Search Results
Your search for courses · during 23FA · meeting requirements for Literary / Artistic Analysis · returned 35 results
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AMST 250 Asian American Reckonings 3 credits
As both targets of racism and beneficiaries of privilege, Asian Americans defy easy categorization. In a timely intervention, Cathy Park Hong, in her 2020 essay collection Minor Feelings, undertakes an “Asian American Reckoning.” Following Hong’s lead, this five-week course will reckon with Asian America in its most vexing aspects. Through an exploration of memoir, cultural criticism, poetry, fiction, and film/media, we will think hard about questions of privilege and discrimination, interracial politics, settler colonialism, and transnational ties. Grappling with the past and looking towards the future, this course asks: What does it mean to be Asian American?
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ARTH 232 Spanish Studies in Madrid Program: Spanish Art Live 6 credits
This course offers an introduction to Spanish art from el Greco to the present. Classes are taught in some of the finest museums and churches of Spain, including the Prado Museum, the Museo Nacional de Arte Reina Sofía, the Thyssen-Bornemisza Museum, Toledo Cathedral in Toledo, and the Church of Santo Tomé.
Requires participation in OCS Program: Spanish Studies in Madrid
- Fall 2023
- International Studies Literary/Artistic Analysis
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Spanish 205 and approved participation in Madrid Program
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ARTH 247 Architecture Since 1950 6 credits
This course begins by considering the international triumph of architecture’s Modern Movement as seen in key works by Mies van der Rohe, Le Corbusier and their followers. Soon after modernism’s rise, however, architects began to question the movement’s tenets and the role that architecture as a discipline plays in the fashioning of society. This course will examine the central actors in this backlash from Britain, France, Italy, Japan, the United States and elsewhere before exploring the architectural debates surrounding definitions of postmodernism. The course will conclude by considering the impact of both modernism and postmodernism on contemporary architectural practice.
- Fall 2023
- Literary/Artistic Analysis
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ARTH 247.00 Fall 2023
- Faculty:Ross Elfline 🏫 👤
- Size:25
- T, THBoliou 161 10:10am-11:55am
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ARTH 260 Planning Utopia: Ideal Cities in Theory and Practice 6 credits
This course will survey the history of ideal plans for the built urban environment. Particular attention will be given to examples from about 1850 to the present. Projects chosen by students will greatly influence the course content, but subjects likely to receive sustained attention include: Renaissance ideal cities, conceptions of public and private space, civic rituals, the industrial city, Baron Haussmann’s renovations of Paris, suburbanization, the Garden City movement, zoning legislation, Le Corbusier’s Ville Contemporaine, Frank Lloyd Wright’s Broadacre City, New Urbanism and urban renewal, and planned capitals such as Brasília, Canberra, Chandigarh, and Washington, D.C.
- Fall 2023
- Literary/Artistic Analysis
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Any one Art History course or instructor permission
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ARTH 260.00 Fall 2023
- Faculty:Baird Jarman 🏫 👤
- Size:25
- M, WBoliou 161 9:50am-11:00am
- FBoliou 161 9:40am-10:40am
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ARTH 266 Arts of the Japanese Tea Ceremony 6 credits
This course will examine the history and aesthetics of the tea ceremony in Japan (chanoyu). It will focus on the types of objects produced for use in the Japanese tea ceremony from the fifteenth century through the present. Themes to be explored include: the relationship of social status and politics to the development of chanoyu; the religious dimensions of the tea ceremony; gender roles of tea practitioners; nationalist appropriation of the tea ceremony and its relationship to the mingei movement in the twentieth century; and the international promotion of the Japanese tea ceremony post-WWII.
