English

Professor Emeritus: George Soule

Professors: Vern D. Bailey, Susan Jaret McKinstry, Chair, James McDonnell, Frank R. Morral, John F. Schott, Robert G. Tisdale, Constance H. Walker, Ruth Weiner

Associate Professors: Chiara Briganti, Michael J. Kowalewski, David McCandless, Kofi Owusu, Gregory Blake Smith

Assistant Professors: Nancy J. Cho, Disa Gambera, Timothy J. Raylor, Clare Rossini

Visiting Assistant Professor: Gregory G. Hewett

Visiting Instructor: William Perry Marvin

General Information:

Courses numbered from 100 to 290 (introductory courses) are designed for non-majors and prospective majors alike. With the exception of English 200, Methods of Interpretation, and 260, Introduction to Creative Writing, 270, Crafts of Writing: The Short Story, 271, Crafts of Writing: Poetry and 275, Crafts of Writing: Essay, they have no prerequisites. Literature courses numbered 300 and above (upper-level courses) normally require as a prerequisite ONE course numbered 110-175 or the written permission of the instructor. Prerequisites for upper-level courses in writing (English 370, 371 and 375) are as noted below. Courses that fulfill the "advanced seminar requirement'' have as a prerequisite English 200. First year students normally do not enroll in courses numbered 300 or above.

Students wishing to prepare for public school teaching should consult with the chair of the department and the Department of Educational Studies as soon as possible.

Students considering graduate study in English should be aware that most graduate schools require one or two ancient or modern languages.

Requirements for a Major:

Rev: 9/15/97

A. Sixty-six credits in English (not including English 100, 109, 290) distributed as follows:

  1. English 110 and 111 preferably taken in this sequence before entering upper-level courses. Beginning with the Class of 2000, English 112 is required for the major.
  2. English 200, for which 110 and 111 are prerequisites, preferably taken in the Sophomore year. Not open to first-year students.
  3. At least 36 credits in courses numbered 300-395 taken at Carleton. One course (6 credits) may be the 200 level (excluding English 200)
  4. Six credits in each of the following four groups:

    Group I: Medieval and Renaissance
    Chaucer; Anglo-Saxon; Dante; Medieval Drama; Studies in Medieval Literature: Poetic Justice; English Renaissance Verse; Shakespeare Histories and Comedies; Shakespeare Tragedies and Romances; Renaissance Drama

    Group II: Epics to Austen
    The Faerie Queene; Paradise Lost; Eighteenth-Century Fiction; Jane Austen.

    Group III: Nineteenth-Century British and American
    English Romantic Poets; Studies in Victorian Literature; Nineteenth-Century Fiction

    Group IV: Modern and Contemporary Literature
    African-American Literature; African-American Autobiography; Asian American Literature; Modern Literature: British and American Twentieth-Century American Drama; Contemporary European and American Drama; Irish Literature; Literature of the American West; Studies in American Literature; Rereading the African-American Novel; Contemporary American Playwrights of Color; Twentieth-Century Poetry; Contemporary Poetry; Early Modern Drama; Contemporary Drama; Twentieth-Century Novel

  5. An advanced seminar (English 395), or Contemporary Literary Criticism or Narrative Theory (English 361 or 362), to be taken during the senior year or the third term of the junior year.
  6. An integrative exercise. A senior may choose:
    1. Essay Option: An extended essay on an approved topic. Open only to students who enroll in English 400 Winter Term.
    2. Examination Option: A written examination given early in Spring Term.
B. Six credits in literature other than English, read either in translation or, preferably, in the original language.

Double-majors considering completing the integrative exercise during the junior year will need written approval from the departmental chair.

The Two-Credit Essay:

The department encourages students to write a long essay (about 20 to 25 pages) on a subject growing out of an upper-level course. Such essays will normally require additional reading and will be written either while taking the upper-level course or within two terms of completing it. Students wishing to write a two-credit essay must obtain the consent of the instructor before enrolling.

Workshops in Writing:

The Department of English offers workshop courses in the writing of fiction, poetry, memoir and the essay for those students who wish to gain experience in writing. The writing requirement is a prerequisite for all such courses. Students are encouraged to submit their work to college publications such as The Observer, manuscript, and Breaking Ground.

Writers on the Carleton faculty include poet Clare Rossini, and novelist Gregory Blake Smith. In addition to those courses offered by regular faculty members, the department brings visiting writers to campus to read and to conduct workshops in their specialties. Visitors in recent years have included playwright Lee Blessing, memoirists Carol Bly and Patricia Hampl, poets, Robert Creeley, Michael Harper and Donald Justice, and fiction-writers Paule Marshall, Jane Hamilton, Ann Beattie, Bobbie Ann Mason, and Toni Cade Bambara.

The Writing Requirement:

The College's Writing Requirement may be fulfilled in English 100 (Literature Seminar), in English 109 (Writing Seminar) or in a number of introductory courses in English and other departments, or by scoring a "5'' on the College Board's AP English examination. Students should normally fulfill this requirement in their first year. In all cases, the grade a student receives is distinct from fulfilling the requirement; a passing grade does not automatically satisfy the requirement.

