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Your search for courses · during 23FA · meeting requirements for Argument & Inquiry Seminar / Writing Rich 1 · returned 38 results
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AFST 100 Blackness and Whiteness Outside the United States 6 credits
Racial categories such as “black” and “white” are social constructions that change across national boundaries. In the U.S. “black” and “white” have historically been defined by ancestry, and have been mutually exclusive. But how are these categories defined elsewhere? In this course, we consider how blackness and whiteness are defined and constructed in non-U.S. contexts. We examine a range of topics that will help us to understand not only racial categories, but also the meanings and narratives that accompany them and the way that these play into racial inequalities. Course topics include skin color stratification, colorblindness, ethnicity and nationhood, migration and citizenship, media representations, segregation, and transnationalism and globalization.
Held for new first year students
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AFST 100.01 Fall 2023
- Faculty:Daniel Williams 🏫 👤
- Size:15
- M, WLeighton 202 1:50pm-3:00pm
- FLeighton 202 2:20pm-3:20pm
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AFST 100 Sports, the Black Experience, and the American Dream 6 credits
With an emphasis on critical reading and writing in an academic context, this course will examine the role of sports in American politics and social organizations. The course pays attention to the African American experience, noting especially the confluence of race and sports. What can sports tell us about freedom, equality, and the pursuit of happiness? How has the Black community contributed to our appreciation of these American virtues? We will read short texts and biographies, and we will watch movies such as King Richard and The Blind Side. Students will produce short writing exercises aimed at developing their critical thinking and clear writing.
Held for new first year students
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AFST 100.02 Fall 2023
- Faculty:Chielo Eze 🏫 👤
- Size:15
- T, THLeighton 202 8:15am-10:00am
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AMST 100 Walt Whitman’s New York City 6 credits
“O City / Behold me! Incarnate me as I have incarnated you!” An investigation of the burgeoning metropolitan city where the young Walter Whitman became a poet in the 1850s. Combining historical inquiry into the lives of nineteenth-century citizens of Brooklyn and Manhattan with analysis of Whitman’s varied journalistic writings and utterly original poetry, we will reconstruct how Whitman found his muse and his distinctively modern subject in the geography, demographics, markets, politics, and erotics of New York.
Held for new first year students
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ARBC 100 Arabs Encountering the West 6 credits
The encounter between Arabs and Westerners has been marked by its fair share of sorrow and suspicion. In this seminar we will read literary works by Arab authors written over approximately 1000 years–from the Crusades, the height of European imperialism, and on into the age of Iraq, Obama and ISIS. Through our readings and discussions, we will ask along with Arab authors: Is conflict between Arabs and Westerners the inevitable and unbridgeable result of differing world-views, religions and cultures? Are differences just a result of poor communication? Or is this “cultural conflict” something that can be understood historically?
Held for new first year students
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ARBC 100.00 Fall 2023
- Faculty:Zaki Haidar 🏫 👤
- Size:15
- M, WWeitz Center 136 9:50am-11:00am
- FWeitz Center 136 9:40am-10:40am
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ARTH 100 Art and Culture in the Gilded Age 6 credits
Staggering wealth inequality spurred by transformative technological innovation and unbridled corporate power. Political tumult fueled by backsliding civil rights legislation, disputed elections, and anti-immigrant sentiment. Culture wars. American imperialism. Such characteristics have increasingly fueled comparisons between the present day and the late-nineteenth century in the United States. The Gilded Age witnessed the flourishing of mass culture alongside the founding of many elite cultural organizations—museums, symphony halls, libraries—that still stand as preeminent civic institutions. With an occasional eye to the present, this seminar examines the art, architecture, and cultural history of the Gilded Age.