Extra time, requires concurrent registration in ARTS 236
- Fall 2023
- International Studies Literary/Artistic Analysis
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Requires concurrent registration in Studio Arts 236
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ARTH 266.00 Fall 2023
- Faculty:Kathleen Ryor 🏫 👤
- Size:12
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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CAMS 110 Introduction to Cinema and Media Studies 6 credits
This course introduces students to the basic terms, concepts and methods used in cinema studies and helps build critical skills for analyzing films, technologies, industries, styles and genres, narrative strategies and ideologies. Students will develop skills in critical viewing and careful writing via assignments such as a short response essay, a plot segmentation, a shot breakdown, and various narrative and stylistic analysis papers. Classroom discussion focuses on applying critical concepts to a wide range of films. Requirements include two screenings per week. Extra time.
Sophomore Priority. Extra Time required for screenings
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CAMS 110.00 Fall 2023
- Faculty:Carol Donelan 🏫 👤
- Size:25
- T, THWeitz Center 132 1:15pm-3:00pm
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Sophomore Priority
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CAMS 215 American Television History 6 credits
This course offers a historical survey of American television from the late 1940s to today, focusing on early television and the classical network era. Taking a cultural approach to the subject, this course examines shifts in television portrayals, genres, narrative structures, and aesthetics in relation to social and cultural trends as well as changing industrial practices. Reading television programs from the past eight decades critically, we interrogate various representations of consumerism, class, race, ethnicity, gender, sexuality, lifestyle, and nation in the smaller screen while also tracing issues surrounding broadcasting policy, censorship, sponsorship, business, and programming.
Extra time
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CAMS 215.00 Fall 2023
- Faculty:Candace Moore 🏫 👤
- Size:25
- M, WWeitz Center 132 9:50am-11:00am
- FWeitz Center 132 9:40am-10:40am
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CAMS 254 Cinematic Spectacle 6 credits
This course traces developments in film technology from the nineteenth century to the present-day information age. Individual units will consider the ways in which technical and aesthetic innovations have further bolstered cinema’s status as a medium of mass entertainment. Particular attention will be given to immersive formats that have inaugurated seismic shifts in cinematic storytelling. Topics will include special effects, CinemaScope, Cinerama, Technicolor, World’s Fairs, theme parks, 3-D cinema, the emergence of the Hollywood blockbuster, IMAX, expanded cinema, digital cinematography, and computer-generated imagery. Requirements include attendance and participation, weekly screenings, readings, and various written assignments.
Extra time
- Fall 2023
- Literary/Artistic Analysis
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CAMS 254.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWeitz Center 136 11:10am-12:20pm
- FWeitz Center 136 12:00pm-1:00pm
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CHIN 364 Chinese Classic Tales and Modern Adaptation 6 credits
This course introduces to students influential Chinese classic tales and their modern adaptation across media platforms. Students improve their listening and speaking skills through viewing and discussing visual materials. Students develop their reading and writing proficiencies through analyzing authentic texts, formulating their own arguments, and writing critical essays. The overarching goal of this course is to increase students’ fluency in all aspects of Chinese language learning and to deepen students’ understanding of the role that cultural tradition plays in shaping China’s present.
- Fall 2023
- Literary/Artistic Analysis
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Chinese 206 or equivalent (students who have taken one 300-level course at Carleton are qualified to register)
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CHIN 364.00 Fall 2023
- Faculty:Shaohua Guo 🏫 👤
- Size:15
- M, WLanguage & Dining Center 205 9:50am-11:00am
- FLanguage & Dining Center 205 9:40am-10:40am
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CLAS 116 Greek Drama in Performance 6 credits
What is drama? When and where were the first systematic theatrical performances put on? What can Athenian tragedies and comedies teach us about the classical world and today’s societies? This course will explore the always-relevant world of Ancient Greek theater, its history and development, through the works of Aeschylus, Sophocles, Euripides, and Aristophanes. We will decode the structure and content of Greek tragedies and comedies, ponder their place in the Athenian society and the modern world, and investigate the role of both ancient and contemporary productions in addressing critical questions on the construction and performance of individual and communal identities.