For full details, including a list of courses other than English 100 and 109 in which a student may fulfill the writing requirement, consult the Schedule of Classes and the New Student Handbook.

100. Literature Seminar
A writing seminar designed to teach college students to be successful readers and writers, each section includes a variety of readings in poetry, fiction, prose and drama in order to teach the skills of essay writing, editing and revision, collaborative work and oral presentations. Because of the focus on critical reading and writing, the course also serves as an excellent foundation to the English major. The following sections will be offered in 1997-1998.

100-01. Textual Pleasures
The purpose of this course is to help you acquire the skills that are necessary to the interpretation of literature. The title is more than a sexy title: I do believe that honing one's interpretive skills should not reduce texts to dead bodies on the pathologist's table but rather be a source of pleasures. 6 credits, S/CR/NC, AL
Fall -- C. Briganti

100-02. Reading Self, Reading Others
To study literature is to learn something about yourself in relation to a larger social context. With this in mind, our readings and discussions will highlight various relationships between Self and Other; for instance, cross-cultural contact, gender differences, family relationships, and connections between writers and readers. Classes will operate through seminar conversations and peer workshops of student writing. 6 credits, S/CR/NC, AL
Fall -- N. Cho

100-03. Visions & Versions
We will explore representations of medieval society in a selection of texts including Beowulf, the Decameron, and Malory's Morte d'Arthur, then look at various ways in which later periods "invent'' the Middle Ages by reading Alfred Lord Tennyson's Idylls of the King, John Gardner's Grendel, Donald Barthelme's The King, and a Soviet novel, The Women's Decameron. Our reading will be supplemented by modern films with medieval themes such as The Seventh Seal, Monty Python and the Holy Grail, and The Fisher King. 6 credits, S/CR/NC, AL
Fall -- D. Gambera

100-04. Practical Criticism
An introductory course in "close reading'' poetry, fiction, and drama. This class is designed to introduce the terminology and methods necessary for studying literature as a discipline and to help you understand the fundamentals of writing essays about literature. 6 credits, S/CR/NC, AL
Fall -- M. Kowalewski

100-05. Forbidden Knowledge
We will study works that explore the boundaries between licit and illicit knowledge. What kind of knowledge is forbidden? Who desires to have it? What are the consequences of attaining it? Authors such as Shakespeare, Milton, Goethe, and Mary Shelley will lead the way. 6 credits, S/CR/NC, AL
Fall -- W. Marvin

100-06. Reading, Interpreting & Writing
We will read, interpret, and write about a selection of short stories, poems, and plays from The Norton Introduction to Literature. We will, for example, read short stories by Atwood, Baldwin, Bambara, Cortazar, Chekhov, Hawthorne, Joyce, Gabriel Marquez, and Poe; poems by Brooks, Barrett Browning, Coleridge, Dickinson, Lorde, Pound, and Rich; and plays by Sophocles, Wilde, Tennessee Williams and August Wilson. 6 credits, S/CR/NC, AL
Fall -- K. Owusu

100-09. Performing Literature
In this course we will study a variety of literary forms. In addition to writing about the works we will perform selections from drama, poetry and other fiction. 6 credits, S/CR/NC, AL
Spring -- R. Weiner

109. Writing Seminar I
A course in expository and persuasive writing. 6 credits, S/CR/NC, ND
Fall, Winter, Spring -- N. Cho, Jm. McDonnell, G. Soule, C. Walker

110. English Literature, I
Chaucer, Shakespeare, Milton and lyric poets of the 16th and 17th centuries. Required of English majors. 6 credits, AL
Fall, Winter, Spring -- D. Gambera, W. Marvin, Jm. McDonnell, T. Raylor

111. English Literature, II
Neo-classic, Romantic, and Victorian literature. Required of English majors. 6 credits, AL
Fall, Winter and Spring -- V. Bailey, S. Jaret McKinstry, C. Walker

112. American Literature
A survey of major American writers from the Puritans to the present, with attention given both to their individual achievements and to their illustration of important phases of American literary and/or cultural development. Cross-listed with American Studies 112. 6 credits, AL
Fall, Winter and Spring -- N. Cho, G. Hewett, M. Kowalewski, G. Smith

117. African American Literature
This course provides an overview of African-American literature. We will pay particular attention to the tradition of African-American literary expression and the individual talent that brings depth and diversity to that tradition. From The Norton Anthology of African American Literature (1997) we will read Douglass's slave narrative; poetry by Baraka, Brooks, Dunbar, Nikki Giovanni, Hayden, Hughes, McKay, and Wheatley; essays by Baldwin, Du Bois, Addison Gayle, Locke, and Larry Neal; plays by Ed Bullins, Adrienne Kennedy, and Wilson; and novels by Weldon Johnson, Morrison, and Toomer. The Norton Anthology's accompanying audio CD will provide a rare and welcome opportunity for us to actually listen to the rich African American oral tradition -- Spirituals, Gospel, the blues, Jazz, and Rap -- that informs the written tradition. Cross-listed with African/African American Studies 117 and American Studies 117. Group IV. 6 credits, AL
Fall -- K. Owusu