Held for new first year students
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ARTH 100.00 Fall 2023
- Faculty:Baird Jarman 🏫 👤
- Size:15
- M, WBoliou 140 1:50pm-3:00pm
- FBoliou 140 2:20pm-3:20pm
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ASST 100 The Cultural Life of Plants in China 6 credits
This seminar will examine the role plants have played in China from ancient times through the end of the imperial era. It will investigate the uses of different types of plants (fruits, vegetables, flowers, grasses, etc.) in such areas as medicine, food, literature, art, and landscape management. We will seek to understand the ways in which plants function across and make connection between various aspects of human activities. In addition, the course will emphasize how plants have actively helped form Chinese cultural practices and systems of meaning throughout various historical periods.
Held for new first year students
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ASST 100.00 Fall 2023
- Faculty:Kathleen Ryor 🏫 👤
- Size:15
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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CAMS 100 American Film Genres 6 credits
In this course we survey a number of popular American film genres, including but not limited to the western, the musical, the woman’s film, the war film, horror and science-fiction. Who defines genres? What are the conventions and expectations associated with various genres? What is the cultural function of genre storytelling? Do genres change over time? Assignments aim to develop skills in film analysis, research and writing. Requirements include two screenings per week.
Held for new first year students, Extra time
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CAMS 100.00 Fall 2023
- Faculty:Carol Donelan 🏫 👤
- Size:15
- M, WWeitz Center 231 1:50pm-3:00pm
- FWeitz Center 231 2:20pm-3:20pm
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CCST 100 Cross Cultural Perspectives on Israeli and Palestinian Identity 6 credits
How have Jewish and Palestinian citizens of Israel shaped their senses of personal and collective identity since the early twentieth century? We will explore mental pictures of the land, one’s self, and others in a selection of Israeli Jewish and Palestinian short stories, novels, and films. We will also explore some of the humanistic roots of U.S. involvement in Israeli-Palestinian relations today, particularly in the realm of American initiated bi-cultural youth camps such as Seeds of Peace. Students will enrich our class focus by introducing us to perspectives on Israel/Palestine in their home countries or elsewhere. In translation.
Held for new first year students
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CCST 100.02 Fall 2023
- Faculty:Stacy Beckwith 🏫 👤
- Size:15
- M, WWeitz Center 132 11:10am-12:20pm
- FWeitz Center 132 12:00pm-1:00pm
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CCST 100 Growing up Cross-Culturally 6 credits
First-year students interested in this program should enroll in this seminar. The course is recommended but not required for the minor and it will count as one of the electives. From cradle to grave, cultural assumptions shape our own sense of who we are. This course is designed to enable American and international students to compare how their own and other societies view birth, infancy, adolescence, marriage, adulthood, and old age. Using children’s books, child-rearing manuals, movies, and ethnographies, we will explore some of the assumptions in different parts of the globe about what it means to “grow up.”
Held for new first year students
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CCST 100.01 Fall 2023
- Faculty:Stephanie Cox 🏫 👤
- Size:15
- M, WWeitz Center 233 12:30pm-1:40pm
- FWeitz Center 233 1:10pm-2:10pm
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CGSC 100 Cognitive Development in Childhood 6 credits
This Argument and Inquiry seminar will focus on the cognitive changes experienced by children in the preschool and elementary school years, in such realms as perception, attention, memory, thinking, decision-making, knowledge representation, and the acquisition of academic skills. Weekly observation at local day care centers or elementary schools will be a required course component.
Held for new students
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CS 100 Ethics of Technology 6 credits
What should technology know about us? What actions should technology be allowed to conduct on our behalf? Who makes these decisions, and whose voices are excluded from these conversations? Can algorithms ever be truly fair, just, and unbiased, or are they forever doomed to perpetuate existing inequities? We’ll address these questions, and many more, as we explore the history, present, and possible futures of the design, implementation, deployment, and usage of algorithms, apps, systems, devices, and all things tech. This course will equip you to perform the complex ethical reasoning required of living in a technically-focused society.