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CLAS 116.00 Fall 2023
- Faculty: Staff
- Size:30
- M, WLeighton 402 12:30pm-1:40pm
- FLeighton 402 1:10pm-2:10pm
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ENGL 118 Introduction to Poetry 6 credits
“Poetry is the way we help give name to the nameless so it can be thought”—Audre Lorde. In this course we will explore how poets use form, tone, sound, imagery, rhythm, and subject matter to create works of astonishing imagination, beauty, and power. In discussions, Moodle posts, and essay assignments we’ll analyze individual works by poets from Sappho to Amanda Gorman (and beyond); there will also be daily recitations of poems, since the musicality is so intrinsic to the meaning.
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ENGL 207 Princes. Poets. Power 3 credits
Can you serve power without sacrificing your principles or risking your life? We examine the classic explorations of the problem–Machiavelli’s Prince, Castiglione’s Courtier, and More’s Utopia–and investigate the place of poets and poetry at court of Henry VIII, tracing the birth of the English sonnet, and the role of poetry in the rise and fall of Anne Boleyn.
1st 5 weeks
- Fall 2023
- Literary/Artistic Analysis
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ENGL 208 The Faerie Queene 3 credits
Spenser’s romance epic: an Arthurian quest-cycle, celebrating the Virgin Queen, Elizabeth I, and England’s imperial destiny. Readers encounter knights, ladies, and lady-knights; enchanted groves and magic castles; dragons and sorcerers; and are put through a series of moral tests and hermeneutic challenges.
2nd 5 weeks
- Fall 2023
- Literary/Artistic Analysis
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ENGL 217 A Novel Education 6 credits
Samuel Johnson declared novels to be “written chiefly to the young, the ignorant, and the idle, to whom they serve as lectures of conduct, and introductions into life.” This course explores what sort of education the novel offered its readers during a time when fiction was considered a source of valuable lessons and also an agent of corruption. We will read a selection of eighteenth- and nineteenth-century children’s literature, seduction fiction, and novels of manners, considering how these works engage with early educational theories, notions of male and female conduct, and concerns about the didactic and sensational possibilities of fiction. Authors include Samuel Richardson, Jane Austen, Maria Edgeworth, and Charles Dickens.
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ENGL 228 Banned. Censored. Reviled. 6 credits
What makes a work of art dangerous? While present-day attacks on books, libraries, and schools feel unprecedented, writers and artists have always had to fight efforts to suppress their work, often at great personal and societal cost. We will study literature, films, graphic novels, images, music, and other materials that have been challenged and attacked as offensive, taboo, or transgressive, and also explore strategies of resistance to censorship.
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ENGL 236 American Nature Writing 6 credits
A study of the environmental imagination in American literature. We will explore the relationship between literature and the natural sciences and examine questions of style, narrative, and representation in the light of larger social, ethical, and political concerns about the environment. Authors read will include Thoreau, Muir, Jeffers, Abbey, and Leopold. Students will write a creative Natural History essay as part of the course requirements.
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ENGL 251 Contemporary Indian Fiction 6 credits
Contemporary Indian writers, based either in India or abroad, have become significant figures in the global literary landscape. This can be traced to the publication of Salman Rushdie’s second novel, Midnight’s Children in 1981. We will begin with that novel and read some of the other notable works of fiction of the following decades. The class will provide both a thorough grounding in the contemporary Indian literary scene as well as an introduction to some concepts in post-colonial studies.
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ENGL 251.00 Fall 2023
- Faculty:Arnab Chakladar 🏫 👤
- Size:25
- M, WLibrary 344 1:50pm-3:00pm
- FLibrary 344 2:20pm-3:20pm
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ENGL 295 Critical Methods 6 credits
Required of students majoring in English, this course explores practical and theoretical issues in literary analysis and contemporary criticism. Not open to first year students.
Not open to first year students.