118. Introduction to Poetry
We will look at the whole kingdom of poetry, exploring how poets use form, tone, sound, imagery, rhythm, and subject matter to create what Wallace Stevens called the "supreme fiction.'' Examples will be drawn from Homer to Rita Dove; vigorous participation in discussion is mandatory; paper assignments will challenge you to formalize your understanding of particular works. And you'll be asked to write a poem or two, to give you a practitioner's understanding of this ancient and living art. 6 credits, AL
Spring -- C. Rossini

120. Modern Literature: British and American
Selected poems and prose narratives written since 1880. Senior English majors may take this course only with the consent of the instructor. 6 credits, AL
Spring -- G. Smith

130. Shakespeare I
About ten plays. 6 credits, AL
Spring -- T. Raylor

131. Reading Fiction
An introduction to the literary history of the novel as a genre that explores the conventions and the possibilities of narrative. The readings will include 18th, 19th, and 20th century novels. 6 credits, AL
Not offered in 1997-1998.

175. Drama/Theatre/Text
In this course will study a selection of 10-15 plays both as literary texts and as the foundations of performance. These plays are selected both for their literary stature and for their association with specific art and/or critical movements. Cross-listed with Theater 175. 6 credits, AL
Winter -- R. Weiner

200. Methods of Interpretation
This course is required of students majoring in English. It will deal with practical and theoretical issues in literary analysis and contemporary criticism. Prerequisites: English 110 and 111. Not open to first year students. 6 credits, AL
Fall and Spring -- D. Gambera,W. Marvin, S. Jaret McKinstry

209. Hamlet: Project Course
We will study Hamlet in its historical, literary and theatrical context. A vital part of this course will be students' active participation -- acting, dramaturgy, light or costume design -- in a full-scale Carleton Players production of Hamlet. Guest scholars/artists will supplement our discussions. In addition to Hamlet, we will read a selection of 16th/17th-century revenger tragedies and a range of critical materials. Cross-listed with Theater Arts 209. 6 credits, AL
Fall -- Jm. McDonnell, R. Weiner

220. Arts of Oral Presentation
Instruction and practice in being a speaker and an audience in formal and informal settings. 3 credits, S/CR/NC, ND
Winter -- T. Raylor

230. African American Autobiography
The African American slave narrative chronicles remarkable transformations: how a (wo)man was made a slave and how a slave was made a (wo)man. The ex-slave's affirmation of selfhood found expression in first- person narratives that launched a literary tradition. We will place this emerging tradition in its historical context, discuss its defining characteristics, and trace its development in twentieth-century African American autobiography. Our definition of "the literary'' will not be divorced from relevant cultural codes and historical context. We will read classic slave narratives by Equiano, Douglass, and Jacobs; and twentieth-century autobiography by Washington, Hurston, Wright, Malcolm X, Angelou, Brooks, and Njeri. Cross-listed with African/African American Studies 230. Group IV. 6 credits, AL, RAD
Not offered in 1997-1998.

231. Witness Narratives: Memoirs of Survival
This class will be focused on recent memoirs written by women. Such writing (loosely called memoir) actually crosses genre boundaries and can be anything from documentary and reportage, to autobiography and fiction. What these works have in common, however, is a passionate commitment to telling the truth, the public "witnessing'' to some painful aspect of contemporary history. Possible readings would include: Terry Tempest Williams, Refuge, (concerned with ecology, atomic bomb testing in the 1950's, and the deaths of their mother and grandmother from cancer); Kate Millet, The Politics of Cruelty; an Essay on the Literature of Political Imprisonment; Joy Kogagw, Obasan or Itsuka (about Japanese- Canadian political internment during World War II); Eva Hoffman, Lost in Translation; a Life Lived in Two Languages (about the author's cultural and linguistic dislocation and the recovery of a sense of self); and recent works which deal with sexual abuse and with eating disorders as a personal experience with political dimensions. Students will be encouraged to write a short personal essay which explores some aspect of the "political as personal'' in their own lives. Cross-listed with Women's Studies 340. 6 credits, AL
Winter -- Jn. McDonnell

233. Contemporary American Short Stories
This course will introduce the contemporary American short story, beginning with classic writers and minimalists, and moving into the postmodern and revised classical forms. The premise of the course is to understand how American culture is represented in contemporary fiction. Students will read stories in collections and current magazines (New Yorker, Atlantic, Harpers, and so on), as well as write a story to get a hands-on sense of how writing works and what defines the contemporary American story. Group IV. 6 credits, AL
Not offered in 1997-1998.

235. Asian American Literature
This course is an introduction to major works and authors of fiction, non-fiction, drama, and poetry from about 1900 to the present. Though contemporary writers such as Amy Tan and Maxine Hong Kingston have brought Asian American literature to popular attention, these accomplishments are part of a rich tradition of Asian American writing that dates back to the turn of the century. In this course we will pay particular attention to the historical, social, and political contexts of the works we read, in order to explore how diverse Asian American literary traditions have developed. Group IV. 6 credits, AL, RAD
Not offered in 1997-1998.

