Posts tagged with “Arts @ Carleton” (All posts)

  • Two small exhibitions currently on display at the Carleton College Perlman Teaching Museum in the Weitz Center for Creativity connect curricular work in history and French to art objects from around the globe. Both exhibits are on display in the Kaemmer Family Gallery of the Perlman Teaching Museum through November 14, 2012.

    Visualizing Friends and Enemies in the Socialist World” is an extension of a seminar led by David Tompkins, assistant professor of history and director of European studies. The exhibit analyzes socialist propaganda from Russia, China, Cuba, and elsewhere. And under the guidance of Christine Lac, senior lecturer in French, “People, Places, Things: La culture en deçà des clichés” explores the cultural significance of people, places, and things as represented by French and Francophile artists.

    Both exhibits will be discussed by student experts in an art talk on Thursday, Nov. 1, from 4:30 to 6 p.m. in the Weitz Center for Creativity Commons.

  • In collaboration with the Cannon Valley Elder Collegium, Carleton College is pleased to announce the first annual Northfield Summer Film Festival, running for four consecutive Tuesday evenings beginning July 10 and running through July 31. The theme of the series is “awakenings” and featured films include “Groundhog Day,” “After Life,” “The Crying Game,” and “Local Hero.” Screenings will be presented each Tuesday evening at 7:30 p.m. in the Weitz Center for Creativity Cinema and are free and open to the public.

  • The Stuart Pimsler Dance & Theater (SPDT) performed at Carleton on Friday, Jan. 6, kicking off the winter term programming in the Weitz Center for Creativity. Dan McAlister ’13 interviewed Stuart Pimsler, who also talked about the collaborative class he taught at Carleton during the winter term, which brought politics and dance together in a unique but interesting cross-disciplinary way, and showed footage of the company’s performance in the Weitz Center Theater. The performance was supported by funding from the Minnesota State Arts Board and the Legacy Amendment.