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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One English Foundations course and one prior 6 credit English course
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ENGL 295.00 Fall 2023
- Faculty:Peter Balaam 🏫 👤
- Size:20
- T, THLibrary 344 10:10am-11:55am
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ENGL 323 Romanticism and Reform 6 credits
Mass protests, police brutality, reactionary politicians, imprisoned journalists, widespread unemployment, and disease were all features of the Romantic era in Britain as well as our own time. We will explore how its writers brilliantly advocate for empathy, liberty, and social justice in the midst of violence and upheaval. Readings will include works by Blake, Wordsworth, Coleridge, Byron, Keats, Percy and Mary Shelley, and their contemporaries.
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other 6 credit English course
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ENGL 352 Toni Morrison: Novelist 6 credits
Morrison exposes the limitations of the language of fiction, but refuses to be constrained by them. Her quirky, inimitable, and invariably memorable characters are fully committed to the protocols of the narratives that define them. She is fearless in her choice of subject matter and boundless in her thematic range. And the novelistic site becomes a stage for Morrison’s virtuoso performances. It is to her well-crafted novels that we turn our attention in this course.
- Fall 2023
- Intercultural Domestic Studies Literary/Artistic Analysis Writing Requirement
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One English foundations course and one other 6 credit English course or instructor permission
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ENGL 395 Narrative 6 credits
Roland Barthes claims that “narrative is international, transhistorical, transcultural: it is simply there, like life itself.” Yet metahistorian Hayden White wonders, “Does the world really present itself to perception in the form of well-made stories?” To study narrative is to confront art’s distinctive interplay of fiction and nonfiction, invention and truth. We will read contemporary narrative theory by critics from several disciplines and apply their theories to textual and visual narratives such as literary texts, graphic novels, films, images, television shows, advertisements, and music videos. Students will collaborate on a digital storytelling project.
Not open to students who have taken ENGL 362
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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English 295 and one 300 level English course
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ENGL 395.00 Fall 2023
- Faculty:Susan Jaret McKinstry 🏫 👤
- Size:15
- T, THWeitz Center 233 1:15pm-3:00pm
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ENTS 248 Environmental Memoir 6 credits
Through close readings of contemporary and classic environmental memoirs, this course explores the connections between nature and identity; race, belonging, and landscape; and memory, justice, and hope. Issues of environmental justice and injustice will serve as a key interpretive lens for approaching the texts. Authors include Robin Wall Kimmerer, Aldo Leopold, Terry Tempest Williams, and J. Drew Lanham.
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ENTS 248.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWillis 203 1:50pm-3:00pm
- FWillis 203 2:20pm-3:20pm
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FREN 280 Argue! Practicing Eloquence 6 credits
Eloquence has been described as being able to say what is necessary and not say what is not. The idea of “speaking well” has changed over time and continues to evolve in French society. Can one speak well with an accent, with grammatical mistakes, with slang, or with curse words? How has France fabricated its language as a sacred treasure, and how has this vision excluded native and non-native French speakers? The history of eloquence will be complemented by its practice as students learn to master different registers of French language and learn to argue effectively.
- Fall 2023
- International Studies Literary/Artistic Analysis
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French 204 or the equivalent
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FREN 308 France and the African Imagination 6 credits
This course will look at the presence of France and its capital Paris in the imaginary landscape of a number of prominent African writers, filmmakers and musicians such as Bernard Dadié (Côte d’ Ivoire), Ousmane Sembène (Senegal), Calixthe Beyala (Cameroun), Alain Mabanckou (Congo-Brazzaville), Salif Keïta (Mali) and others. The history of Franco-African relations will be used as a background for our analysis of these works. Conducted in French.