236. American Nature Writing
A study of the environmental imagination in American literature. We will explore the relationship between literature and the natural sciences and examine questions of style, narrative, and representation in the light of larger social, ethical, and political concerns about the environment. Authors read will include Emerson, Thoreau, Muir, Mary Austin, Jeffers, Abbey, Merwin, Silko, Snyder, and Terry Tempest Williams. Students will write a creative Natural History essay as part of the course requirements. Cross-listed with American Studies 237 and Environmental and Technology Studies 236. 6 credits, AL
Spring -- M. Kowalewski

240. Directing
An introduction to the process of directing plays. Cross-listed with Theater Arts 240. 6 credits, ND
Not offered in 1997-1998.

242. Twentieth-Century American Drama
A study of a selection of important American plays from Eugene O'Neill's Hairy Ape (1920) to Tony Kushner's Angels in America (1992) in the context of larger American themes and cultural preoccupations. The premise of this course is that these plays define the American theatre for most of this century. By studying them we will gain understanding of our own culture and the links that connect this culture to the transformative events of the century. Group IV. 6 credits, AL
Not offered in 1997-1998.

245. Contemporary European and American Drama
We will begin with a study of the key developments in post-WWII drama: Theater of the Absurd, especially as practiced by Beckett, Ionesco, and Genet; absurdism in the work of Pinter and early Albee; and the development of hard-hitting political drama in Britain, from John Osborne's pivotal "Look Back in Anger'' to David Edgar's recent "Pentacost.'' We will also see how elements of the absurd and political intermingle in the more distinctly American social commentary of Shepard and Mamet. Finally, we will focus on recent works that interrogate, parody, or de-familiarize differences of race, gender, or sexual orientation (such as works by Caryl Churchill, David Henry Hwang, John Guare, Neil Jordan, and Anna Deveare Smith). Our analysis of these works will be historical and performative as well as literary, and may be aided by occasional video screenings and "field trips'' to professional productions. Cross-listed with Theater Arts 245. Group IV. 6 credits, AL
Winter -- D. McCandless

246. Playwriting
A writing workshop focusing on the structure, craft, and elements of language vital to the making of new theatre. Students will work on scenes, monologues, writing exercises, and problem solving as they move toward the completion of an entire scene or short play. Permission of the instructor is required. Cross-listed with Theater Arts 246. 6 credits, AL
Fall -- B. Carpenter

249. Irish Literature
After a brief introduction to earlier literary texts, the course will concentrate on 20th century fiction, poetry and drama by W. B. Yeats, James Joyce, J. M. Synge, Brian Friel, Frank O'Connor, Sean O'Faolain, Edna O'Brien, William Trevor, Patrick Kavanagh, Seamus Heaney, Derek Mahon, Nuala Ni Dhomhnaill and many others. We will pay particular attention to the recurrent themes of national and cultural identity, the plight of women in a repressive society, the perspectives of children, the power of religion and the prevalence of violence. Group IV. 6 credits, AL
Fall -- Jm. McDonnell

250. Linguistics and the Literary Art
This course examines approaches to the question: "How do artists who use language as a medium manipulate that medium, and to what effect?'' Cross-listed with Linguistics 250. 6 credits, SS
Not offered in 1997-1998.

251. History of the English Language
What is English? Where did it come from? Where is it going? To answer these questions, we will study the linguistic and the social history of English and its speakers. 6 credits, ND
Not offered in 1997-1998.

260. Introduction to Creative Wriitng
This course provides an opportunity to try your hand at various genres of creative writing, including poetry, fiction, and the personal essay. It is introductory, so you don't need any previous writing experience; come prepared with a bit of nerve and with a willingness to work hard. We'll read useful models in each genre and take a workshop approach to your work, discussing it during class sessions as well in "writers' groups'' which will meet outside of class. Prerequisite: writing requirement. 6 credits, S/CR/NC, ND
Fall -- C. Rossini

270. The Crafts of Writing: The Short Story
An introduction to the writing of the short story. Each student will write and have discussed in class three or four stories (from 1,500 to 4,000 words in length) and give constructive suggestions about the stories written by other members of the class. Students are expected to write brief critiques of each story written by their classmates. Prerequisite: writing requirement. 6 credits, S/CR/NC, ND
Fall and Winter -- G. Smith

271. The Crafts of Writing: Poetry
Beginners are welcome as well as those with some experience in writing poetry. Students will be asked to try their hand at writing poems in response to a multitude of in and out-of-class exercises; these will be critiqued during our weekly gatherings as well as in small groups which will meet outside of class. Readings in contemporary poetry and essays written by poets will provide models for our writing and thinking. The Muse of Poetry will visit in person at some point during the term; a final, public reading will be scheduled. Prerequisite: writing requirement. 6 credits, S/CR/NC, ND
Winter -- C. Rossini

275. The Crafts of Writing: The Essay
This course is designed for students who wish to write better papers and want to extend their range of forms, styles, and techniques. It will be particularly valuable for those thinking about writing comps papers. We will examine and attempt essays of various kinds, focusing on style, structure, and argument. Prerequisite: writing requirement. 6 credits, S/CR/NC, ND
Fall -- T. Raylor

290. Directed Reading
A number of directed reading courses for individual students interested in specific authors and topics in English and American literature are offered by the English Department. Courses are restricted to students who have completed at least two introductory English courses and have fulfilled the writing requirement. Interested students should see the departmental secretaries for reading lists and regulations governing the course. Ordinarily not open to first year students. Does not apply toward English major. 2 to 6 credits, S/CR/NC, ND
Fall, Winter and Spring -- Staff

290-17. London Program Directed Reading
During winter and spring breaks, students will read assigned works relevant to the courses to be undertaken. An examination will be given in the first week of the seminar. 3 credits, S/CR/NC, ND
Spring -- F. Morral

Upper-level Courses:

The following courses are not open to first year students except with the written permission of the instructor, and most have as a prerequisite one related introductory course in English or American Literature. See "General Information'' above.

