Search Results
Your search for courses · during 2023-24 · taught by jlondon · returned 5 results
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MUSC 103 Musicianship I 2 credits
A course in aural skills, focusing upon sight reading using solfège (movable do, la-based minor), and short melodic dictation exercises of up to four bars in length in major and minor keys.
- Winter 2024
- Arts Practice
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Music 101, or permission of the instructor as assessed by a diagnostic exam administered at the start of the term
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MUSC 103.00 Winter 2024
- Faculty:Justin London 🏫 👤
- Size:25
- T, THWeitz Center 230 8:30am-9:40am
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MUSC 104 Musicianship II 2 credits
Continuation of Musicianship I, with an emphasis on singing and dictation skills. More advanced solfège is introduced, including melodies in minor keys and chromaticism. Longer melodic dictation exercises which introduce standard four-and eight-bar melodic schemas will also be covered. Some harmonic dictation will also be included.
- Spring 2024
- Arts Practice
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Music 103, or permission of instructor as assessed by a diagnostic exam administered at the start of the term
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MUSC 104.00 Spring 2024
- Faculty:Justin London 🏫 👤
- Size:25
- T, THWeitz Center 230 8:30am-9:40am
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MUSC 110 Theory I: The Principles of Harmony 6 credits
An introduction to the materials of western tonal music, with an emphasis on harmonic structure and syntax. It covers basic harmonic syntax (through secondary dominants), melodic phrase structure and cadences, and small musical forms, along with related theoretical concepts and vocabulary. Student work involves readings, analysis and composition exercises, and short essay assignments.
- Winter 2024
- Literary/Artistic Analysis
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Music 101, or permission of the instructor as assessed by a diagnostic exam administered at the start of the term.
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MUSC 110.00 Winter 2024
- Faculty:Justin London 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 204 Theory II: Musical Structures 6 credits
An investigation into the nature of musical sounds and the way they are combined to form rhythms, melodies, harmonies, and form. Topics include the nature of musical pitch, the structure of musical scales and their influence on melody, what gives rise to a sense of tonality, the complexity of rhythmic patterns, and the architecture of musical form. Student work includes building a musical instrument, programming a drum machine, writing computer code to create harmonies and timbres, and an extended music analysis project using empirical methods.
- Spring 2024
- Literary/Artistic Analysis Quantitative Reasoning Encounter Writing Requirement
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Music 101, or permission of the instructor as assessed by a diagnostic exam administered at the start of the term
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MUSC 204.00 Spring 2024
- Faculty:Justin London 🏫 👤
- Size:25
- M, WWeitz Center 230 8:30am-9:40am
- FWeitz Center 230 8:30am-9:30am
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MUSC 308 Seminar in Music Analysis 6 credits
An introduction to advanced analytical techniques for larger formal structure in Western Art Music repertoire from the classic, romantic and early twentieth century. Musical forms to be considered are binary, ternary, rondo, and variation forms, with particular emphasis on theories and analyses of sonata forms of eighteenth and nineteenth century music.
- Spring 2024
- Literary/Artistic Analysis
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Music 110 or 204 or Instructor consent
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MUSC 308.00 Spring 2024
- Faculty:Justin London 🏫 👤
- Size:15
- T, THWeitz Center 231 10:10am-11:55am