My artistic practice and my spiritual practice are inextricable. So to speak, my spiritual practice is the notice and study of the sacred world through threads of revelation. My artistic practice is the act of weaving such threads into a cohesive tapestry relative to the place in time wherein they were placed in my hands — a sort of spiritual paint by number.
Created in trance or meditation, my work manifests as diaristic charts of my relationship with the phenomenal world and its topography.