Held for new first year students
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ENGL 100 Drama, Film, and Society 6 credits
With an emphasis on critical reading, writing, and the fundamentals of college-level research, this course will develop students’ knowledge, understanding, and appreciation of the relationship between drama and film and the social and cultural contexts of which they are (or were) a part and product. The course explores the various ways in which these plays and movies (which might include anything and everything from Spike Lee to Tony Kushner to Christopher Marlowe) generate meaning, with particular attention to the social, historical, and political realities that contribute to that meaning. An important component of this course will be attending live performances in the Twin Cities. These required events may be during the week and/or the weekend.
Held for new first year students. Extra Time required.
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ENGL 100 How We Read: The History and Science of Reading 6 credits
Humans have been reading for 5,000 years, a period too short to be explained in evolutionary terms but long enough for the purposes and social values of reading to have changed considerably. This class begins with an examination of the cognitive process of reading and then considers what reading has meant to readers at different times. We’ll examine the motivations and reading practices of medieval monks, Renaissance diplomats, enslaved Americans, and midwestern housewives. We’ll reflect on what happens when we read a difficult poem, and we’ll read Napoleon’s favorite novel as example of how reading can be enchanting, inspiring, and dangerously self-destructive. We’ll consider our own histories as readers and examine reading at the present moment, including the way reading on screens may (or may not) be changing our habits.
Held for new first year students
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ENGL 100.05 Fall 2023
- Faculty:George Shuffelton 🏫 👤
- Size:15
- M, WLibrary 344 11:10am-12:20pm
- FLibrary 344 12:00pm-1:00pm
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ENGL 100 Imagining a Self 6 credits
This course examines how first-person narrators present, define, defend, and construct the self. We will read an assortment of autobiographical and fictional works, focusing on the critical issues that the first-person speaker “I” raises. In particular, we will consider the risks and rewards of narrative self-exposure, the relationship between autobiography and the novel, and the apparent intimacy between first-person narrators and their readers. Authors will include James Boswell, Charlotte Bronte, Harriet Jacobs, Sylvia Plath, and Dave Eggers.
Held for new first year students
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ENGL 100 Inventing the Past 6 credits
How and why does literature imagine and create versions of the past? In this seminar, we will explore intersections of fiction and history in a variety of texts, in a novel that envisions a vivid physical and emotional world for Shakespeare’s family (Hamnet), in a “biography” that sends its protagonist time-travelling through several centuries and genders (Orlando), and in a work of alternative history that imagines a computerized Victorian era run by Babbage’s Analytical Engine (The Difference Engine), among others.
Held for new first year students
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ENGL 100 Literary Revision: Authority, Art, and Rebellion 6 credits
The poet Adrienne Rich describes revision as “the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction.” This course examines how literature confronts and reinvents the traditions it inherits. Through a diverse selection of fiction, poetry, and drama, we will examine how writers rework literary conventions, “rewrite” previous literary works, and critique societal myths. From Charles Chesnutt to Charles Johnson, from Henrik Ibsen to Rebecca Gilman, from Charlotte Bronte to Jean Rhys, from Maupassant and Chekhov to contemporary reinventions, we will explore literary revision from different perspectives and periods.
Held for new first year students
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ENGL 100 Novel, Nation, Self 6 credits
With an emphasis on critical reading and writing in an academic context, this course will examine how contemporary writers from a range of global locations approach the question of the writing of the self and of the nation. Reading novels from both familiar and unfamiliar cultural contexts we will examine closely our practices of reading, and the cultural expectations and assumptions that underlie them.
Held for new first year students
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ENGL 100 Reading, Interpreting, Writing 6 credits
The texts we will read and the themes to be discussed include: the quest for home and belonging in Angelou’s All God’s Children Need Traveling Shoes; transitions in Obama’s Dreams from My Father; difficult and essential conversations in Ta-Nehisi Coates’s Between the World and Me; trauma and healing in Gyasi’s Transcendent Kingdom. Our related focus on expository writing will be complemented by a final writing assignment that offers you the option to craft either a Letter to Your Younger Self on transitions, or an Autobiographical Fragment in which you trace your search for belonging.
