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Your search for courses · during 25SP · taught by jbeck · returned 4 results
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CAMS 165 Sound Design 6 credits
This course examines the theories and techniques of sound design for film and video. Students will learn the basics of audio recording, sound editing and multi-track sound design specifically for the moving image. The goal of the course is a greater understanding of the practices and concepts associated with soundtrack development through projects using recording equipment and the digital audio workstation for editing and mixing.
Sound Design is offered at both the 100 and 200 levels; coursework will be adjusted accordingly. Students who have taken CAMS 111 should register for CAMS 265; students who have not taken CAMS 111 should register for CAMS 165.
Extra Time Required. CAMS 165 students will complete additional workshops during the first two weeks of class in order to be familiarized with the audio recording hardware.
- Spring 2025
- ARP, Arts Practice
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Not open to students who have taken CAMS 265
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CAMS 165.00 Spring 2025
- Faculty:Jay Beck 🏫 👤
- Size:15
- M, WWeitz Center 138 9:50am-11:00am
- FWeitz Center 138 9:40am-10:40am
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CAMS 214 Film History III 6 credits
This course is designed to introduce students to recent film history, 1970-present, and the multiple permutations of cinema around the globe. The course charts the development of national cinemas since the 1970s while considering the effects of media consolidation and digital convergence. Moreover, the course examines how global cinemas have reacted to and dealt with the formal influence and economic domination of Hollywood on international audiences. Class lectures, screenings, and discussions will consider how cinema has changed from a primarily national phenomenon to a transnational form in the twenty-first century.
Extra Time required for evening Screenings.
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CAMS 214.00 Spring 2025
- Faculty:Jay Beck 🏫 👤
- Size:25
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm
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CAMS 265 Sound Design 6 credits
This course examines the theories and techniques of sound design for film and video. Students will learn the basics of audio recording, sound editing and multi-track sound design specifically for the moving image. The goal of the course is a greater understanding of the practices and concepts associated with soundtrack development through projects using recording equipment and the digital audio workstation for editing and mixing.
Sound Design is offered at both the 100 and 200 levels; coursework will be adjusted accordingly. Students who have taken CAMS 111 should register for CAMS 265; students who have not taken CAMS 111 should register for CAMS 165.
- Spring 2025
- ARP, Arts Practice
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Students must have completed the following course(s): CAMS 111 with a grade of C- or better. Not open to students who have taken CAMS 165
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CAMS 265.00 Spring 2025
- Faculty:Jay Beck 🏫 👤
- Size:15
- M, WWeitz Center 138 9:50am-11:00am
- FWeitz Center 138 9:40am-10:40am
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CAMS 400 Integrative Exercise 6 credits
- Spring 2025
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Student is a Cinema and Media Studies major and has Senior Priority.