Adriel Barham (He/Him/His)
Studio Art major, Art History minor

This collection explores themes of value, repair, purpose, and connection through abstract sculptures. Inspired by the concept of Kintsugi, the Japanese technique for repairing broken ceramics with lacquer and gold dust, I use gilded elements to bind and connect discarded wood, industrial and scrap metal, and clay vessels manipulated beyond functionality. Subverting the idea of repair, this process gives the materials a second life and renewed sense of value without adding any practical utility.

These pieces celebrate “flaws”, transforming fractured forms into moments of beauty, appreciation, and reflection. My work process is guided by the natural tendencies of the materials, interpreting their inner forms through intimate, technical, yet unscripted labor.

Abstract sculpture in a studio. Artwork is crafted from Japanese walnut, brass wire, plywood, spray paint, and rebar
Adriel Barham
Stand Tall, 2025
Japanese walnut, brass wire, plywood, spray paint, rebar
65 x 36 x 36 inches
Two sculptures in a studio. Artwork is crafted from wood, brass flat stock, brass wire, rebar, artificial gold leaf, and steel mounting hardware
Adriel Barham
Fault Lines (Left) and Butterfly (Right), 2025
Fault Lines: Scrap wood, brass flat stock, brass wire, rebar
48 x 24 x 12 inches
Butterfly: Cherry, brass wire, artificial gold leaf, steel mounting hardware
24 x 24 x 2 inches
Sculpture in a studio: artwork is crafted from scrap wood, steel flat stock, threaded rod, rebar, and spray paint
Adriel Barham
Was there ever a different future?, 2024
Scrap wood, steel flat stock, threaded rod, rebar, spray paint
24 x 24 x 24 inches
Sculpture in a studio: artwork is crafted from scrap wood, stoneware, black stain, rebar, and more.
Adriel Barham
New Light, 2025
Scrap wood, stoneware, black stain, rebar, steel round stock, string lights, paper towel
60 x 24 x 24 inches
Abstract sculptures in a studio
Adriel Barham
Studio Documentation, 2025
Various media and dimensions