Held for new first year students
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EUST 100 America Inside Out 6 credits
“America” has often served as a canvas for projecting European anxieties about economic, social and political modernity. Admiration of technological progress and democratic stability went hand in hand with suspicions about its–actual and supposed–materialism, religiosity and mass culture. These often contradictory perceptions of the United States were crucial in the process of forming European national imaginaries and myths up to and including an European identity. Accordingly, this course will explore some of the most important examples of the European imagination of the United States–from Michel de Montaigne to Hannah Arendt.
Held for new first year students
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EUST 100.00 Fall 2023
- Faculty:Paul Petzschmann 🏫 👤
- Size:15
- M, WLeighton 426 9:50am-11:00am
- FLeighton 426 9:40am-10:40am
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FREN 100 Balloons and Cultures: Graphic Novels of the French Speaking World 6 credits
Can everyone read graphic novels? Of course; however, their accessibility doesn’t mean they are simple. In this course, students will learn to read graphic novels as cultural products generated by artists, places, and institutions. Coming from French-speaking countries in the Americas, Europe, the Middle East, and Africa, these texts argue for different (and sometimes contradictory) definitions of the genre; but also bring to the fore political and societal issues at stake in the francophone world. Using the tools of contemporary theory, students will draw connections between art and cultural representations. Conducted in English. Texts in translation.
Held for new first year students
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GWSS 100 Queer and Trans Memoir 6 credits
From Audre Lorde’s biomythography detailing black lesbian life in 1950s Harlem, to Andy Warhol’s famous-for-more-than-fifteen-minutes pop art star diaries, Alison Bechdel’s tragicomic comic books, Chelsea Manning’s whistleblower tell-all, or Carmen Maria Machado’s experimental memoir about same sex domestic abuse, LGBTQ+ autobiographical works provide us with richly subjective, historically situated insights into the lived experiences of queer and trans individuals. Interdisciplinary in scope, this course considers a variety of LGBTQ+ takes and twists on the memoir genre, including photo diaries; video selfies; illustrated works; self-ethnographies; life-as-art performances; stand-up specials; auto theoretical works; and literary or lyrical forms centering on the personal.
Held for new first year students
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GWSS 100.00 Fall 2023
- Faculty:Candace Moore 🏫 👤
- Size:15
- M, WLeighton 426 1:50pm-3:00pm
- FLeighton 426 2:20pm-3:20pm
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HIST 100 Confucius and His Critics 6 credits
An introduction to the study of historical biography. Instead of what we heard or think about Confucius, we will examine what his contemporaries, both his supporters and critics, thought he was. Students will scrutinize various sources gleaned from archaeology, heroic narratives, and court debates, as well as the Analects to write their own biography of Confucius based on a particular historical context that created a persistent constitutional agenda in early China. Students will justify why they would call such a finding, in hindsight, “Confucian” in its formative days. Themes can be drawn from aspects of ritual, bureaucracy, speech and writing
Held for new first year students
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HIST 100.06 Fall 2023
- Faculty:Seungjoo Yoon 🏫 👤
- Size:15
- M, WLeighton 303 1:50pm-3:00pm
- FLeighton 303 2:20pm-3:20pm
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HIST 100 Exploration, Science, and Empire 6 credits
This course provides an introduction to the global history of exploration. We will examine the scientific and artistic aspects of expeditions, and consider how scientific knowledge–navigation, medicinal treatments, or the collection of scientific specimens–helped make exploration, and subsequently Western colonialism, possible. We will also explore how the visual and literary representations of exotic places shaped distant audiences’ understandings of empire and of the so-called races of the world. Art and science helped form the politics of Western nationalism and expansion; this course will explore some of the ways in which their legacy remains with us today.
