage & Dining Center 205 9:50am-11:00am
- FLanguage & Dining Center 205 9:40am-10:40am
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FREN 243 Food in French Fiction 6 credits
What does “eating together” mean in France–and for whom? Through works of fiction, we will investigate cultural representations of food from the Middles Ages to the present day and address the following topics: the construction of a so-called “national gastronomy”; the social significance of food for Caribbean and African communities in France; the link between food and collective memory; women’s writings’ relationship with food in colonial and postcolonial masculinist contexts; the Rabelaisian disruptive potential of bodily pleasures; and contemporary ethical issues, such as the rise of veganism and animal rights activism.
- Winter 2024
- International Studies Literary/Artistic Analysis
- French 204 or equivalent
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FREN 243.00 Winter 2024
- Faculty:Anthony Revelle 🏫 👤
- Size:25
- M, WLanguage & Dining Center 243 12:30pm-1:40pm
- FLanguage & Dining Center 243 1:10pm-2:10pm
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FREN 360 The Algerian War of Liberation and Its Representations 6 credits
Over fifty years after Algeria’s independence from France, discourses and representations about the cause, the violence, and the political and social consequences of that conflict still animate public life in both France and Algeria. This class aims at presenting the Algerian war through its various representations. Starting with discussions about the origins of French colonialism in North Africa, it will develop into an analysis of the war of liberation and the ways it has been recorded in history books, pop culture, and canonical texts. We will reflect on the conflict and on its meanings in the twenty-first century, and analyze how different media become memorial artifacts.
- Winter 2024
- International Studies Literary/Artistic Analysis
- One French course beyond French 204 or instructor permission
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FREN 360.00 Winter 2024
- Faculty:Sandra Rousseau 🏫 👤
- Size:15
- M, WLanguage & Dining Center 205 11:10am-12:20pm
- FLanguage & Dining Center 205 12:00pm-1:00pm
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GERM 156 Introduction to German Cinema: Film, Nature, and Nation 6 credits
How do films reflect and impact the cultures, societies, and physical environments within which they circulate? How do the complexities of German history offer a special case within film history? In this course, we examine German film history through the lens of environmental critique, from the stylized landscapes of 1920s expressionism to the filmic environments of multicultural contemporary Germany. Topics include propaganda, postwar rubble, and antifascist student-inspired rebel cinema. Alongside each film, we will discuss texts and theories that offer frameworks for understanding the complex interplay of ideas about film art, environmental understanding, and national identity. Taught in English.
- Winter 2024
- International Studies Literary/Artistic Analysis
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GERM 156.00 Winter 2024
In translation - Faculty:Seth Peabody 🏫 👤
- Size:30
- T, THWeitz Center 233 1:15pm-3:00pm
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JAPN 241 Introduction to Modern Japanese Literature 6 credits
The course offers a historical survey of modern Japanese literature that covers the period from 1868 to 1945. The course engages in analysis and appreciation of major works, genres, and authors such as a Nobel Laureate Kawabata Yasunari. In parallel with this, the course explores the intellectual history behind the formation of literature as a new field of knowledge in the late nineteenth century and examines its role and value in modern times. All readings are in English. No prior knowledge of Japanese language, literature, or history is necessary. Taught in English.
In translation
- Winter 2024
- International Studies Literary/Artistic Analysis
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JAPN 241.00 Winter 2024
- Faculty:Chie Tokuyama 🏫 👤
- Size:25
- T, THLanguage & Dining Center 243 1:15pm-3:00pm
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JAPN 355 Advanced Reading: Contemporary Japanese Prose 6 credits
This course explores various aspects of contemporary Japanese culture and society through an intensive reading of a variety of texts written in Japanese. Students become familiar with diverse genres of writing and formality of styles by analyzing authentic materials, which include popular fiction, newspaper articles, and scholarly essays. The course aims to develop all aspects of communicative skills (reading, speaking, listening, and writing) in addition to enhancing academic skills such as close-reading, summarizing, and critiquing texts.
- Winter 2024
- International Studies Literary/Artistic Analysis
- Japanese 206 or equivalent
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JAPN 355.00 Winter 2024
- Faculty:Chie Tokuyama 🏫 👤
- Size:15
- M, WLanguage & Dining Center 205 1:50pm-3:00pm
- FLanguage & Dining Center 205 2:20pm-3:20pm
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MUSC 110 Theory I: The Principles of Harmony 6 credits
An introduction to the materials of western tonal music, with an emphasis on harmonic structure and syntax. It covers basic harmonic syntax (through secondary dominants), melodic phrase structure and cadences, and small musical forms, along with related theoretical concepts and vocabulary. Student work involves readings, analysis and composition exercises, and short essay assignments.