300. Chaucer I: Canterbury Tales
We will read all of the poetic texts of the Canterbury Tales in Middle English (no previous knowledge assumed), paying particular attention to the interaction between pilgrims and genres. Group I. 6 credits, AL
Spring -- D. Gambera

302. Studies in Medieval Literature: Anglo-Saxon
Out of the mead hall, tribal feuds, the clash between Christianity and paganism, came Anglo-Saxon, the earliest European vernacular literature. Before chivalry and courtly love, there was another, fiercer, code of conduct; wyrd (fate) was thought to shape one's life. Out of this life, the early English created their stories. The works we will read with some attention to Old English, include Beowulf, The Seafarer, The Wife's Lament, and The Dream of the Rood. This course will fulfill the English departments literature in translation requirement. Group I. 6 credits, AL
Winter -- W. Marvin

303. Studies in Medieval Literature: Dante
The Divine Comedy is perhaps the supreme literary masterpiece of the Middle Ages, and it is one of the most influential poems for literature in English from Chaucer right through to the present day. We will read all three books of the Divine Comedy considering it in its historical context and examining some recent criticism of the poem. We will also spend some time looking at how various authors incorporate Dante into their own work. All texts are in translation. Group I. 6 credits, AL
Not offered in 1997-1998.

304. Studies in Medieval Literature: Drama
A study of the development of drama from church ritual to early Tudor plays from a literary, not a theatrical, perspective. Includes the three major dramatic genres: mystery, morality, and miracle plays. Group I. 6 credits, AL
Not offered in 1997-1998.

306. Poetic Justice: Violence and Desire in Germanic Saga
One theme dear to the hearts of Northern and West-Germanic peoples was the bloodfeud. Savage though not without method, individually redeeming while also socially destructive, the addictive violence of feud-law allowed writers to endue plot with the momentum of fate and to explore how character was shaped by a psychology of honor. This course will study Beowulf in the larger context of Germanic song and narrative which looked back with nostalgia upon a heroic past, and which memorialized the Age of Migration for readers of the High Middle Ages. We will examine remnants of heroic lay such as survive in the German Hildebrandslied and the Icelandic Edda, but chiefly we will attend to Beowulf and the Icelandic Volsunga saga, Heimskringla, sagas of Egil and Brennu-Njal, and to the German Nibelungenlied. All texts will be read in translation. Will fulfill the English department literature in translation requirement. Group I. 6 credits, AL
Fall -- W. Marvin

308. English Renaissance Verse
A study of the remarkable range of verses written by men and women of the sixteenth and seventeenth centuries in response to their turbulent times. We will trace the development of different genres and will attend to some of the major debates in which this verse is engaged -- debates over the nature and purpose of poetry, the relationship between man and woman, and that between humanity and God. Our emphasis will be on lyric poetry, including the love sonnets of the 1590s, and the so-called "metaphysical'' poetry of Donne, Herbert, and Marvell. Group I. 6 credits, AL
Not offered in 1997-1998.

310. Shakespeare: The Histories and Comedies
The histories and comedies. Group I. 6 credits, AL
Not offered in 1997-1998.

311. Shakespeare: The Tragedies and Romances
The tragedies and romances. Group I. 6 credits, AL
Winter -- Jm. McDonnell

312. Renaissance Drama
A study of theatrical conventions and dramatic form in representative Elizabethan and Jacobean plays, exclusive of Shakespeare. The course will focus on the rise of professional theater in London after 1576. Group I. 6 credits, AL
Spring -- T. Raylor

313. Major Works of the English Renaissance: The Faerie Queene
A study of Spenser's romance epic. Group II. 3 credits, AL
Winter -- T. Raylor

314. Major Works of the English Renaissance: Paradise Lost
An examination of Milton's masterwork. Group II. 3 credits, AL
Winter -- T. Raylor

319. Eighteenth-Century Fiction
The first great English novelists -- Defoe, Richardson, Fielding, Smollett, Sterne, Burney, and Austen. Group II. 6 credits, AL
Not offered in 1997-1998.

322. The Art of Jane Austen
All of Jane Austen's fiction will be read; the works she did not complete or choose to publish during her lifetime will be studied in an attempt to understand the art of her mature comic masterpieces, Sense & Sensibility, Pride & Prejudice, Mansfield Park, Emma, and Persuasion. Group II. 6 credits, AL
Spring -- S. Jaret McKinstry

323. English Romantic Poets
"It is impossible to read the compositions of the most celebrated writers of the present day without being startled with the electric life which burns within their words'' -- P. B. Shelley. Readings in Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and their contemporaries. Group III. 6 credits, AL
Spring -- C. Walker

326. Studies in Victorian Literature: Sensation Fiction
Selected novels, short stories and essays in which women's "awless mobility'' dispels the image of the Victorian home as sanctuary and exposes it as a place where crimes flourish. Group III. 6 credits, AL
Not offered in 1997-1998.