- Fall 2023
- International Studies Literary/Artistic Analysis
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One French course beyond French 204
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FREN 308.00 Fall 2023
- Faculty:Chérif Keïta 🏫 👤
- Size:25
- M, WLanguage & Dining Center 202 9:50am-11:00am
- FLanguage & Dining Center 202 9:40am-10:40am
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GERM 267 Catastrophe! Natural Disaster in German Literature 6 credits
Are natural disasters ever really natural? In this course, taught in German, we will read works of literature and poetry that portray disaster. Focusing on disaster as the site of interaction between humans and the environment, we will explore and discuss the impact of modern technology, contemporary environmental issues, and the concept of disaster in the shadow of war. Thinking in terms of environmental justice, we will also consider who is impacted by such disasters and in what ways.
- Fall 2023
- International Studies Literary/Artistic Analysis
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German 204 or equivalent
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GERM 267.00 Fall 2023
- Faculty:Kiley Kost 🏫 👤
- Size:25
- T, THWeitz Center 231 1:15pm-3:00pm
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MUSC 115 Listening to the Movies 6 credits
We all watch movies, whether it’s in a theater, on television, a computer, or a smartphone. But we rarely listen to movies. This class is an introduction to film music and sound. The course begins with a module on how film music generally works within a narrative. With this foundation, the course then concentrates on the role film music and sound play in shaping our understanding of the film’ stories. Over the course of the term, students will study a variety of films and learn about theories of film music and sound. Class assignments include a terminology quiz, cue chart, and a short comparative essay. The course will culminate in a final project that may take the form of a term paper or creative project.
Extra Time
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MUSC 115.00 Fall 2023
- Faculty:Brooke Okazaki 🏫 👤
- Size:25
- M, WWeitz Center 230 12:30pm-1:40pm
- FWeitz Center 230 1:10pm-2:10pm
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MUSC 127 Music and Censorship 6 credits
This course examines the causes, methods and logic behind attempts to censor music by governments, commercial corporations and religious authorities through guided listening, reading, and writing assignments. Lectures focus first on the “entartete musik” of Nazi Germany. Contemporary cases of music censorship are then selected from a wide range of countries, including the United States, South Africa, and Russia. The music studied includes that by Pussy Riot, Paul Simon, Pete Seeger, and Richard Wagner.
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MUSC 127.00 Fall 2023
- Faculty:Hector Valdivia 🏫 👤
- Size:25
- T, THWeitz Center 230 1:15pm-3:00pm
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MUSC 215 Western Music and its Social Ecosystems, 1830-Present 6 credits
How does music shape society? What does it feel like to participate in musical life—as a creator, performer, listener, leader, fan, or critic? These questions will guide us as we study the history of Western music with an emphasis on social experience. We’ll explore music from the Romantic era to our contemporary moment, with our ears and eyes trained toward the repertoire’s civic and interpersonal meanings. Along the way, you’ll respond to current concert programming and curate playlists that speak to your communities on campus and beyond. Front of mind will be expansive themes of belonging and identity.
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MUSC 215.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 9:50am-11:00am
- FWeitz Center 230 9:40am-10:40am
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MUSC 217 Opera: Stage, Screen, Recording 6 credits
Opera has something for everyone: drama, desire, politics, stagecraft, design. The medium sets life to music and reveals the music within people’s lives. In the spirit of exchange between art and reality, this course looks at the history of opera through a contemporary lens. Centering on a diverse collection of operas—and voices—from past to present, we’ll ask how modern sensibilities animate the music’s production and performance. We’ll bring concepts of relevance, risk, representation, and justice to bear on opera, with attention to media and technology. We’ll listen to recent operatic interpretations and discover how creatives are making opera new.
- Fall 2023
- Literary/Artistic Analysis Writing Requirement
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None, ability to read music is not necessary
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MUSC 217.00 Fall 2023
- Faculty: Staff
- Size:25
- M, WWeitz Center 230 1:50pm-3:00pm
- FWeitz Center 230 2:20pm-3:20pm
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POSC 211 Media, Politics, and Difference: How Film Teaches Us Who We Are(n’t) 6 credits
As cultural and historical texts, narrative films offer important insight into the cultures that produce and view them. Entertainment media teach us about how to see the world, including what counts as difference—abilities, genders, sexualities, races, ethnicities, classes, identities—and these categories’ meanings and commitments. The messages are “political” in many ways, signaling who has what kinds of: authority, power, resources, and capacities. In this class, we use communications theory, historical and contemporary discourses on race, feminist theory, and political psychology to examine depictions of identity in U.S. cinema, comparing and contrasting Hollywood and independent filmmakers’ works.
