Search Results
Your search for courses · during 25FA, 26WI, 26SP · taught by jkeating · returned 5 results
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ARTH 100 Witches, Monsters and Demons 6 credits
Between 1300 and 1600 depictions of witches, monsters, and demons moved from the margins of medieval manuscripts and the nooks of church architecture to the center of altarpieces and heart of princely collections. Although this diabolical imagery was extremely diverse, it came from one place: the mind of the Renaissance artist. This course examines how images that came from within were devised and fashioned into works of art. It considers why fantastical imagery that showcased the artist’s imagination was so highly valued during the Renaissance–a period typically associated with the rebirth of classical antiquity. Finally, it explores the connection between illusions, visions, dreams, and other visual phenomena that highlighted the potential malfunction of the mind, and artistic creation. Some of the artists discussed include, but are not limited to, Hieronymus Bosch, Michelangelo, and Leonardo da Vinci.
Held for new first year students
- Fall 2025
- AI/WR1, Argument & Inquiry/WR1 IS, International Studies
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Student is a member of the First Year First Term class level cohort. Students are only allowed to register for one A&I course at a time. If a student wishes to change the A&I course they are enrolled in they must DROP the enrolled course and then ADD the new course. Please see our Workday guides Drop or 'Late' Drop a Course and Register or Waitlist for a Course Directly from the Course Listing for more information.
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ARTH 100.01 Fall 2025
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WBoliou 161 12:30pm-1:40pm
- FBoliou 161 1:10pm-2:10pm
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ARTH 235 Revival, Revelation, and Re-animation: The Art of Europe’s “Renaissance” 6 credits
This course examines European artistic production in Italy, Spain, France, Germany, and the Netherlands from the fourteenth to the sixteenth century. The aim of the course is to introduce diverse forms of artistic production, as well as to analyze the religious, social, and political role of art in the period. While attending to the specificities of workshop practices, production techniques, materials, content, and form of the objects under discussion, the course also interrogates the ways in which these objects are and, at times, are not representative of the “Renaissance.”
- Spring 2026
- IS, International Studies LA, Literary/Artistic Analysis
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Student has completed any of the following course(s): One Art History (ARTH) course with a grade of C- better.
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ARTH 235.01 Spring 2026
- Faculty:Jessica Keating 🏫 👤
- Size:25
- M, WBoliou 161 11:10am-12:20pm
- FBoliou 161 12:00pm-1:00pm
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ARTH 298 The History of Art History 6 credits
An intensive study of the nature of art history as an intellectual discipline and of the approaches scholars have taken to various art historical problems. Attention as well to principles of current art historical research and writing. Recommended for juniors who have declared art history as a major or a minor.
- Spring 2026
- LA, Literary/Artistic Analysis
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ARTH 298.01 Spring 2026
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WLibrary 305 1:50pm-3:00pm
- FLibrary 305 2:20pm-3:20pm
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ARTH 324 The Sexuality of Jesus Christ 6 credits
Why did Renaissance artists produce hundreds of paintings of the Christ Child touching his genitals or presenting his genitals to someone, for instance his mother the Virgin Mary, inside the picture? Why did images of the dead Christ emphasize or exaggerate Jesus’s genitalia? And why were these phallic features of Renaissance religious painting not openly discussed and debated in art historical scholarship until 1983? These questions are at the heart of this course. In order to answer them we will examine the art critic Leo Steinberg’s groundbreaking book, The Sexuality of Christ in Renaissance Art and in Modern Oblivion (1983) and the dramatic responses Steinberg’s book engendered.
- Winter 2026
- LA, Literary/Artistic Analysis
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ARTH 324.01 Winter 2026
- Faculty:Jessica Keating 🏫 👤
- Size:15
- M, WBoliou 161 1:50pm-3:00pm
- FBoliou 161 2:20pm-3:20pm
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ARTH 400 Integrative Exercise
The integrative exercise for the art history major involves an independent research project, on a topic chosen by the student and approved by faculty members, resulting in a substantial essay due late in the winter term. One credit is awarded, usually in the spring term, for a formal presentation that contextualizes the project and summarizes the argument of the essay. The other five credits may be distributed in any fashion over the fall and winter terms. Art History 400 is a continuing course; no grade will be awarded until all six credits are completed.
- Fall 2025, Winter 2026, Spring 2026
- No Exploration
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Student is an Art History major AND has Senior Priority.