327. Nineteenth-Century Fiction
A study of the great "baggy monsters'' of the Victorian period. Texts by Dickens, Eliot, Hardy, the Brontes, and others will be read. Group III. 6 credits, AL
Fall -- C. Briganti

330. Literature of the American West
The West is now officially the most urbanized area of the United States, but the region still conjures up images of wide vistas and the "solace of open spaces.'' We will explore this paradox by examining both popular mythic conceptions of the West (primarily in film) and more searching literary treatments of the same region. We will examine the styles of perception writers have used in representing the geographical diversity and ethnic mix of the West. Authors read will include Twain, Cather, Stegner, Didion, and Snyder. Films will include The Searchers, The Ballad of Gregorio Cortez, McCabe and Mrs. Miller, and Unforgiven. Cross-listed with American Studies 330 and Environmental and Technology Studies 330. Group IV. 6 credits, AL
Fall -- M. Kowalewski

331. Studies in American Literature: Growing Up Ironic
An examination of works about growing up in a racially divided society, including Douglass's My Bondage and My Freedom, Twain's Pudd'nhead Wilson, Hurston's Their Eyes Were Watching God, Ellison's Invisible Man, Kingston's Woman Warrior, Dorris's Yellow Raft in Blue Water. Cross-listed with African/African American Studies 331 and American Studies 331. Group IV. 6 credits, AL, RAD
Not offered in 1997-1998.

332. Studies in American Literature: Faulkner, Hemingway, and Fitzgerald
An intensive study of the novels and short fiction of William Faulkner, Ernest Hemingway, and F. Scott Fitzgerald. The course will focus on the experimental ethos and "homemade'' quality of these innovative stylists who shaped the course of American modernism. Works read will be primarily from the twenties and thirties and will include The Sound and the Fury, In Our Time, Light in August, The Great Gatsby, The Sun Also Rises, and Go Down, Moses. Group IV. 6 credits, AL
Not offered in 1997-1998.

334. Studies in American Literature: The Postmodern American Novel
Is there such a thing as Postmodernism? And if there is, how do we define it? What sets Postmodern literature apart from the literature of the first half of the twentieth century? Or is Postmodernism merely a deviant branch of Modernism? We will try to answer these questions, first by using a classic Modernist text (let's say, Hemingway), to define Modernism, and then by reading a number of authors frequently referred to as Postmodern (Nabokov, Barth, Pynchon, Morrison, and others). Cross-listed with American Studies 334. Group IV. 6 credits, AL
Winter -- G. Smith

336. Studies in American Literature: American Indian Literature
We will begin by examining what one critic has called the Image and Anti-Image of Indians in American literature. Then, by studying both ancient oral traditions, nineteenth-century oratory, early autobiographies, and more recent Indian fiction and poetry, we will seek to understand the complexities of Indian tribal identity and ecological perception, intercultural communication, and the bicultural inheritance modern Native American writers bring to their work. There will be a required weekly film showing in connection with the course. Authors read will include Chief Seattle, Black Elk, D'Arcy McNickle, Leslie Silko, Louise Erdrich, James Welch, Linda Hogan, Adrian Louis, and Sherman Alexie. Films viewed will include Koyaanisgatsi, Broken Arrow, Little Big Man, Dances with Wolves, and Thunderheart. Cross-listed with American Studies 336 and Environmental and Technology Studies 336. Group IV. 6 credits, AL, RAD
Not offered in 1997-1998.

338. Rereading the African-American Novel
Commenting on the scant attention accorded Brooks' Maud Martha and the overwhelming response of the academic community to Ellison's Invisible Man, Mary Helen Washington notes that "the real 'invisible man'...is the black woman.'' By granting high visibility to Nella Larsen, Zora Hurston, Toni Morrison, Gloria Naylor and Alice Walker, this course contributes to ongoing efforts to address and redress an imbalance in the criticism of the African-American novel. It will be suggested that Hurston, Morrison and Walker, in particular, extend the boundaries of African-American literary expression through their daring experimentation with the language and form of fiction. Cross-listed with African/African American Studies 339, American Studies 339 and Women's Studies 338. Prerequisites: Two of the following courses: English 112, 117, 230 or with instructor's permission. Group IV. 6 credits, AL, RAD
Spring -- K. Owusu

339. Contemporary American Playwrights of Color
This course will examine a diverse selection of plays from the 1970s to the present with an attempt to understand how different theatrical venues frame our understanding of ethnic identity. Thus our goal will be two-fold: to study individual plays as part of a multi-ethnic American dramatic tradition, and to survey a range of American theatrical venues -- such as Broadway, regional theater, ethnic theater, and off-off Broadway -- as a way of exploring how ethnic images and identities are shaped. Playwrights and performers to be studied include Ntozake, Shange, George C. Wolfe, Luis Valdez, David Henry Hwang, August Wilson, Philip Gotanda, Wakako Yamauchi, Maria Irene Fornes, Suzan-Lori Parks, and Ann Deavere Smith. There will be occasional video screenings and we will attend live theatrical performances when possible. Cross-listed Theater Arts 339. Group IV. 6 credits, AL, RAD
Spring -- N. Cho

