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Academic Catalog 2025-26

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Your search for courses · during 2025-26 · taught by aflory · returned 6 results

  • MUSC 126 America’s Music 6 credits

    A survey of American music with particular attention to the interaction of the folk, popular, and classical realms. No musical experience required.

    • Spring 2026
    • IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2
    • ACE Theoretical AFST Literary Artistic Analysis AMST Democracy Activism AMST Production Consumption of Culture AMST Race Ethnicity Indigeneity AMST Survey 1 CL: 100 level
    • MUSC  126.01 Spring 2026

    • Faculty:Andy Flory 🏫 👤
    • Size:30
    • M, WWeitz Center M215 9:50am-11:00am
    • FWeitz Center M215 9:40am-10:40am
  • MUSC 130 The History of Jazz 6 credits

    A survey of jazz from its beginnings to the present day focusing on the performer/composers and their music.

    • Fall 2025
    • IDS, Intercultural Domestic Studies LA, Literary/Artistic Analysis WR2 Writing Requirement 2 CX, Cultural/Literature
    • CL: 100 level AFST Literary Artistic Analysis AMST Production Consumption of Culture AMST Race Ethnicity Indigeneity
    • MUSC  130.01 Fall 2025

    • Faculty:Andy Flory 🏫 👤
    • Size:30
    • T, THWeitz Center M215 10:10am-11:55am
  • MUSC 209 Analog Sound and Music 6 credits

    This course is an introduction to the history and techniques of creating musical audio recordings in an analog environment. It focuses on methods of documenting music and principles of analog audio through hands-on demonstrations and exercises, critical readings and student writing and recording analysis. Topics include audio levels, preamplifiers and microphones, dynamic and spacial effects, console architecture, signal flow and usage of various historical formats of analog media (LP, cassette, DAT and audio tape). Readings and scholarly perspectives on audio and analog recording processes come from fields such as musicology, ethnomusicology and sound studies.

    Recommended Preparation: MUSC 108

    Extra Time Required: Students will be required to complete weekly exercises during a scheduled time in the department Electro-Acoustic Lab. Final project will require students to coordinate with existing student composers and performers to attend (and document) a performance or rehearsal.

    • Spring 2026
    • ARP, Arts Practice
    • CL: 200 level MUSC Elective
    • MUSC  209.01 Spring 2026

    • Faculty:Andy Flory 🏫 👤
    • Size:25
    • M, WWeitz Center 231 1:50pm-3:00pm
    • FWeitz Center 231 2:20pm-3:20pm
  • MUSC 341 Rock Lab and Lab 6 credits

    This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.

    During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.

    • Winter 2026
    • ARP, Arts Practice IDS, Intercultural Domestic Studies
    • AMST Production Consumption of Culture CL: 300 level MUSC Ethnomusicolgy or Pop
    • MUSC  341.01 Winter 2026

    • Faculty:Andy Flory 🏫 👤
    • M, WWeitz Center 148 9:50am-11:00am
    • FWeitz Center 148 9:40am-10:40am
  • MUSC 341 Rock Lab and Lab 6 credits

    This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.

    During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.

    • Winter 2026
    • ARP, Arts Practice IDS, Intercultural Domestic Studies
    • AMST Production Consumption of Culture CL: 300 level MUSC Ethnomusicolgy or Pop
    • MUSC  341.52 Winter 2026

    • Faculty:Andy Flory 🏫 👤
    • Size:8
    • TWeitz Center M032 2:00pm-5:00pm
    • TWeitz Center M038 2:00pm-5:00pm
  • MUSC 341 Rock Lab and Lab 6 credits

    This class combines performance and academic study of rock music. In the first half of the course, we will learn to perform simple songs in small-group coaching sessions with a polished public performance as a midterm goal. During the second half of the course, we will make recordings of these performances. Throughout the term, we will accompany performance and recording activities with readings and discussion about aesthetics, performance practice in rock music, and mediation of recording techniques, all extraordinarily rich topics in popular music studies. No performance experience is needed. The course will accommodate students with a range of experience. Students will be grouped according to background, interest, and ability. There is a required hands-on laboratory component, which will be assigned before the start of the course. In these smaller groups, students will perform, record, and work with sound in small groups. Work will include experimentation with electric instruments, amplifiers, synthesizers, microphones, recording techniques, performance practice issues, musical production, mixing, and mastering.

    During registration, students will register for both the lecture and a corresponding lab section, which will appear on the student's academic transcript in a single entry.

    • Winter 2026
    • ARP, Arts Practice IDS, Intercultural Domestic Studies
    • AMST Production Consumption of Culture CL: 300 level MUSC Ethnomusicolgy or Pop
    • MUSC  341.53 Winter 2026

    • Faculty:Andy Flory 🏫 👤
    • Size:8
    • WWeitz Center M032 2:00pm-5:00pm
    • WWeitz Center M038 2:00pm-5:00pm

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2025–26 Academic Catalog

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Registrar: Theresa Rodriguez
Email: registrar@carleton.edu
Phone: 507-222-4094
Academic Catalog 2025-26 pages maintained by Maria Reverman
This page was last updated on 10 September 2025
Carleton

One North College StNorthfield, MN 55057USA

507-222-4000

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