Held for new first year students
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HIST 100.02 Fall 2023
- Faculty:Antony Adler 🏫 👤
- Size:15
- M, WWeitz Center 231 11:10am-12:20pm
- FWeitz Center 231 12:00pm-1:00pm
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HIST 100 Food and Public Health: Why the Brits Embraced White Bread 6 credits
Food, health, medicine, public policy and the built environment… all were transformed as Britain industrialized in the eighteenth and nineteenth centuries. This course explores how cultural, social and economic changes shaped the culture of food consumption during this transitional period. We also explore changing ideas in medical history and public health from the early modern to modern period. We will consider how our historical understanding can inform our views of the present through an academic civic engagement project that will connect students to Northfield communities.
Held for new first year students
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HIST 100.03 Fall 2023
- Faculty:Susannah Ottaway 🏫 👤
- Size:15
- T, THLeighton 303 3:10pm-4:55pm
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HIST 100 Gandhi, Nationalism and Colonialism in South Asia 6 credits
The struggle for independence from colonial rule in the Indian subcontinent involved a wide array of nationalist movements, prominently including the struggle led by M. K. Gandhi, who forged a movement centered on non-violence and civil disobedience which brought down the mighty British empire. We will study this alongside numerous other powerful nationalist currents, particularly those based on Islamic ideas and symbols. A significant part of the course will involve a historical role-playing game, Reacting to the Past: Defining a Nation, wherein students will take on roles of actual historical figures and recreate a twentieth century debate about religious identity and nation-building in the colonial context.
Held for new first year students
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HIST 100.05 Fall 2023
- Faculty:Brendan LaRocque 🏫 👤
- Size:15
- M, WLeighton 301 11:10am-12:20pm
- FLeighton 301 12:00pm-1:00pm
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HIST 100 U.S.-Latin American Relations: A Declassified View 6 credits
“Colossus of the North” or “Good Neighbor”? While many of its citizens believe the United States wields a benign influence across the globe, the intent and consequences of the U.S. government’s actions across Latin America and Latin American history offers a decidedly more mixed picture. This course explores the history of Inter-American relations with an emphasis on the twentieth century and the Cold War era. National case studies will be explored, when possible through the lens of declassified U.S. national security documents. Latin American critiques of U.S. involvement in the region will also be considered.
Held for new first year students
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HIST 100.01 Fall 2023
- Faculty:Andrew Fisher 🏫 👤
- Size:15
- M, WLeighton 303 9:50am-11:00am
- FLeighton 303 9:40am-10:40am
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IDSC 100 Civil Discourse in a Troubled Age 6 credits
As we listen to people discussing critical issues facing individuals, communities, countries and the planet, what do we see happening? Is communication occurring? Do the sides hear each other and seek to understand another point of view, even if in disagreement? Is the goal truth or the best policy or victory for a side? What skills, approaches, and conditions lead to genuine discussion and productive argument? How can we cultivate these as individuals and communities? This Argument and Inquiry seminar addresses these questions in both theory and practice by allowing students the opportunity to read, view, discuss, and analyze theoretical discussions and case studies drawn from the past and present on a range of controversial topics.
Held for new first year students, Extra Time
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IDSC 100.02 Fall 2023
- Faculty:William North 🏫 👤 · Sindy Fleming 🏫 👤
- Size:15
- M, WHasenstab 109 11:10am-12:20pm
- FHasenstab 109 12:00pm-1:00pm
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IDSC 100 Data Visualization As Activism 6 credits
Data visualization (turning evidence into images) and activism have a common goal: to make the invisible more visible. How can graphs be used for activist work? Through discussion, reading, production, and reflection, this seminar will teach students how to read and think critically about graphs, produce graphs for public audiences, and consider the ethical dimensions of data access and representation. We will learn from data visualization pioneers such as W.E.B. Du Bois, who combined graphs and photographs for the 1900 Paris World’s Fair to tell a complex story of the agency, sophistication, and oppression of African Americans in post-emancipation America. As we discuss the role of data viz in activism, we will learn to experiment with creating our own visual arguments; our final project will be in partnership with a local community organization. No previous experience with statistics or graphing software is necessary.