340. Poetry and Politics
In the poem "Dedication,'' Nobel-prize-winning poet Czeslaw Milosz asks "What is poetry which does not save/Nations or people?'' This course is an exploration of that question. We will read examples of political poems written in English, from Chaucer's political ballads to works by Seamus Heaney and Adrienne Rich; we will also read translations of poems by twentieth-century Eastern European, Russian, South American, and African writers who have written during times of political oppression and suffering. Essays by these poets and by contemporary critics will round out our syllabus. Our focus will be on questions such as "How do poets reconcile their artistic vision to their political beliefs? How do poets directly and obliquely handle political subject matter in their work? What ultimately is the impact of political poetry on a culture?'' 6 credits, AL
Winter -- C. Rossini

341. Studies in Contemporary Literature: Poetry
Study of such poets as Brooks, Bly, Clifton, Ginsberg, Green, Hayden, Heaney, Hughes, Hill, Larkin, Levertov, Lowell, Piercy, Plath, Rich, Snyder, and Wright. Previous study of the work of a study of theatrical convention and dramatic form from World War II to the present, with special emphasis on the past decade. 6 credits, AL
Not offered in 1997-1998.

342. Early Modern Drama
We will begin with a study of realism, as diversely practiced by such pioneering dramatists as Ibsen, Stringberg, Checkhov and Shaw, and trace its anti-realist dimension in Symbolism and Expressionism, then reactions against Realism represented by Pirendello and Brecht. We will examine plays not simply as objects of literary scrutiny but also as historical artifacts and scripts for contemporary performance. There will be occasional video screenings and possible "field trips'' to professional productions. Cross- listed with Theater Arts 342. Group IV. 6 credits, AL
Fall -- D. McCandless

343. Contemporary Drama
Kafka, Mann, and Silone. Cross-listed with Theater Arts 343. Group IV. 6 credits, AL
Not offered in 1997-1998.

344. Readings in the Twentieth-Century Novel
This course will begin with writers such as Joyce, Woolf, Ford Madox Ford, and Hemingway who, living between two worlds, experienced the ache of modernism and the breakdown of a cultural tradition. Our approach to their novels will be informed by an exploration of a general reorientation in physics, music, art, poetry, and philosophy. We will then move on to more recent works, exploring the ways in which they have managed the legacy of modernism. 6 credits, AL
Not offered in 1997-1998.

351. Women Playwrights/Women's Roles
A study of images of women in plays by Shakespeare, Ibsen, Strindberg, Tennessee Williams, and a number of women playwrights from Hellman and Clare Booth Luce to Caryl Churchill to Ntozahe Shange. Cross-listed with Theater Arts 351 and Women's Studies 351. 6 credits, AL
Not offered in 1997-1998.

361. Contemporary Literary Criticism
An examination of twentieth century Anglo-American criticism, including New Criticism, structuralism, poststructuralism, Feminism, Marxism, New Historicism, as well as reader-response criticism. We will consider such issues as authorial intention, the determinacy of meaning, the relationship between literary and non-literary texts, the conflicts between competing interpretive norms and assumptions, and the influence of gender, sexual identity, ethnicity and personal experience upon the formation of literary values and canons. 6 credits, AL
Not offered in 1997-1998.

362. Narrative Theory
"Does the world really present itself to perception in the form of well-made stories?'' asks Hayden White (historiographer). To try to answer that question, we will read contemporary narrative theory (including feminist theory, film theory, psychoanalytic theory, historiography, and cultural studies) in order to understand and analyze the narrative in various literary texts and films, considering point of view, character development, temporality, and closure as aspects of interpretation and genre. This course fulfills the advanced seminar requirement. Prerequisite: English 200. Cross- listed with Media Studies 362. 6 credits, AL
Not offered in 1997-1998.

370. Advanced Crafts of Writing: The Short Story
An advanced course in the writing of fiction. Students are expected to write brief critiques of each story written by their classmates. Prerequisite: writing requirement and consent of the instructor. May be repeated for credit. 6 credits, S/CR/NC, ND
Spring -- G. Smith

371. Advanced Crafts of Writing: Poetry
For students with some experience in writing poetry. We will take a workshop approach, relying on intensive critiques in and outside of class to help develop your interior critic. Exercises designed to help you expand and explore your poetic range will be provided, supplemented by readings of essays and poems by poets from all nooks and crannies of the Western tradition. The goal of this class is to have each member produce a sequence of 8 poems which are unified by technique, subject matter, form, or sensibility. A final, public reading will be scheduled. Prerequisite: writing requirement and permission of the instructor. 6 credits, S/CR/NC, AL
Spring -- C. Rossini

375. Advanced Crafts of Writing: The Essay
6 credits, S/CR/NC, ND
Not offered in 1997-1998.

379. Methods of Teaching English
Observation in the junior and senior high schools, coordinated with seminar lectures and discussions about lesson and unit planning, oral and written composition; developmental reading; language disabilities; the media; behavioral objectives. Coordinated with speech laboratory required for certification. Prerequisites: An English major; consent of the instructor. Cross-listed with Educational Studies 379. 6 credits, ND
Not offered in 1997-1998.