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POSC 211.00 Fall 2023
- Faculty:Barbara Allen 🏫 👤
- Size:25
- T, THHasenstab 002 1:15pm-3:00pm
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RUSS 244 The Rise of the Russian Novel 6 credits
From the terse elegance of Pushkin to the psychological probing of Dostoevsky to the finely wrought realism of Tolstoy, this course examines the evolution of the genre over the course of the nineteenth century, ending with a glimpse of things to come on the eve of the Russian Revolution. Close textual analysis of the works will be combined with exploration of their historical and cultural context. No prior knowledge of Russian or Russian history is required.
In Translation
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RUSS 244.00 Fall 2023
- Faculty:Victoria Thorstensson 🏫 👤
- Size:40
- M, WLanguage & Dining Center 243 1:50pm-3:00pm
- FLanguage & Dining Center 243 2:20pm-3:20pm
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RUSS 342 Post-Soviet Film 6 credits
This course focuses on the question of collective identity in post-Soviet cinema. Topics include the marginalization of “the other,” whether disabled, gay, hipster, migrant or elderly; the breaking down of the boundary between civil society and the criminal world; and the transformation of former “brothers” into outsiders. In light of current events in Ukraine, particular emphasis will be placed on films dealing with war. Conducted in Russian.
- Fall 2023
- International Studies Literary/Artistic Analysis
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Russian 205 or instructor consent
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RUSS 342.00 Fall 2023
- Faculty:Anna Dotlibova 🏫 👤
- Size:15
- T, THLanguage & Dining Center 302 1:15pm-3:00pm
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SPAN 208 Coffee and News 2 credits
An excellent opportunity to brush up your Spanish while learning about current issues in Spain and Latin America. The class meets only once a week for an hour. Class requirements include reading specific sections of Spain’s leading newspaper, El País, everyday on the internet (El País), and then meeting once a week to exchange ideas over coffee with a small group of students like yourself.
- Fall 2023
- International Studies Literary/Artistic Analysis
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Spanish 204 or equivalent
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SPAN 220 Racism, Immigration, and Gender in Contemporary Latin American Narrative 6 credits
This course focuses on contemporary short stories and short novels. We will read some of the most relevant living authors from Latin America including Carlos Gamerro, Pilar Quintana, Kike Ferrari, Yeniter Poleo, Antonio José Ponte, among others. This will expose students to the most pressing issues in today’s Latin America, ranging from gender, violence, racism, and immigration. We will interview at least one of the authors read during the term and discuss the social implications of their literature in today’s world.
- Fall 2023
- International Studies Literary/Artistic Analysis
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Spanish 204 or equivalent
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SPAN 356 The Political and Cultural History of the Cuban Revolution 6 credits
In 2014 Obama and Castro simultaneously announced the end of an era: the Cold War. This announcement was a turning point for one of the most influential and symbolically important political movements in Latin America: The Cuban Revolution. We will study the political and historical background that sustained this revolution for over fifty years. We will read historical, political, philosophical, and cultural texts to understand this process and the fascination that it commanded around the world. We will also examine the different exoduses that this revolution provoked and the exile communities that Cubans constructed in different parts of the world.
- Fall 2023
- International Studies Literary/Artistic Analysis
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Spanish 205 or above
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SPAN 356.00 Fall 2023
- Faculty:Jorge Brioso 🏫 👤
- Size:25
- M, WLeighton 330 9:50am-11:00am
- FLeighton 330 9:40am-10:40am