Held for new first year students Only students eligible for TRIO should select this course. If you apply to TRIO but are not admitted, you will be allowed to change your course selection. TRIO Student Support Services is a program that serves U.S. citizens and permanent residents who meet established income requirements, are first-generation in college, and/or who have a documented disability.
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IDSC 100.04 Fall 2023
- Faculty:Lin Winton 🏫 👤
- Size:15
- M, WLibrary 305 1:50pm-3:00pm
- FLibrary 305 2:20pm-3:20pm
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IDSC 100 Games and Gaming Cultures 6 credits
In this seminar, we will use games (both by studying them and by playing them) as a lens through which we can explore all manner of fascinating questions. How do the games we play shape our culture and our communities? What makes a game fun, engaging, addictive, boring, brutal, or banal? How can games encourage certain kinds of behavior, even after we’ve stopped playing them? Could we make Carleton itself a bit better–or at least more fun–if we gamified certain aspects of life here? To aid our exploration, we’ll draw on readings from multiple genres and employ a variety of research methods to analyze games from social, textual, and design perspectives. This course will also include weekly lab sessions on Wednesday evenings (6:15-8:30PM). Students will be required to attend at least eight out of ten lab sessions.
Held for new first year students Extra Time
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IDSC 100.01 Fall 2023
- Faculty:George Cusack 🏫 👤
- Size:15
- T, THWeitz Center 136 1:15pm-3:00pm
- WHulings 316 6:00pm-8:30pm
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IDSC 100 Let’s Talk about Race!: Exploring Race in Higher Education 6 credits
From Starbucks’ failed “Race together” initiative to debates about Rachel Dolezal’s racial identity to the Black Lives Matter movement, it is clear that race still matters in America. These incidents also demonstrate the difficulties of having discussions about race, especially across racial lines. Drawing on texts from multiple disciplines, this course will examine the history of racial categories with a particular emphasis on how race matters in higher education. This course will also incorporate readings and activities that will help students develop further their skills to have productive discussions about race, especially in the context of a small residential college.
Held for new first year students
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LING 100 The Noun 6 credits
We’ve all been taught that nouns are people, places, and things. Yet, these seemingly simple linguistic objects are surprisingly complex. For instance, languages vary in what information (e.g., case, gender, person, number) nouns display. Even within a single language, the form of a noun may change depending on its function within a sentence or its function within a conversation. This course uses contemporary linguistic theories to account for the many varied forms of nouns throughout the world’s languages. No familiarity with languages other than English is required.
Held for new first year students
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LING 100.00 Fall 2023
- Faculty:Morgan Rood 🏫 👤
- Size:15
- T, THWeitz Center 235 1:15pm-3:00pm
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MUSC 100 Ways of Hearing 6 credits
People hear differently. In this course we will consider various “ways of hearing.” We will study topics like historical recreation, physiology and cognitive studies of music, thinking like a composer and musical writing, ethnographic listening, hearing like a performer, and how music creates meaning. There are distinct paths to continue each of the topics, and we will explore opportunities for students to extend these musical interests while at Carleton. “Do you hear what I hear?” asks the famous song. Perhaps not. As we will see, the range of musical activity and interest among our peers can be extremely vast.
Held for new first year students
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MUSC 100.00 Fall 2023
- Faculty:Andy Flory 🏫 👤
- Size:15
- T, THWeitz Center 231 10:10am-11:55am
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PHIL 100 This Course is About Discourse: An Introduction to Philosophy Through Dialogues 6 credits
Most philosophy comes in the form of books or articles where the author expounds their view over the course of many pages. But there is a long tradition of writing philosophy as a dialogue between multiple characters. These dialogues are a hoot to read and philosophically illuminating. This course is an introduction to philosophy through dialogues from various philosophical traditions around the world. The dialogues we’ll read ask questions like: What is justice? Is there a God? What is the nature of personal identity? What is the nature of reality? What do we owe to nature? How does science work?