380. Drama in Renaissance England
Offered only as part of the English program in London. 6 credits, AL
Spring -- F. Morral

381. Novels of Place
Offered only as part of the English program in London. 6 credits, AL
Spring -- F. Morral

386. The Literature of California
An intensive study of writing that explores California both as a place (or rather, a mosaic of places) and as a continuing metaphor -- whether of promise or disintegration -- for the rest of the country. Authors read will include Louise Clappe, Frank Norris, John Muir, Raymond Chandler, Nathanael West, Robinson Jeffers, John Steinbeck, Jack Kerouac, Joan Didion, Gary Snyder, and Amy Tan. Offered only as part of the California Program. Cross-listed with American Studies 386 and Environmental and Technology Studies 386. 6 credits, AL
Winter -- M. Kowalewski

391. Independent Study
Students who wish to enroll in independent study should see the secretary of the English department for regulations governing this course.
Credit by Arrangement -- Staff

395-01. Re-reading the Nation
This course will address the ways in which reading American literature invites close examination not only of literary texts, but of the idea of "America'' as well. We will read substantial amounts of criticism in order to deepen our understanding of the major genres of American literature, such as Romance and realism, and to expand our frames of analysis to include the roles of gender, race, class, and culture in the creation and reception of literary texts. Authors to be read will likely include Nathaniel Hawthorne, Herman Melville, Harriet Beecher Stowe, Walt Whitman, Charles Chesnutt, Sarah Orne Jewett, Theodore Dreiser, and Nella Larsen. Cross-listed with American Studies 395-01. 6 credits, AL
Fall -- N. Cho

395-02. Sense and Sensibility
An exploration of the rise and fall of the eighteenth-century cult of sensibility and the language of feeling, with readings in Hume, Rousseau, Wollstonecraft, and Austen, among others. 6 credits, AL
Fall -- C. Walker

395-03. Film and Literature
Given the same story, what can film do that the novel cannot? We will dig into narrative theory to explore this question and qualify our conclusions by looking at novel-film pairs. The final task for students will be adaptation of a short story or other brief work of fiction. Prerequisites: Media Studies 110 and English 200. Cross-listed with Media Studies 395. 6 credits, AL
Fall -- V. Bailey

395-04. Gender and Romance in Medieval Literature
This course will study the ways in which a variety of texts from France, Italy and England, use gender as a means of raising issues of sexual and social identity. We will read poetry and prose written from the 12th through the 15th centuries, paying particular attention to how depictions of gender change over time and between genres. We will focus on the romance as it develops in France and trace its influence to Italy in the works of Dante and Boccacio, and thence to England for a study of Chaucer, the Gawain poet, and some anonymous Middle English romances. We will also seek out the rare voices of actual medieval women by reading from the female troubadour poets, Marie de France, Christine de Pizan, Margery Kempe, and Julian of Norwich. Expect to read most but probably not quite all of the texts on the following list: the Lais of Marie de France, Chretien's Yvain, The Romance of Silence, Dante's Vita Nuova and his Rime Petrose, selections from the Decameron, Petrarch's sonnets, Chaucer's Book of the Duchess, and the Legend of Good Women as well as selected Canterbury Tales (we can't leave out the Wife of Bath), Sir Gawain and the Green Knight (or possibly Pearl), Sir Orfeo, Emare, The Book of Margery Kempe, Julian of Norwich's Divine Revelations, and Christine de Pizan's The Book of the City of Ladies. In addition we will read from contemporary literary theory when it is pertinent to our investigations, as well as from current work in the field of medieval literature, culture, and history. 6 credits, AL
Winter -- D. Gambera

395-05. Four Nobel Laureates
We will read novels, poems, plays, and essays by Nadine Gordimer, Toni Morrison, Wole Soyinka, and Derek Walcott and discuss them in relation to each author's unique contribution to the genre in which he or she writes. Prerequisite: Two of the following courses: English 200, 331, 338; African/African American Studies 233, 235 or with instructor's permission. Cross-listed with African/African American Studies 395. 6 credits, AL, RAD
Spring -- K. Owusu

400. Integrative Exercise
Senior English majors may fulfill the integrative exercise either by taking a comprehensive examination based on a departmental reading list, or by writing a senior thesis on a topic approved by the department. The topic must be convincingly defined before the end of fall term, a substantial portion must be approved by the middle of winter term, and the final draft must be submitted by the due date early in spring term. Those who choose the exam option should form groups to discuss the texts on the reading list. The six-hour exam will be given early in the spring term. No student may change from the paper to the exam option later than the deadline established by the department (one week after the winter term portion is due). Students may register for the integrative exercise according to their individual requirements, the grade will be registered at the end of spring term. 6 credits, S/NC, ND
Winter (Secs. 01-03) and Spring (Sec. 04) -- D. Gambera, Jm. McDonnell and Staff