Search Results
Your search for courses · during 25FA, 26WI, 26SP · taught by ccornejo · returned 3 results
-
CAMS 111 Intro to Cinema and Media Production 6 credits
This class introduces students to the full range of production tools and forms, building both the technical and conceptual skills needed to continue at more advanced levels. We will explore the aesthetics and mechanics of shooting digital video, the role of sound and how to record and mix it, field and studio production, lighting, and editing with Adobe Premiere Pro CC. Course work will include individual and group production projects, readings, and writing. This is an essential foundation for anyone interested in moving-image production and learning the specifics of CAMS' studios, cameras, and lighting equipment.
Sophomore Priority. Formerly titled Digital Foundations. Extra Time required for evening equipment and software labs
- Spring 2026
- ARP, Arts Practice
-
CAMS 111.01 Spring 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:12
- T, THWeitz Center 133 10:10am-11:55am
- T, THWeitz Center 138 10:10am-11:55am
-
Sophomore Priority.
Formerly titled Digital Foundations.
Extra Time Required: For evening equipment and software labs
-
CAMS 111.02 Spring 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:12
- T, THWeitz Center 133 1:15pm-3:00pm
- T, THWeitz Center 138 1:15pm-3:00pm
-
Sophomore Priority.
Formerly titled Digital Foundations.
Extra Time Required: For evening equipment and software labs
-
CAMS 246 Documentary Studies 6 credits
This course explores the relevance and influence of documentary films by closely examining the aesthetic concerns and ethical implications inherent in these productions. We study these works both as artistic undertakings and as documents produced within a specific time, culture, and ideology. Central to our understanding of the form are issues of technology, methodology, and ethics, which are examined thematically as well as chronologically. The course offers an overview of the major historical movements in documentary film along more recent works; it combines screenings, readings, and discussions with the goal of preparing students to both understand and analyze documentary films.
Extra Time Required, weekly evening in-person screenings Tuesdays
-
CAMS 246.01 Winter 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:25
- T, THWeitz Center 133 10:10am-11:55am
-
-
CAMS 296 Chile and Argentina–Modes of Storytelling 6 credits
This course is the second part of a two-term sequence and begins with a study trip to Santiago and Buenos Aires in December 2025. The study trip concentrates on cinema while examining other forms of storytelling. Our time abroad is spent visiting filmmakers, scholars, and cultural organizations that shape cinematic practices. Back on campus we unpack the study trip and work on projects proposed in fall term. Paper drafts, rough cuts, and preliminary curatorial work are due at midterm and students present their work to the Carleton community in a gallery exhibition and symposium in weeks nine and ten.
Open only to participants in Carleton OCS CAMS Cinema and Storytelling in Chile and Argentina Program
- Winter 2026
- ARP, Arts Practice IS, International Studies
-
Student has completed any of the following course(s): CAMS 295 with a grade of C- or better.
-
CAMS 296.01 Winter 2026
- Faculty:Cecilia Cornejo 🏫 👤
- Size:15
- M, WWeitz Center 133 12:30pm-1:40pm
- FWeitz Center 133 1:10pm-2:10pm