Held for new first year students
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PHIL 100.01 Fall 2023
- Faculty:Daniel Groll 🏫 👤
- Size:15
- M, WLeighton 301 12:30pm-1:40pm
- FLeighton 301 1:10pm-2:10pm
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PHIL 100 Utopias 6 credits
What would a perfect society look like? What ideals would it implement? What social evils would it eliminate? This course explores some famous philosophical and literary utopias, such as Plato’s Republic, Thomas More’s Utopia, Francis Bacon’s New Atlantis, Ursula Le Guin’s The Dispossessed, and others. We will also consider some nightmarish counterparts of utopias, dystopias. One of the projects in this course is a public performance, such as a speech or a short play.
Held for new first year students
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PHIL 100.02 Fall 2023
- Faculty:Anna Moltchanova 🏫 👤
- Size:15
- M, WLeighton 330 1:50pm-3:00pm
- FLeighton 330 2:20pm-3:20pm
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RELG 100 Christianity and Colonialism 6 credits
From its beginnings, Christianity has been concerned with the making of new persons and worlds: the creation of the Kingdom of Heaven on earth. It has also maintained a tight relationship to power, empire, and the making of modernity. In this course we will investigate this relationship within the context of colonial projects in the Americas, Africa, India, and the Pacific. We will trace the making of modern selves from Columbus to the abolition (and remainders) of slavery, and from the arrival of Cook in the Sandwich Islands to the journals of missionaries and the contemporary fight for Hawaiian sovereignty.
Held for new first year students
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RELG 100.02 Fall 2023
- Faculty:Kristin Bloomer 🏫 👤
- Size:15
- T, THLeighton 301 1:15pm-3:00pm
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RELG 100 Re-Imagining God 6 credits
How have religious thinkers interrogated the concept “God” in response to the intellectual challenges and political crises of the modern world? In this class, we consider how mass suffering, racial injustice, political oppression, ecological concerns, and religious pluralism have prompted theologians to redefine the very meaning of the word “God” and the nature of God’s power, agency, and relationship to human communities. We also examine the definitions of power, truth, and human fulfillment embedded in these theologies, as well as their interpretations of suffering, faith, meaning, and resilience. Readings draw primarily from Christianity, and also from Judaism.
Held for new first year students
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RELG 100.01 Fall 2023
- Faculty:Lori Pearson 🏫 👤
- Size:15
- M, WLeighton 303 12:30pm-1:40pm
- FLeighton 303 1:10pm-2:10pm
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RUSS 100 From Underground Man to Invisible Man 6 credits
In 1864 Fyodor Dostoevsky created an unnamed character whose response to his own alienation was to retreat to a life under the floorboards, where he mused on the imperfectability of human society and the nature of free will. A century later, African-American writer Ralph Ellison, author of the novel Invisible Man, called Dostoevsky his “literary ancestor.” In this course we will study Notes from Underground in its original cultural context and then turn to how the book was adapted, contested, and reinterpreted by Dostoevsky’s literary descendants around the world, each in their own way investigating what it means to be human.
Held for new first year students
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RUSS 100.00 Fall 2023
- Faculty:Laura Goering 🏫 👤
- Size:15
- M, WWeitz Center 233 1:50pm-3:00pm
- FWeitz Center 233 2:20pm-3:20pm
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THEA 100 What Stories Teach Us 6 credits
The stories we encounter from sources as diverse as theater, television, film, literature, the internet and the news, may lead us to believe things about the lives we lead and the world we live in that may or may not be “true.” This course will examine some of the stories we encounter, look at ways that popular culture oversimplifies or falsifies them and look at ways that theater and literature question and complicate them. The course will focus in particular on plays, films, TV shows, news and short fiction that deal with race, gender, gender identity, class, sexuality and criminal justice.
Held for new first year students
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THEA 100.00 Fall 2023
- Faculty:David Wiles 🏫 👤
- Size:15
- T, THWeitz Center 136 3:10pm-4:55pm
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