- Winter 2024
- Literary/Artistic Analysis
- Music 101, or permission of the instructor as assessed by a diagnostic exam administered at the start of the term.
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MUSC 110.00 Winter 2024
- Faculty:Justin London 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 126 America’s Music 6 credits
A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.
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MUSC 126.00 Winter 2024
- Faculty:Victoria Aschheim 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 339 Music and Humanitarianism 6 credits
Can music be a form of international aid? How do humanitarian interventions inform musical encounters? This course approaches these questions by considering the ethical and political ambivalence of humanitarian projects in global perspective. As we will explore, musicians navigate this ambivalence when performing in televised fundraisers and music festivals, alongside international NGO programs, and throughout their own experiences of displacement. We will study musical recordings, film, and critical readings in order to discover how music offers multi-sensory perspectives for engaging with the anthropology of humanitarianism and Critical Refugee Studies.
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MUSC 339.00 Winter 2024
- Faculty:Melissa Scott 🏫 👤
- Size:15
- T, THWeitz Center 231 10:10am-11:55am
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SPAN 205 Conversation and Composition 6 credits
A course designed to develop the student’s oral and written mastery of Spanish. Advanced study of grammar. Compositions and conversations based on cultural and literary topics. There is also an audio-video component focused on current affairs.
- Winter 2024
- International Studies Literary/Artistic Analysis
- Spanish 204 or equivalent
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SPAN 205.00 Winter 2024
- Faculty:Humberto Huergo 🏫 👤
- Size:20
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Winter 2024
- International Studies Literary/Artistic Analysis
- Spanish 204 or equivalent
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SPAN 244 Spain Today: Recent Changes through Narrative and Film 6 credits
Since the death of Franco in 1975, Spain has undergone huge political, socio-economic, and cultural transformations. Changes in the traditional roles of women, the legalization of gay marriage, the decline of the Catholic church, the increase of immigrants, Catalan and Basque nationalisms, and the integration of Spain in the European Union, have all challenged the definition of a national identity. Through contemporary narrative and film, this course will examine some of these changes and how they contribute to the creation of what we call Spain today.
- Winter 2024
- International Studies Literary/Artistic Analysis
- Spanish 204 or equivalent
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SPAN 244.00 Winter 2024
- Faculty:Palmar Álvarez-Blanco 🏫 👤
- Size:20
- M, WWeitz Center 133 11:10am-12:20pm
- FWeitz Center 133 12:00pm-1:00pm
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SPAN 376 Mexico City: The City as Protagonist 6 credits
This seminar will have Mexico City as protagonist, and will examine the construction of one of the largest urban centers of the world through fictional writing, cultural criticism, and visual/aural culture. We will critically engage the fictions of its past, the dystopias of its present, the assemblage of affects and images that give it continuity, but which also codify the ever-changing and contested view of its representation and meaning. From Carlos Fuentes to Sayak Valencia, in the company of Eisenstein and Cuarón, among others.
- Winter 2024
- International Studies Literary/Artistic Analysis
- Spanish 205 or above
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SPAN 376.00 Winter 2024
- Faculty:Silvia López 🏫 👤
- Size:25
- M, WWillis 114 1:50pm-3:35pm
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THEA 228 Performing Women 6 credits
Through a performance studies lens, this course analyzes performances of gender and race in American theatre, focusing on female-identified artists of color. Our starting questions are: How do we read “woman” on stage and how have artists disrupted or supported dominant understandings of “woman” through theatrical performances? Additionally, how have artists intentionally challenged this gender binary in performance? Among other artists, we examine the work of Angelina Weld Grimké, Kristina Rae Colón. Larissa FastHorse, Teatro Luna, Young Jean Lee, and Aditi Brennan Kapil. At the end of the course students move from an analysis of performance to creation of their own performance pieces.
- Winter 2024
- Literary/Artistic Analysis Writing Requirement
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THEA 228.00 Winter 2024
- Faculty:Jeanne Willcoxon 🏫 👤
- Size:25
- T, THWeitz Center 233 10:10am-11:55am